Here are 100 books that Memory of Water fans have personally recommended if you like
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My first true religion was being a boy alone in the woods and feeling a deep connection to nature in all its aspects. I felt a connection with all life and knew myself to be an animal—and gloried in it. Since then, I've learned how vigorously humans fight our animal nature, estranging us from ourselves and the planet. Each of these books invites us to get over ourselves and connect with all life on Earth.
This book blew me away. I loved how it was told with a range of characters and stories converging into a single whole—like the forest and the trees. I learned more about trees than I ever thought I would care to know and loved every minute of it.
There's nothing more humbling, perhaps, than the vast forests that blanket our planet, and this novel and its unforgettable characters made me feel that in my bones. I'll never look at a tree or planet Earth quite the same way again.
The Overstory, winner of the 2019 Pulitzer Prize in Fiction, is a sweeping, impassioned work of activism and resistance that is also a stunning evocation of-and paean to-the natural world. From the roots to the crown and back to the seeds, Richard Powers's twelfth novel unfolds in concentric rings of interlocking fables that range from antebellum New York to the late twentieth-century Timber Wars of the Pacific Northwest and beyond. There is a world alongside ours-vast, slow, interconnected, resourceful, magnificently inventive, and almost invisible to us. This is the story of a handful of people who learn how to see…
When I was twelve years old, my picture appeared in my hometown newspaper. I was holding a huge stack of books from the library, a week’s reading. All science fiction. I’ve read voraciously for the past seventy years—though much more widely as an adult. I’ve also had a life founding several small companies and writing twenty books. But I’ve continued to read science fiction, and, increasingly, dystopian novels. Why? Because, as a history buff, I think about the big trends that shape our lives. I see clearly that climate change, breakthroughs in technology, and unstable politics threaten our children’s future. I want to understand how these trends might play out—for better or for worse.
Climate change aside, what scares me the most about technology today is the capacity for bioengineering to run amok.
What happens when scientists monkey around with deadly viruses—and one escapes from the lab? What if some rogue researcher creates an entirely new lifeform that proves toxic to humans? Or some experimental microbe—an effort to save the world’s butterflies, for instance—proves to kill off bees instead?
This novel, which won major awards, depicts a frightening future world wrought by bioengineering. And you wouldn’t want to live there anymore than I do.
WINNER OF THE HUGO, NEBULA, LOCUS, JOHN W. CAMPBELL AND COMPTON CROOK AWARDS
The Windup Girl is the ground-breaking and visionary modern classic that swept the board for every major science fiction award it its year of publication.
Anderson Lake is a company man, AgriGen's calorie representative in Thailand. Under cover as a factory manager, he combs Bangkok's street markets in search of foodstuffs long thought to be extinct. There he meets the windup girl - the beautiful and enigmatic Emiko - now abandoned to the slums. She is one of the New People, bred to suit the whims of…
I have always been fascinated with morally grey or complex characters. For me, the sign of a great novel is one where you find yourself talking about the characters as if they were real people you know. I want to experience something when I read, and characters that are flawed, imperfect, or morally grey have always intrigued me because they can take me to places I haven’t (or wouldn’t!) go myself. And, of course, they provide ample grounds for fun discussions with my friends! Sci-fi apocalyptic fiction is fertile ground for such characters, so I’ve tried to pick books you may not have heard of. I hope you like them!
This a beautifully lyrical book. The first chapter winds and twists through different scenes and places, like a gentle lake through a peaceful forest. Emily St John Mantel leads you through the past, present, and future so softly that it takes you a moment to realize the bleakness and horror of the post-pandemic world she’s describing.
I love a story told from multiple points of view, and this one is a masterclass. It weaves different events and characters so precisely that when everything comes to a head in the final chapters, it feels inevitable and natural. I also love a nuanced villain, and (without giving away who) this one is fantastic! I understood their motivation and logic, even as I desperately wanted them to lose.
'Best novel. The big one . . . stands above all the others' - George R.R. Martin, author of Game of Thrones
Now an HBO Max original TV series
The New York Times Bestseller Winner of the Arthur C. Clarke Award Longlisted for the Baileys Women's Prize for Fiction National Book Awards Finalist PEN/Faulkner Award Finalist
What was lost in the collapse: almost everything, almost everyone, but there is still such beauty.
One snowy night in Toronto famous actor Arthur Leander dies on stage whilst performing the role of a lifetime. That same evening a deadly virus touches down in…
I’ve loved reading alternative visions of Britain since I read a Strontium Dog saga in ‘2000AD’ as a boy. What was science fiction then has become closer to reality now. The idea of one event, such as a meteor shower in Triffids or a virus in ‘Grass,’ causing havoc worldwide is gripping. I prefer the British stories because they are closer to home. Many of these were written close to the Second World War, and their authors describe deprivation in unflinching detail. Recent political events have turned my mind to how human actions can cause dystopian futures, as in Orwell’s 1984.
Like H.G. Wells, Wyndham is excellent at depicting normal people who are dealing with an unusual event in normal locations. This creates a level of reality that makes the circumstances more horrific. I could imagine myself in those places, with those people.
The Triffids have never translated well to the screen because the plants look awkward. This isn’t the case in the book. This is my favorite of all the Wyndham books because of their journeys and their descriptions of the landscape around them.
When Bill Masen wakes up in his hospital bed, he has reason to be grateful for the bandages that covered his eyes the night before. For he finds a population rendered blind and helpless by the spectacular meteor shower that filled the night sky, the evening before. But his relief is short-lived as he realises that a newly-blinded population is now at the mercy of the Triffids.
Once, the Triffids were farmed for their oil, their uncanny ability to move and their carnivorous habits well controlled by their human keepers. But now, with humans so vulnerable, they are a potent…
As a teenager I loved the post-apocalyptic genre, especially John Wyndham and H G Wells, and as a scientist I’ve become increasingly aware of the threats to society, especially from climate change and pandemics. But it seems to me that any collapse will be gradual: yes, the weather will worsen, and the seas will rise; but those won’t happen overnight. We’re unlikely to see a pandemic that kills everyone, but we could well see a train of smaller ones. This is the world of Truth Sister: it’s changed, but we’ve had time to adapt. The books in my list have different takes on how a post-civilisation world might look. Enjoy!
This one’s actually the middle book of Attwood’s Maddaddam trilogy, which deals with the results of “the waterless flood,” a viral pandemic which has wiped out most of civilisation.
The Year of the Flood focuses on the lower classes, which again interests me in terms of the effect on “ordinary” people. There’s a dystopian element here, as Attwood explores the religious sect in which the protagonists find themselves.
NATIONAL BESTSELLER • From the bestselling author of The Handmaid's Tale and The Testaments—the second book of the internationally celebrated MaddAddam trilogy, set in the visionary world of Oryx and Crake, is at once a moving tale of lasting friendship and a landmark work of speculative fiction.
The long-feared waterless flood has occurred, altering Earth as we know it and obliterating most human life. Among the survivors are Ren, a young trapeze dancer locked inside the high-end sex club Scales and Tails, and Toby, who is barricaded inside a luxurious spa. Amid shadowy, corrupt ruling powers and new, gene-spliced life…
I know a book can change a person’s life because one of my early life-changing events was reading Thomas Kuhn’s The Structure of Scientific Revolutions. From it, I took away the idea of how a fact is made, not discovered, and how facts, even those as “objective” as those in science, are different in different ages. It’s less a matter of one age being wrong about “Nature,” for example, than it is that a concept like “Nature” emerges out of a scrum of attitudes, technologies, conventions, etc.
Only separated by two years, I think Proulx’s Barkskins and Powers’s Overstory can be thought of as companions to one another. I like how the pun of Powers’s title refers to both the tree canopy that towers over the landscape and the overarching story that all of his sub-stories form as they come together, while I think of Proulx’s Barkskins as the meaty understory.
It opens in Canada’s colonial past when the continent was a vast carpet of old-growth forest. Explorers arrived, shortly followed by French settlers and indentured servants contracted into a kind of slavery to clear-cut the forests. I like how she leads us from this pristine beginning, through the exploitation of the forest and its indigenous dwellers, to the global distribution of lumber. In some ways Overstory picks up where the epic that is Barkskins leaves off.
LONGLISTED FOR THE BAILEYS WOMEN'S PRIZE FOR FICTION 2017
NOW A MAJOR TELEVISION SERIES
From Annie Proulx, the Pulitzer Prize-winning author of The Shipping News and Brokeback Mountain, comes her masterwork: an epic, dazzling, violent, magnificently dramatic novel about the taking down of the world's forests.
In the late seventeenth century two penniless young Frenchmen, Rene Sel and Charles Duquet, arrive in New France. Bound to a feudal lord, a "seigneur," for three years in exchange for land, they become wood-cutters - barkskins. Rene suffers extraordinary hardship, oppressed by the forest he is charged with clearing. He is forced to…
The environment and how we treat it has always been important to me since I was a child. My passion for storytelling morphed into writing, but the underlying spark came through environmental activism. I got a university degree in aquatic ecology, published numerous papers, and now write eco-fiction that is grounded in accurate science with a focus on human ingenuity and compassion. The most meaningful and satisfying eco-fiction is ultimately optimistic literature that explores serious issues with heroic triumph. Each of these favourites intimately connects human to environment. Each moved me to cry, think, and deeply care.
What struck me most was the use of simple language to portray powerful intimacy and connection between human and animal, and by extension, environment. Murphy’s humorous dialogue, together with sparing, often ironic, descriptions, struck deep into my heart. The play starts in 1535 on an ice shelf up north—when an Inuk widow risks her life to save a lost one-eared polar bear cub on an ice floe, and adopts him. In the last scene five hundred years later in the oily waters of the Northwest Passage, the same bear—starving and cruelly injured by eco-tourists on a cruise ship—struggles to keep from drowning. No one on the ship cares. No one weeps for him. But I did. I wept for him and for his world destroyed by apathy.
In 1535, Hummiktuq, an Inuit widow, has a strange dream about the future. The next day, she discovers a bear cub floating on a piece of ice near a breathing hole. Despite the concerns of her community, she adopts him as her own and names him Angu’řuaq. In 1845, Angu’řuaq and his mate Panik wander into a chance meeting between Inuit hunters and explorers from the Franklin Expedition. By 2029, when surveyors and entrepreneurs examine the now-melting land for future opportunities, Angu’řuaq encounters the passengers and crew of a luxury cruise ship as it slinks through the oily waters of…
As a teenager I loved the post-apocalyptic genre, especially John Wyndham and H G Wells, and as a scientist I’ve become increasingly aware of the threats to society, especially from climate change and pandemics. But it seems to me that any collapse will be gradual: yes, the weather will worsen, and the seas will rise; but those won’t happen overnight. We’re unlikely to see a pandemic that kills everyone, but we could well see a train of smaller ones. This is the world of Truth Sister: it’s changed, but we’ve had time to adapt. The books in my list have different takes on how a post-civilisation world might look. Enjoy!
This early-21st-century novel takes rising sea levels as its starting point, and tracks young Mara as she leaves her home island and heads south, towards supposed safety.
I liked that not only does Mara encounter the starving people of the Netherworld, but also the privileged elite who live in “sky cities”. The growing gap between rich and poor, powerful and powerless, has resonances for our own societies today.
The fifteenth anniversary edition of Exodus, a startling, thrilling novel set in a dystopian future ravaged by global warming
It is 2099 - and the world is gradually drowning, as mighty Arctic ice floes melt, the seas rise and land disappears forever beneath storm-tossed waves. For fifteen-year-old Mara, her family and community, huddled on the fast-disappearing island of Wing, the new century brings flight. Packed into tiny boats, a terrifying journey begins to a bizarre city that rises into the sky, built on the drowned remains of the ancient city of Glasgow. But even here there is no safety and,…
Virtually my entire life has been spent within a few minutes or perhaps an hour from the shoreline and whether surfing, lifeguarding, beach combing, or traveling coasts around the planet, this narrow zone is one of constant change and energy that continues to inspire and intrigue me. My career as a professor has focused on coastal change and the challenges that shoreline processes pose to our coastally-focused civilization. Fifty-five years of teaching at the University of California Santa Cruz on the shoreline of Monterey Bay has led to 14 books and over 400 newspaper columns on Our Ocean Backyard focused on the coast and its changes, and there is always more to observe, study, and enjoy.
“Build back better” won’t be a long-term strategy for responding to sea-level rise, storm wave attack, shoreline erosion, and flooding. As the Earth continues to warm, the planet’s ice will continue to melt, and sea-level will rise in response.
I like the way Jeff Goodell brings the science of global warming together with the experiences and observations of coastal communities around the world to sound a clear alarm over not only what has already happened, but also what is most certainly going to come. Building back better in the same location won’t solve the problems we are increasingly facing. We need to build back safer and in higher-elevation inland areas.
By century's end, hundreds of millions of people will be retreating from the world's shores. Nuclear reactors will be decommissioned. The greatest cities in human history, abandoned. This is the story of our rising seas.
In a shocking cover story for Rolling Stone, Jeff Goodell predicted that within the lifetime of many of the readers of this book, Miami as we know it today will vanish.
This is not a reckless hypothesis. From island nations to the world's major metropolises, our coasts will drown in the rising waters, which will soon inundate and transform our landscapes. There is no simple…
Virtually my entire life has been spent within a few minutes or perhaps an hour from the shoreline and whether surfing, lifeguarding, beach combing, or traveling coasts around the planet, this narrow zone is one of constant change and energy that continues to inspire and intrigue me. My career as a professor has focused on coastal change and the challenges that shoreline processes pose to our coastally-focused civilization. Fifty-five years of teaching at the University of California Santa Cruz on the shoreline of Monterey Bay has led to 14 books and over 400 newspaper columns on Our Ocean Backyard focused on the coast and its changes, and there is always more to observe, study, and enjoy.
I enjoyed the way Elizabeth Rush ventured out into some diverse and remote places where sea level rise has had a profound impact on long-term residents.
She writes eloquently about people and their lives and homes and avoids the climate change politics and debates. This is not a future problem—it’s real, it’s now, and it’s everywhere, as her conversations so clearly and soberly illustrate.
FINALIST FOR THE PULITZER PRIZE IN GENERAL NONFICTION
WINNER OF THE NATIONAL OUTDOOR BOOK AWARD
A CHICAGO TRIBUNE TOP TEN BOOK OF 2018
A GUARDIAN, NPR's SCIENCE FRIDAY, PUBLISHERS WEEKLY, AND LIBRARY JOURNAL BEST BOOK OF 2018
Hailed as "deeply felt" (New York Times), "a revelation" (Pacific Standard), and "the book on climate change and sea levels that was missing" (Chicago Tribune), Rising is both a highly original work of lyric reportage and a haunting meditation on how to let go of the places we love.
With every passing day, and every record-breaking hurricane, it grows clearer that climate change…
