Here are 100 books that The Crow Goddess fans have personally recommended if you like
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I love British history. I am fascinated by ancient roots; legends and myths arising from around the Roman invasion. Stories of Boudicca, Casswallen, Celtic legends, and Arthurian tales hold me in a world of imaginings and anticipation. These exciting stories have been told and retold, but Cartimandua, Warrior Queen of Brigantia is new to me. She, a Yorkshire lass like me – led the largest tribe in Britain. I have become absorbed into the iron-age lives and loves of her Brigantia. The interwoven links between known facts and fantasy intrigue me. My favourite books here encouraged my journey of discovery; the old birthing the new. The legends from Britain grow.
Through the pages of this book, unfolds a tangible reality of the birth and boyhood of Merlin the magician, leading up to his central position in the legend of Arthur and the Knights of the Round Table.
As I read, I saw how Stewart wove a story using some accepted historical facts and myths, to create something new and solid. I saw the way Stewart used mystical moments and magical spells to sit above common logic.
Her ability to write in this imaginative way makes her characters more believable. And I do believe it. I have feelings of satisfaction at the end of the book, which inspired me to write my own historical story.
Vivid, enthralling, absolutely first-class - Daily Mail
So begins the story of Merlin, born the illegitimate son of a Welsh princess in fifth century Britain, a world ravaged by war. Small and neglected, with his mother unwilling to reveal his father's identity, Merlin must disguise his intelligence - and hide his occasional ability to know things before they happen - in order to keep himself safe.
While exploring the countryside near his home, Merlin stumbles across a cave filled with books and papers and hiding a room lined with crystals. It is…
When I think of the distant past, I imagine it being populated by those who were a bit closer to the magical world than we. The men (or were they wizards?) who raised the standing stones. The druids of the ancient Celtic world. Figures like Arthur, Robin Hood, and the Viking shamans who harbored a kinship with the waters, with the trees, and with the land. The magic of the past is like a song played on a harp, the echoes of which still waft through our world. Some of us can hear those echoes yet, and some of us write about them.
Avril Borthiry is one of those writers who captivate you, hijack you and absorb you into the tale she tells. You can tell she feels the Historical Romance she writes, and she has the rare talent of imparting what she feels to her reader. This is a powerful tale. As with all of life, there is light and dark in this story, a battle between good and evil. You will love her characters. You will weep, suffer, bleed, and rejoice with them. Even after you finish reading, you will never really leave this book behind.
Alexander Mathanach is a Scottish knight; a man of noble birth haunted by a tragic event in his past. Those he loved betrayed him and almost destroyed his faith. Yet, despite his bitterness, he fulfilled the vow he made. As promised, he took the orphaned child from the abbey and raised her as his own, choosing to live a quiet life in the depths of a remote, northern forest.But Alexander is guardian to more than a young girl. He is also the keeper of a divine artifact, one that draws a terrible evil to his secluded doorstep. When his peaceful…
When I think of the distant past, I imagine it being populated by those who were a bit closer to the magical world than we. The men (or were they wizards?) who raised the standing stones. The druids of the ancient Celtic world. Figures like Arthur, Robin Hood, and the Viking shamans who harbored a kinship with the waters, with the trees, and with the land. The magic of the past is like a song played on a harp, the echoes of which still waft through our world. Some of us can hear those echoes yet, and some of us write about them.
Although this is, strictly speaking, a Young Adult level book, it belongs here in my cadre of stories that have woven a measure of magic through my being. I first read this as a young girl, and loved it so much I saved my pennies to buy my own copy (I still have it). Sally Watson showed me how to create a real, believable, and magical heroine. One with flaws, and fears, and a call to be other than those who surround her. Other than those who surround her. The story also takes place in the Scottish Highlands, a place very dear to my heart, and presents a wealth of actual historical characters who come to life between the pages. This one will forever have a place in my heart.
The time was 1644 in Inverness, Scotland. As the "wicked wee lass" raced along the steep streets, just ahead of the stones and cries of briosag! hurled at her, she wished with all her heart that she were a witch. What a spell she would put on them all! For all her seventeen years, Kelpie could remember nothing but belonging to Mina and Bogle, gypsies who lived by their evil wits. The only law any of them knew was that of self-preservation. Bogle said she had been kidnaped because of her blue ringed eyes of the "Second Sight," and she…
When I think of the distant past, I imagine it being populated by those who were a bit closer to the magical world than we. The men (or were they wizards?) who raised the standing stones. The druids of the ancient Celtic world. Figures like Arthur, Robin Hood, and the Viking shamans who harbored a kinship with the waters, with the trees, and with the land. The magic of the past is like a song played on a harp, the echoes of which still waft through our world. Some of us can hear those echoes yet, and some of us write about them.
Jennifer Ivy Walker is a relative newcomer to publishing Historical Romance, but she knows how to embroider a legend. There is a wealth of detail in her writing that pulls the reader into the story. This tale is a retelling of the story of Tristan and Isolde, in which we meet figures such as Lancelot du Lac, King Arthur and his Guinevere, and get glimpses of Camelot. Elves and goddesses mingle with mortals in the forests of ancient Britain and France. This retelling has a French accent that lifts it above the ordinary and the well-known. It belongs here because it gives me faith that the ancient tradition of weaving magic into stories, both by pen and tongue, will carry on.
In this dark fairy tale adaptation of a medieval French legend, Issylte must flee the wicked queen, finding shelter with a fairy witch who teaches her the verdant magic of the forest. Fate leads her to the otherworldly realm of the Lady of the Lake and the Elves of Avalon, where she must choose between her life as a healer or fight to save her ravaged kingdom. Tristan of Lyonesse is a Knight of the Round Table who must overcome the horrors of his past and defend his king or lose everything. When he becomes a warrior of the Tribe…
I am an Emeritus Professor of Archaeology at Cardiff University. I have been writing books on later prehistoric and Romano-British and Roman provincial cults and customs since the 1980s, and my fascination with this subject remains undimmed. I have travelled all over the world as a visiting lecturer and in 2015 my book Bog Bodies Uncovered won two US Books of the Year awards. I have always been of the view that research is pointless unless it is shared and easily communicated, and so I try to avoid academic jargon and to present my publications both as accessible to general readers and as relevant to people at the cutting edge of their own research.
This well-illustrated and highly readable book (available in hardback and paperback) is a comprehensive discussion of archaeological evidence for sacred buildings in late Iron Age and Roman Britain: ranging from grand Classical public sanctuaries, such as the temple of Claudius at Colchester, to rural, more intimate shrines, such as the temple dedicated to Apollo Cunomaglus at Nettleton in Wiltshire. Many sanctuaries, particularly in south-west England, seem purposefully to have been built within a day’s walk of each other and (sometimes, perhaps) within sight of one another, and it is tempting to see these ‘chains of sanctity’ as pilgrim routes, akin to the Camino trails of southern France and northern Spain. Reconstruction drawings in this book cause the ruins of Roman Britain’s shrines to spring into life, and make it easy to imagine what it must have been like to visit and worship at these holy places. The finds, also, tell…
Based on new findings over the last 40 years, this book explores the ritualistic and cultic practices in Britain during the transitional period between paganism and early Christianity. A major theme running through the book is the continuity, or otherwise, between the cult sites, symbolism and rituals of the different periods: Iron Age, Roman and post-Roman. In the last 40 years, shrines at Lydney, South Cadbury, Uley, Bath and Maiden Castle and the great Roman cemeteries outside Winchester and Dorchester, have been excavated, together with a great number of other religious sites dating from the Iron Age, Roman and post-Roman…
As a graduate student in library science, I stumbled across an entry on Macbeth in a biographical dictionary. It stated he was actually a good king who ruled for seventeen years. Furthermore, he claimed the throne in his own name and that of his wife. I was hooked. I did extensive research trying to find the man behind the legend, and how the tale got twisted into what Shakespeare gave us. From Celtic, Norse, and English sources, I extrapolated the culture of 11th-century Scotland, and a man who might well have been the historical high king Macbeatha.
Mentions of the historical Arthur—a war duke, not a king—date him to the late 5th and early 6th centuries. Merlin’s dates are fuzzier. Whyte sets this tale of Merlin’s origins in Roman Britain, consistent with the historical Arthur, as the withdrawal of Rome’s legions leaves the colony subject to invasion and insurrection. Young Publius, nicknamed Merlin, is a soldier and a blacksmith. He and his cousin Uther battle to keep Britannia from crumbling around them as Roman society is beset by external marauders and internal strife. Through it all, Merlin is intrigued by stories of a stone that fell from the sky—an iron-rich meteorite that has rendered steel, and which Merlin can forge into an incredible sword. In this richly developed story, Merlin is not a druid or a sorcerer, but a smith.
In a time preceding King Arthur and Camelot, two Roman men, Publius Varrus and Caius Britannicus, Arthur's great-grandfathers, try to preserve the best of Roman life and build a new culture out of the wreckage of the old and, in doing so, create a legend, in a new edition of the first volume in the
We all read (or write) fiction for a bit of escapism, don’t we? To come face-to-face with the good, the bad, and the ugly of bygone days… The ancient Mediterranean is the place I would most love to visit in a time machine (albeit fully armed and in a hazmat suit), and these writers are – for me – the best at transporting readers there from the comfort of a sofa. I’ve tried plenty of historical fiction set in other times and places - much of it very good, but the smell of olive groves, the chirruping of cicadas, and the Aegean sun always call me back!
Even though it’s more of a YA book, I struggled with this as a teenager, so I picked it back up a few years ago with no great expectations. We were staying in a static home in Cornwall and the weather was vile, morning and night. Perhaps I would have motored through any book given these circumstances. Or perhaps it’s just a magical novel.
I’m going with the latter because it has since become my number-one comfort read. Comradeship, adventure, tension and drama, authentic historical detail, lyrical descriptions of Iron Age Britain… it has it all and more. As it happens, I have only just finished the sequel – The Silver Branch – and this book is a worthy challenger, too!
The Everyman edition reprints the classic black and white illustrations of C. Walter Hodges which accompanied the first edition in 1954.
Around the year 117 AD, the Ninth Legion, stationed at Eburacum - modern day York - marched north to suppress a rebellion of the Caledonian tribes, and was never heard of again. During the 1860s, a wingless Roman Eagle was discovered during excavations at the village of Silchester in Hampshire, puzzling archaeologists and scholars alike. Rosemary Sutcliff weaves a compelling story from these two mysteries, dispatching her hero, the young Roman officer Marcus Aquila, on a perilous journey beyond…
A family visit to Hadrian’s Wall first sparked my interest in Roman Britain, and since then I’ve written eight novels, one novella, and a couple of short stories featuring Roman Army Medic and reluctant sleuth Gaius Petreius Ruso and his British partner, Tilla. I’m the owner of an archaeological trowel and infinite curiosity, both of which I wield as often as possible in search of the “real” Roman Britain.
This is the place to go for the written evidence, conveniently gathered together in one slim paperback: all the way from the distant whispers of early Mediterranean travellers to fifth-century Christian writers. Letters, coins, altars, curses, graffiti and gravestones find a place here beside the scrolls of historians for whom “good writing” was not always synonymous with “sticking to the facts”.
Roman Britain: A Sourcebook has established itself as the only comprehensive collection of source material on the subject. It incorporates literary, numismatic and epigraphic evidence for the history of Britain under Roman rule, as well as translations of major literary sources.
This new edition includes not only recently discovered material, but also the texts of Caesar's commentaries on his expeditions to Britain in 55 and 54 BC, as well as relevant sections of Tacitus' biography of his father-in-law, former governor of Britain. The inclusion of these pivotal texts, which provide the most detailed account of the Romans campaigns in Britain,…
Dr. Simon Elliott is an award-winning and best-selling historian, archaeologist, author, broadcaster, Honorary Research Fellow at the University of Kent, Trustee of the Council for British Archaeology, Ambassador for Museum of London Archaeology, Guide Lecturer for Andante Travels, and President of the Society of Ancients. He frequently appears on broadcast and social media as a presenter and expert regarding the ancient world, and currently has 12 books on sale on similar themes, with three more due later this year. He is also a PR Week award-winning, highly experienced communications practitioner who has advised a wide variety of clients at a senior level on their interaction with the world of the media and politics.
In my opinion the definative, academic standard account of the Roman occupation of Britain. Professor Mattingly’s book is very well organised, with sections which easily engage the reader on specific aspects of the Roman presence here, for example religion, political organisation, the military, agriculture, and industry. It also explains in great detail the various impacts across Britain of the transition from the Late Iron Age to the Roman period.
Part of the Penguin History of Britain series, An Imperial Possession is the first major narrative history of Roman Britain for a generation. David Mattingly draws on a wealth of new findings and knowledge to cut through the myths and misunderstandings that so commonly surround our beliefs about this period. From the rebellious chiefs and druids who led native British resistance, to the experiences of the Roman military leaders in this remote, dangerous outpost of Europe, this book explores the reality of life in occupied Britain within the context of the shifting fortunes of the Roman Empire.
A family visit to Hadrian’s Wall first sparked my interest in Roman Britain, and since then I’ve written eight novels, one novella, and a couple of short stories featuring Roman Army Medic and reluctant sleuth Gaius Petreius Ruso and his British partner, Tilla. I’m the owner of an archaeological trowel and infinite curiosity, both of which I wield as often as possible in search of the “real” Roman Britain.
This is the British Museum’s take on Roman Britain and as you’d expect, there are gorgeous photos on every page. If you can drag your eyes away from the visual feast, the text is intelligent and informative and there are suggestions for further reading. Don’t just leave it adorning the coffee table – pick it up and discover a lost world!
The British Museum's new introductory guide to Roman Britain combines an informative text with first-class design and is illustrated with plentiful artefacts from the museum's collections. Throughout the book the emphasis is on cultural interaction and change, showing the impact of the Roman presence, but also British survivals; the book starts, perhaps unusually for general guides of this kind, with a section on pre-Roman Britain, and ends with a chapter on Britons after Rome. In between we learn about the military, the new literate culture introduced by Rome, about the impact of Rome on the rural economy, and on life…
