Here are 100 books that The Ecology of Imagination in Childhood fans have personally recommended if you like
The Ecology of Imagination in Childhood.
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In 1972, I started an early childhood center in the Monadnock Region in New Hampshire. The focus was on child-centered education, with an emphasis on working with children outdoors. I've spent the last 50 years continuing to connect children with nature in schools, nature centers, national parks, museums, and in families. I taught graduate courses in developmental psychology, cognitive development, place-based education and have done hundreds of professional development workshops for early childhood and elementary school teachers. As a father, I focused on connecting my own children with nature. My son is a ski coach and runs an ecotourism kayaking business. My daughter is a theater director and writes grants for an environmental non-profit.
Joseph Pearce picked me up while I was hitchhiking when I was about 20 years old, and the intense conversation we had that day changed my life. Magical Childis a landmark book that questioned our conventional thinking about parenting, childbirth practices, and the value of bonding our children with the natural world. Pearce provides an alternative model of child development with an emphasis on the child bonding with the earth matrix between about six and twelve years old. This bonding allows children to feel at home, independent, and secure in the natural world. This book inspired a lot of what I describe of my parenting in my own book.
Magical Child, a classic work, profoundly questioned the current thinking on childbirth pratices, parenting, and educating our children. Now its daring ideas about how Western society is damaging our children, and how we can better nurture them and ourselves, ring truer than ever. From the very instant of birth, says Joseph Chilton Pearce, the human child has only one concern: to learn all that there is to learn about the world. This planet is the child's playground, and nothing should interfere with a child's play. Raised this way, the Magical Child is a happy genius, capable of anything, equipped to…
In 1972, I started an early childhood center in the Monadnock Region in New Hampshire. The focus was on child-centered education, with an emphasis on working with children outdoors. I've spent the last 50 years continuing to connect children with nature in schools, nature centers, national parks, museums, and in families. I taught graduate courses in developmental psychology, cognitive development, place-based education and have done hundreds of professional development workshops for early childhood and elementary school teachers. As a father, I focused on connecting my own children with nature. My son is a ski coach and runs an ecotourism kayaking business. My daughter is a theater director and writes grants for an environmental non-profit.
The course I took from Paul Shepard in college was one of the most thought-provoking courses I ever experienced. Find an image of the original cover of the book and you'll see what I mean—it's a strange synthesis of a post-modern bow hunter emerging from his paleo ancestor. Shepard contends that the key to understanding human happiness is recognizing that we are genetically hunters and gatherers living in a post-modern age. Reclaiming our hunting and gathering impulses will help us lead fuller lives. He does a fascinating job, in this book, of describing what hunting and gathering culture childhoods looked like and then suggesting how we should parent our children with these old genetic impulses in mind.
In what may be his boldest and most controversial book, Paul Shepard presents an account of human behavior and ecology in light of our past. In it, he contends that agriculture is responsible for our ecological decline and looks to the hunting and gathering lifestyle as a model more closely in tune with our essential nature. Shepard advocates affirming the profound and beautiful nature of the hunter and gatherer, redefining agriculture and combining technology with hunting and gathering to recover a livable environment and peaceful society.
In 1972, I started an early childhood center in the Monadnock Region in New Hampshire. The focus was on child-centered education, with an emphasis on working with children outdoors. I've spent the last 50 years continuing to connect children with nature in schools, nature centers, national parks, museums, and in families. I taught graduate courses in developmental psychology, cognitive development, place-based education and have done hundreds of professional development workshops for early childhood and elementary school teachers. As a father, I focused on connecting my own children with nature. My son is a ski coach and runs an ecotourism kayaking business. My daughter is a theater director and writes grants for an environmental non-profit.
Charles Eastman was born and raised as a Sioux native and wound up going to Boston University and becoming a physician, summer camp founder, national lecturer, and reformer. In the early 20th century, he was a prolific author and speaker on Sioux history. His description of Sioux childhoods illustrates both Shepard's portrait of traditional hunting and gathering childhoods and Pearce's portrait of bonding with the earth in middle childhood. His book provides guidance for parents who want their children to have more "wild" childhoods.
Charles Alexander Eastman (born Hakadah and later named Ohíye S'a) was a physician educated at Boston University, writer, national lecturer, and reformer. In the early 20th century, he was a prolific author and speaker on Sioux history and American Indian events. Any profits generated from the sale of this book will go towards the Freeriver Community project, a project designed to promote harmonious community living and well-being in the world. To learn more about the Freeriver project please visit the website - www.freerivercommunity.com
In 1972, I started an early childhood center in the Monadnock Region in New Hampshire. The focus was on child-centered education, with an emphasis on working with children outdoors. I've spent the last 50 years continuing to connect children with nature in schools, nature centers, national parks, museums, and in families. I taught graduate courses in developmental psychology, cognitive development, place-based education and have done hundreds of professional development workshops for early childhood and elementary school teachers. As a father, I focused on connecting my own children with nature. My son is a ski coach and runs an ecotourism kayaking business. My daughter is a theater director and writes grants for an environmental non-profit.
The Lord's Woods is a portrait of growing up on Long Island in the 1930s and 40s before suburbanization. It is a beautiful, compelling account of a boy's freewheeling exploration of the landscape without helicopter parents. Beyond the end of the road, he discovers an untrammeled world of fields, bird-filled forests, marshes, and abandoned buildings. He leaves in the morning and comes back at dusk. It's what natural childhoods used to be like. We should aspire to allow our own children to have "free range" childhoods as he had.
I’ve always loved mysterious and hidden places — and they often appear in my writing. My Summer (with Robots) is a great example, as both an underground desert fort and a mysterious house inhabited by robots play significant roles. Both were inspired by events from my childhood in Tucson, Arizona, but who hasn’t created secret places of their own? How about a blanket fort? Or a treehouse? Or maybe you were that kid who made a private den by pulling the covers up over your head and reading your favorite book by flashlight? I hope my selections help you recapture this simple thrill of discovering mysterious places!
As a kid, I was fascinated by the mysteries of ancient Egypt. My mother, an elementary school librarian, introduced me to this book when I was in the fifth grade — and I’ve loved it ever since. The story centers around April Hall, the daughter of a famous movie actress. When the girl goes to live with her grandmother, she and two neighbor kids amuse themselves by creating their own ancient Egyptian “society” based on a shared fascination with archaeology. They make costumes, devise rituals, and even choose a pharaoh to rule them. Their “Egypt” is located in the forgotten storage yard behind a creepy antique shop, but this secret world is threatened first by neighborhood bullies and later by a serial killer who’s stalking children.
The first time Melanie Ross meets April Hall, she's not sure they have anything in common. But she soon discovers that they both love anything to do with ancient Egypt. When they stumble upon a deserted storage yard, Melanie and April decide it's the perfect spot for the Egypt Game. Before long there are six Egyptians, and they all meet to wear costumes, hold ceremonies, and work on their secret code. Everyone thinks it's just a game until strange things start happening. Has the Egypt Game gone too far?
I have published over 50 books, including award-winning and bestselling titles. I am also a publishing executive and editor with 20+ years of professional experience. My latest The Twins of Auschwitz: The Inspiring True Story of Young Girl Surviving Mengele’s Hell, with Eva Kor, got a stellar review by Archbishop Desmond Tutu and is an international bestseller. As well as spearheading four publishing startups, I have run my own business, Editorial Services of L.A. I was Editorial/Publishing Director for Golden Books, Price Stern Sloan, Intervisual Books, Hooked on Phonics, and more. I am also the Publisher & Editor in Chief of NY Journal Of Books, the premier online-only book review site.
Written and illustrated by David Shannon, this delightful story is about a “temporary fairy” who aims to be a “permanent fairy,” but can’t quite seem to get there. Using a wand and ordinary items from her world, she effects “magic” on everything she touches, to measurable success—except when she turns a white dress into a red one and The Duchess locks her into a tower. (She escapes.) A fun story for fairy lovers!
Caldecott Honor artist and bestselling author David Shannon's warm and funny new picture book introduces Alice, a mischievous little girl with a "No, David" nose for trouble and a magic wand.
Alice has a nose for trouble, but luckily she's a fairy--a Temporary Fairy. She has a magic wand, fairy wings, and a blanket, all of which she uses to disappear, to fly, to transform her dad into a horse, and to turn his cookies into her own! There are still a few things Alice needs to learn to become a Permanent Fairy, like how to float her dog on…
I love to write stories of historical injustice, so this is mainly the genre I read. In recent years, many new novels merely rehashed the same theme, such as the horror show known as Auschwitz or the other camps. Although those are worthy of the people who died there, I’m always on the hunt for a fresh story that has never been told about those tragic years.
It’s Poland 1941, and Roza and her 5-year-old daughter Shira are hiding in a neighbor’s barn, and hoping beyond hope that they will remain safe, because the rest of their family has all been taken away. This is a lyrical read which many musical analogies since Shira is a musical prodigy. I loved this book because you are right there, staying silent, while trying to create a life with your daughter. This was inspired by the true stories of hidden children during WWII and stayed with me long after.
'Prepare to have your heart broken' - Good Housekeeping Woman & Home Book Club Pick
Poland, 1941. A mother. A child. An impossible choice.
After the Jews in their town are rounded up, Roza and her five-year-old daughter, Shira, seek shelter in a local farmer's barn. They spend their days and nights in silence to avoid being caught.
When their safe haven is shattered, Roza faces an impossible choice: whether to keep her daughter close by her side, or give her the chance to survive by letting her go.
A deeply moving novel about the unbreakable bond between parent and…
When I first started in the field of strategy, all the cool kids were doing industry-level analysis. Order of entry, strategic groups, R&D intensity…anything you could get sufficient data about to run complex models was the order of the day. Those of us studying the ‘insides’ of corporations, particularly the process of innovation, were kind of huddled together for warmth! Today, strategy and innovation have come together in a remarkable way, but I find that most people still don’t understand the processes. One of my goals is to de-mystify the innovation process – these books will give you a great start in understanding the practices that are too bewildering for too many people.
This unusually formatted and provocative book delivers on its promise, which is that harnessing human imagination is a predictable, replicable process. Beginning with the first seeds of what gets our imaginations going (hint: when things aren’t chugging along as expected) to a recipe for how not to let those sparks die out as an idea becomes more mainstream, the book is chock full of examples, anecdotes, how to’s and more. And one of my favorite aspects of it is that it also has a multimedia guide to what BCG calls the “napkin gallery,” a virtual museum devoted to the earliest instances of some of the most important inventions ever commercialized.
A guide for mining the imagination to find powerful new ways to succeed.
We need imagination now more than ever-to find new opportunities, rethink our businesses, and discover paths to growth. Yet too many companies have lost their ability to imagine. What is this mysterious capacity? How does imagination work? And how can organizations keep it alive and harness it in a systematic way?
The Imagination Machine answers these questions and more. Drawing on the experience and insights of CEOs across several industries, as well as lessons from neuroscience, computer science, psychology, and philosophy, Martin Reeves of Boston Consulting Group's…
It’s often said that it takes a village to raise a child. I grew up in an intergenerational family in India. Grandparents, aunts, and uncles provided that extended community. Grandparents can pass down traditions, ensuring the preservation of culture. Stories that speak to the reality of multi-generational households can normalize and celebrate the presence of elders. The number of Americans living in multigenerational households is about four times larger than it was in the 1970s, yet the educational potential and the joy of these relationships are often ignored in literature.
I loved that the heroine of this story, Martina, is a quiet, imaginative little girl. In contrast, she has loud, rambunctious Tias. So, she slips away at a party and finds a quiet place to imagine. This rollicking picture book reimagines the familiar Caribbean folktale, la Cucaracha Martina. The illustrations are bold and lively, and they are also available in Spanish.
A quiet girl overwhelmed by her rambunctious family finds a magical land of solitude only to discover what truly makes a home a home in this lively and magical bilingual picture book that reimagines the beloved Caribbean folktale “La Cucaracha Martina.”
Martina does not like parties. Parties are full of tías with their flashy fashions and boom-and-bellow laughter that’s too much for quiet Martina. At least with all that noise, no one notices when she slips away. She finds herself in a magical place: a warm, familiar island where she can finally play in peace and quiet. Martina is home…
I often turned to my imagination when I was a child. Nobody Can Take My Happy Awaywas inspired by the times I was bullied. My peers teased me about my clothes, my teeth, my home, and how I talked. I wanted to hide from everyone, so I had fewer opportunities to make friends. Because I lived in my own head, I found acceptance in the world of make-believe. I read books about strange worlds with characters that thrived in their surroundings. Eventually, it didn’t matter if someone teased me at school. Reading these books helped me be myself. I found strength in being the odd one out.
This interactive book inspired me to look at ordinary things in a new way. The pictures are great, they take you to new places using everyday things and people as a stepping stone. My favorite part of the book is the dial that allows you to switch faces. Common objects take on a whole new life in this book. I remember having a lot of fun looking at it.
This book felt more like playtime than reading, and that’s what I loved about it when I was a child. It made me decide to be an author and illustrator creating imaginative books. The style and theme of this book are my ideal inspiration for future projects. I want to write stories that exist for the sake of making happy memories.
Inspiring, intriguing, endlessly entertaining -- Norman Messenger's interactive book allows us to step out of our everyday lives, shed our preconceptions, and experience a little magic.
IMAGINE . . . a ladder without steps, a clock without hands, a racket without strings, a kiss without a mouth. Imagine a world where the hills have faces and wherever you went, you'd have someone to talk to. Imagine flipping a series of flaps to form fantastical creatures or turning a wheel to fit the top of one face on the bottom of another. Imagine that Norman Messenger's quirky, humorous suggestions, ingenious visual…
