Here are 100 books that Graphic Thinking for Architects and Designers fans have personally recommended if you like
Graphic Thinking for Architects and Designers.
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I have been continuously studying, practicing, and/or teaching architecture since 1984, and my particular focus has been on drawing–why we draw and how we can develop our own practices for drawing, whether it’s related to architecture or not. Even more particular is my focus on drawing by hand–a practice that has had a major resurgence after the initial wave of fascination for digital drawing tools has waned. I am passionate about drawing and want to share that passion with others, partially by recommending books that have been of significant use to me over the years.
This lavishly illustrated book takes the reader around the world, visiting cities through the drawings of more than 100 artists. Along with the founding of the Urban Sketchers non-profit organization, this book helped create an enormous, global groundswell of people who draw what they see on-site using a variety of media.
The Art of Urban Sketching is both a comprehensive guide and a showcase of location drawings by artists around the world who draw the cities where they live and travel. This beautiful volume explains urban sketching within the context of a long historical tradition and how it is practiced today. It includes profiles of leading practitioners, a discussion of the benefits of working in this art form, and shows how one can participate and experience it through modern-day social networks and online activity. The book is illustrated with over 700 beautiful, contemporary illustrations, and includes artists' profiles and extended captions…
I have been continuously studying, practicing, and/or teaching architecture since 1984, and my particular focus has been on drawing–why we draw and how we can develop our own practices for drawing, whether it’s related to architecture or not. Even more particular is my focus on drawing by hand–a practice that has had a major resurgence after the initial wave of fascination for digital drawing tools has waned. I am passionate about drawing and want to share that passion with others, partially by recommending books that have been of significant use to me over the years.
This book, from one of the great masters of architectural sketching and rendering, was created at a time when the craft was at its peak in the 1920s. The writing can feel a bit dated–although it’s still excellent and extremely thorough–but the techniques and examples are absolutely wonderful.
I can’t describe all I’ve learned from this book over the years, but of particular note are the shading techniques and the ways of seeing and thinking about light and dark. These ways of seeing and thinking have helped me immensely in other media, especially watercolor.
This classic guide offers clear, concise instruction in the basics as well as the finer points of pencil drawing. Appropriate for beginning and intermediate students, it features sixty-six well-chosen illustrations that encompass a wide range of subjects — mainly architectural, but also people, animals, and landscapes — and demonstrate a tremendous variety of techniques. An architect, painter, art director, and teacher, Arthur L. Guptill wrote several popular books on drawing. He begins this two-part treatment, aimed at architects, artists, and students, with discussions of drawing objects in outline and in light and shade, the principles of freehand perspective, methods of…
I have been continuously studying, practicing, and/or teaching architecture since 1984, and my particular focus has been on drawing–why we draw and how we can develop our own practices for drawing, whether it’s related to architecture or not. Even more particular is my focus on drawing by hand–a practice that has had a major resurgence after the initial wave of fascination for digital drawing tools has waned. I am passionate about drawing and want to share that passion with others, partially by recommending books that have been of significant use to me over the years.
Marc Holmes is an extraordinary artist and urban sketcher who has been at the forefront of the global sketching movement over the past fifteen years. In this book, he presents very useful and applicable techniques for building observational drawings using graphite, pen and ink, and watercolor.
Marc’s approach to watercolor, in particular, is lively and expressive—I’ve personally learned much from his work in this popular medium.
Capture the bustle and beauty of life in your town.
Experience life as only an artist can! Join the rapidly growing, international movement of artists united by a passion for drawing on location in the cities, towns and villages where they live and travel. Packed with art and advice from Marc Taro Holmes, artist and co-founder of Urbansketchers.org, this self-directed workshop shows you how to draw inspiration from real life and bring that same excitement into your sketchbook. Inside you'll fi nd everything you need to tackle subjects ranging from still lifes and architecture to people and busy street scenes.…
I have been continuously studying, practicing, and/or teaching architecture since 1984, and my particular focus has been on drawing–why we draw and how we can develop our own practices for drawing, whether it’s related to architecture or not. Even more particular is my focus on drawing by hand–a practice that has had a major resurgence after the initial wave of fascination for digital drawing tools has waned. I am passionate about drawing and want to share that passion with others, partially by recommending books that have been of significant use to me over the years.
Like my previous selection, this is a wonderfully illustrated book with helpful information and many examples. Thomas is an amazing and prolific artist who has a gift for leading the reader through his subject matter in a direct and accessible way. Including many examples from other artists makes this a true compendium of on-location sketching.
Look no further for a drawing guide that will take your artistic pursuits to a new level! Urban Sketching takes inspiration from the living, breathing world around us to provide step-by-step instructions for creating urban landscapes using a wide range of techniques.
Urban Sketching provides the fundamentals of sketching and drawing while delving into this unique community of urban sketchers. This how-to book includes:
A perspective drawing guide that will aid in capturing landscapes, buildings, and objects accurately
Tips for capturing the essence of people in sketches when subjects are on the move
The art of adding notes, commentary, and…
I've been a guest lecturer and featured presenter at colleges and conferences, served on the Board of Directors for ICON6, and authored eight published books on illustration and design. I'm a retired college art professor and freelance illustrator and still teach fine art, design, and cartoon classes for kids and adults; I’m also an English Dept. writing tutor at a local college. Right now, I am exploring the medium of cardboard. Cardboard taps into a material that is so ubiquitous and common, it’s often maligned as being inconsequential, but I’m positively tickled to be working in a material that was wonderfully simple and presents a simply wonderful challenge.
In a book that thoroughly examines the world of art and design, it would be remiss to not discuss the business side of things. So, in my book, I do.
Why? I can’t think of a better way to earn a living than to make a living by doing something you love and that replenishes your soul. And no, selling your art does not mean you are selling your soul.
Hear me out: selling shoes is a worthy occupation. I’ve done that; people will always need shoes. But me, I’d rather sell art. This is the bible of how to sell your work cleanly and not get taken to the cleaners.
The industry bible for communication design and illustration professionals, with updated information, listings, and pricing guidelines.
Graphic Artists Guild Handbook is the industry bible for communication design and illustration professionals. A comprehensive reference guide, the Handbook helps graphic artists navigate the world of pricing, collecting payment, and protecting their creative work, with essential advice for growing a freelance business to create a sustainable and rewarding livelihood.
This sixteenth edition provides excellent, up-to-date guidance, incorporating new information, listings, and pricing guidelines. It offers graphic artists practical tips on how to negotiate the best deals, price their services accurately, and create contracts…
I've been a guest lecturer and featured presenter at colleges and conferences, served on the Board of Directors for ICON6, and authored eight published books on illustration and design. I'm a retired college art professor and freelance illustrator and still teach fine art, design, and cartoon classes for kids and adults; I’m also an English Dept. writing tutor at a local college. Right now, I am exploring the medium of cardboard. Cardboard taps into a material that is so ubiquitous and common, it’s often maligned as being inconsequential, but I’m positively tickled to be working in a material that was wonderfully simple and presents a simply wonderful challenge.
I guess, if you polled illustrators and designers as to who was the GOAT, it would probably be Milton Glaser. On my list, he’s certainly up there.
A supreme talent, Glaser was (still is, and I think, always will be) incredibly influential; when you read this book, you’ll see why.
While writing my book, I had the honor and pleasure to work with his life-long friends and studio mates, Reynold Ruffins and Simms Taback. All three of these guys demonstrated superlative skills coupled with super smart concepts. I should also mention they were just plain mensches.
Available again, the enduring, iconic volume showcasing the key early-career work and process of the godfather of modern graphic design
Milton Glaser: Graphic Design, perhaps the most famous book of its kind, explores the early decades of America's pre-eminent graphic artist. Glaser's work ranges from the psychedelic Bob Dylan poster to book and record covers; from store and restaurant design to toy creations; and magazine formats including New York magazine and logotypes, all of which define the look of our time. Here Glaser undertakes not only a remarkably wide-ranging representation of his oeuvre from the incredibly fertile early years, but,…
I'm a Distinguished Professor in the Michael Graves College, Kean University. I’ve written over twenty books about advertising, graphic design, branding, personal branding, creativity, and drawing. On May 17, 2022, Routledge will publish my new book, Strategic Creativity: A Business Field Guide to Advertising, Branding, and Design. I’ve won numerous awards for my design, writing, and research, including awards from the National Society of Arts and Letters and the National League of Pen Women. In 2015, I received the Human Rights Educator award, 2016 Kean Presidential Excellence award for research, 2013 Teacher of the Year, and the Carnegie Foundation lists me among the great teachers of our time.
This book is an object of art. Beyond reading this book for all the information on the history of letterforms, the anatomy of letterforms, how to distinguish typefaces, and all the key concepts about typographic design you need to know, any reader will become a viewer—gazing at the beautiful illustrations for hours on end.
Leave it to the brilliant artist Rose Gonnella to turn a typography book into a masterpiece that belongs not in the museum gift shop but in the museum proper. Run don’t walk to your device or nearest bookseller to get this treasure. This book is one of three in a series on design fundamentals by the same authors.
Miss Visual Elements and Principles of Composition class, again? That's OK. You can borrow our notes.
Lucky for you, we didn't miss a single class the entire semester so you'll find all of the important points explained in the notes, along with the class assignments.
How does a dot turn into a line to create a shape that makes up a composition? We covered that and more. You'll see in the notes that we went over all of the basic elements of composition-dot, line, shape, texture, & pattern, color, and space-as well as the principles for composing the elements on…
I'm a Distinguished Professor in the Michael Graves College, Kean University. I’ve written over twenty books about advertising, graphic design, branding, personal branding, creativity, and drawing. On May 17, 2022, Routledge will publish my new book, Strategic Creativity: A Business Field Guide to Advertising, Branding, and Design. I’ve won numerous awards for my design, writing, and research, including awards from the National Society of Arts and Letters and the National League of Pen Women. In 2015, I received the Human Rights Educator award, 2016 Kean Presidential Excellence award for research, 2013 Teacher of the Year, and the Carnegie Foundation lists me among the great teachers of our time.
For many years, Brower was the art director at PRINT magazine and before that at esteemed book publishing houses. He is a brilliant art director and book designer, and we were co-authors a while back. In this book, Brower explores what art directors do in a design studio vs. a corporation, how the role is different than being a graphic designer and much more. Great interviews with pros are included are well. I admire Brower's award-winning cover and interior design of his book.
Honorable Mention in the Foreword Indie Awards 2016
For many design students, the expectation is that they will one day reach the top of the ladder within a design studio or corporation and become an art director. But what does this mean and how does a design student get there? What does an art director do? How is it different from being a designer? How does one lead and inspire a team, work with freelance designers, illustrators and photographers? Inside Art Direction answers all these questions for design students and professionals alike.
Through interviews with 18 art directors working in…
I'm a Distinguished Professor in the Michael Graves College, Kean University. I’ve written over twenty books about advertising, graphic design, branding, personal branding, creativity, and drawing. On May 17, 2022, Routledge will publish my new book, Strategic Creativity: A Business Field Guide to Advertising, Branding, and Design. I’ve won numerous awards for my design, writing, and research, including awards from the National Society of Arts and Letters and the National League of Pen Women. In 2015, I received the Human Rights Educator award, 2016 Kean Presidential Excellence award for research, 2013 Teacher of the Year, and the Carnegie Foundation lists me among the great teachers of our time.
What's so compelling and important about this book not only for educators but for all designers and creative professionals, is gaining insights into the multitude of experiences of Black, Brown, and Latinx design educators whose essays are included in this volume. The narratives of the educators included are powerful, offering rarely heard perspectives.
On a personal note, I had the pleasure and honor of working with Professors Kelly Walters and Anne H. Berry in the Design Incubation Fellowship; and, I'm proud to say Professor Jason Alejandro was my student. I love Walters' design of Black, Brown + Latinx Design Educators. It's a special treat for readers when the author is the designer because the design of words on the pages flow in a more purposeful way. That's the case with several of the books on my list!
In Black, Brown + Latinx Design Educators, Kelly Walters collects
twelve deeply personal interviews with graphic design educators of
color who teach at colleges and universities across the United States
and Canada. BIPOC design educators often find themselves in design
spaces where they struggle as the only person of color at their school
or workplace. Their impactful stories offer invaluable perspectives for
students and emerging designers of color, creating an entry point to
address the complexities of race in design and bring to light the
challenges of teaching graphic design at different types of public and
private institutions.
I take “silly” graphic books quite seriously: I’m a firm believer that encouraging young people to read for pure enjoyment creates lifelong readers. Originally a reluctant reader myself, it was primarily graphic books that strengthened my reading skills, my vocabulary, and that ultimately turned me into a fierce advocate for literacy. Now a professional creative, I try to share my love of books and graphic books by paying it forward and creating my own books that I hope will resonate with readers and turn them into strong readers as well!
If your reader struggles a bit with a Level Two, Worm and Caterpillar is an even simpler leveled graphic reader at Level One, but also a wonderful, silly book about friendship. And I adore Kaz’s illustration style: it has a crunchiness all its own.
Another of her books, Bitsy Bat, School Star is also worth a read.
This heartwarming and affirming Level 1 Ready-to-Read Graphics book celebrates the beauty of true friendship!
Worm and Caterpillar are friends—best friends. Worm loves how they are just alike, but Caterpillar has a feeling there is a big change coming. Then Caterpillar disappears for a while and comes back as Butterfly. Will Butterfly and Worm still be friends?
Ready-to-Read Graphics books give readers the perfect introduction to the graphic novel format with easy-to-follow panels, speech bubbles with accessible vocabulary, and sequential storytelling that is spot-on for beginning readers. There’s even a how-to guide for reading graphic novels at the beginning of…
