Here are 100 books that Fashion in the French Revolution fans have personally recommended if you like
Fashion in the French Revolution.
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As a child (and budding feminist), I inhaled historical fiction about queens and other formidable women. This led to my scholarly interest in female power and authority. Aristocratic women had meaningful political influence in Old Regime France through family networks and proximity to power. However, with the French Revolution of 1789, women’s exclusion from political power (and the vote) was made explicit. This led me to examine the tools women had to accumulate political and social capital, including beauty and the control of fashion. We need to take the intersection of beauty, fashion, and politics seriously to understand the operation of power in both history and the modern world. The books I chose privilege my own interest in eighteenth-century France, but have a broader significance. And they are all really fun to read!
A major divergence in the nature of elite men's and women’s clothing styles took place in the eighteenth century that symbolized a new understanding of both femininity and French national identity. The fancy dress men wore at court transformed into the sober black suit of the male professional, while women’s clothing became increasingly ornate, fussy, and “feminine” in the modern understanding of the term. Jones links fashion and gender systems to social, cultural, and economic practices—including the rise of consumer culture—and demonstrates why the study of fashion and sexuality are far from frivolous.
The connection between fashion, femininity, frivolity and Frenchness has become a cliche. Yet, relegating fashion to the realm of frivolity and femininity is a distinctly modern belief that developed along with the urban culture of the Enlightenment. In eighteenth-century France, a commercial culture filled with shop girls, fashion magazines and window displays began to supplant a court-based fashion culture based on rank and distinction, stimulating debates over the proper relationship between women and commercial culture, public and private spheres, and morality and taste. Mary Wollstonecraft was one of those particularly critical of this 'vulgar' obsession with 'tawdry finery', declaring it…
As a child (and budding feminist), I inhaled historical fiction about queens and other formidable women. This led to my scholarly interest in female power and authority. Aristocratic women had meaningful political influence in Old Regime France through family networks and proximity to power. However, with the French Revolution of 1789, women’s exclusion from political power (and the vote) was made explicit. This led me to examine the tools women had to accumulate political and social capital, including beauty and the control of fashion. We need to take the intersection of beauty, fashion, and politics seriously to understand the operation of power in both history and the modern world. The books I chose privilege my own interest in eighteenth-century France, but have a broader significance. And they are all really fun to read!
Women have long used face paint, hair dyes, and perfumes, despite the health risks associated with them. Martin skillfully analyzes the ambivalence women feel towards cosmetics, pushed by marketers who play on their desire to be beautiful, while moral philosophers attack the vanity and corrupting effects of artifice. The Age of Enlightenment introduced the paradox that still exists today: women are supposed to be “naturally” beautiful, but marketers convince us that beauty requires cosmetics to enhance our “natural” beauty. Like fashion, beauty is a commodity with political overtones.
Morag Martin's history of the cosmetic industry in France examines the evolution of popular tastes and standards of beauty during the late 18th and early 19th centuries. As the French citizenry rebelled against the excesses of the aristocracy, there was a parallel shift in consumer beauty practices. Powdered wigs, alabaster white skin, and rouged cheeks disappeared in favor of a more natural and simple style. Selling Beauty challenges expectations about past fashions and offers a unique look into consumer culture and business practices. Martin introduces readers to the social and economic world of cosmetic production and consumption, recounts criticisms against…
As a child (and budding feminist), I inhaled historical fiction about queens and other formidable women. This led to my scholarly interest in female power and authority. Aristocratic women had meaningful political influence in Old Regime France through family networks and proximity to power. However, with the French Revolution of 1789, women’s exclusion from political power (and the vote) was made explicit. This led me to examine the tools women had to accumulate political and social capital, including beauty and the control of fashion. We need to take the intersection of beauty, fashion, and politics seriously to understand the operation of power in both history and the modern world. The books I chose privilege my own interest in eighteenth-century France, but have a broader significance. And they are all really fun to read!
The neoclassical style of dress—sheer, high-waisted muslin dresses that displayed a woman’s arms and eschewed traditional undergarments—that appeared in the late eighteenth century shaped European female fashions for nearly thirty years. Historians have often labeled the neoclassical movement associated with the Enlightenment and Age of Revolution as austere and masculine in its effects. However, Rauser effectively makes the case that women were at the center of 1790s neoclassicism in its most intense and embodied form, as creators and patrons—and that fashion, more so than other forms of art, reveals an era’s artistic and political culture.
Neoclassicism recast as a feminine, progressive movement through the lens of empire-style fashion, as well as related art and literature
The Age of Undress explores the emergence and meaning of neoclassical dress in the 1790s, tracing its evolution from Naples to London and Paris over the course of a single decade. The neoclassical style of clothing-often referred to as robe a la grecque, empire style, or "undress"-is marked by a sheer, white, high-waisted muslin dress worn with minimal undergarments, often accessorized with a cashmere shawl. This style represented a dramatic departure from that of previous decades and was short lived:…
Although the books on my list all delve into the history of Queen Marie
Antoinette and her family, they also provide an understanding of the
chaotic period leading up to the French Revolution. I’ve always been
fascinated by the historical drama, controversy, and tragedy of her
personal life, but the readings on my list also explore the social
changes in manners, clothing styles, and class distinctions that
accompanied the political unrest.
Weber’s biography of Marie Antoinette offers a unique take on the foreign queen’s story. Using fashion as a tool to explore her life at the tumultuous court of Versailles, Weber craftily paints a vivid picture of her flaws and her role in the tragic end of the monarchy.
Having researched Marie Antoinette for my own books, I felt that Weber’s biography did the best job of transporting me into her world. As a history buff, I was amazed at the importance of the queen’s wardrobe, hair, and accessories. It was also an introduction to her hairdresser and her milliner, two important characters who made the queen the fashion icon of Europe at the time.
A Washington Post Book World Best Book of the Year
When her carriage first crossed over from her native Austria into France, fourteen-year-old Marie Antoinette was taken out, stripped naked before an entourage, and dressed in French attire to please the court of her new king. For a short while, the young girl played the part.
But by the time she took the throne, everything had changed. In Queen of Fashion, Caroline Weber tells of the radical restyling that transformed the young queen into an icon and shaped the future of the nation. With her riding gear, her white furs,…
I can’t remember a time when I wasn’t interested in Napoleon, although in what ways have shifted back and forth over time. His reforms shaped the Europe we live in today, as few other rulers have managed. To go to law, to buy and sell, to marry, be born, or divorce, all these actions belong to his Civil Code. That is why I took up the study of his regime and its work as a professional historian. His myth, his exploits, gripped me as a boy, and still do. So spectacular a rise and fall do not happen by chance. There was no one like him.
The accomplished historian of France across the years of Revolution, Empire and Restoration, Munro Price brings all his arsenal of erudition, archival acumen, and intellectual insight to bear on the last crisis of the empire. His attention to detail, his sensitivity to character and motivation make for one of the most penetrating, illuminating accounts of the implosion of support for Napoleon among the French elites ever written. No non-French scholar had picked through the complex politics of late Napoleonic France with as much skill or precision. Price delivers all this in elegant prose, the sign of a subtle historian.
On April 20, 1814, after a dizzying series of battles, campaigns, and diplomatic intrigues, a defeated Napoleon Bonaparte made his farewell speech to the Old Guard in the courtyard of the Chateau de Fontainebleau and set off for exile on the island of Elba. Napoleonic legend asserts that the Emperor was brought down by foreign powers determined to destroy him and discredit his achievements, with the aid of highly placed domestic traitors. Others argue that once Napoleon's military defeats began in 1812, his fall became inevitable. But in fact, as Munro Price shows in this brilliant new book, Napoleon's fall…
I’m a historian who has been researching and writing on the French Revolution and the Napoleonic Wars for thirty-five years now. Since the age of ten I have been fascinated by these years, partly through childhood holidays in France, but also because of their sheer drama. British history in the same period has nothing to compare with the storming of the Bastille or Napoleon’s meteoric career. Specializing in this turbulent era has made me particularly interested in how regimes fall, and whether under different circumstances they could have survived.
This is not an easy read, but it is a seminal work by the greatest modern historian of the French Revolution, which made an enormous impression on me when I first read it as a student in the 1980s. It marked a decisive break with what up until then had been the standard view of the Revolution as a class struggle. For Furet, the Revolution’s real importance lay elsewhere, as the first modern experiment with democracy – in his eloquent words, "a beginning and a haunting vision of that beginning."
The French Revolution is an historical event unlike any other. It is more than just a topic of intellectual interest: it has become part of a moral and political heritage. But after two centuries, this central event in French history has usually been thought of in much the same terms as it was by its contemporaries. There have been many accounts of the French Revolution, and though their opinions differ, they have often been commemorative or anniversary interpretations of the original event. The dividing line of revolutionary historiography, in intellectual terms, is therefore not between the right and the left,…
I have been fascinated by Napoleon and the French Revolution since I was a teenager. Novels that capture the essence of the struggles of the French people – and especially those that feature Napoleon as a highly layered character – have always called to me. As a Jewish author, I am particularly drawn to a fair representation of Jewish characters in these tales – which frankly, Georgette Heyer does not, as she adheres to stereotypes in describing any Jewish characters. (I only forgive her because her books are so brilliant.)
I loved this modern retelling of the story of Désirée Clary, which was somewhat rawer and more visceral than the original Désirée. It continued to help shape my own impressions of Napoleon, who does not come off well in this novel.
Pataki’s ability to capture life at court, Désirée’s continued entanglements with both Napoleon and Josephine, as well as her elevation to the Swedish court as princess and then queen (which she was never comfortable with), is brilliantly captured.
A sweeping novel about the extraordinary woman who captured Napoleon’s heart, created a dynasty, and changed the course of history—from the New York Times bestselling author of The Traitor's Wife, The Accidental Empress, and Sisi
“I absolutely loved The Queen’s Fortune, the fascinating, little-known story of Desiree Clary—the woman Napoleon left for Josephine—who ultimately triumphed and became queen of Sweden.”—Martha Hall Kelly, New York Times bestselling author of Lilac Girls
As the French revolution ravages the country, Desiree Clary is faced with the life-altering truth that the world she has known and loved is gone and it’s fallen on her…
I have been fascinated by Napoleon and the French Revolution since I was a teenager. Novels that capture the essence of the struggles of the French people – and especially those that feature Napoleon as a highly layered character – have always called to me. As a Jewish author, I am particularly drawn to a fair representation of Jewish characters in these tales – which frankly, Georgette Heyer does not, as she adheres to stereotypes in describing any Jewish characters. (I only forgive her because her books are so brilliant.)
I read this book first as a teenager and it was my original introduction to Napoleon and the French Revolution. The story of young love, betrayal, and the stirring events in France before, during, and after Napoleon becomes Emperor, the novel is told as a diary, which lends the book immediacy and poignancy.
As a Jewish reader, I particularly enjoyed Selinko’s description of how Désirée’s Jewish neighbors marched off to war, having been given citizenship for the first time in millennia.
I’ve read this book countless times, both as a young reader and as an adult, and it continues to be an all-time favorite. It also shaped my own approach to portraying Napoleon.
"An epic love story...irresistible reading." -Chicago Tribune
To be young, in France, and in love: fourteen year old Desiree can't believe her good fortune. Her fiance, a dashing and ambitious Napoleon Bonaparte, is poised for battlefield success, and no longer will she be just a French merchant's daughter. She could not have known the twisting path her role in history would take, nearly breaking her vibrant heart but sweeping her to a life rich in passion and desire.
A love story, but so much more, Désirée explores the landscape of a young heart torn in two, giving readers a compelling…
I have been fascinated by Napoleon and the French Revolution since I was a teenager. Novels that capture the essence of the struggles of the French people – and especially those that feature Napoleon as a highly layered character – have always called to me. As a Jewish author, I am particularly drawn to a fair representation of Jewish characters in these tales – which frankly, Georgette Heyer does not, as she adheres to stereotypes in describing any Jewish characters. (I only forgive her because her books are so brilliant.)
A thrilling and fully immersive description of the French Revolution; I loved this book in particular for its moving description of how the Jews of Paris were affected.
I found Madame Tussand’s story to be a wonderful frame for the upheaval in France at the time – especially as a highly layered, wonderful character whose strong personality helped her to survive troubling times.
It’s definitely my favorite Michelle Moran book – and that’s tough, considering how many amazing historical novels she’s written.
My expertise in Caribbean and Chinese affairs derives from having an interest in the two regions since college, which was then pursued through a MA in Asian Studies from the University of London’s School of Oriental and African Studies and Ph.D. in Political Science from the University of Connecticut. On the employment front, I worked for 3 regional banks (as an international economist), the Office of the Comptroller of the Currency, Credit Suisse, Donaldson, Lufkin & Jenrette, KWR International, and Aladdin Capital Management (as head of Credit and Economics Research) and Mitsubishi Corporation. Since I left Mitsubishi I returned to my two favorite interests, Asia and the Caribbean.
No discussion of global history and politics would not be complete without some mention of the French Revolution. Clarke’s book was a wonderful romp into French history, providing an elegant and insightful discussion of what went wrong with the revolution – or why the outcome in la Belle France ended up in the Terror, Republican government and Napoleon Bonaparte, while England became a constitutional monarchy. Clarke offers up considerable food for thought. We would expect nothing less from the same man who wrote 1000 Years of Annoying the French and Talk to the Snail.
An entertaining and eye-opening look at the French Revolution, by Stephen Clarke, author of 1000 Years of Annoying the French and A Year in the Merde.
The French Revolution and What Went Wrong looks back at the French Revolution and how it's surrounded in a myth. In 1789, almost no one in France wanted to oust the king, let alone guillotine him. But things quickly escalated until there was no turning back.
The French Revolution and What Went Wrong looks at what went wrong and why France would be better off if they had kept their monarchy.
