Love Little Soldiers? Readers share 100 books like Little Soldiers...

Pearl S. Bucks was the first American woman who won the Nobel Prize for Literature. She was brought to China by her missionary parents when she was an infant. She continued to spend much of the first half of her life in China from 1892 to 1934. This autobiography covers her growing up in China and returning to the U.S. Good-hearted and open-minded, she was the very few foreigners who had intimate access to ordinary Chinese people's lives and souls, which remain mysterious to most outsiders to this day. As a sharp-eyed observer and skillful writer, she gave an extraordinary account of the major events such as the collapse of the Qing Dynasty, the Boxer Rebellion, and the civil war between the Nationalists and the Communists. The missionary work brought her to China in the first place, but in the end, she admitted failure in bringing God to China. Pearl… show more.

This book is the comparatively underrated one among my five choices, but I guarantee it worthwhile. Peck went to China in 1935. He served in the U.S. Office of War Information in China throughout the 1940s. This memoir chronicles his life in China from the beginning of the Japanese invasion to the end of the Pacific War, during which the U.S. was the ally of the Nationalists, who lost to the Communists in the following years. The China Peck described was a sleepy, isolated world, characterized by apathetic people, rampant corruption, and senseless internal friction. When the book first came out in 1950, the Communists took over China a few months ago, and the Americans were in a hot debate, “Who lost China?” The valuable historical and political information Peck provided in this book offered a unique voice to answer the burning question. His opinion of China could be summarized… show more.

Growing up in Canada, left-winged Wong dropped out of university and flew to China in 1972 to participate in the Cultural Revolution. But she was soon disillusioned by the reality of a police state and the hypocrisy dominating everyone's life, from which even she, as a foreign nationality, couldn't escape. However, Wong remained in China and eventually worked as a journalist for Canada’s The Globe and Mail. When the Tiananmen Protests happened in 1989, she tracked down and interviewed dissidents and eyewitnesses. This memoir covers her active years in China from the 1970s to the 1990s, during which China was undergoing a sweeping change from Mao’s era to Deng’s era. It is a prelude to China's marching toward its economic prowess.

The first step to enriching perspectives on China is to go there—something more difficult in times of COVID and political tensions. One of the most pleasant virtual visits is to take a back seat as Peter Hessler roams the Great Wall backcountry. He does American things in an un-American place: getting a driver’s license, renting a car, meeting hitchhikers, countryfolk, and their city kids. He moves on to the factories, and we meet the Chinese that put the “Made in China” label on our daily world. Hessler is a regular at the New Yorker, is living in China, and always a good read.

In 1929, Bernardine Szold Fritz, age 33, accepted a proposal of marriage that brought her to Shanghai. From the very beginning, I was intrigued. Why would a single Jewish woman hop a train to China to be with a fourth husband, a man she met briefly in Paris? While the marriage is a disappointment, Art Deco Shanghai is not. 

Like other Jewish women before her, she started a salon in her home and an International Arts Theater that saw the likes of Hollywood luminaries and famous names in the arts and politics. I was mesmerized by how Bernardine’s commitment to intellectual pursuits defied the fragile political situation that existed in Shanghai through the civil wars and the time period leading up to World War II. She brought creativity and joy to a city that would soon change forever.

Decidedly contemporary China’s most provocative foreign writer, Isham Cook has spent the past decade in Beijing penning books about taboo subject matter that heretofore few expat authors have been willing to publicly reveal about their lives here. Specifically, prurience and libertine excess. I liken him as a reincarnated Edmund Backhouse with a hint of Henry Miller and a dash of de Sade. In his putative memoir The Mustachioed Woman of Shanghai, Cook reimagines himself as an Asian woman in order to psychoanalyze his past relationships with Chinese girlfriends whom he tormented with polyamory. If nothing else, read this for its sheer audacity.

Though these collected stories were popular in Chang’s native China when first published in the 1940s, decades passed before they were translated into English. The title story brings war-torn Hong Kong to life, but even against the most dramatic political backdrop, Chang’s focus is firmly on women and relationships. Though the time and place may seem remote, readers will find universal emotions in these carefully constructed tales. 

Graham Earnshaw, who has resided in the Middle Kingdom for the past 40+ years (longer than any other living expat here today), has also been casually strolling from Shanghai due west toward Tibet over the past two decades. Fluent in Mandarin, his spontaneous conversations with local peasants he has encountered along the way make The Great Walk a delightfully pleasant and profoundly insightful read. Published in 2010 by a small Hong Kong indie press and tragically overlooked by most Sinophiles, I can’t recommend this enough to anyone seeking an upbeat, unpretentious narrative of a foreigner drifting among the Chinese.

Shanghai, which was once called the “Hollywood of Asia,” has always been a cinematic city par excellence, so a good way to describe the charms of this book is via movie terms. In one sense, it zooms in tightly on a specific day in the history of the city and what was happening in a single setting. It mixes close-ups of a horse race and some people who came to watch it, though, with wide-angle shots and flashbacks. The author, a skilled historian with deep knowledge of Chinese history and a stylish writer, moves effortlessly between Shanghai in the early 1940s as the Japanese military’s World War II era grip on the city and much of China was tightening and earlier points in its past. He also moves fluidly between the racecourse—a potent symbol, as during the height of the British imperial period, Britons would often build these to mark… show more.

Like her or not, the reigning queen of the naughty girl subgenre of Chinese literature decidedly is Wei Hui, whose debut, Shanghai Baby, was a cultural phenomenon that resulted in public book burnings, an international media frenzy, dozens of imitators, and one so-bad-it’s-good movie adaptation starring Bai Ling. Not that Wei Hui is a particularly well-regarded writer – Shanghai Baby is basically a knockoff of shallow Western-style chick-lit, about a designer-brand-obsessed young woman who has an affair with a married foreigner – but in 1999 it was groundbreaking for kicking the publishing doors down for the post-1970s generation of Chinese writers.