100 books like Red China Blues

Pearl S. Bucks was the first American woman who won the Nobel Prize for Literature. She was brought to China by her missionary parents when she was an infant. She continued to spend much of the first half of her life in China from 1892 to 1934. This autobiography covers her growing up in China and returning to the U.S. Good-hearted and open-minded, she was the very few foreigners who had intimate access to ordinary Chinese people's lives and souls, which remain mysterious to most outsiders to this day. As a sharp-eyed observer and skillful writer, she gave an extraordinary account of the major events such as the collapse of the Qing Dynasty, the Boxer Rebellion, and the civil war between the Nationalists and the Communists. The missionary work brought her to China in the first place, but in the end, she admitted failure in bringing God to China. Pearl… show more.

This book is the comparatively underrated one among my five choices, but I guarantee it worthwhile. Peck went to China in 1935. He served in the U.S. Office of War Information in China throughout the 1940s. This memoir chronicles his life in China from the beginning of the Japanese invasion to the end of the Pacific War, during which the U.S. was the ally of the Nationalists, who lost to the Communists in the following years. The China Peck described was a sleepy, isolated world, characterized by apathetic people, rampant corruption, and senseless internal friction. When the book first came out in 1950, the Communists took over China a few months ago, and the Americans were in a hot debate, “Who lost China?” The valuable historical and political information Peck provided in this book offered a unique voice to answer the burning question. His opinion of China could be summarized… show more.

The first step to enriching perspectives on China is to go there—something more difficult in times of COVID and political tensions. One of the most pleasant virtual visits is to take a back seat as Peter Hessler roams the Great Wall backcountry. He does American things in an un-American place: getting a driver’s license, renting a car, meeting hitchhikers, countryfolk, and their city kids. He moves on to the factories, and we meet the Chinese that put the “Made in China” label on our daily world. Hessler is a regular at the New Yorker, is living in China, and always a good read.

This book deals with the new challenge brought by the Chinese education system. As an American journalist dispatched to Shanghai, Chu chose an unconventional way of educating her son by enrolling him in an elite state-run public school instead of an international school. This memoir delineates her navigating inside China's high-achieving yet somewhat insular education system. When the Chinese use military-like high-pressured techniques to educate their students and "out-educate" the Americans, people couldn’t help but wonder if the Chinese educational philosophy could teach the world a lesson or two. Chu discovered that the Chinese system was designed to weed out the incompetent, and as a result, every student who successfully entered higher education was a fighter and survivor. Educational practices reveal the core value of a society. Chu raises an important question in an increasingly flattened world as to how to raise American kids to compete globally. 

Denise Chong explores a similar period of Chinese Canadian history in Lives of the Family: Stories of Fate & Circumstance. Similar to my own book, Lives of the Family looks beyond Vancouver and British Columbia Chinatowns to tell the story of Chinese Canadian migrants, whose lives straddled continents, who ran successful businesses, and were involved with the KMT. 

In elegant prose, Nien Cheng, a Shell Oil Company in 1966, recounts her life in Shanghai in 1966, when Chairman Mao launched the Great Proletarian Cultural Revolution.

Mao’s Red Guards ransacked Cheng and her husband’s bourgeois home and then delivered her to No. 1 Detention House in Shanghai where she was held in solitary confinement of 7 years until her rehabilitation and release after several struggle trials.

Her work is prescient as the United States in under attack by a radical woke ideology. Many Americans have been cancelled or have been made to attend struggle sessions.  

Nein Chen is a heroic woman, a brilliant writer, and an example of how one courageous woman can stand up to a totalitarian regime. 

The godmother – the empress dowager, if you will – of all naughty Chinese authoresses is the inimitable Anchee Min. Her debut memoir, Red Azalea, was published half-a-decade before Shanghai Baby, and takes place half-a-century prior, at the outset of the Cultural Revolution. The first half of her story is set in a countryside labor camp, where teenaged Min and another young woman carry out a secret affair, with regrettable consequences. The second half of Min’s memoir finds her returning to her native Shanghai, now as the star of a movie production about Madam Mao, while carrying out yet another forbidden relationship, with one of Mao’s advisers. Min published seven subsequent books, all to critical acclaim, but Red Azalea is her at her most fearless.

I must have read dozens of books on China but Colin Thubron’s elegiac account comfortably takes the crown. Behind the Wall captures a unique moment in China’s history when foreigners were first allowed to travel around the country but the nation was yet to be influenced by the outside world. Having learnt to speak Mandarin in advance of travelling, the author probes deep into the rural areas and distant desert outposts of a closed communist empire still recovering from the ravages of the Cultural Revolution.

Perspectives on one of the most bewildering and turbulent periods in modern Chinese history – the Great Proletariat Cultural Revolution, in the decade from 1966, by one of contemporary China’s foremost historians. Yang, who has worked on the era of the great famines in China prior to this, is well served by two excellent translators. A book that brings the vastness of this revolution down to the stories of specific people and places, including those who were most involved in creating and directing this seminal event.

Set in China’s southwestern mountainous rainforest borderland of Xishuangbanna, this novella is based on the author’s time as a “sent-down youth” during the Cultural Revolution. Politics take a backseat to the intimate friendships forged during those years, alongside the heedless degradation of the country’s lushest lands. The famed director Chen Kaige—who had served two mountains away from the author—made a faithful film adaptation.