100 books like Anibal Quijano

This is the best account I know of the double bind that artists subjected to settler forms of colonialism have had to endure. Taking Nigerian modern art as his case study, this eminent Africanist art historian shows how, on the one hand, colonial officials attempted to abolish the indigenous artistic heritage as "savage," or "primitive," while simultaneously blocking African artists from a European art education. To become modern required a negotiation between these dual limitations and ended up producing something very different from Western modernism.

Chakrabarty’s monograph is a classic work of postcolonial theory.

Basically, it shows that despite their pretensions to universality, a lot of the humanities and social sciences have been founded on unexamined Eurocentric perspectives on world history. While modernity is often held up as a universal standard, Chakrabarty unmasks the widely held assumptions about “sovereignty,” “disenchanted space,” and “secular time,” as European constructs.

Famously, he also shows how the transition to capitalism was an act of translation that changed the way people saw the world and their relationship to each other. This book can be hard going, but it is very much crucial reading as it really undercuts some of the most widely held myths of modernity. 

Rothberg is not a historian but I love what he accomplished with this scholarly book. He examines film, literature, and paintings to suggest that our memories are multidirectional: meaning they often move in different directions at the same time. This allows him to place the holocaust side-by-side the colonial/decolonial project and produce a devastating story of how each fed upon the other. For example, he looks at moments in 1960s Paris that places Jewish survivors of Auschwitz in conversation with Algerian survivors of French concentration camps during the Algerian war to suggest their memories could work together to produce an honest remembrance of the past. I try to do something similar in my own book by illustrating how the war dead could link domestic and foreign places together in building an American Empire.   

Ka’m-t’em both describes how communities can heal from colonization, and is itself a product of that healing. This book brings up so many emotions: shame around White violence, hope to build a community of support for Indigenous peoples, and longing for a decolonized future. The chapters featuring youth voices at the end of the book are particularly moving, as we hear from teenagers in their own words as to why they are willing to fight for their identities, and what everyone can do to help.

Ngugi wa Thiong'o is not just a celebrated writer, but a respected critic of African literature, known for his advocacy of African languages. In this book, wa Thiong'o provides an exploration of slavery’s effects on the historical, cultural, and literary lives of Africans. His focus is on the fragmentations that slavery created in African identities and how these play out in literature. The book advocates for a re-membering of fragments created by slavery. I think this book – and frankly any work by wa Thiong'o – is a necessary addition to the collection of any reader interested in African literature, particularly the legacy of slavery and colonialism in African writings.  

This is the first book, following the opening of the archives thirty years after independence, to examine how bills of rights came to be incorporated into the independence constitutions of Britain’s former colonial territories.

It shows why and how, after the unfortunate political experience of an independent Ghana under Nkrumah, the Colonial Office foisted bills of rights on the independence constitutions of its colonial territories. A case of British do as I say and not as I do.

Wiley tells a guy how to stop being an aimless fool and start being the man of the house. His lessons tell you how to earn authority, not through domination but through toughness and a determination to give your family what they need from you. Wiley wants men to create strong shelters for their wives and kids, so that they can thrive and become independent themselves. It’s practical stuff, like, fix your own damn appliances. Women: If you want men with spines in your life, have them read this. And if you find yourself having to be both mom and dad in your house, do what Wiley says so that you can act with authority as well as compassion.

Another remarkable first novel, and the first of a trilogy, now complete. Dangarembga is a multi-talented Zimbabwean woman—filmmaker, playwright, novelist, and not least, political activist. A coming-of-age tale set in the late colonial period [when Zimbabwe was Rhodesia], the focus is on two girls, cousins. Tambu, the narrator, begins the book this way: “I was not sorry when my brother died."  Now, that will get your attention [we gradually learn why]. But it is her cousin Nyasha who will grab you: brilliant, passionate, troubled, sickly. In 2018 the BBC named Nervous Conditions one of the 100 stories that have shaped the world.

Our Fighting Sisters is a wonderful, inspiring, and stylishly written book, drawing on in-depth interviews with celebrated women fighters from the liberation struggle in Algeria.

It is one of the first books to fully engage with the experiences of women who lived through the struggles of the Independence War. It documents the roles women played, both as intellectuals and combatants, in overturning the brutal colonial rule, thus liberating Algeria and in many ways, the African continent.

It still has implications for the future of resistance movements in Algeria and beyond. 

Owen White’s excellent book has given Algerian wine the place it deserves in the wine history of both Algeria and France. Wine production, introduced to Algeria by French settlers in the late 1800s, was an anomaly because the majority Muslim population of the colony did not drink. But it became essential to the French wine industry because it was commonly blended with the then-anemic wines of southern France to make wines with colour and strength. Even so, many French wine producers regarded Algeria as a rival and there was a constant tension between producers who needed Algerian wine and those who resented it. It was resolved when Algeria won independence from France and the wine industry there went into steep decline.