Fans pick 100 books like Irreverent

Meticulously researched by brilliant fashion journalist Alicia Drake, this book charts the bitchy, high octane rivalry of two mega egos of the industry, Yves Saint Laurent and Karl Lagerfeld. As a journalist working today in an era of horrendous consumerism known as ‘fast fashion’ this detailed account of how both men were instrumental in shifting the established codes of a refined haute couture system into a faster-paced ready-to-wear market in the 1970s is illuminating. It also documents the evolution of couturier as a celebrity, detailing how YSL used an image of himself to promote his aftershave in 1971, a revolutionary idea of self-promotion at the time, and now a very necessary part of the ‘selfie’ obsessed generation of creatives working in fashion.  

In his early career, Gaultier was a regular visitor to London and took inspiration from Soho’s indie art school clubs, Billy’s, The Blitz, The Wag. As a fashion student at St. Martins at the time, we were often on the same dance floor together and I identified with his rebellious attitude, which continued to challenge the fashion status quo and never waned. Glossy catwalk pictures of a distinct tribe of models, (not the usual crowd of supermodels) original design sketches, quotes from JPG the "enfant terrible" of Parisian fashion who famously broke all the rules on gender in the 1990s, and an intelligent text by Colin McDowell, a renowned fashion historian, all contribute to a wonderful book that brilliantly captures the truly unique talent of this designer. 

A totally unpretentious, rollicking first-hand account, of the events that spawned the mythology of the Swinging Sixties of which Mary Quant was an integral part. Having grown up with Quant as a fashion hero, I was thrilled to collaborate with her on a retail beauty video in the 1990s and researched her professional background by reading this autobiography. (first published in 1966, and recently re-issued to coincide with the Quant exhibition at the V&A last year). Credited with inventing hot pants and the mini skirt, purple lipstick, and striped underwear, this old-fashioned biography recounts how the music and fashion that exploded from London during this era, culminated in the invention of ‘youth culture’ a shifting phenomenon that England continually excels in. Without formal training, Quant’s naive optimism is hugely uplifting and will encourage any aspiring designer to follow their dreams. 

Throughout the 1980’s new style magazines like The Face, ID and Arena regularly succeeded in presenting the holy grail of fashion photography, with one man responsible for more iconic imagery than anyone else.  Ray Petri was a genius stylist who invented a ragga, post-punk identity that operated under the banner of Buffalo, a gang of like-minded creatives that included photographers, models, and fashion stylists who produced ground-breaking work together.  The Buffalo collective exuded an attitude that exalted the street and rejected high-status fashion, taking inspiration from the Caribbean rude boys who looked effortlessly cool in teenage gangs. 

His distinct vision that subverted fashion imagery (Nick Kamen in a skirt and Doc Martens) juxtaposed pretty boy masculinity with hard-edged utilitarian workwear. His legacy as a style innovator is immense, his imagery instantly recognisable, and his body of work, much of which is represented in this book, continues to inspire… show more.

A major divergence in the nature of elite men's and women’s clothing styles took place in the eighteenth century that symbolized a new understanding of both femininity and French national identity. The fancy dress men wore at court transformed into the sober black suit of the male professional, while women’s clothing became increasingly ornate, fussy, and “feminine” in the modern understanding of the term. Jones links fashion and gender systems to social, cultural, and economic practices—including the rise of consumer culture—and demonstrates why the study of fashion and sexuality are far from frivolous.

Weber’s biography of Marie Antoinette offers a unique take on the foreign queen’s story. Using fashion as a tool to explore her life at the tumultuous court of Versailles, Weber craftily paints a vivid picture of her flaws and her role in the tragic end of the monarchy.

Having researched Marie Antoinette for my own books, I felt that Weber’s biography did the best job of transporting me into her world. As a history buff, I was amazed at the importance of the queen’s wardrobe, hair, and accessories. It was also an introduction to her hairdresser and her milliner, two important characters who made the queen the fashion icon of Europe at the time.

Ribeiro is the author of numerous books on beauty and fashion, but this is the one I always come back to. Here, she explicitly connects social and political trends to changes in dress, beginning in the 1780s to the rise of Napoleon. The analysis is straightforward and compelling, although she also acknowledges the nuance. It’s a terrific introduction to the political importance of fashion during a period when fashion could not have been more politically salient.

As the much-missed Karl Lagerfeld once said, “Fashion is a train that waits for nobody.” And that train comes whooshing through Paris quite a lot.

This book captures some of the inimitable energy and agitation of Paris Fashion Week, as self-taught photographer Meyabe covers six seasons—men’s, women’s, and couture—over a single year. It includes an introduction by local fashion hero Loïc Prigent and is published by my friends Alex and Marie from Ofr. (who also published Makers Paris #2).

Ofr. is an indie arts bookshop, gallery and publisher, always in the moment, that channels a certain bohemian spirit proper to Paris: “Open, Free and Ready”.

Przybryszewski, a history professor at Notre Dame, had me from the start where she says she’s probably the only person to have spoken to the Supreme court wearing a ’suit that won a blue ribbon at a country fair.” Taking American fashion back to the Home Economics taught at Land Grant Universities and subsequently, at high schools, Przybryszewski argues that knowing how to sew was not just a practical skill, but also made us better consumers.

Making our own clothes might have seemed like drudgery, but it was empowering and now that most of us don’t have those skills, we’re literally slaves to fashion…  we can’t tell high-quality from low quality, we can’t put in pockets when we need them… and nothing, nothing is ever our exact size. This is a book that will make you want to learn to make your own clothes… or at least cast a far… show more.

In 1941, Britain was shocked to find out that the extra margarine coupons in their food ration books were actually to be used for clothing starting immediately since clothing was now also to be rationed. Clothes rationing, wartime makeup, wedding wear, uniforms (for men and women), restrictions placed on clothing design, fashion houses and magazines, “make-do and mend,” and more are all covered in this dense little book.