10 books like To Die for

This is an award winning book by an extraordinary social commentator who turned his anthropological eye to the Bangladeshi garment industry in the aftermath of Rana Plaza – the 2012 factory collapse that killed 1,138 people. This is painstaking and sensitive work documenting the lives of workers and the poverty and instability that drives people into garment factories. It is also a detailed explanation of how Rana Plaza was the latest in a long list of industrial homicides that stretches back to imperialism and the East India Company. It is exceptional.

This is such an inspirational book from the heart of the anti-globalisation movement in 2001. It documents the lives of immigrant women working in underground sweatshops not just in the USA but right across the world. It resolutely stands as a monument against the ‘down trodden’ woman stereotype and welcomes you into an often ignored world where workers are fighting back against some of the biggest corporations on the planet.

This is an anthology of work about the Bangladeshi garment industry in the months and years following the Rana Plaza factory collapse that killed 1,138 people. It is rigorous academic work that doesn’t shy away from asking hard questions, and which seeks to tackle the gigantic problem of how to end exploitation in the garment industry.

This book is an excellent chance to hear straight from the people on the sharp end of the fashion industry. From India to Cambodia, it is full of detailed interviews with garment workers and workers’ rights advocates. As well as taking you behind the scenes of the fashion industry, it also serves as a best practise guide – from a real industry expert – for how fashion could one day be made fair and sustainable.

Fashion is, without any question, a matter of one's own taste. Or so one would think. But no other successful fashion designer has ever analysed and observed the New York fashion world of the 1950s to mid-60s as mercilessly and literarily as John Weitz did in his novel published in 1970. With his clearly English-influenced men’s designs he kept his distance from New York’s high society. Perhaps this was due to his unusual life path.

John Weitz, born to a famous Berlin Jewish family. To guarantee his education, in 1936 his parents send him to London. After his A-levels, John and a short apprenticeship emigrated to the US and worked after 1944 for the OSS (now the CIA) during the Second World War as an under-cover agent in German-occupied France and witnessed the liberation of the Nazi concentration camp Dachau.

Weitz's reputation as a men's fashion designer had the name… show more.

This tiny gem of a book was born when Lazarovic decided to go on a shopping diet and paint the things she coveted instead of buying them. In the first half of her wonderfully illustrated and hand-lettered book, she explains her evolution from “I want it” child, to mall-rat teen to coming of age in the age of fast fashion. She chronicles her clothes, her awakening to the downsides of late-stage capitalism, and ends with several wise tips to help slow our consumption. A dynamo of a political pill wrapped in utterly playful confection of art and humor. One thing I do not regret buying is this book!

My secret theory (or formerly secret, anyway) is that if books had best friends, my book's BFF would be this book. Aja and I were clearly on the same wavelength when writing our books, and there are many common threads, but Consumed takes a much deeper dive into consumerism broadly and the fashion industry specifically, tying environmental and worker exploitation concerns together seamlessly. You’ll come away with real resolve to consume much less, as well as clarity on how to push producers of goods you buy to do much, much better.

In his early career, Gaultier was a regular visitor to London and took inspiration from Soho’s indie art school clubs, Billy’s, The Blitz, The Wag. As a fashion student at St. Martins at the time, we were often on the same dance floor together and I identified with his rebellious attitude, which continued to challenge the fashion status quo and never waned. Glossy catwalk pictures of a distinct tribe of models, (not the usual crowd of supermodels) original design sketches, quotes from JPG the "enfant terrible" of Parisian fashion who famously broke all the rules on gender in the 1990s, and an intelligent text by Colin McDowell, a renowned fashion historian, all contribute to a wonderful book that brilliantly captures the truly unique talent of this designer. 

"The statements we make just by getting dressed in the morning." This book about fashion and dress codes, and how they interconnect with gender, sexuality, and class, is lively and thought-provoking. My own study of the women who appear in Greek vase paintings led me to look more closely at women’s relationship with their clothing. In particular their handling of shoes became a source of fascination, and in my current research I’m focussing on narratives around female footwear. In the book, Brydon’s chapter "Sensible Shoes" has been an inspiration. Stilettos, for example, are seen as being entirely ambiguous in their significance, items which can both empower and disable the wearer. Like the knife they are named after, they are double-edged. 

This sweet and sharp coming-of-age tale is set in my hometown, Sydney, in the 1950s. It centres on book-loving young poet, Lisa, who takes a summer job in the fancy frock section of a department store while waiting to find out if she’s made it into university. When I first read this novel, I felt I’d stepped right into Lisa’s shoes, finding my confidence all over again as she does, leaving the suburbs for the city. The Women in Black is a sequin-studded exploration of the importance of stories to us all – and especially for post-war migrants making new homes and new stories. I just adore the idea that a novel about books and frocks and the hearts of young women has become a literary classic.