Here are 100 books that Did God Have a Wife? Archaeology and Folk Religion in Ancient Israel fans have personally recommended if you like
Did God Have a Wife? Archaeology and Folk Religion in Ancient Israel.
Shepherd is a community of 11,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
As an archaeologist for over 50 years, I specialized in Household Archaeology, the branch of archaeology that investigates daily life. I was born and spent my childhood in British Mandatorial Palestine and then grew up to adulthood in Israel after it was founded. I spent many years as a kibbutz member in the Northern Negev living near the Bedouin. These experiences brought me close to pre-industrial societies. All my life I was surrounded by archaeological sites, taught biblical archaeology for over 40 years in college and wrote several books and articles on subjects related to daily life in biblical times.
The Mediterranean Diet, the basis of which is formed by the Israelite diet, is something many people talk about. Although I had a chance to write articles and present papers on the Israelite diet, this book covers the subject and answers many related questions in a very thorough way: What did the ancient Israelites eat, and how much? The author carefully sifts through all the relevant evidence—biblical, archaeological, anthropological, environmental—to uncover what the people of biblical times really ate and how healthy (or unhealthy) it was.
What food did the ancient Israelites eat, and how much of it did they consume? That's a seemingly simple question, but it's actually a complex topic. In this fascinating book Nathan MacDonald carefully sifts through all the relevant evidence -- biblical, archaeological, anthropological, environmental -- to uncover what the people of biblical times really ate and how healthy (or unhealthy) it was.
Engagingly written for general readers, What Did the Ancient Israelites Eat? is nonetheless the fruit of extensive scholarly research; the book's substantial bibliography and endnotes point interested readers to a host of original sources. Including an archaeological timeline…
As an archaeologist for over 50 years, I specialized in Household Archaeology, the branch of archaeology that investigates daily life. I was born and spent my childhood in British Mandatorial Palestine and then grew up to adulthood in Israel after it was founded. I spent many years as a kibbutz member in the Northern Negev living near the Bedouin. These experiences brought me close to pre-industrial societies. All my life I was surrounded by archaeological sites, taught biblical archaeology for over 40 years in college and wrote several books and articles on subjects related to daily life in biblical times.
Women played an important role in daily life of biblical Israel, but not much has been written about them. This book uses a fictional character to describe the lifecycle events and daily life activities experienced by girls and women in ancient Israel using archaeological, iconographic, and ethnographic information. Each chapter is devoted to a major event in the life of the character, from birth to death, describing in a story-telling manner how women coped, focusing on the specific events, customs, crafts, technologies, and other activities in which an Israelite female would have participated on a daily basis.
This volume describes the lifecycle events and daily life activities experienced by girls and women in ancient Israel examining recent biblical scholarship and other textual evidence from the ancient Near East and Egypt including archaeological, iconographic and ethnographic data. From this Ebeling creates a detailed, accessible description of the lives of women living in the central highland villages of Iron Age I (ca. 1200-1000 BCE) Israel. The book opens with an introduction that provides a brief historical survey of Iron Age (ca. 1200-586 BCE) Israel, a discussion of the problems involved in using the Hebrew Bible as a source, a…
As an archaeologist for over 50 years, I specialized in Household Archaeology, the branch of archaeology that investigates daily life. I was born and spent my childhood in British Mandatorial Palestine and then grew up to adulthood in Israel after it was founded. I spent many years as a kibbutz member in the Northern Negev living near the Bedouin. These experiences brought me close to pre-industrial societies. All my life I was surrounded by archaeological sites, taught biblical archaeology for over 40 years in college and wrote several books and articles on subjects related to daily life in biblical times.
This volume, with over 175 full-color pictures and illustrations, has the appearance of a coffee table book; however, its content is based on the latest research, and presents a vivid description of the world of Ancient Israel, covering many topics such as domestic life, the economy, cultural expression, and religious practices.
This special-edition volume of the Library of Ancient Israel, based on the latest research, presents a vivid description of the world of Ancient Israel, covering such topics as domestic life, the means of existence, cultural expression, and religious practices. With over 175 full-color pictures and illustrations, Life in Biblical Israel opens the door to everyday life in biblical Israel for all readers. This volume is perfect for classrooms, coffee tables, and personal use.
Volumes in the Library of Ancient Israel draw on multiple disciplines--such as archaeology, anthropology, sociology, linguistics, and literary criticism--to illuminate the everyday realities and social subtleties these…
As an archaeologist for over 50 years, I specialized in Household Archaeology, the branch of archaeology that investigates daily life. I was born and spent my childhood in British Mandatorial Palestine and then grew up to adulthood in Israel after it was founded. I spent many years as a kibbutz member in the Northern Negev living near the Bedouin. These experiences brought me close to pre-industrial societies. All my life I was surrounded by archaeological sites, taught biblical archaeology for over 40 years in college and wrote several books and articles on subjects related to daily life in biblical times.
Archaeological evidence suggests very strongly that the ancient Israelites were heavily influenced by the previous inhabitants of Syria-Palestine in many aspects of their life including religion and help to identify the integral part that religion played in the social and political worlds of the Israelites and Canaanites. The author examines current anthropological and sociological theories and compares them to ancient materials excavated over the past eighty years, then offers a new way of looking at the archaeological data suggesting the strong relations between archaeological remains from the Middle Bronze Age (Canaanites) to the Iron Age (Israelites).
This book seeks to demonstrate that archaeological data can provide a strong and independent witness to the religious practices of the ancient inhabitants of Syria-Palestine and help to identify the integral part that religion played in the social and political worlds of the Israelites and Canaanites. By applying current anthropological and sociological theory to ancient materials excavated over the past eighty years, the author offers a new way of looking at the archaeological data. Beth Alpert Nakhai summarises and analyses the archaeological remains from all known Middle Bronze Age through Iron Age temples, sanctuaries, and open-air shrines to reveal the…
When I was young, my father made up stories to tell me, my brother, and my sister each night. One of my favorites was an ongoing series entitled The Lady with the Big Toe. The Lady and her Toe enjoyed daring adventures but the best part was hearing my dad’s voice, being near him and my siblings. I’m not great at making up stories on the spot but because of my study of Jewish texts, languages, and traditions, I knew I wanted to share story-telling and Jewish culture with my own children and grandchildren. Picture books, which are meant to be read aloud, are a magical vehicle for culture/values.
I love stories peppered with Yiddish. Youngsters should know “schlep” and “chutzpah,” Right? And clever riffs on traditional tales are another favorite. Hence The Little Red Hen and the Passover Matzah immediately became my Passover must-read-to-the grandchild-choice. I also love to laugh and there are plenty of giggles in this book.
When Sheep, Horse, and Dog don’t help the Little Red Hen prepare for the holiday she finally gets upset but then, ever aware of the mitzvah of feeding the hungry, she gives in and invites all of them to her seder table. I must admit that after many years of preparing seders and also leading them, I’ve often felt like the Little Red Hen. “Hey, where are the helping hands here?” And, like her, I’m glad when everyone sits down to celebrate together.
A classic tale gets a Jewish twist, when Little Red Hen asks her friends for help making Passover matzah.
Before she knows it, Little Red Hen tells herself, it will be time for Passover. So she decides to plant some grain. But when she asks her friends to help, they're too busy for her. "Sorry, bub," says the Horse. "Think again," barks the dog.
Oy gevalt! "Friends, shmends," she says. "I'll just do it myself."
But when the wheat is grown and harvested, when the flour is milled and the matzah baked and the Seder table set-- all by Red…
I’m a New Englander by birth, a Canadian by circumstance, and a Nova Scotian by choice. For as long as I can remember, I’ve told stories, first to my little sister—a captive audience—then to my children, then at my book readings, and now on my podcast, Kate and Friends, which I’m lucky enough to record with two professional musicians. For me, the ultimate test of a story is whether it can be told without visual aids. While I love picture books, and the way an artist can deepen a child’s experience of a story, I gravitate to satisfying, stand-alone tales with a good twist. They’re difficult to write, easy to remember, and great fun to tell!
A deft, charming re-telling of a Jewish folk tale, and winner of the Ruth Schwartz Award. In this gentle story, young Joseph grows up in a shtetl in a warm and loving home. His grandfather, a tailor, makes him a beautiful blanket at birth. As he grows, the blanket becomes worn, but Grandpa can always rejig the fabric into something new. At last, however, the sad day arrives when nothing is left of the blanket… until Joseph realizes that what’s left is a wonderful story.
I nominate this book as a storyteller’s delight because of its comforting, cyclical nature, and surprise ending. While Gilman’s glowing pictures augment the story perfectly, with their warm, humorous depiction of family life, the story can easily be memorized, told, and enjoyed when no pictures are available.
Phoebe Gilman's beloved classic celebrates its 20th anniversary!
Joseph's grandfather made him a beautiful blanket when he was a baby, but now it's frazzled and worn, and Joseph's mother says it is time to throw it out. Joseph doesn't want to part with his special blanket, and he's sure that his grandfather can fix it. Sure enough, Grandfather miraculously alters the blanket into useful items again and again. But when Joseph loses the final item, even Grandfather can't make something from nothing. But maybe Joseph can?
Based on the Yiddish folktale "Joseph's overcoat," Phoebe Gilman's gorgeous artwork charts the transformation…
I grew up in a secular Jewish household where Yiddish culture, history, and politics were a part of daily life. As a result, when I began reading (and eventually writing) science fiction and fantasy, I would take note if I found a novel or short story collection that reflected any of the many flavors of Judaism and Jewish culture. While it is not all I read or write about (I make my living as a tech journalist and I have very eclectic tastes in literature), I find that my curiosity is particularly piqued when confronted with a new book that covers both those genres.
If Wandering Stars was the first short-story anthology to explore Jewish science fiction and fantasy, People of the Book is its descendant. This collection features a variety of stories by modern authors such as Jane Yolen, Theodora Goss, Neil Gaiman, and Michael Chabon, and is an excellent way to discover some of the talents that have emerged in the 21st century—and their approach to the Jewish religion, culture, and society.
From Sholom Aleichem to Avram Davidson, Isaac Bashevis Singer to Tony
Kushner, the Jewish literary tradition has always been one rich in the
supernatural and the fantastic. In these pages, gathered from the best short
fiction of the last ten years, twenty authors prove that their heritage is alive
and well - in the spaces between stars that an alphabet can bridge,
folklore come to life and histories become stories, and all the places where old
worlds and new collide and change.
When I was young, my father made up stories to tell me, my brother, and my sister each night. One of my favorites was an ongoing series entitled The Lady with the Big Toe. The Lady and her Toe enjoyed daring adventures but the best part was hearing my dad’s voice, being near him and my siblings. I’m not great at making up stories on the spot but because of my study of Jewish texts, languages, and traditions, I knew I wanted to share story-telling and Jewish culture with my own children and grandchildren. Picture books, which are meant to be read aloud, are a magical vehicle for culture/values.
A big reason I love this book is that it’s so much fun to read over and over again—and then some more, finding joy in the cleverness of the text and more joy in the visual humor. (Taback won the Caldecott Medal for this book in 2000.) I also love stories with morals as long as they aren’t moralizing and this one, based on a Yiddish song, teaches “you can always make something of nothing” in the most delightful, warm-hearted manner.
Joseph has a striped overcoat and when it gets old he makes it into a jacket, and then a vest, and so on until it becomes a little button. Each page bursts with creativity. It is, quite simply, a perfect picture book!
Joseph had a little overcoat, but it was full of holes—just like this book! When Joseph's coat got too old and shabby, he made it into a jacket. But what did he make it into after that? And after that?
As children turn the pages of this book, they can use the die-cut holes to guess what Joseph will be making next from his amazing overcoat, while they laugh at the bold, cheerful artwork and learn that you can always make something, even out of nothing.
When I fall in love with a fantasy world, I want to consume as much of that world as possible. That’s why I’m drawn to illustration that is so dense with worldbuilding elements. In my own work, I started indulging this obsession by creating tiny one-by-three-inch books that contained fully-illustrated alien worlds before eventually moving on to bigger books like A is for Another Rabbit, a book crammed so full of hidden jokes, Easter eggs, and thousand-rabbit-wide crowd scenes that my hand hurt by the end of it. Extreme detail is a way of prolonging the delight and discovery inherent in reading picture books, and I intend to keep pushing it to the limit!
Golem’s illustrations are certainly not detailed in the same way as the others on this list; the imagery in this retelling of the Golem of Prague story is composed entirely of colorful cut paper, layered and woven into bold, dynamic scenes. Whereas the first four books I’ve recommended invite hours of poring over worldbuilding detail and density of information, Golem compels readers to marvel over the construction of its illustrations. How does the golem pierce through the spidery paper web of paper smoke? How are the sheets stacked to imply depth and shadow? Is this seriously all paper?!
Retold from traditional sources and accompanied by David Wisniewski's unique cut-paper illustrations, Golem is a dramatic tale of supernatural forces invoked to save an oppressed people. It also offers a thought-provoking look at the consequences of unleashing power beyond human control. The afterword discusses the legend of the golem and its roots in the history of the Jews. A Caldecott Medal Book.
I’m a lifelong nature-lover, and for me, the old folk tales are deeply tied to this: the history of our attempts to give meaning to the beautiful and the unsafe. I spent a lot of time in the West Country as a child, and that shaped my imagination: the tangible magic of a landscape with chalk bones and golden snails and birds that exploded from the hedgerows before you. When I came to write my own folktales, that was the magic I wanted. And that’s what I love in books: the way they can make you feel like you’re standing on the soil of someone else’s inner world.
Oh, I cried my eyes out over this book when I was a kid! It’s a tale of Arthurian Britain, but somehow it reads, more than any other I’ve seen, like a historical novel – less T.H. White than Rosemary Sutcliffe. Bradshaw grounds it deeply in Welsh rather than French culture, and the magic feels eerily normal – terrifying, but also just part of the weave of the world. Add to this characters you get truly attached to, and it’s bewitching in the best sense; the book lingers in my imagination like a place I once lived when I was a child – and imaginatively, that’s what it is.
"Intelligent and imaginative...even the magic convinces." -Mary Renault, author of The King Must Die
On The Path Toward Greatness, Every Hero Makes a Choice
Legends sing of Sir Gawain, one of the most respected warriors of King Arthur's reign and one of the greatest champions of all time. But this is not that story. This is the story of Gwalchmai, middle son of the beautiful, infinitely evil sorceress Morgawse, and gifted student of her dark magical arts. A story of an uncertain man, doubting his ability to follow his elder brother's warrior prowess and seeking to find his own identity…
