Here are 100 books that The Value of Nothing fans have personally recommended if you like
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I published the novel Ehrenfried & Cohn in 2016 about the decimation of the Jewish fashion industry in Berlin by the Nazis. I studied at the University of Arts in Berlin and became a fashion reporter for newspapers. Later I worked as a producer and journalist for German Public Broadcasting, the BBC in London, and PBS and CBS in New York City. I currently share my time between London and Berlin writing fact books on Jewish fashion and as a lecturer on fashion history in the US.
When Bill (William John) Cunningham (1929-2016), son of an Irish Catholic family from Boston, moved to New York at the tender age of 19 in 1948, it became the life-defining step in his career as probably the most famous fashion photographer in the metropolis. He had been interested in fashion from an early age and sold his first hats. After returning from military service in Korea in 1953, he began photographing fashion and writing articles for Women's Wear Daily and the Chicago Tribune.
It is no exaggeration to say that Cunningham's fashion sense and photography quickly shaped a new style of fashion journalism. His "street style" brought fashion, no matter how expensive or luxurious, into the world of everyday life. Cunningham made fashion interesting again only through his point of view and photographs. The quiet, always curious and meticulous Cunningham also became known for his commitment to the gay…
"[An] obscenely enjoyable romp." -The New York Times Book Review
The untold story of a New York City legend's education in creativity and style
For Bill Cunningham, New York City was the land of freedom, glamour, and, above all, style. Growing up in a lace-curtain Irish suburb of Boston, secretly trying on his sister's dresses and spending his evenings after school in the city's chicest boutiques, Bill dreamed of a life dedicated to fashion. But his desires were a source of shame for his family, and after dropping out of Harvard, he had to fight…
I published the novel Ehrenfried & Cohn in 2016 about the decimation of the Jewish fashion industry in Berlin by the Nazis. I studied at the University of Arts in Berlin and became a fashion reporter for newspapers. Later I worked as a producer and journalist for German Public Broadcasting, the BBC in London, and PBS and CBS in New York City. I currently share my time between London and Berlin writing fact books on Jewish fashion and as a lecturer on fashion history in the US.
What connects the most important fashion styles over the last 80 years? The answer: the stories of those who made these clothing items fashion and trends, often globally. Lauren Cochrane illustrates lavishly this with a wealth of exactly these stories and plenty of pictures. These 10 classic fashion items are part of the universal language of style we all somehow know but not too much about them: The White T-shirt, Miniskirt, Hoodie, Jeans, Ballet flat, Breton top, Biker jacket, Little black dress, Stiletto, Trench.
Familiar, commonplace, ubiquitous - each piece has become an emblem of a certain style, carrying its own connotations and historical significance. They aren't just clothes - our social history is contained within these perfect 10 pieces. They're vessels that hold the history of style, politics, and identity: while trends may come and go, these are here to stay.
'Amazing - what perfect timing for fashion's new wave' Barbara Hulanicki, Founder of BIBA
These 10 classic fashion items are part of the universal language of style: the White T-shirt, Miniskirt, Hoodie, Jeans, Ballet flat, Breton top, Biker jacket, Little black dress, Stiletto, Trench.
While trends may come and go, they remain symbols of perennial cool, part of a capsule collection of chic emblems that represent who we are, who we want to be and how we want to be seen.
The Ten tells the story of each item's creation, its journey to popularity, and why it matters today. These…
I was born in New Zealand and now live half the year in London and the other half on the border of The French and Italian Riviera. I am fascinated by the history of the buildings and the color of the European lifestyle. I love to write novels about the past and how that past relates to scenarios of present day. I am keen to tell the untold stories of WW2 that are based on fact. Then weave them with embellishment from my own imagination.
I have always adored the Chanel brand and have been intrigued by Coco Chanel’s childhood story and her rise to fame. Then to read the back story of her activities during World War 2 in Paris, I was gutted. The author depicts her as a full-on collaborator. All done in a bid to save her fortune, but at the expense of others. In this explosive narrative the author pieces together Chanel’s hidden years, her relationships with top-ranking Nazis, and her anti-Semitism.
This explosive narrative reveals for the first time the shocking hidden years of Coco Chanel’s life: her collaboration with the Nazis in Paris, her affair with a master spy, and her work for the German military intelligence service and Himmler’s SS.
Gabrielle “Coco” Chanel was the high priestess of couture who created the look of the modern woman. By the 1920s she had amassed a fortune and went on to create an empire. But her life from 1941 to 1954 has long been shrouded in rumor and mystery, never clarified by Chanel or her many biographers. Hal Vaughan exposes the…
Since 2011 I have taught a summer course at Freie Universität Berlin, and have grown fond of the city, including its admirable efforts to acknowledge and atone for its former status as the capital of the Nazi empire. I’ve seen pictures of Canadian Prime Minister Mackenzie King touring the city and interacting (cheerfully) with Reich officials, and a couple of years ago I made a point of retracing his steps to observe the vestiges (very little) of prewar Berlin. This compelled me to dig deeply into what motivated King to break bread with Nazis, and how the prime minister’s trip was viewed by Canadians and the world – at the time, and since.
Fromm, too, was a journalist alarmed by the rise of Nazism and Germans’ increasing embrace of hatred and falsehood. She differs from Halton and Shirer in that she was 1) born in Germany, and thus had a deeper perspective on Nazism’s place in German history and culture, 2) a woman, and thus expected to report on “society” and fashion stories, although her interests and abilities soon drew her to politics, and 3) Jewish, and therefore subjected to the daily indignities, threats, and violence that in 1938 led her to flee a land her family had inhabited for five centuries. Fromm seemed to know everybody, including Nazi bigwigs, and was continually astounded by the degrees to which foreign visitors fell for blatant Nazi propaganda. Mackenzie King should have been listening.
The diary, smuggled out of Nazi Germany, of a Jewish woman who wrote the social column for a major Berlin newspaper, and was able to observe the rise of the Nazis
I'm a journalist and author writing (mostly) about labour rights and the politics of the fashion industry. This work has taken me to Bangladesh, Kenya, Macedonia, and the Topshop warehouses in Solihull. I am the author of Foot Work – What Your Shoes Are Doing To The World, an exposé of the dark origins of the shoes on our feet. My award-winning first book Stitched Up – The Anti-Capitalist Book of Fashion, is available in six languages and was selected by Emma Watson for her "Ultimate Book List".
A classic book on the pain that fashion inflicts on both people and planet. This book does an excellent job of showing how the exploitation of people is inseparable from the exploitation of the biosphere. It is a searing critique of the fashion industry and its voracious appetite for evermore profit, and how this short-termist model is driving us towards disaster.
An expose on the fashion industry written by the Observer's 'Ethical Living' columnist, examining the inhumane and environmentally devastating story behind the clothes we so casually buy and wear.
Coming at a time when the global financial crisis and contracting of consumer spending is ushering in a new epoch for the fashion industry, To Die For offers a very plausible vision of how green could really be the new black.
Taking particular issue with our current mania for both big-name labels and cheap fashion, To Die For sets an agenda for the urgent changes that can and need to be…
I'm a journalist and author writing (mostly) about labour rights and the politics of the fashion industry. This work has taken me to Bangladesh, Kenya, Macedonia, and the Topshop warehouses in Solihull. I am the author of Foot Work – What Your Shoes Are Doing To The World, an exposé of the dark origins of the shoes on our feet. My award-winning first book Stitched Up – The Anti-Capitalist Book of Fashion, is available in six languages and was selected by Emma Watson for her "Ultimate Book List".
This book is an excellent chance to hear straight from the people on the sharp end of the fashion industry. From India to Cambodia, it is full of detailed interviews with garment workers and workers’ rights advocates. As well as taking you behind the scenes of the fashion industry, it also serves as a best practise guide – from a real industry expert – for how fashion could one day be made fair and sustainable.
“Slave to Fashion offers hope of a fairer, more ethical world and gives the reader plenty of tools to navigate a challenging fashion system.”―Livia Firth
There are over 35 million people trapped in modern slavery today―the largest number of slaves in modern history. This is fueled by the global demand for cheap labor―which is what makes the fast fashion industry work.
Slave to Fashion is a highly accessible book which uses brilliant design, personal stories, and easy-to-grasp infographics to raise awareness among common brand consumers.
Fair trade and sustainable fashion expert Safia Minney draws on her extensive knowledge and personal…
I fell in love with English history around age 10 when I began reading historical fiction and non-fiction. I have maintained a history blog, The Lazy Historian, since 2015 and I published a casually written non-fiction book, The Lazy Historian’s Guide to the Wives of Henry VIII, in 2018. When I began writing my Homefront Hearts WWII romance trilogy, I threw myself into researching the well-documented daily lives of the English and the various challenges that came from “keeping calm and carrying on.”
In 1941, Britain was shocked to find out that the extra margarine coupons in their food ration books were actually to be used for clothing starting immediately since clothing was now also to be rationed. Clothes rationing, wartime makeup, wedding wear, uniforms (for men and women), restrictions placed on clothing design, fashion houses and magazines, “make-do and mend,” and more are all covered in this dense little book.
In September 1939, just three weeks after the outbreak of war, Gladys Mason wrote briefly in her diary about events in Europe: 'Hitler watched German siege of Warsaw. City in flames.' And, she continued, 'Had my wedding dress fitted. Lovely.'
For Gladys Mason, and for thousands of women throughout the long years of the war, fashion was not simply a distraction, but a necessity - and one they weren't going to give up easily. In the face of bombings, conscription, rationing and ludicrous bureaucracy, they maintained a sense of elegance and style with determination and often astonishing ingenuity. From the…
For as long as I can remember I have been absolutely gripped by the stories that old clothes can tell. From visiting fashion museums as a child to collecting books on the subject, I was drawn to the shapes, the fabrics, and the tales. I can remember a curator once telling me that clothes are the closest we can get to people in the past. They are the ghostly outlines of our ancestors and that has stayed with me. We give so much away about ourselves through the clothes we choose to wear and so they really do matter.
I do love a novel with history and objects at the core and The Corset adds an extra layer of spine tingling to the mix as well.
Ruth is a poorly paid seamstress, awaiting trial for murder. She is visited by the well-to-do Dorothea who wants to hear her story. The object, the corset, lies at the heart of Ruth’s tale and every stitch that she made in the creation of high-end pieces for her mistress begins to carry a greater significance.
In a world of fast fashion I have become increasingly fascinated by the handmade, the art of the needle, and the skill of the maker and here it has a slightly sinister facet to it.
'Laura is a masterful writer, her deliciously gothic stories so skilfully woven that you can't get them out of your head even if you wanted to' Stacey Halls, author of The Familiars
'The Corset is a contender for my Book of the Year. Beautifully written, intricately plotted, a masterpiece' Sarah Hilary
Is prisoner Ruth Butterham mad or a murderer? Victim or villain?
Dorothea Truelove is young, wealthy and beautiful. Ruth Butterham is young, poor and awaiting trial for murder.
When Dorothea's charitable work leads her to Oakgate Prison, she finds herself drawn to Ruth, a teenage seamstress - and self-confessed…
As a professional organizer since 1999, I’ve realized that the problem isn’t so much that we are disorganized, but that we are out-matched. We have too much stuff, it is too cheap and we are too busy and we can’t keep up. If you really want to stay organized, you have to examine your relationship to stuff. Why we want what we want and buy what we buy. Less but better!
This tiny
gem of a book was born when Lazarovic decided to go on a shopping diet and
paint the things she coveted instead of buying them. In the first half of her
wonderfully illustrated and hand-lettered book, she explains her evolution from
“I want it” child, to mall-rat teen to coming of age in the age of fast fashion. She chronicles her clothes, her awakening to the downsides of
late-stage capitalism, and ends with several wise tips to help slow our
consumption. A dynamo of a political pill wrapped in utterly playful confection
of art and humor. One thing I do not regret buying is this book!
Like most people, Sarah Lazarovic covets beautiful things. But rather than giving in to her impulse to spend and acquire, Sarah spent a year painting the objects she wanted to buy instead. Based on a visual essay that was first published on The Hairpin, A Bunch of Pretty Things I Did Not Buy is a beautiful and witty take on the growing 'slow shopping' movement. Sarah is a well-known blogger and illustrator, and she writes brilliantly without preaching or guilt-tripping. Whether she's trying to justify the purchase of yet another particleboard IKEA home furnishing, debating the pros and cons of…
I'm the writer and artist of the Johnny Hiro graphic novels. In those books, I use pop culture reference humor, but never simply as a joke. A reference can act as a hint to a world beyond the story the writer tells. I often dig slightly into an emotional resonance behind that reference—perhaps the (fictional) story of why it exists, or perhaps it even becomes an integral plot point. Popular media and culture often have a direct influence on our creative arts projects. And just sometimes, that art becomes an integral part of the popular culture itself.
I’ve read a handful of Warhol biographies and this is easily my favorite. It does a good job of breaking down his life experiences, his art and the philosophies behind The Factory, his purposeful creation of himself as an icon, and his adaptations to the American fine art and underground art landscapes that changed throughout his career. The book also has plenty of great party stories involving countless celeb friends. And to offset that all, peaks into his spending. The one bummer for me was that there weren’t enough pictures. But, well, I guess that’s what all my other Warhol books are for.
Pop: The Genius of Andy Warhol is a groundbreaking reassessment of the most influential and controversial American artist of the second half of the 20th century. Writers Tony Scherman and David Dalton disentangle the myths of the great pop artist from the man he truly was, and offer a vivid, entertaining, and provocative look at Warhol’s personal and artistic evolution. Drawing on brand new sources—including extensive new interviews and insight from those who knew him best—Pop offers the most dynamic, comprehensive portrait ever written of the man who changed the way we see the world.
