Here are 60 books that Witch of the Glens fans have personally recommended if you like
Witch of the Glens.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I love British history. I am fascinated by ancient roots; legends and myths arising from around the Roman invasion. Stories of Boudicca, Casswallen, Celtic legends, and Arthurian tales hold me in a world of imaginings and anticipation. These exciting stories have been told and retold, but Cartimandua, Warrior Queen of Brigantia is new to me. She, a Yorkshire lass like me – led the largest tribe in Britain. I have become absorbed into the iron-age lives and loves of her Brigantia. The interwoven links between known facts and fantasy intrigue me. My favourite books here encouraged my journey of discovery; the old birthing the new. The legends from Britain grow.
Through the pages of this book, unfolds a tangible reality of the birth and boyhood of Merlin the magician, leading up to his central position in the legend of Arthur and the Knights of the Round Table.
As I read, I saw how Stewart wove a story using some accepted historical facts and myths, to create something new and solid. I saw the way Stewart used mystical moments and magical spells to sit above common logic.
Her ability to write in this imaginative way makes her characters more believable. And I do believe it. I have feelings of satisfaction at the end of the book, which inspired me to write my own historical story.
Vivid, enthralling, absolutely first-class - Daily Mail
So begins the story of Merlin, born the illegitimate son of a Welsh princess in fifth century Britain, a world ravaged by war. Small and neglected, with his mother unwilling to reveal his father's identity, Merlin must disguise his intelligence - and hide his occasional ability to know things before they happen - in order to keep himself safe.
While exploring the countryside near his home, Merlin stumbles across a cave filled with books and papers and hiding a room lined with crystals. It is…
When I think of the distant past, I imagine it being populated by those who were a bit closer to the magical world than we. The men (or were they wizards?) who raised the standing stones. The druids of the ancient Celtic world. Figures like Arthur, Robin Hood, and the Viking shamans who harbored a kinship with the waters, with the trees, and with the land. The magic of the past is like a song played on a harp, the echoes of which still waft through our world. Some of us can hear those echoes yet, and some of us write about them.
I picked up this book years ago at my local library by chance, if you believe in chance—which I do not. At that time, I had no idea the narrative of a historical romance could stretch back to Iron Age times, or that I could lose myself in the characters who populated the legends I love. For years, I’d been listening to Celtic music. In Patricia Finney’s wonderful story, I heard that music in the everyday world she created. I discovered how it feels to drive a chariot. Quite possibly, I revisited a past life. I will be forever grateful this book came into my hand.
When I think of the distant past, I imagine it being populated by those who were a bit closer to the magical world than we. The men (or were they wizards?) who raised the standing stones. The druids of the ancient Celtic world. Figures like Arthur, Robin Hood, and the Viking shamans who harbored a kinship with the waters, with the trees, and with the land. The magic of the past is like a song played on a harp, the echoes of which still waft through our world. Some of us can hear those echoes yet, and some of us write about them.
Avril Borthiry is one of those writers who captivate you, hijack you and absorb you into the tale she tells. You can tell she feels the Historical Romance she writes, and she has the rare talent of imparting what she feels to her reader. This is a powerful tale. As with all of life, there is light and dark in this story, a battle between good and evil. You will love her characters. You will weep, suffer, bleed, and rejoice with them. Even after you finish reading, you will never really leave this book behind.
Alexander Mathanach is a Scottish knight; a man of noble birth haunted by a tragic event in his past. Those he loved betrayed him and almost destroyed his faith. Yet, despite his bitterness, he fulfilled the vow he made. As promised, he took the orphaned child from the abbey and raised her as his own, choosing to live a quiet life in the depths of a remote, northern forest.But Alexander is guardian to more than a young girl. He is also the keeper of a divine artifact, one that draws a terrible evil to his secluded doorstep. When his peaceful…
When I think of the distant past, I imagine it being populated by those who were a bit closer to the magical world than we. The men (or were they wizards?) who raised the standing stones. The druids of the ancient Celtic world. Figures like Arthur, Robin Hood, and the Viking shamans who harbored a kinship with the waters, with the trees, and with the land. The magic of the past is like a song played on a harp, the echoes of which still waft through our world. Some of us can hear those echoes yet, and some of us write about them.
Jennifer Ivy Walker is a relative newcomer to publishing Historical Romance, but she knows how to embroider a legend. There is a wealth of detail in her writing that pulls the reader into the story. This tale is a retelling of the story of Tristan and Isolde, in which we meet figures such as Lancelot du Lac, King Arthur and his Guinevere, and get glimpses of Camelot. Elves and goddesses mingle with mortals in the forests of ancient Britain and France. This retelling has a French accent that lifts it above the ordinary and the well-known. It belongs here because it gives me faith that the ancient tradition of weaving magic into stories, both by pen and tongue, will carry on.
In this dark fairy tale adaptation of a medieval French legend, Issylte must flee the wicked queen, finding shelter with a fairy witch who teaches her the verdant magic of the forest. Fate leads her to the otherworldly realm of the Lady of the Lake and the Elves of Avalon, where she must choose between her life as a healer or fight to save her ravaged kingdom. Tristan of Lyonesse is a Knight of the Round Table who must overcome the horrors of his past and defend his king or lose everything. When he becomes a warrior of the Tribe…
There’s nothing I love more than a good thriller, especially one with a locked room setting. I’m fascinated by how people react to psychological pressure, and what it would take for any of us to behave in extreme ways. With The Elevator, I wanted to push that locked room scenario to its limits: two characters, trapped together in a tiny space. This might also be the book that’s been gestating inside me for longest – my mum was trapped in a lift when she was pregnant with me! I hope some of the books on this list appeal to you, and that you enjoy them as much as I did.
This is another chiller thriller, set in a remote hotel in the Scottish Highlands. (Note to self: only holiday in Scotland in the summer!)
The hotel is closed to guests, and Rennie Yorke is working what should be her final shift when a storm blows in and seals off her exit. But she’s not alone for long – an injured man arrives at the door, claiming to be a police officer who was transporting a dangerous prisoner when his car crashed, and the prisoner escaped. Rennie lets him in – but shortly afterward another man arrives, making the same claim.
It’s a brilliant hook, and I was completely immersed in trying to work out who was telling the truth and who was lying.
Remie Yorke has one shift left at the Mackinnon Hotel in the remote Scottish Highlands before she leaves for good. Then Storm Ezra hits.
As temperatures plummet and phone lines go down, an injured man stumbles inside. PC Don Gaines was in a terrible accident on the mountain road. The only other survivor: the prisoner his team was transporting.
When a second stranger arrives, Remie reluctantly lets him in from the blizzard. He, too, is hurt. He claims to be a police officer. His name is also Don Gaines.
I’m a Professor of Creative Writing at York St John’s University in York, UK. I’ve been published as a poet, novelist, and nonfiction writer. My list reflects perhaps some eclectic tastes, but what unites these books is a fascination with engaging with the world in a way that de-centers the human, and I have done this throughout my writing career. I love the natural world, growing plants, and watching the seasons change. I am also curious about time and memory and how we perceive these. I am drawn towards science fiction, but more the speculative end of that spectrum, where writers explore otherness and possible worlds.
Another alien novel, but one of the strangest and most profound I’ve read. Isserly drives around in her van in the wilds of Scotland, picking up hitchhikers. But she is no ordinary woman; in fact, she isn’t human at all, but a modified alien tasked with finding humans to be turned into fast food for an alien world.
It is a darkly ironic, strange, and disturbing novel that asks questions about how we treat animals, cleverly reversing its language to refer to humans as aliens and aliens as humans. It felt to me that this book was able to touch on many of the evils of capitalism, not just mass farming but also the treatment of women and women’s bodies. But it doesn’t do this in an obvious way.
It’s an alien novel that’s low on overt science fiction; it’s gritty and real, emotional and lonely. I wasn’t the same…
Horror was never something that appealed to me when I was younger. However, in adulthood, I realised the fascination of the unsettling. As I began writing, I realised that true horror is not all about monsters and gore but about breaking our everyday complacency and realising the possibility that the world is bigger than us and how we are unprepared to deal with it. This is why I write horror. Not to shock you with a jump-scare, but you leave you thinking about my words long after the lights have gone out.
One night, a gaunt woman stumbles into the road in front of Lauren and her father. They take her home, but the next day she is gone, and only Lauren can remember she was ever there.
The best supernatural horror works because it reflects the terrors of real life. Francine Toon’s Pine is the story of Lauren, a young girl growing up in rural Scotland with an alcoholic father and only the memory of a mother who disappeared when she was a child.
And while the supernatural is always present, it is the isolation and actions of the living that create true horror.
WINNER of the McIlvanney Prize 2020 Shortlisted for Bloody Scotland's Scottish Crime Debut of the Year 2020 Longlisted for the Highland Book Prize 2020
'Hugely atmospheric, exquisitely written and utterly gripping' LUCY FOLEY, author of The Hunting Party 'It's both eerie and thrilling at once, and had me under its spell until the end' SOPHIE MACKINTOSH, author of Blue Ticket and The Water Cure ______________
They are driving home from the search party when they see her. The trees are coarse and tall in the winter light, standing like men.
Lauren and her father Niall live alone in the Highlands,…
I’ve always had a fascination with the past. After graduating with an Honors degree in English Literature, with a minor in History, I spent years working as an English Language Teacher, while I wrote stories in my free time. Writing is a compulsion for me. It’s my escape and entertainment – my solace in tough times. Now, as a full-time author, I’m lucky enough to get to spend my days in Ancient and Medieval Scotland. I write the kind of stories I love to read: with vibrant characters, richly researched settings, and action-packed adventure romance that transports readers to forgotten times and imaginary worlds.
If you haven’t picked up a book by Grace Burrowes before, you’re in for a treat! The Laird is a tender, nuanced historical romance set in Scotland. But it’s also a confronting, and at times haunting, story that addresses some sensitive issues. The hero, Michael, returns home after nine years at war, to find his bride, Brenna, furious at his prolonged absence – and far more beautiful than he remembers. Both Michael and Brenna are strong, likable, characters, and their story is both heart-rending and beautiful…and, as always, Burrowes’s writing evokes strong emotion.
New York Times and USA Today bestselling author Grace Burrowes delivers another passionate Regency romance…
He left his bride to go to war…
After years of soldiering, Michael Brodie returns to his Highland estate to find that the bride he left behind has become a stranger. Brenna is self-sufficient, competent, confident―and furious about Michael's prolonged absence.
Now his most important battle will be for her heart
Brenna is also hurt, bewildered, and tired of fighting for the respect of those around her. Michael left her when she needed him most, and then stayed away even after the war ended. Nonetheless,…
I am a Scottish writer and have long loved books from and about Scotland. But I would love to see more written about the working-class Scottish experience from women’s perspective as I think that would lead to less focus on the violence and poverty that is featured in so many contemporary Scottish books from male authors. There is so much joy in the Scottish working-class experience – a pot of soup always on the stove in someone’s kitchen, the stories, the laughter, a community that cares for their own. Let’s see more of that, and more stories from and about Scottish working-class women.
Scabby Queen opens with the death by suicide of Clio Campbell, at different times a popstar, a political activist, a lover of life.
The book stretches back five decades to tell her story, from different perspectives and jumping around between time periods. I really love that such a complicated, strong, and uncompromising woman gets to take centre stage in a story that is both political (poll tax riots, miners’ strikes, Brexit) and personal.
'Gripping and moving. A literary triumph' Nicola Sturgeon
'A humane and searching story' Ian Rankin
'Kirstin Innes is aiming high, writing for readers in the early days of a better nation' A.L. Kennedy
A NEW STATESMAN BOOK OF THE YEAR * A SCOTSMAN BOOK OF THE YEAR
Three days before her fifty-first birthday Clio Campbell - one-hit wonder, political activist, lifelong love and one-night-stand - kills herself in her friend Ruth's spare bedroom. And, as practical as she is, Ruth doesn't know what to do.
As the news spreads around Clio's collaborators and comrades, lovers and enemies, the story of…
When I first visited Scotland, I drove north from Edinburgh, driving through much of the country to catch a ferry to Orkney. This northern archipelago is certainly one of the most magical places I’ve ever been to; the steep sea cliffs and standing stones, windblown grasses, and violent waves put me in a gothic state of mind. I moved to Scotland a few years later to live by the sea. Since that first visit to Orkney, I’ve written my own Scottish gothic novels, as well as presented research on the gothic at various academic conferences. It’s a topic that I’m certain will compel me for a long time to come.
Fray is such an unexpected novel. It’s presented as a sort of ‘missing person mystery,’ but it’s actually quite an experimental and literary novel.
The whole story, written in often surreal fragments, takes place in the Scottish wilderness and is rife with unforgettable imagery. Ultimately, it’s a story about grief, and the fragmented narrative style perfectly suits this theme.
