Here are 100 books that Black, Brown + Latinx Design Educators fans have personally recommended if you like
Black, Brown + Latinx Design Educators.
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I'm a Distinguished Professor in the Michael Graves College, Kean University. I’ve written over twenty books about advertising, graphic design, branding, personal branding, creativity, and drawing. On May 17, 2022, Routledge will publish my new book, Strategic Creativity: A Business Field Guide to Advertising, Branding, and Design. I’ve won numerous awards for my design, writing, and research, including awards from the National Society of Arts and Letters and the National League of Pen Women. In 2015, I received the Human Rights Educator award, 2016 Kean Presidential Excellence award for research, 2013 Teacher of the Year, and the Carnegie Foundation lists me among the great teachers of our time.
This book is an object of art. Beyond reading this book for all the information on the history of letterforms, the anatomy of letterforms, how to distinguish typefaces, and all the key concepts about typographic design you need to know, any reader will become a viewer—gazing at the beautiful illustrations for hours on end.
Leave it to the brilliant artist Rose Gonnella to turn a typography book into a masterpiece that belongs not in the museum gift shop but in the museum proper. Run don’t walk to your device or nearest bookseller to get this treasure. This book is one of three in a series on design fundamentals by the same authors.
Miss Visual Elements and Principles of Composition class, again? That's OK. You can borrow our notes.
Lucky for you, we didn't miss a single class the entire semester so you'll find all of the important points explained in the notes, along with the class assignments.
How does a dot turn into a line to create a shape that makes up a composition? We covered that and more. You'll see in the notes that we went over all of the basic elements of composition-dot, line, shape, texture, & pattern, color, and space-as well as the principles for composing the elements on…
I'm a Distinguished Professor in the Michael Graves College, Kean University. I’ve written over twenty books about advertising, graphic design, branding, personal branding, creativity, and drawing. On May 17, 2022, Routledge will publish my new book, Strategic Creativity: A Business Field Guide to Advertising, Branding, and Design. I’ve won numerous awards for my design, writing, and research, including awards from the National Society of Arts and Letters and the National League of Pen Women. In 2015, I received the Human Rights Educator award, 2016 Kean Presidential Excellence award for research, 2013 Teacher of the Year, and the Carnegie Foundation lists me among the great teachers of our time.
Anyone in advertising or interested in advertising should read anything PJ Pereira (co-founder and Creative Chairman of Pereria O’Dell) has to say. Period. That should be enough reason to read this tome but there are more.
Content is everything. Advertising competes with entertainment online and everywhere 24/7. This book is a collection of essays from jurors on the 2017 Lions Entertainment award jury—therefore these folks know what they’re talking about.
A special, première release of this groundbreaking book on the art of advertising and brand management to coincide with the 2018 Cannes Lions International Festival of Creativity.
A collection of essays from jurors on the 2017 Lions Entertainment award. Drawing on years of experience and expertise, working for brands such as Mini, Coca-Cola, Lego, Google, Skype and Intel and for media and advertising giants such as Bartle Bogle Hegarty and MediaCom, the contributors provide a fun and far-reaching study of the evolution of branding and the future of advertising.
Live television viewing is decreasing as audiences choose to stream television…
I'm a Distinguished Professor in the Michael Graves College, Kean University. I’ve written over twenty books about advertising, graphic design, branding, personal branding, creativity, and drawing. On May 17, 2022, Routledge will publish my new book, Strategic Creativity: A Business Field Guide to Advertising, Branding, and Design. I’ve won numerous awards for my design, writing, and research, including awards from the National Society of Arts and Letters and the National League of Pen Women. In 2015, I received the Human Rights Educator award, 2016 Kean Presidential Excellence award for research, 2013 Teacher of the Year, and the Carnegie Foundation lists me among the great teachers of our time.
For many years, Brower was the art director at PRINT magazine and before that at esteemed book publishing houses. He is a brilliant art director and book designer, and we were co-authors a while back. In this book, Brower explores what art directors do in a design studio vs. a corporation, how the role is different than being a graphic designer and much more. Great interviews with pros are included are well. I admire Brower's award-winning cover and interior design of his book.
Honorable Mention in the Foreword Indie Awards 2016
For many design students, the expectation is that they will one day reach the top of the ladder within a design studio or corporation and become an art director. But what does this mean and how does a design student get there? What does an art director do? How is it different from being a designer? How does one lead and inspire a team, work with freelance designers, illustrators and photographers? Inside Art Direction answers all these questions for design students and professionals alike.
Through interviews with 18 art directors working in…
I'm a Distinguished Professor in the Michael Graves College, Kean University. I’ve written over twenty books about advertising, graphic design, branding, personal branding, creativity, and drawing. On May 17, 2022, Routledge will publish my new book, Strategic Creativity: A Business Field Guide to Advertising, Branding, and Design. I’ve won numerous awards for my design, writing, and research, including awards from the National Society of Arts and Letters and the National League of Pen Women. In 2015, I received the Human Rights Educator award, 2016 Kean Presidential Excellence award for research, 2013 Teacher of the Year, and the Carnegie Foundation lists me among the great teachers of our time.
You can find the latest international advertising news and views at Contagious.com and you can find what makes advertising contagious in this book. Contagious is a global resource for the marketing industry and this book encapsulates their secrets. It’s a must-read for any strategist, creative, producer, or marketing pro. What I admire aboutThe Contagious Commandments' approach is they emphasize thinking about the intersection of creativity, technology, and behavioral psychology, and never forgetting that the ideas you generate should not only positively impact the brand but society as well.
Contagion may alarm doctors but marketers thrive on it. Some concepts are so compelling you have to share them. But what makes an idea so infectious you can't keep it to yourself? And how can brands produce these kinds of ideas intentionally rather than by chance?
Contagious, the globally renowned intelligence resource for the marketing industry, is dedicated to identifying and interrogating the world's most exceptional creative trends. And in The Contagious Commandments, Paul Kemp-Robertson and Chris Barth condense this valuable research into ten strategic takeaways for your own marketing revolution.
Taking inspiration from disruptive campaigns from the likes of…
I have been continuously studying, practicing, and/or teaching architecture since 1984, and my particular focus has been on drawing–why we draw and how we can develop our own practices for drawing, whether it’s related to architecture or not. Even more particular is my focus on drawing by hand–a practice that has had a major resurgence after the initial wave of fascination for digital drawing tools has waned. I am passionate about drawing and want to share that passion with others, partially by recommending books that have been of significant use to me over the years.
Paul Laseau spent his career investigating the graphic thinking process and is one of the foremost authorities on the “why” and “how” drawing relates to creative and critical thinking. This book should be essential reading for anyone interested in developing graphic literacy–not only architects and designers, as the title would suggest.
The essential design companion-now in an up-to-date new edition
For architects, drawing is more than a convenient way to communicate ideas; it is an integral part of the creative process that has a profound impact on thinking and problem-solving. In Graphic Thinking for Architects and Designers, Third Edition, Paul Laseau demonstrates that more versatile and facile sketching leads to more flexible, creative approaches to design challenges. To encourage this flexibility and stimulate graphic thinking, he introduces numerous graphic techniques that can be applied in a variety of situations. He also helps readers acquire a solid grasp of basic freehand drawing,…
I've been a guest lecturer and featured presenter at colleges and conferences, served on the Board of Directors for ICON6, and authored eight published books on illustration and design. I'm a retired college art professor and freelance illustrator and still teach fine art, design, and cartoon classes for kids and adults; I’m also an English Dept. writing tutor at a local college. Right now, I am exploring the medium of cardboard. Cardboard taps into a material that is so ubiquitous and common, it’s often maligned as being inconsequential, but I’m positively tickled to be working in a material that was wonderfully simple and presents a simply wonderful challenge.
I guess, if you polled illustrators and designers as to who was the GOAT, it would probably be Milton Glaser. On my list, he’s certainly up there.
A supreme talent, Glaser was (still is, and I think, always will be) incredibly influential; when you read this book, you’ll see why.
While writing my book, I had the honor and pleasure to work with his life-long friends and studio mates, Reynold Ruffins and Simms Taback. All three of these guys demonstrated superlative skills coupled with super smart concepts. I should also mention they were just plain mensches.
Available again, the enduring, iconic volume showcasing the key early-career work and process of the godfather of modern graphic design
Milton Glaser: Graphic Design, perhaps the most famous book of its kind, explores the early decades of America's pre-eminent graphic artist. Glaser's work ranges from the psychedelic Bob Dylan poster to book and record covers; from store and restaurant design to toy creations; and magazine formats including New York magazine and logotypes, all of which define the look of our time. Here Glaser undertakes not only a remarkably wide-ranging representation of his oeuvre from the incredibly fertile early years, but,…
I've been a guest lecturer and featured presenter at colleges and conferences, served on the Board of Directors for ICON6, and authored eight published books on illustration and design. I'm a retired college art professor and freelance illustrator and still teach fine art, design, and cartoon classes for kids and adults; I’m also an English Dept. writing tutor at a local college. Right now, I am exploring the medium of cardboard. Cardboard taps into a material that is so ubiquitous and common, it’s often maligned as being inconsequential, but I’m positively tickled to be working in a material that was wonderfully simple and presents a simply wonderful challenge.
In a book that thoroughly examines the world of art and design, it would be remiss to not discuss the business side of things. So, in my book, I do.
Why? I can’t think of a better way to earn a living than to make a living by doing something you love and that replenishes your soul. And no, selling your art does not mean you are selling your soul.
Hear me out: selling shoes is a worthy occupation. I’ve done that; people will always need shoes. But me, I’d rather sell art. This is the bible of how to sell your work cleanly and not get taken to the cleaners.
The industry bible for communication design and illustration professionals, with updated information, listings, and pricing guidelines.
Graphic Artists Guild Handbook is the industry bible for communication design and illustration professionals. A comprehensive reference guide, the Handbook helps graphic artists navigate the world of pricing, collecting payment, and protecting their creative work, with essential advice for growing a freelance business to create a sustainable and rewarding livelihood.
This sixteenth edition provides excellent, up-to-date guidance, incorporating new information, listings, and pricing guidelines. It offers graphic artists practical tips on how to negotiate the best deals, price their services accurately, and create contracts…
I take “silly” graphic books quite seriously: I’m a firm believer that encouraging young people to read for pure enjoyment creates lifelong readers. Originally a reluctant reader myself, it was primarily graphic books that strengthened my reading skills, my vocabulary, and that ultimately turned me into a fierce advocate for literacy. Now a professional creative, I try to share my love of books and graphic books by paying it forward and creating my own books that I hope will resonate with readers and turn them into strong readers as well!
If your reader struggles a bit with a Level Two, Worm and Caterpillar is an even simpler leveled graphic reader at Level One, but also a wonderful, silly book about friendship. And I adore Kaz’s illustration style: it has a crunchiness all its own.
Another of her books, Bitsy Bat, School Star is also worth a read.
This heartwarming and affirming Level 1 Ready-to-Read Graphics book celebrates the beauty of true friendship!
Worm and Caterpillar are friends—best friends. Worm loves how they are just alike, but Caterpillar has a feeling there is a big change coming. Then Caterpillar disappears for a while and comes back as Butterfly. Will Butterfly and Worm still be friends?
Ready-to-Read Graphics books give readers the perfect introduction to the graphic novel format with easy-to-follow panels, speech bubbles with accessible vocabulary, and sequential storytelling that is spot-on for beginning readers. There’s even a how-to guide for reading graphic novels at the beginning of…
The short answer is, a retired university professor (Fred) and the coordinator of Natural Areas for the University of Illinois (James). That answer, however, doesn’t give a clue as to how we came to write our book. Fred and his wife established a small three-acre prairie on their land in 2003. They then enlisted James and Grand Prairie Friends, the local conservation organization he headed at the time, to help manage the prairie. Eventually, Fred, who had photographically documented the growth of the prairie and the beauty to be found therein, proposed that he and James describe the prairie with photos so that others could also learn to enjoy it. The rest, as they say, is history.
The most scholarly and detailed book of our five choices, this book by Candice Savage, now in a revised edition, considers in depth not just the tallgrass prairie, but the entire sweep of North American grasslands. Savage recounts details that most people will never have thought of – such as how the bison were an integral part of the prairie ecosystem by creating buffalo wallows that persisted for years and provided shallow and temporary wetlands in what, to the west, was an otherwise dry environment. Start your exploration of prairie with this book or finish with it, but do not skip it. Its overview of the entire region puts the information in the other books into context.
Candace Savage's acclaimed and beautifully written guide to the ecology of the prairies, now revised and updated.
Praise for the previous edition of Prairie: "Impelled with its sense of the miraculous in nature."-Globe and Mail
This revised edition of Prairie features a new preface along with updated research on the effects of climate change on an increasingly vulnerable landscape.
It also offers new information on: * conservation of threatened species, including the black-tailed prairie dog and farmland birds; * grassland loss and conservation; * the health of rivers and the water table; * the effects of neonicotinoid insecticides on prairie…
I live in England but grew up in Canada, where my Grade 5 Social Studies teacher filled my head with stories of people and places, including the Vikings. In the early 1960s, I learned about the excavations at L’Anse aux Meadows in Newfoundland featured in Canadian newspapers. My first job was in Denmark, and I subsequently travelled in the Nordic homelands and settlement areas, including the Faeroes, Iceland, and Greenland, visiting museums and archaeological sites at every opportunity. Norse America is my 26th book, but it is both the one with the deepest roots in my own past and the one most engaged with contemporary concerns about race.
The discovery of artefacts from a Viking grave in northern Ontario in 1936 was a sensation, and their subsequent display in the Royal Ontario Museum added a new dimension to the colonial history of Canada. The exposure of the discovery as a hoax in 1956 damaged the reputation of the Museum and its director. Hunter’s account, which is securely anchored in archival evidence, is skillfully assembled as an unfolding drama. In this book, the Beardmore hoax has received its definitive treatment by a scholar who writes brilliantly for a general audience.
In 1936, long before the discovery of the Viking settlement at L'Anse aux Meadows, the Royal Ontario Museum made a sensational acquisition: the contents of a Viking grave that prospector Eddy Dodd said he had found on his mining claim east of Lake Nipigon. The relics remained on display for two decades, challenging understandings of when and where Europeans first reached the Americas. In 1956 the discovery was exposed as an unquestionable hoax, tarnishing the reputation of the museum director, Charles Trick Currelly, who had acquired the relics and insisted on their authenticity. Drawing on an array of archival sources,…
