100 books like Provincializing Europe

Clarke transports the reader to England during the time of the Napoleonic Wars. There is, however, one small twist: magic once existed in this world and has now returned through two men, drastically changing the course of history and society.

The story is rich in gothic atmosphere and wry humour, and is positively bursting with ideas (there are almost 200 footnotes!). Clarke imbues her protagonists with conflicting approaches to the pursuit of knowledge, with Norrell representing cautious rationality and conservative methodology, while Strange embodies an adventurous spirit and a willingness to embrace the arcane and often the dangerous.

First published in 1947, this iconic book of the “Frankfurt School” could not be a study of AI and 21st-century technologies per see.

Instead it is a phantasmic explainer of how the mistakes of the past impinge on our humanity and the prospects for a better future. "What we had set out to do," Adorno and Horkheimer famously wrote in the Preface, "was nothing less than to explain why humanity, instead of entering a truly human state, is sinking into a new kind of barbarism."

With spectacular erudition, the authors clearly show how the terror regime of the Nazis was rooted in the nefarious legacies of enlightenment Europe and its obsession with racial purity. As such, Adorno and Horkheimer presaged why it is that our polluted history feeds into racist AI technologies: Bad data, Adorno and Horkheimer would agree, produces bad outcomes. 

The late French philosopher Bruno Latour was infamous for his iconoclastic work in the history and sociology of science and technology.

If you read only one of his books, I’d say go for We Have Never Been Modern because it cuts to the heart of things by disrupting the conventional understanding of modernity as a clear separation between nature and culture. Latour argues that even as “moderns” have been rhetorically invested in this particular bifurcation of the world, nature-culture hybrids are continually proliferating.

So if you’ve ever asked yourself, why are cities not considered natural landscapes? Or why are animals always presumed to be without culture? Or what does it even mean to be modern? Then this is the book for you.

In this book, the Canadian philosopher Charles Taylor challenges the notion that modernization automatically leads to secularization.

Instead of viewing modernity as either the decline of religion or subtraction of religion from public life, Taylor presents the idea that modernity brings about the expansion and variety of religious beliefs. In Taylor’s view Christianity has been relativized insofar as it has been rendered but one kind of belief among others.

He also argues that many transcendent values have been replaced by immanent concerns. But in certain important ways the book is still hopeful. It is a very long text, but it is definitely important reading for anyone navigating faith, spirituality, and the search for meaning in today’s world.

I found this book eye-opening; it forced me to rethink what I knew about Europe’s success.

We think of Europe (and the US) as being successful because of its culture, religion, democratic capitalism, and/or climate. Blaut challenges such Eurocentrist presumptions by documenting Europe’s geographical good fortune. It was much easier to reach the Americas from Europe than from its 15th-century Asian competitors (China and India), enabling Europe to overtake these by exploiting the Americas.

I came to realize that Europe’s prosperity, and that of its former white colonies (the US, Canada, Australia, New Zealand), was due to good luck, not simply European initiative.

Rothberg is not a historian but I love what he accomplished with this scholarly book. He examines film, literature, and paintings to suggest that our memories are multidirectional: meaning they often move in different directions at the same time. This allows him to place the holocaust side-by-side the colonial/decolonial project and produce a devastating story of how each fed upon the other. For example, he looks at moments in 1960s Paris that places Jewish survivors of Auschwitz in conversation with Algerian survivors of French concentration camps during the Algerian war to suggest their memories could work together to produce an honest remembrance of the past. I try to do something similar in my own book by illustrating how the war dead could link domestic and foreign places together in building an American Empire.   

This is the best account I know of the double bind that artists subjected to settler forms of colonialism have had to endure. Taking Nigerian modern art as his case study, this eminent Africanist art historian shows how, on the one hand, colonial officials attempted to abolish the indigenous artistic heritage as "savage," or "primitive," while simultaneously blocking African artists from a European art education. To become modern required a negotiation between these dual limitations and ended up producing something very different from Western modernism.

This is the first book, following the opening of the archives thirty years after independence, to examine how bills of rights came to be incorporated into the independence constitutions of Britain’s former colonial territories.

It shows why and how, after the unfortunate political experience of an independent Ghana under Nkrumah, the Colonial Office foisted bills of rights on the independence constitutions of its colonial territories. A case of British do as I say and not as I do.

Ngugi wa Thiong'o is not just a celebrated writer, but a respected critic of African literature, known for his advocacy of African languages. In this book, wa Thiong'o provides an exploration of slavery’s effects on the historical, cultural, and literary lives of Africans. His focus is on the fragmentations that slavery created in African identities and how these play out in literature. The book advocates for a re-membering of fragments created by slavery. I think this book – and frankly any work by wa Thiong'o – is a necessary addition to the collection of any reader interested in African literature, particularly the legacy of slavery and colonialism in African writings.  

Ka’m-t’em both describes how communities can heal from colonization, and is itself a product of that healing. This book brings up so many emotions: shame around White violence, hope to build a community of support for Indigenous peoples, and longing for a decolonized future. The chapters featuring youth voices at the end of the book are particularly moving, as we hear from teenagers in their own words as to why they are willing to fight for their identities, and what everyone can do to help.