Extensive research on cultural production by Latin American authors of Asian ancestry has given me a comprehensive understanding of the development of Transpacific studies. For the last decade, my research has focused, for the most part, on South-South intercultural exchanges and cultural production by and about Latin American authors of Asian descent. I have written five books dealing with these topics: 2008 Imaging the Chinese in Cuban Literature and Culture (2009), The Affinity of the Eye: Writing Nikkei in Peru (2013), Dragons in the Land of the Condor: Writing Tusán in Peru (2014), Japanese Brazilian Saudades: Diasporic Identities and Cultural Production (2019), and The Mexican Transpacific: Nikkei Writing, Visual Arts, Performance (forthcoming).
I wrote...
The Mexican Transpacific: Nikkei Writing, Visual Arts, and Performance
It analyzes writing as well as visual and performance arts by Mexicans of Japanese ancestry, thus exploring Japanese Mexican self-definition and its implications for Mexican national identity. This book approaches studies of the Transpacific from a Latin Americanist perspective as an alternative heuristic lens.
It encourages readers to rethink Mexican history and cultural production beyond its national borders and from a different vantage point, looking instead at often silenced cross-cultural connections and clashes (slavery, human exploitation, racism, predatory extractivism), intercontinental economic connections, and immigration. Consequently, Mexican history becomes inextricably linked to Asian countries such as China, Japan, Korea, and the Philippines. It also unveils little-known cultural production by Japanese Mexicans.
This book studies the anti-imperialist dialog between twentieth-century Latin American and Filipino intellectuals, writers, and diplomats who, in her view, appropriated brotherly discourses of Latinidad and Hispanidad as part of their resistance versus US imperialism. This book opened my eyes to the fact that, as late as the twentieth century, Filipino intellectuals still saw themselves as an intrinsic part of the Hispanic world and took for granted that it was beneficial for their country to keep a cultural and sociopolitical alliance with Latin America if they wanted to rid themselves of the new imperial yoke: the United States.
As a nation, the Philippines has a colonial history with both Spain and the United States. Its links to Latin/o America are longstanding and complex. Intercolonial Intimacies interrogates the legacy of the Spanish Empire and the cultural hegemony of the United States by analyzing the work of twentieth-century Filipino and Latin/o American writers and diplomats who often read each other and imagined themselves as kin. The relationships between the Philippines and the former colonies of the Spanish Empire in the Americas were strengthened throughout the twentieth century by the consolidation of a discourse of shared, even familiar, identity. This distinct…
Between Empires compares the anti-imperial literature and history of two former Spanish colonies, Cuba and the Philippines, but this time focusing on the late-nineteenth-century “intercolonial alliance” and, more specifically, on the oeuvres of two nationalist authors and national heroes: the Cuban José Martí and the Filipino José Rizal. Hagimoto explores a transpacific collective consciousness of resistance as well as the shared historical ties between Latin America and the Philippines. What I found more exciting about this book was that it reveals how, led by two national heroes and martyrs, there was still, well after the end of the Manila Galleon transpacific route, an end-of-nineteenth-century anti-colonial alliance between two far-away countries united by a shared history of colonial domination and oppression.
In 1898, both Cuba and the Philippines achieved their independence from Spain and then immediately became targets of US expansionism. This book presents a comparative analysis of late-nineteenth-century literature and history in Cuba and the Philippines, focusing on the writings of Jose Marti and Jose Rizal to reveal shared anti-imperial struggles.
Afro-Asian Connections looks at the cross-cultural relations between people of African and Asian ancestries in Latin America and the Caribbean. The chapters address how their common history in agrarian labor led to numerous interactions that have been reflected in the region’s history, literature, art, and religion. I found this continuation of the exploration of Afro-Asian sociocultural exchanges in Latin America initiated by Kathy López and Evelyn Hu-DeHart years earlier extremely timely and revealing, as it underscores a long history of intermittent alliances and animosities.
Afro-Asian Connections in Latin America and the Caribbean explores the connections between people of Asian and African descent in Latin America and the Caribbean. Although their journeys started from different points of origin, spanning two separate oceans, their point of contact in this hemisphere brought them together under a hegemonic system that would treat these seemingly disparate continental ancestries as one. Historically, an overwhelming majority of people of African and Asian descent were brought to the Americas as sources of labor to uphold the plantation, agrarian economies leading to complex relationships and interactions. The contributions to this collection examine various…
This was the first book on the literary representation of the Japanese and Nikkeijin in Peruvian fiction. It analyzes literature published by both Nikkei (the Nisei authors José Watanabe and Doris Moromisato) and non-Nikkei Peruvian authors (Mario Vargas Llosa, Mario Bellatin, etc) from 1996 to 2005. The book closes with interviews with six authors whose works are examined in the book: Miguel Francisco Gutiérrez Correa, Carmen Ollé Nava, Pilar Dughi Martínez, Mario Bellatin, José Watanabe, and Doris Moromisato. This important study opened the way for many other recent explorations of the traces of Japaneseness in Peruvian literature as well as the relevance of Japanese-Peruvian writing.
In her book, The Closed Hand: Images of the Japanese in Modern Peruvian Literature, Rebecca Riger Tsurumi captures the remarkable story behind the changing human landscape in Peru at the end of the nineteenth century when Japanese immigrants established what would become the second largest Japanese community in South America. She analyzes how non-Japanese Peruvian narrators unlock the unspoken attitudes and beliefs about the Japanese held by mainstream Peruvian society, as reflected in works written between l966 and 2006. Tsurumi explores how these Peruvian literary giants, including Mario Vargas Llosa, Miguel Gutierrez, Alfredo Bryce Echenique, Carmen Olle, Pilar Dughi, and…
This book uses a transpacific, decolonial, and interdisciplinary approach to study the connections between Latin America and East Asia, concentrating on contemporary commodity extraction and exchanges. The book explores South-South exchanges without Global North metropolitan mediations, thus recentering East Asia-Latin America as an epistemological lens through which to consider these sophisticated networks and produce new knowledge. In my view, the originality of this book resides first in the interdisciplinary connection it makes between the decolonial project and transpacific studies, and secondly, in the two-pronged approach from two unfortunately often disconnected academic perspectives: Latin American and East Asian Studies.
In this collective work, researchers from different disciplines reflect upon the challenges and opportunities of decolonizing transpacific studies through the lens of a few paradigmatic case-studies that deal with connections between East Asia and Latin America. The present book offers a productive problematization of the idea of the transpacific as a concept and a space that is not restricted to a single definition. We defend that the transpacific can instead promote an understanding of agents and experiences that share many common traits that have been generally overlooked by a hegemonic interpretation of knowledge and the relationship between regions.By fostering an…
The Hunt for the Peggy C is best described as Casablanca meets Das Boot. It is about an American smuggler who struggles to rescue a Jewish family on his rusty cargo ship, outraging his mutinous crew of misfits and provoking a hair-raising chase by a brutal Nazi U-boat captain bent on revenge.
During the nerve-wracking 3,000-mile escape, Rogers falls in love with the family’s eldest daughter, Miriam, a sweet medical student with a militant streak. Everything seems hopeless when Jake is badly wounded, and Miriam must prove she’s as tough as her rhetoric to put down a mutiny by some of Jake’s fed-up crew–just as the U-boat closes in for the kill.
The Hunt for the Peggy C: A World War II Maritime Thriller
John Winn Miller's THE HUNT FOR THE PEGGY C, a semifinalist in the Clive Cussler Adventure Writers Competition, captures the breathless suspense of early World War II in the North Atlantic. Captain Jake Rogers, experienced in running his tramp steamer through U-boat-infested waters to transport vital supplies and contraband to the highest bidder, takes on his most dangerous cargo yet after witnessing the oppression of Jews in Amsterdam: a Jewish family fleeing Nazi persecution.
The normally aloof Rogers finds himself drawn in by the family's warmth and faith, but he can't afford to let his guard down when Oberleutnant Viktor…
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