Here are 100 books that T.S. Eliot fans have personally recommended if you like
T.S. Eliot.
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I have spent my life both in the classroom (as a university professor) and out of it as a passionate, committed reader, for whom books are as necessary as food and drink. My interest in poetry dates back to junior high school, when I was learning foreign languages (first French and Latin, and then, later, Italian, German, and ancient Greek) and realized that language is humankind’s most astonishing invention. I’ve been at it ever since. It used to be thought that a writer’s life was of little consequence to an understanding of his or her work. We now think otherwise. Thank goodness.
Sylvia Path (1932-1963) was only thirty when she committed suicide in London.
An American girl, alumna of Smith College, gifted and tortured from the start, she became most famous, after her death, for her novel The Bell Jar and Ariel, her posthumous book of lyrics that contains the much anthologized poems “Daddy” and “Lady Lazarus.”
She married the British poet Ted Hughes and bore two children. She and Hughes divorced. Much of her lived life is the material for her wrenching poems.
She was sanctified by the women’s movement, but she was no saint. Her legacy is her work.
And Heather Clark’s massive biography is a marvel of research, energy, sympathy, and literary analysis.
The first biography of this great and tragic poet that takes advantage of a wealth of new material, this is an unusually balanced, comprehensive and definitive life of Sylvia Plath.
'Surely the final, the definitive, biography of Sylvia Plath' Ali Smith
*WINNER OF THE SLIGHTLY FOXED PRIZE 2021* *A BOOK OF THE YEAR IN THE DAILY TELEGRAPH AND THE TIMES* *FINALIST FOR THE PULITZER PRIZE IN BIOGRAPHY 2021*
Drawing on a wealth of new material, Heather Clark brings to life the great and tragic poet, Sylvia Plath. Refusing to read Plath's work as if her every act was a harbinger…
I have spent my life both in the classroom (as a university professor) and out of it as a passionate, committed reader, for whom books are as necessary as food and drink. My interest in poetry dates back to junior high school, when I was learning foreign languages (first French and Latin, and then, later, Italian, German, and ancient Greek) and realized that language is humankind’s most astonishing invention. I’ve been at it ever since. It used to be thought that a writer’s life was of little consequence to an understanding of his or her work. We now think otherwise. Thank goodness.
This is where it all started. The beginning of modern criticism.
Samuel Johnson was the first and greatest English literary critic, whose life and work were memorably recorded by his friend James Boswell.
Johnson himself, an exemplary, even obsessive, man of letters, wrote these 52 short biographies of figures, many still canonized today (John Milton, John Dryden, Jonathan Swift, William Congreve, but no women, alas) and he shows with sympathy and good sense how an understanding of a writer’s life helps us to understand his work as well.
Johnson was luminous. His prose is dazzling. He was a prodigious writer and thinker.
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I have spent my life both in the classroom (as a university professor) and out of it as a passionate, committed reader, for whom books are as necessary as food and drink. My interest in poetry dates back to junior high school, when I was learning foreign languages (first French and Latin, and then, later, Italian, German, and ancient Greek) and realized that language is humankind’s most astonishing invention. I’ve been at it ever since. It used to be thought that a writer’s life was of little consequence to an understanding of his or her work. We now think otherwise. Thank goodness.
Keats, beloved of English majors and ordinary readers everywhere, died at 25.
No other writer – not Shakespeare, Chaucer, Milton, George Eliot, Jane Austen – would be remembered today if he or she had died at that age.
W.J. Bate was a magisterial Harvard scholar. His two sympathetic biographies, of Keats, and of Samuel Johnson, both won Pulitzer prizes and are still readable and important. They breathe life into their subjects and deeply humanize them.
The life of Keats provides a unique opportunity for the study of literary greatness and of what permits or encourages its development. Its interest is deeply human and moral, in the most capacious sense of the words. In this authoritative biography--the first full-length life of Keats in almost forty years--the man and the poet are portrayed with rare insight and sympathy. In spite of a scarcity of factual data for his early years, the materials for Keats's life are nevertheless unusually full. Since most of his early poetry has survived, his artistic development can be observed more closely than is…
I have spent my life both in the classroom (as a university professor) and out of it as a passionate, committed reader, for whom books are as necessary as food and drink. My interest in poetry dates back to junior high school, when I was learning foreign languages (first French and Latin, and then, later, Italian, German, and ancient Greek) and realized that language is humankind’s most astonishing invention. I’ve been at it ever since. It used to be thought that a writer’s life was of little consequence to an understanding of his or her work. We now think otherwise. Thank goodness.
James Merrill (1926-1995) was a son of Charles Merrill, the man famous for bringing Wall Street to Main Street (Merrill Lynch. et al.).
He grew up in luxury—Manhattan, Long Island, Palm Beach— went to Amherst college, and was a poet born and bred.
A gay man at a time when it was still dangerous to be out, he wrote many superb, deeply moving lyric poems of “love and loss,” and an entire epic poem based on seances around a ouija board, which is still turning heads and bewildering readers.
Merrill’s own life and loves were as rich and varied as anything he produced in his work. Hammer spent 12 years on this book, and it is both long and utterly gripping.
Langdon Hammer has given us the first biography of the poet James Merrill (1926–95), whose life is surely one of the most fascinating in American literature. Merrill was born to high privilege and high expectations as the son of Charles Merrill, the charismatic cofounder of the brokerage firm Merrill Lynch, and Hellen Ingram, a muse, ally, and antagonist throughout her son’s life. Wounded by his parents’ bitter divorce, he was the child of a broken home, looking for repair in poetry and love. This is the story of a young man escaping, yet also reenacting, the energies and obsessions of…
One of my favorite writers, Ralph Ellison, said art could "transform dismal sociological facts" through "tragi-comic transcendence." For me, finding humor in the horrific is a means of survival. It's a way of embracing life's tragedy and finding beauty. My two novels, Pickard County Atlas and Little Underworld, try to do that.
I’m pretty certain Invisible Man is The Great American Novel. Some lines make me laugh aloud: “I would remain and become a well-disciplined optimist and help them to go merrily to hell.” But the moments that really sing for me are those that ring with humor, horror, tragedy, and beauty all at once.
Near the end, during a moment when the nameless narrator hides and listens to some men telling a story, he aches with the urge to laugh while realizing what’s been said isn’t only funny: “It was funny and dangerous and sad.” The book reminds me that all of those things can be held in my head at once.
NATIONAL BOOK AWARD WINNER • NATIONAL BESTSELLER • In this deeply compelling novel and epic milestone of American literature, a nameless narrator tells his story from the basement lair of the Invisible Man he imagines himself to be.
He describes growing up in a Black community in the South, attending a Negro college from which he is expelled, moving to New York and becoming the chief spokesman of the Harlem branch of "the Brotherhood," before retreating amid violence and confusion.
Originally published in 1952 as the first novel by a then unknown author, it remained on the bestseller list for…
As a cultural historian of 20th century America, I’m fascinated by how culture is used to rebel against the status quo and how the status quo fights back. In my first book, Class Acts: Young Men and the Rise of Lifestyle, I looked at greasers, hippies, and white hip hop lovers to understand how they used style and fashion to push back against being white and middle class. In Come and Be Shocked: Baltimore Beyond John Waters and The Wire, I went beyond looking at how individuals shape their identity to thinking about how artists and city leaders shape the identity of a place. Can artists counter the efforts of cities to create sanitized images of themselves?
A former journalist, Antero Pietila delves into the history of Baltimore’s battles over housing and race since the 1880s. He shows how racism and antisemitism shaped who could live where in Baltimore, eventually consigning working-class Black people to disintegrating neighborhoods in the inner city. Where this book is especially good is on the history of blockbusting in the 1950s and 1960s.
Pietila introduces us to the real estate agents who preyed on Black people desperate to move out of slums and shows us how they panicked white people into selling their houses cheaply to get out before Black people moved in. Pietila draws connections between this history and the more recent example of speculators who lured Baltimore residents into subprime mortgages. Baltimore successfully sued Wells Fargo for discriminatory lending in 2012.
Baltimore is the setting for (and typifies) one of the most penetrating examinations of bigotry and residential segregation ever published in the United States. Antero Pietila shows how continued discrimination practices toward African Americans and Jews have shaped the cities in which we now live. Eugenics, racial thinking, and white supremacist attitudes influenced even the federal government's actions toward housing in the 20th century, dooming American cities to ghettoization. This all-American tale is told through the prism of Baltimore, from its early suburbanization in the 1880s to the consequences of "white flight" after World War II, and into the first…
I was raised in Kansas, a conservative, Republican state. My parents were conservative Republicans. We went to a fundamentalist church, where the minister preached about Revelationand warned against the dangers of “humanism”. He said the Bible predicted an end time where God would violently destroy the evil world. I have grown away from such ideas, but I understand the cultural milieu out of which such Christian extremism comes. Fortunately, I also learned from my parents the values of honesty and love for all people. Those values call me to look at today’s right-wing authoritarianism, and to find the hope that will lead us to something better.
Recent authoritarian trends and attempts to re-establish white supremacy are not new in America.
In this novel, Philip Roth envisions an alternate history where Charles Lindbergh has defeated Franklin D. Roosevelt in the 1940 Presidential election. He then proceeds to collude with Adolph Hitler and seeks to establish anti-Semitism throughout the country.
The novel is based on the actual attitudes which Lindbergh had toward Jews and other minorities. Of course, this is not truly an insurrection. Still, it is a portrayal of how extreme right-wing attitudes can seek to rob people of our hard-won democracy.
I was raised with a deep respect for freedom for all people in this country. My family had several Jewish friends and we loved and learned from them.
'He captures better than anyone the collision of public and private, the intrusion of history into the skin, the pores of every individual alive' Guardian
'Though on the morning after the election disbelief prevailed, especially among the pollsters, by the next everybody seemed to understand everything...'
When celebrity aviator, Charles A. Lindbergh, wins the 1940 presidential election on the slogan of 'America First', fear invades every Jewish household. Not only has Lindbergh blamed the Jews for pushing America towards war with Germany, he has negotiated an 'understanding' with the Nazis promising peace between the two nations.
My love of comics and characters goes back to when I was very young. I remember falling in love with Snoopy to the point that I would draw a snoopy head on my worksheets in first grade, and my teacher knew it was from me! Once I got older, and began exploring my Jewish heritage in a more mature way, I was astounded by how many deep and meaningful stories I kept encountering. It was my natural inclination to retell these stories in a comic book format. Part of my mission was to find like minded souls who had a love for comix and a love for Jewish stories.
This book was the first time I read a graphic novel with Jewish themes other than the Holocaust. As a comic book artist who was exploring my Jewish roots, it was eye-opening to read a tale with Jewish characters, especially because it deals with the legend of the Golem, a mystical being made of mud and brought to life through Hebrew incantations. Add to that great action scenes of 1920s baseball, and it makes for a great read.
Before penning his acclaimed graphic novel Market Day and founding the Center for Cartoon Studies, James Sturm proved his worth as a master cartoonist with the eloquent graphic novel, The Golem s Mighty Swing, one of the first breakout graphic novel hits of the 21st century. Sturm s fascination with the invisible America has been the crux of his comics work, exploring the rarely-told or oft-forgotten bits of history that define a country. By reuniting America s greatest pastime with its hidden history, the graphic novel tells the story of the Stars of David, a barnstorming Jewish baseball team of…
Richard Toye is a Professor of Modern History at the University of Exeter. He has published 19 non-fiction books on historical topics and was the co-presenter of the 2018 Channel 4 documentary Churchill's Secret Affair. In 2007 he won the Times Higher Education Young Academic of the Year Award for his book Lloyd George and Churchill: Rivals for Greatness.
This is a through-the-looking-glass journey into the darker side of British politics. Grundy’s parents were violently anti-Semitic and obsessed with Oswald Mosley, and he himself became active in Mosley’s post-war Union Movement, before turning away from Fascism. It is surreal, scary, and hilarious by turns. It also gives important insights into the origins of today’s Far Right politics.
For Grundy and his family Oswald Mosley was God, anti-Semitism a creed. His father was a fascist brawler, his mother obsessed with Mosley and Grundy himself dreamed Mosley was his father and grew up to be the youngest member of the Fascist Union Movement to speak at Trafalgar Square. But, after her death, Grundy learnt that his mother was Jewish.
I’ve been a liberal all my life: I went to my first protest march by myself when I was 13 and cast my first vote for George McGovern. I’ve also been an academic most of my life, studying and teaching at multiple colleges and universities. Over the last decade I’ve watched the animating principles of both academia and liberalism – the spirit of free inquiry and the willingness to debate ideas – descend into an authoritarian conformism that brooks no dissent. I hope that these books can persuade people to fight against these trends before it’s too late: “Do not go gentle into that good night; Rage, rage, against the dying of the light.”
If McWhorter focuses on how woke ideology harms Blacks, Bernstein shows how it harms Jews and inevitably fosters antisemitism.
Like McWhorter, Bernstein provides very specific examples of wokeness in action, both on and off campus. Jews were asked to leave an LGBT Pride event because their flag – a Pride flag with a Star of David on it – “made people feel unsafe”; a Jewish organization that issued a public statement condemning George Floyd’s murder was lambasted because the statement had not been drafted by a person of color; and more.
Bernstein and I are both liberal Jews, but we both fear the consequences of an ideology that divides the world into the non-privileged oppressed and the privileged oppressors – Jews, by virtue of their current success, are automatically considered privileged oppressors despite the long worldwide history of antisemitism.
Woke Antisemitism is a firsthand account from a top Jewish leader about how woke ideology shuts down discourse, corrupts Jewish values, and spawns a virulent new strain of antisemitism.
“David Bernstein has written an important book which deserves to be read widely and be thoroughly discussed in our community. This book is a powerful defense of liberal values….Bernstein’s treatment is nuanced and respectful, showing understanding for the goals even as he critiques the methods of woke culture and shows us cases where it leads to antisemitism.”
–Rabbi Yitz Greenberg, American scholar, author and rabbi
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