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I have spent my life both in the classroom (as a university professor) and out of it as a passionate, committed reader, for whom books are as necessary as food and drink. My interest in poetry dates back to junior high school, when I was learning foreign languages (first French and Latin, and then, later, Italian, German, and ancient Greek) and realized that language is humankind’s most astonishing invention. I’ve been at it ever since. It used to be thought that a writer’s life was of little consequence to an understanding of his or her work. We now think otherwise. Thank goodness.
This is where it all started. The beginning of modern criticism.
Samuel Johnson was the first and greatest English literary critic, whose life and work were memorably recorded by his friend James Boswell.
Johnson himself, an exemplary, even obsessive, man of letters, wrote these 52 short biographies of figures, many still canonized today (John Milton, John Dryden, Jonathan Swift, William Congreve, but no women, alas) and he shows with sympathy and good sense how an understanding of a writer’s life helps us to understand his work as well.
Johnson was luminous. His prose is dazzling. He was a prodigious writer and thinker.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
I have spent my life both in the classroom (as a university professor) and out of it as a passionate, committed reader, for whom books are as necessary as food and drink. My interest in poetry dates back to junior high school, when I was learning foreign languages (first French and Latin, and then, later, Italian, German, and ancient Greek) and realized that language is humankind’s most astonishing invention. I’ve been at it ever since. It used to be thought that a writer’s life was of little consequence to an understanding of his or her work. We now think otherwise. Thank goodness.
Keats, beloved of English majors and ordinary readers everywhere, died at 25.
No other writer – not Shakespeare, Chaucer, Milton, George Eliot, Jane Austen – would be remembered today if he or she had died at that age.
W.J. Bate was a magisterial Harvard scholar. His two sympathetic biographies, of Keats, and of Samuel Johnson, both won Pulitzer prizes and are still readable and important. They breathe life into their subjects and deeply humanize them.
The life of Keats provides a unique opportunity for the study of literary greatness and of what permits or encourages its development. Its interest is deeply human and moral, in the most capacious sense of the words. In this authoritative biography--the first full-length life of Keats in almost forty years--the man and the poet are portrayed with rare insight and sympathy. In spite of a scarcity of factual data for his early years, the materials for Keats's life are nevertheless unusually full. Since most of his early poetry has survived, his artistic development can be observed more closely than is…
I have spent my life both in the classroom (as a university professor) and out of it as a passionate, committed reader, for whom books are as necessary as food and drink. My interest in poetry dates back to junior high school, when I was learning foreign languages (first French and Latin, and then, later, Italian, German, and ancient Greek) and realized that language is humankind’s most astonishing invention. I’ve been at it ever since. It used to be thought that a writer’s life was of little consequence to an understanding of his or her work. We now think otherwise. Thank goodness.
Every English major in the 20th century (maybe even in the 21st!) came to grips with T.S. Eliot.
People remember J. Alfred Prufrock and his love song. And The Waste Land has just passed its 100th birthday and readers are still scratching their heads over it.
T. S. Eliot was the man—along with several others—who made modern poetry “hard” and complicated, and he was quite a complicated figure himself.
Lyndall Gordon gives us Eliot in all his complexities and shows how he became our age’s Dr. Johnson.
In this "nuanced, discerning account of a life famously flawed in its search for perfection" (The New Yorker), Gordon captures Eliot's "complex spiritual and artistic history . . . with tact, diligence, and subtlety" (Boston Globe). Drawing on recently discovered letters, she addresses in full the issue of Eliot's anti-Semitism as well as the less-noted issue of his misogyny. Her account "rescues both the poet and the man from the simplifying abstractions that have always been applied to him" (The New York Times), and is "definitive but not dogmatic, sympathetic without taking sides. . . . Its voice rings with…
I have spent my life both in the classroom (as a university professor) and out of it as a passionate, committed reader, for whom books are as necessary as food and drink. My interest in poetry dates back to junior high school, when I was learning foreign languages (first French and Latin, and then, later, Italian, German, and ancient Greek) and realized that language is humankind’s most astonishing invention. I’ve been at it ever since. It used to be thought that a writer’s life was of little consequence to an understanding of his or her work. We now think otherwise. Thank goodness.
James Merrill (1926-1995) was a son of Charles Merrill, the man famous for bringing Wall Street to Main Street (Merrill Lynch. et al.).
He grew up in luxury—Manhattan, Long Island, Palm Beach— went to Amherst college, and was a poet born and bred.
A gay man at a time when it was still dangerous to be out, he wrote many superb, deeply moving lyric poems of “love and loss,” and an entire epic poem based on seances around a ouija board, which is still turning heads and bewildering readers.
Merrill’s own life and loves were as rich and varied as anything he produced in his work. Hammer spent 12 years on this book, and it is both long and utterly gripping.
Langdon Hammer has given us the first biography of the poet James Merrill (1926–95), whose life is surely one of the most fascinating in American literature. Merrill was born to high privilege and high expectations as the son of Charles Merrill, the charismatic cofounder of the brokerage firm Merrill Lynch, and Hellen Ingram, a muse, ally, and antagonist throughout her son’s life. Wounded by his parents’ bitter divorce, he was the child of a broken home, looking for repair in poetry and love. This is the story of a young man escaping, yet also reenacting, the energies and obsessions of…
I have always tried to find books that explain and explore my life stage. When I was a young mother of little babies, I read many books about early motherhood. When I was studying and travelling and working as a waitress, those topics were represented in my reading too. Now that I’m a woman writer in midlife, with growing children and an art practice, I’m keen to read books by and about women writers who evoke the joys and struggles of this period: aging, the tensions between freedom and responsibility, marriage and separation, ambition and desire.
This book is a bible for women in midlife. One of Levy’s ‘living memoirs’, it captures the author’s experience of leaving her marriage at fifty and remaking her life as a writer.
The pose is beautiful: spare and elegant. Importantly, the book explores how it is possible to create a life focused on artistic pursuit, children, and friendship, as opposed to romantic partnership, material wealth, and conservative notions of stability.
I reread it every year to remind myself of what is possible.
A GUARDIAN BEST BOOK OF THE 21ST CENTURY WINNER OF THE PRIX FEMINA ETRANGER 2020
Following on from the critically acclaimed Things I Don't Want to Know, discover the powerful second memoir in Deborah Levy's essential three-part 'Living Autobiography'.
'I can't think of any writer aside from Virginia Woolf who writes better about what it is to be a woman' Observer _________________________________
'Life falls apart. We try to get a grip and hold it together. And then we realise we don't want to hold it together . . .'
The final instalment in Deborah Levy's critically acclaimed 'Living Autobiography', Real…
I have always tried to find books that explain and explore my life stage. When I was a young mother of little babies, I read many books about early motherhood. When I was studying and travelling and working as a waitress, those topics were represented in my reading too. Now that I’m a woman writer in midlife, with growing children and an art practice, I’m keen to read books by and about women writers who evoke the joys and struggles of this period: aging, the tensions between freedom and responsibility, marriage and separation, ambition and desire.
This is the diary Australian writer Helen Garner kept during a difficult period of her life: the period when she was married to (and eventually separated from) her third husband.
The writing is exquisite, which is why I love this book. Garner records the intricacies and intimacies of the marriage in such exacting terms. Her observations about marriage and the world leave me breathless.
Bold, original and never one to shy away from the truth, Helen Garner's writing has shaped Australian literature. The author has kept a diary for almost all her life. But until now, those exercise books filled with her thoughts, observations, frustrations and joys have been locked away, out of bounds, in a laundry cupboard. Finally, Garner has opened her diaries and invited readers into the world behind her novels and works of non-fiction. Recorded with frankness, humor and steel-sharp wit, these accounts of her everyday life provide an intimate insight into the work of one of Australia’s greatest living writers.…
I have always tried to find books that explain and explore my life stage. When I was a young mother of little babies, I read many books about early motherhood. When I was studying and travelling and working as a waitress, those topics were represented in my reading too. Now that I’m a woman writer in midlife, with growing children and an art practice, I’m keen to read books by and about women writers who evoke the joys and struggles of this period: aging, the tensions between freedom and responsibility, marriage and separation, ambition and desire.
I have never read a book about motherhood or writing like this one. As I read Debre’s autofictional account of losing custody of her child after leaving her marriage, I couldn’t shake the feeling that I was reading something truly original.
Women are not supposed to leave their families to pursue their artistic ambitions, but Debre’s queer character does just that. This is a really slim, sometimes shocking book. I will admire and continue thinking about this book forever.
'Destined to become a classic of its kind' Maggie Nelson
'One of the most compulsive voices I've read in years' Olivia Laing, Observer
When Constance told her ex-husband that she was dating women, he made a string of unfounded accusations that separated her from her young son, Paul. Laurent trained Paul to say he no longer wants to see his mother, and the judge believed him.
She approaches this new life with passionate intensity and the desire for an unencumbered existence, certain that no love can last. Apart from cigarettes, two regular lovers and women she has brief affairs with,…
Ever since we were kids, we associated the summer with voracious reading. We loved competing in those Summer Reading Challenges to see who could read the most while school was out. (Lauren often won; Rachel was a slower but equally enthusiastic reader.) As we grew up, we realized that a specific type of book exists that aligns with the summer mood–like a bikini, but make it literature. Summer reads can be emotional but not too heavy and contain moments of sadness without dragging us into the abyss. (For winter, we recommend the collected works of the Nobel Prize-winning Icelandic novelist Halldór Laxness.)
We both devoured this perimenopausal fever dream of a novel as soon as it came out in May, just in time for everyone we know to add it to their book club summer reading lists. This book is a sexy, funny, poignant, and sometimes truly wackadoodle coming-of-age story about a fortysomething wife and mother raging against the dying of the light.
July excels at describing (and exploding) tiny moments within conversations, particularly between men and women, the gulfs between what we intend to say and what we wind up saying. Following the journey of the unnamed protagonist, a semi-famous artist at the midpoint of her life, helped us understand how a culture that values youth and beauty above all else can become a horror movie for women. In other words, it did what the best books do: it helped us feel seen.
The New York Times bestselling author returns with an irreverently sexy, tender, hilarious and surprising novel about a woman upending her life
“A frank novel about a midlife awakening, which is funnier and more boldly human than you ever quite expect….the bravery of All Fours is nothing short of riveting.”—Vogue
“A novel that presses into that tender bruise about the anxiety of aging, of what it means to have a female body that is aging, and wanting the freedom to live a fuller life…Deeply funny and achingly true.” —LA Times
The books I read have to draw me in like a good movie. It has to be relatable as far as characters and plot go. I want to see it, smell it, and taste it. We’ve moved a lot, and every time we’ve moved, we always check out the local history and geology. There are so many stories to tell. I’ll see the name of a road, a creek, or a mountain, and it will spark a story within me, like seeing a really good movie with great actors.
The story plopped me down into the plot within the first few pages. I love this Victorian time period. It’s dark and moody without being threatening. You can almost smell the grungy, wet streets and the smog. Lots of twists and turns and characters that are both menacing and charmingly deceptive.
I wasn’t given the answer to all the questions right away, but I liked that, even though I probably could have guessed where it was going. I like a strong plot and strong female characters with their own agenda. And men who can admire, fall in love with, and not be threatened by smart women.
From New York Times bestselling author Amanda Quick comes a delightful romp filled with breathtaking suspense, dazzling wit, and steamy Victorian passion...
The first kiss occurred in a dimly-lit hallway on the upper floor of Elwin Hastings's grand house. Louisa Bryce never saw it coming. Of course, handsome, wealthy Anthony Stalbridge couldn't possibly have had romantic intentions. The kiss was merely meant to distract the armed guard about to catch the two unlikely sleuths. After all, the only thing these two interlopers have in common is a passionate interest in uncovering the dastardly secrets of Mr. Hastings-a prominent member of…
I’ve always loved classic mystery fiction – why? Well, there’s always a “proper” story, where everyday life is plunged into chaos and then re-invented. There’s always a puzzle, of course, but in addition, there’s the characters and the settings. All the books I’ve recommended – and I could recommend so many more! – have a cracker of a story where emotion is fused with logic to give both an emotional and an intellectual treat.
Philip MacDonald fought in WW1 before becoming one of the most popular mystery writers of the 1920s and 1930s. Sheldon Garret, the successful American playwright, goes into a London tea shop and overhears two women plotting to kidnap a child and – maybe – murder. Sheldon turns to Anthony Gethryn and with the slender clue of an abandoned shopping list to guide him, Anthony must try to prevent a ruthless crime. Kidnap, murder and blackmail form the spine of this, one of MacDonald’s best novels as Anthony Gethryn races to prevent yet more deaths.
A brief shopping list is the only clue Anthony Gethryn has to help Sheldon Garrett, an American dramatist, find the two women he accidently overheard plotting a crime
