Here are 100 books that Yellow Notebook fans have personally recommended if you like
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I have always tried to find books that explain and explore my life stage. When I was a young mother of little babies, I read many books about early motherhood. When I was studying and travelling and working as a waitress, those topics were represented in my reading too. Now that I’m a woman writer in midlife, with growing children and an art practice, I’m keen to read books by and about women writers who evoke the joys and struggles of this period: aging, the tensions between freedom and responsibility, marriage and separation, ambition and desire.
I was absolutely riveted by this huge doorstop of a biography exploring the life of Sylvia Plath. I’m not a diehard Plath fan per se, but I am always drawn to books about writers’ lives.
The intersection of Plath’s death with her experiences of motherhood, her writing life, and the failure of her marriage also brings this story firmly into my wheelhouse. (While Plath might not technically have been in midlife, I would argue that she was already precociously facing many of its common pitfalls when she died.)
This book is meticulously researched and includes new archival evidence. I loved it so much that after I finished its 600-something pages, I wanted to start over immediately.
The first biography of this great and tragic poet that takes advantage of a wealth of new material, this is an unusually balanced, comprehensive and definitive life of Sylvia Plath.
'Surely the final, the definitive, biography of Sylvia Plath' Ali Smith
*WINNER OF THE SLIGHTLY FOXED PRIZE 2021* *A BOOK OF THE YEAR IN THE DAILY TELEGRAPH AND THE TIMES* *FINALIST FOR THE PULITZER PRIZE IN BIOGRAPHY 2021*
Drawing on a wealth of new material, Heather Clark brings to life the great and tragic poet, Sylvia Plath. Refusing to read Plath's work as if her every act was a harbinger…
I have always tried to find books that explain and explore my life stage. When I was a young mother of little babies, I read many books about early motherhood. When I was studying and travelling and working as a waitress, those topics were represented in my reading too. Now that I’m a woman writer in midlife, with growing children and an art practice, I’m keen to read books by and about women writers who evoke the joys and struggles of this period: aging, the tensions between freedom and responsibility, marriage and separation, ambition and desire.
This book is a bible for women in midlife. One of Levy’s ‘living memoirs’, it captures the author’s experience of leaving her marriage at fifty and remaking her life as a writer.
The pose is beautiful: spare and elegant. Importantly, the book explores how it is possible to create a life focused on artistic pursuit, children, and friendship, as opposed to romantic partnership, material wealth, and conservative notions of stability.
I reread it every year to remind myself of what is possible.
A GUARDIAN BEST BOOK OF THE 21ST CENTURY WINNER OF THE PRIX FEMINA ETRANGER 2020
Following on from the critically acclaimed Things I Don't Want to Know, discover the powerful second memoir in Deborah Levy's essential three-part 'Living Autobiography'.
'I can't think of any writer aside from Virginia Woolf who writes better about what it is to be a woman' Observer _________________________________
'Life falls apart. We try to get a grip and hold it together. And then we realise we don't want to hold it together . . .'
The final instalment in Deborah Levy's critically acclaimed 'Living Autobiography', Real…
I have always tried to find books that explain and explore my life stage. When I was a young mother of little babies, I read many books about early motherhood. When I was studying and travelling and working as a waitress, those topics were represented in my reading too. Now that I’m a woman writer in midlife, with growing children and an art practice, I’m keen to read books by and about women writers who evoke the joys and struggles of this period: aging, the tensions between freedom and responsibility, marriage and separation, ambition and desire.
I have never read a book about motherhood or writing like this one. As I read Debre’s autofictional account of losing custody of her child after leaving her marriage, I couldn’t shake the feeling that I was reading something truly original.
Women are not supposed to leave their families to pursue their artistic ambitions, but Debre’s queer character does just that. This is a really slim, sometimes shocking book. I will admire and continue thinking about this book forever.
'Destined to become a classic of its kind' Maggie Nelson
'One of the most compulsive voices I've read in years' Olivia Laing, Observer
When Constance told her ex-husband that she was dating women, he made a string of unfounded accusations that separated her from her young son, Paul. Laurent trained Paul to say he no longer wants to see his mother, and the judge believed him.
She approaches this new life with passionate intensity and the desire for an unencumbered existence, certain that no love can last. Apart from cigarettes, two regular lovers and women she has brief affairs with,…
Ever since we were kids, we associated the summer with voracious reading. We loved competing in those Summer Reading Challenges to see who could read the most while school was out. (Lauren often won; Rachel was a slower but equally enthusiastic reader.) As we grew up, we realized that a specific type of book exists that aligns with the summer mood–like a bikini, but make it literature. Summer reads can be emotional but not too heavy and contain moments of sadness without dragging us into the abyss. (For winter, we recommend the collected works of the Nobel Prize-winning Icelandic novelist Halldór Laxness.)
We both devoured this perimenopausal fever dream of a novel as soon as it came out in May, just in time for everyone we know to add it to their book club summer reading lists. This book is a sexy, funny, poignant, and sometimes truly wackadoodle coming-of-age story about a fortysomething wife and mother raging against the dying of the light.
July excels at describing (and exploding) tiny moments within conversations, particularly between men and women, the gulfs between what we intend to say and what we wind up saying. Following the journey of the unnamed protagonist, a semi-famous artist at the midpoint of her life, helped us understand how a culture that values youth and beauty above all else can become a horror movie for women. In other words, it did what the best books do: it helped us feel seen.
The New York Times bestselling author returns with an irreverently sexy, tender, hilarious and surprising novel about a woman upending her life
“A frank novel about a midlife awakening, which is funnier and more boldly human than you ever quite expect….the bravery of All Fours is nothing short of riveting.”—Vogue
“A novel that presses into that tender bruise about the anxiety of aging, of what it means to have a female body that is aging, and wanting the freedom to live a fuller life…Deeply funny and achingly true.” —LA Times
I’m an author, radio broadcaster, journalist, and podcaster. I’ve been in the media for almost 40 years. Oddly, writing came to me very late but it hit me light a lightning bolt when it happened. I researched my Grandfather’s time on the Western Front in WW1 after discovering a letter he wrote to a friend. That was the moment I knew I had to write a book. My career has taken me from rock n roll radio to talkback in Commercial, Public, and now Community radio in Australia. I love what I do, but most of all, I just love telling stories to my audience, whatever the platform.
This is a first-person account of life in the trenches in France and Belgium in WW1. It’s actually a difficult read in places because his writing style is quite unusual and by no means eloquent, but once you get used to it, it’s truly intriguing. He wrote the book with a pencil on exercise books after the war, probably to try and exorcise his demons. It wasn’t until his family found it and took it to a publisher that his story came to light, a very frank and occasionally morbid description of war at its very worst but an essential read.
'It's the end of the 1916 winter and the conditions are almost unbelievable. We live in a world of Somme mud. We sleep in it, work in it, fight in it, wade in it and many of us die in it. We see it, feel it, eat it and curse it, but we can't escape it, not even by dying...' Private Edward Lynch enlisted in the army when he was just 18. He was one of thousands of fresh-faced men who were proudly waved off by the crowds as they embarked for France. The year was 1916 and the majority…
I studied Human Zoos, the subject of Paris Savages, for my PhD. Tens of thousands of performers were transported to Europe and America for exhibition, reaching a peak in the late nineteenth and early twentieth centuries. However, the stories of this time are largely Eurocentric. I sought to shine a light evocatively into this largely forgotten part of history, and to see it through fresh eyes. Paris Savages is an epic and very human tale that saw me reflect on teenage memories of exploring Fraser island. I also travelled to Europe to follow in the footsteps of the three Aboriginal performers the story is based on: Bonny, Jurano, and Dorondera.
I have just started reading this book (actually listening to it as an audiobook) and already it is one of my favourites. De Kretser is such an incredible writer. I found myself ‘rewinding’ the audiobook to hear sentences again and again. I lived with my young family in France in 2012 for the year, and De Kretser’s observations of French life are so (at times) cuttingly on point. I particularly loved the repetition of whether or not something was deemed interessant. "What is interesting about potatoes?" she asks. Her exposure of the historical French treatment of Algerians is woven into the Parisian narrative seamlessly, and at times shockingly. De Kretser is a very powerful, clever, and generous writer.
'Every page of her story feels charged, like an open circuit waiting for its switch; a lurking wallop. It's magnificent, peerless writing' Guardian
'When my family emigrated it felt as if we'd been stood on our heads.'
Michelle de Kretser's electrifying take on scary monsters turns the novel upside down - just as migration has upended her characters' lives.
Lyle works for a sinister government department in near-future Australia. An Asian migrant, he fears repatriation and embraces 'Australian values'. He's also preoccupied by his ambitious wife, his wayward children and his strong-minded elderly mother. Islam has been banned in the…
I’m an author, radio broadcaster, journalist, and podcaster. I’ve been in the media for almost 40 years. Oddly, writing came to me very late but it hit me light a lightning bolt when it happened. I researched my Grandfather’s time on the Western Front in WW1 after discovering a letter he wrote to a friend. That was the moment I knew I had to write a book. My career has taken me from rock n roll radio to talkback in Commercial, Public, and now Community radio in Australia. I love what I do, but most of all, I just love telling stories to my audience, whatever the platform.
I read this book cover to cover. It was incredible, full of well-researched detail and analysis. Les really got into the nuts and bolts of the Western Front and why things happened the way they did. It must have been exhausting to research, but well worth it. I found it invaluable in researching my own story. This book chronicles the reality of war in the trenches and goes much deeper than anything I’ve read before. Truly brilliant.
SELF-INTEREST was the dominant note of the years immediately preceding the outbreak of the Great War. In economics and in politics, among individuals, social classes, and nations, flourished a self-interest that tended more and more to degenerate into mere cynical selfishness. Pseudo-scientists there were to justify the tendency as part of an inevitable "struggle for existence" and to extol it as assuring the "survival of the fittest." Economic circumstances had provided the setting for the dogma of self-interest. The latest age in world history had been the age of steam and electricity, of the factory and the workshop, of the…
I was born in England to Australian parents and have lived most of my life in Australia. My family all live there, and I grew up in Sydney. Most of my books have been about Australian-related themes or historical figures. I don’t think enough is known about Australian history outside Australia. Australian writers have always struggled for recognition outside Australia. Publishing can be an unfair business. I’m more interested in reading nonfiction than fiction. True stories are much harder to write and get right, and there’s a bigger responsibility involved. You’re dealing with real people. The dead ones also have families.
One of the original Aussie literary expats in the 1940s, Kershaw penned this slim but sparkling memoir of his time in Paris and rural France before his death in 1995.
It is superbly written and completely unknown. Grab a copy if you’re lucky enough to find it. It proves that books don’t have to be long to stick in the memory. Sometimes, the shortest ones are the best.
In this witty and entertaining illustrated memoir, Alister Kershaw describes the pleasures of his prolonged residence in France - a country of villages - from 1948, when even Paris was a series of villages. In post-war Paris, Kershaw lived a penniless but joyous existence and captures a Paris long gone. The author conjures Paris prior to the triumph of the technocrats and town planners. It also traces the author's move into the Berry, two hours south of Paris, where he lives in a hamlet of six houses and finds a rural life amongst a small group of traditional Sancerre winemakers.…
Against all odds, women journalists have built a robust tradition of telling the truth and getting to the heart of the story no matter the obstacles. In a world where the Fourth Estate is ever more crucial, the history of female reporters is all the more relevant as a source of information and inspiration for the next generation of correspondents. As a woman’s historian and passionate supporter of freedom of the press I’m always on the lookout for great histories of these intrepid reporters whose lives also happen to make for great reads.
Vietnam was a big war, as they say, and though it ended almost 50 years ago, its full story has yet to be told. However, many of its pieces lay in the much-overlooked yet incredibly nuanced reporting that women did in the war.
Elizabeth Becker’s book explores the legacy of three of Vietnam’s unsung journalistic heroes. Each covered the war with a different angle, sense of purpose, and understanding of its—and their—place in geopolitical history.
Becker’s vivid writing puts you next to photojournalist Catherine Leroy in the plane as she prepares to jump with the 173rd Airborne Brigade in the war’s only airborne assault. Readers can almost hear the glasses clinking with ice around the Hotel Continental pool while intellectual Frances Fitzgerald shrewdly plums the unsuspecting diplomatic class for details that she’ll weave into her groundbreaking long-form reporting on the war. And my only heart nearly stopped the minute Kate…
The long buried story of three extraordinary female journalists who permanently shattered the official and cultural barriers to women covering war.
Kate Webb, an Australian iconoclast, Catherine Leroy, a French dare devil photographer, and Frances FitzGerald, a blue-blood American intellectual, arrived in Vietnam with starkly different life experiences but one shared purpose: to report on the most consequential story of the decade.
At a time when women were considered unfit to be foreign reporters, Frankie, Catherine and Kate paid their own way to war, arrived without jobs, challenged the rules imposed on them by the military, ignored the belittlement and…
I’m an experienced historian, biographer, and storyteller. I’ve written widely about Australian politics, social history, sport, and World War I. My biography of Australia’s most famous fighting general, Pompey Elliott, won multiple national awards, and I assembled his extraordinary letters and diaries in a separate book, Pompey Elliott at War: In His Own Words. Another biography, Will Dyson: Australia’s Radical Genius, about a remarkably versatile artist–writer who was Australia’s first official war artist, was shortlisted for the National Biography Award. My multi-biography Farewell, Dear People: Biographies of Australia’s Lost Generation won the Prime Minister’s Prize for Australian History, and I’ve written a sequel, Life So Full of Promise.
My choice here
could have been Douglas Newton’s superb Hell-Bent
about Australia’s entry into the conflict, or various other fine books by
renowned historians, but I can’t go past this one by an expert on Australia in
WWI.
Peter
Pedersen’s PhD on Monash as a commander became a fine book; his authoritative survey
of the AIF during the war entitled The
Anzacs: Gallipoli to the Western Front is another work of high quality; and
he has also produced several studies of notable AIF battles. But my
recommendation is a different publication — his extraordinary Western Front
guidebook. Stay with me while I explain why.
Anzacs on the Western Front is lavishly illustrated
with maps and photographs, and informed by his comprehensive detailed
familiarity with what Australians did. It’s crucial for anyone visiting France
and Belgium with the aim of pursuing particular engagements great or small,
both to plan your…
A newly updated, lavishly illustrated account of the ANZACs involvement in the Western Front—complete with walking and driving tours of 28 battlefields.
With rare photographs and documents from the Australian War Memorial archive and extensive travel information, this is the most comprehensive guide to the battlefields of the Western Front on the market. Every chapter covers not just the battles, but the often larger-than-life personalities who took part in them. Following a chronological order from 1916 through 1918, the book leads readers through every major engagement the Australian and New Zealanders fought in and includes tactical considerations and extracts from…
