100 books like Martina Has Too Many Tias

It’s often said that it takes a village to raise a child. I grew up in an intergenerational family in India. Grandparents, aunts, and uncles provided that extended community. Grandparents can pass down traditions, ensuring the preservation of culture. Stories that speak to the reality of multi-generational households can normalize and celebrate the presence of elders. The number of Americans living in multigenerational households is about four times larger than it was in the 1970s, yet the educational potential and the joy of these relationships are often ignored in literature.

It’s often said that it takes a village to raise a child. I grew up in an intergenerational family in India. Grandparents, aunts, and uncles provided that extended community. Grandparents can pass down traditions, ensuring the preservation of culture. Stories that speak to the reality of multi-generational households can normalize and celebrate the presence of elders. The number of Americans living in multigenerational households is about four times larger than it was in the 1970s, yet the educational potential and the joy of these relationships are often ignored in literature.

It’s often said that it takes a village to raise a child. I grew up in an intergenerational family in India. Grandparents, aunts, and uncles provided that extended community. Grandparents can pass down traditions, ensuring the preservation of culture. Stories that speak to the reality of multi-generational households can normalize and celebrate the presence of elders. The number of Americans living in multigenerational households is about four times larger than it was in the 1970s, yet the educational potential and the joy of these relationships are often ignored in literature.

It’s often said that it takes a village to raise a child. I grew up in an intergenerational family in India. Grandparents, aunts, and uncles provided that extended community. Grandparents can pass down traditions, ensuring the preservation of culture. Stories that speak to the reality of multi-generational households can normalize and celebrate the presence of elders. The number of Americans living in multigenerational households is about four times larger than it was in the 1970s, yet the educational potential and the joy of these relationships are often ignored in literature.

As a part of Teatro SEA,  promoting and strengthening the cultural identity of young latiné audiences is the main focus of our mission and everyone who works there. We have been around since 1985 as SEA (Society of the Educational Arts, Inc.) and are the premiere Bilingual Arts-in-Education Organization and Latino Children’s Theatre in the United States. We create and produce a combination of educational theater, in-school multidisciplinary arts instruction programs, art & cultural festivals/ events, online educational programming, and Theater Books, all intended to raise self-esteem, strengthen cultural identity, and provide educational advancement for our community of latiné children and youth. 

I often turned to my imagination when I was a child. Nobody Can Take My Happy Away was inspired by the times I was bullied. My peers teased me about my clothes, my teeth, my home, and how I talked. I wanted to hide from everyone, so I had fewer opportunities to make friends. Because I lived in my own head, I found acceptance in the world of make-believe. I read books about strange worlds with characters that thrived in their surroundings. Eventually, it didn’t matter if someone teased me at school. Reading these books helped me be myself. I found strength in being the odd one out.

As we grow up, the special relationships with family, friends, and caregivers are what give us our sense of place in the world, make us feel loved, teach us the important things in life, and give us the courage to face each step from childhood to adulthood and beyond. Therefore I love books that celebrate these very special people in our lives.

I love to write stories of historical injustice, so this is mainly the genre I read. In recent years, many new novels merely rehashed the same theme, such as the horror show known as Auschwitz or the other camps. Although those are worthy of the people who died there, I’m always on the hunt for a fresh story that has never been told about those tragic years. 

I have published over 50 books, including award-winning and bestselling titles. I am also a publishing executive and editor with 20+ years of professional experience. My latest The Twins of Auschwitz: The Inspiring True Story of  Young Girl Surviving Mengele’s Hell, with Eva Kor, got a stellar review by Archbishop Desmond Tutu and is an international bestseller. As well as spearheading four publishing startups, I have run my own business, Editorial Services of L.A. I was Editorial/Publishing Director for Golden Books, Price Stern Sloan, Intervisual Books, Hooked on Phonics, and more. I am also the Publisher & Editor in Chief of NY Journal Of Books, the premier online-only book review site.

When I first started in the field of strategy, all the cool kids were doing industry-level analysis. Order of entry, strategic groups, R&D intensity…anything you could get sufficient data about to run complex models was the order of the day. Those of us studying the ‘insides’ of corporations, particularly the process of innovation, were kind of huddled together for warmth! Today, strategy and innovation have come together in a remarkable way, but I find that most people still don’t understand the processes. One of my goals is to de-mystify the innovation process – these books will give you a great start in understanding the practices that are too bewildering for too many people.