I’ve always been fascinated by how societies and civilizations respond to crisis. We’ve seen since 2020 just how complex and fraught those responses can be. And the biggest crisis of all is annihilation – in whatever form that comes. Good, thoughtful speculative fiction can pierce the veil and look hard at these difficult issues. How can communities adapt and cope with radical change? Do we survive, or even thrive, or do we collapse into a heap of ruined hopes? Humanity can find its way back. That, to me, is the draw of post-apocalyptic fiction: despite the despair, hope remains. We just have to go find it.
A decade ago, a pandemic sent the world into darkness and the cannibalistic infected overwhelmed the earth. Now Police Chief Sam Edison protects one of the last pockets of civilization. When refugees are murdered and a young woman is kidnapped on Sam’s watch, the Chief must come face to face with monsters far worse than the ones that hunt beyond the city walls.
Childhood’s End isn’t a typical post-apocalyptic tale, but it does guide the reader toward the eventual transformation of humanity into something completely other. When I read it as a teenager, it grabbed my imagination and both fascinated and terrified me. What will it be like for humanity to transcend itself? Will we be able to do it ourselves, or will we need influences from outside to make it work?
Arthur C. Clarke's classic in which he ponders humanity's future and possible evolution
When the silent spacecraft arrived and took the light from the world, no one knew what to expect. But, although the Overlords kept themselves hidden from man, they had come to unite a warring world and to offer an end to poverty and crime. When they finally showed themselves it was a shock, but one that humankind could now cope with, and an era of peace, prosperity and endless leisure began.
But the children of this utopia dream strange dreams of distant suns and alien planets, and…
St. John Mandel is interested in the kinds of questions that interest me when it comes to apocalyptic fiction. Not how the world ends, but how the world continues. What kinds of societies will build upon the ruins of the old? What will civilization bring forward, and what will it leave behind?
'Best novel. The big one . . . stands above all the others' - George R.R. Martin, author of Game of Thrones
Now an HBO Max original TV series
The New York Times Bestseller Winner of the Arthur C. Clarke Award Longlisted for the Baileys Women's Prize for Fiction National Book Awards Finalist PEN/Faulkner Award Finalist
What was lost in the collapse: almost everything, almost everyone, but there is still such beauty.
One snowy night in Toronto famous actor Arthur Leander dies on stage whilst performing the role of a lifetime. That same evening a deadly virus touches down in…
The journalistic, diarist style of World War Z both sets it apart from the rest of the genre and hearkens back to a style of writing that gave us works like Frankenstein and Dracula. There is a realism that grounds the book, despite the fantastic story being told, and asks you to treat it almost like historical fiction. This is a thing that can happen, because it did, and we are merely recording the event.
It began with rumours from China about another pandemic. Then the cases started to multiply and what had looked like the stirrings of a criminal underclass, even the beginning of a revolution, soon revealed itself to be much, much worse.
Faced with a future of mindless man-eating horror, humanity was forced to accept the logic of world government and face events that tested our sanity and our sense of reality. Based on extensive interviews with survivors and key players in the ten-year fight against the horde, World War Z brings the finest traditions of journalism to bear on what is…
I first experienced The War of the Worlds on screen, with the movie from 1953 and then the incredibly obscure TV series in the late 1980s. I didn’t read the book until I was well into my 30s, but when I did, I was captivated. Wells told a story that was so difficult to accept that no one has even tried to accurately represent it on screen. But it’s brilliant: a tale about the horrors of war, written before any of the wars of the 20th century that would make people realize he was right.
But planet Earth was not only being watched - soon it would be invaded by monstrous creatures from Mars who strode about the land in great mechanical tripods, bringing death and destruction with them. What can possibly stop an invading army equipped with heat-rays and poisonous black gas, intent on wiping out the human race? This is one man's story of that incredible invasion, from the time the first Martians land near his home town, to the destruction of London. Is this the end of human life on Earth?
One of Brin’s central concerns throughout his work is how normal, un-heroic people can work together to make positive change in the world. The Postman is entirely about that simple concept, and how something as simple as sending letters can bring a world back from the brink of societal disintegration. If you know the movie adaptation, be prepared: the book’s themes are radically different, and much better (even though I do still like the film…).
NOW A MAJOR MOTION PICTURE • “A moving experience . . . a powerful cautionary tale.”—Whitley Strieber
He was a survivor—a wanderer who traded tales for food and shelter in the dark and savage aftermath of a devastating war.
Fate touches him one chill winter’s day when he borrows the jacket of a long-dead postal worker to protect himself from the cold. The old, worn uniform still has power as a symbol of hope, and with it he begins to weave his greatest tale, of a nation on the road to recovery.
I’ve penned (so far) seventeen novels, most set during some historical conflict or other, all of them revolving around intense personal relationships (loyalty, love, betrayal, those sorts of profound truths). I tend to read the sorts of books I wish to write. I also teach creative writing at a university (VCU); I tell my students that if they want to really know what a character is made of, shoot at them or have them fall in love. In my own work, I do both.
In the harrowing aftermath of Chornobyl's meltdown in 1986, the fate of Eastern Europe hangs by a thread.
From Beijing, American radiation scientist Lara, once a thorn in the Russian mob's side, is drawn back into the shadows of the Soviet Union on the Trans-Mongolian Express. She isn't alone. Anton, a Soviet scientist exiled for predicting Chornobyl's catastrophe, is on a quest to expose the truth. Amidst them, Timur, a Chechen giant fueled by vengeance, plots to destroy the already crumbling Soviet Union.
Suddenly, a murder on the remote tracks of the Gobi thrusts them into a deadly game of cat and mouse. As Chief Sheriff Bat races to solve the murder, their lives are thrown into jeopardy. Lara finds an unexpected ally in Gang, a reluctant assassin sent to end her life, and an illicit romance blooms amidst the chaos. But Gang isn't the only killer onboard. A hidden menace lurks, threatening to unravel all their plans.
In this electrifying ride across a historical backdrop, suspense and passion collide in an unyielding dance of survival and redemption. Who will survive the Trans-Mongolian Express?
In the harrowing aftermath of Chernobyl's meltdown in 1986, the fate of Eastern Europe hangs by a thread.
From Beijing, American radiation scientist Lara, once a thorn in the Russian mob's side, is drawn back into the shadows of the Soviet Union on the Trans-Mongolian Express. She isn't alone. Anton, a Soviet scientist exiled for predicting Chernobyl's catastrophe, is on a quest to expose the truth. Amidst them, Timur, a Chechen giant fueled by vengeance, plots to destroy the already crumbling Soviet Union.
Suddenly, a murder on the remote tracks of the Gobi thrusts them into a deadly game of…
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