Here are 100 books that T.S. Eliot fans have personally recommended if you like
T.S. Eliot.
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I have always tried to find books that explain and explore my life stage. When I was a young mother of little babies, I read many books about early motherhood. When I was studying and travelling and working as a waitress, those topics were represented in my reading too. Now that I’m a woman writer in midlife, with growing children and an art practice, I’m keen to read books by and about women writers who evoke the joys and struggles of this period: aging, the tensions between freedom and responsibility, marriage and separation, ambition and desire.
I was absolutely riveted by this huge doorstop of a biography exploring the life of Sylvia Plath. I’m not a diehard Plath fan per se, but I am always drawn to books about writers’ lives.
The intersection of Plath’s death with her experiences of motherhood, her writing life, and the failure of her marriage also brings this story firmly into my wheelhouse. (While Plath might not technically have been in midlife, I would argue that she was already precociously facing many of its common pitfalls when she died.)
This book is meticulously researched and includes new archival evidence. I loved it so much that after I finished its 600-something pages, I wanted to start over immediately.
The first biography of this great and tragic poet that takes advantage of a wealth of new material, this is an unusually balanced, comprehensive and definitive life of Sylvia Plath.
'Surely the final, the definitive, biography of Sylvia Plath' Ali Smith
*WINNER OF THE SLIGHTLY FOXED PRIZE 2021* *A BOOK OF THE YEAR IN THE DAILY TELEGRAPH AND THE TIMES* *FINALIST FOR THE PULITZER PRIZE IN BIOGRAPHY 2021*
Drawing on a wealth of new material, Heather Clark brings to life the great and tragic poet, Sylvia Plath. Refusing to read Plath's work as if her every act was a harbinger…
I have spent my life both in the classroom (as a university professor) and out of it as a passionate, committed reader, for whom books are as necessary as food and drink. My interest in poetry dates back to junior high school, when I was learning foreign languages (first French and Latin, and then, later, Italian, German, and ancient Greek) and realized that language is humankind’s most astonishing invention. I’ve been at it ever since. It used to be thought that a writer’s life was of little consequence to an understanding of his or her work. We now think otherwise. Thank goodness.
This is where it all started. The beginning of modern criticism.
Samuel Johnson was the first and greatest English literary critic, whose life and work were memorably recorded by his friend James Boswell.
Johnson himself, an exemplary, even obsessive, man of letters, wrote these 52 short biographies of figures, many still canonized today (John Milton, John Dryden, Jonathan Swift, William Congreve, but no women, alas) and he shows with sympathy and good sense how an understanding of a writer’s life helps us to understand his work as well.
Johnson was luminous. His prose is dazzling. He was a prodigious writer and thinker.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
I have spent my life both in the classroom (as a university professor) and out of it as a passionate, committed reader, for whom books are as necessary as food and drink. My interest in poetry dates back to junior high school, when I was learning foreign languages (first French and Latin, and then, later, Italian, German, and ancient Greek) and realized that language is humankind’s most astonishing invention. I’ve been at it ever since. It used to be thought that a writer’s life was of little consequence to an understanding of his or her work. We now think otherwise. Thank goodness.
Keats, beloved of English majors and ordinary readers everywhere, died at 25.
No other writer – not Shakespeare, Chaucer, Milton, George Eliot, Jane Austen – would be remembered today if he or she had died at that age.
W.J. Bate was a magisterial Harvard scholar. His two sympathetic biographies, of Keats, and of Samuel Johnson, both won Pulitzer prizes and are still readable and important. They breathe life into their subjects and deeply humanize them.
The life of Keats provides a unique opportunity for the study of literary greatness and of what permits or encourages its development. Its interest is deeply human and moral, in the most capacious sense of the words. In this authoritative biography--the first full-length life of Keats in almost forty years--the man and the poet are portrayed with rare insight and sympathy. In spite of a scarcity of factual data for his early years, the materials for Keats's life are nevertheless unusually full. Since most of his early poetry has survived, his artistic development can be observed more closely than is…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I have spent my life both in the classroom (as a university professor) and out of it as a passionate, committed reader, for whom books are as necessary as food and drink. My interest in poetry dates back to junior high school, when I was learning foreign languages (first French and Latin, and then, later, Italian, German, and ancient Greek) and realized that language is humankind’s most astonishing invention. I’ve been at it ever since. It used to be thought that a writer’s life was of little consequence to an understanding of his or her work. We now think otherwise. Thank goodness.
James Merrill (1926-1995) was a son of Charles Merrill, the man famous for bringing Wall Street to Main Street (Merrill Lynch. et al.).
He grew up in luxury—Manhattan, Long Island, Palm Beach— went to Amherst college, and was a poet born and bred.
A gay man at a time when it was still dangerous to be out, he wrote many superb, deeply moving lyric poems of “love and loss,” and an entire epic poem based on seances around a ouija board, which is still turning heads and bewildering readers.
Merrill’s own life and loves were as rich and varied as anything he produced in his work. Hammer spent 12 years on this book, and it is both long and utterly gripping.
Langdon Hammer has given us the first biography of the poet James Merrill (1926–95), whose life is surely one of the most fascinating in American literature. Merrill was born to high privilege and high expectations as the son of Charles Merrill, the charismatic cofounder of the brokerage firm Merrill Lynch, and Hellen Ingram, a muse, ally, and antagonist throughout her son’s life. Wounded by his parents’ bitter divorce, he was the child of a broken home, looking for repair in poetry and love. This is the story of a young man escaping, yet also reenacting, the energies and obsessions of…
Science fantasy uniquely combines elements of science fiction (advanced technology, futuristic settings) with those of fantasy (magic, mythological creatures, and supernatural elements). This fusion creates rich and versatile storytelling that often comes with a deep sense of mystery beyond what science fiction or fantasy achieves on their own.
This blend also requires greater “buy-in” from the reader to believe in the world we’re being presented. As readers, we often accept dwarves in fantasy with little to no explanation. We do the same with spaceships in science fiction. But dwarves in spaceships require truly creative storytelling to achieve a much higher buy-in threshold. The author who can pull this off has my attention.
Set among the post-apocalyptic remnants of a far-future earth, this book combines the “forgotten technology” trope common to science fiction with archetypal fantasy characters.
Civilisations relying on technology so advanced it’s incomprehensible to them, is one of my favourite concepts in science fiction. Harrison uses this to create a world I thought was magical, melancholic, and nostalgic–effecting a tone more common to epic fantasy.
However, it is the imagery that sets this book apart, with Harrison depicting battlefields and blasted landscapes with a colourful yet eerily retro and forlorn beauty. It was like reading T.S. Eliot’s The Waste Land in a 70s disco, complete with knights fighting among rusted metal swamps, with lightsaber-like baans, against brain-eating bioengineered creatures from humanity’s former technological apex.
I was hooked by the setting and drawn along by knights, queens, and old warriors interacting with androids and futuristic weapons as they attempted to save their…
The first book in the Viriconium series: In the distant future, a medieval system rises from the ruins of a technology that destroyed itself. Armored knights ride their horses across dunes of rust, battling for the honor of the Queen. But the knights find more to menace them than mere swords and lances. A brave quest leads them face to face with the awesome power of a complex, lethal technology that has been erased from the face of the Earth--but lives on, underground.
Librarian Note: This edition has ISBN 0380000571 printed on the inside cover.
I am a cultural historian, film critic, literary critic, editor, and essayist–and a closeted fiction writer–fascinated by ‘the fantastic’ in art or in life. And Christmas seems to me the perfect example of a time that unites realism and the strange–the time of ghost stories and nativities. I wrote a book on It’s a Wonderful Life (2023) because it triumphantly succeeds at bridging the connection between ordinary life and the marvelous. I have also edited anthologies of Victorian and Edwardian ghost stories, The Penguin Book of Ghost Stories: From Elizabeth Gaskell to Ambrose Bierce (Penguin, 2010), and Victorian Fairy Tales (Oxford World’s Classics, 2015), both of which include many seasonal classics.
From 1927 to 1931 (and again in 1954), T. S. Eliot would send out a short poem as a Christmas greeting. There are only six of them, but they encapsulate the mystical and religious side of Christmas in ways that yearly move me.
From The Journey of the Magi to The Cultivation of Christmas Trees, Eliot reflects on the spiritually unsettling aspects of Christmas, where the cozy clashes with the necessity to change, and where reminiscence comes up against the mystery of our future, and we see how life brings up moments of spiritual vision.
'Each year Eliot's presence reasserts itself at a deeper level, to an audience that is surprised to find itself more chastened, more astonished, more humble.' Ted Hughes
Poet, dramatist, critic and editor, T. S. Eliot was one of the defining figures of twentieth-century poetry. This edition of Collected Poems 1909-1962 includes his verse from Prufrock and Other Observations (1917) to Four Quartets (1943), and includes such literary landmarks as The Waste Land and Old Possum's Book of Practical Cats.
Meet Lev Gleason, a real-life comics superhero! Gleason was a titan among Golden Age comics publishers who fought back against the censorship campaigns and paranoia of the Red Scare. After dropping out of Harvard to fight in World War I in France, Gleason moved to New York City and eventually…
I’m a poet, lover of great literature, and an English professor who has served as faculty advisor to my university’s student-run literary journal. I caught the bug as a teenager when I first started reading and memorizing poems that moved and intrigued me. Since then, reading and writing poetry—and having the pleasure of teaching it to students—has been my best way of checking in with myself to see what’s most important to me that I may have lost sight of in the daily bustle. It’s also my best way of going beyond myself—allowing my imagination to carry me to unexpected places.
I also love Eliot’s poetry (and his comments on the creative process) because of how different they are from Wordsworth’s—and equally profound. In essays including Tradition and the Individual Talent, Eliot argues that keeping your poetry “personal” artificially limits your material. And I think he’s right: some of my own best poems come from imagining my way into someone else’s mind.
Eliot’s own poetry, including The Love Song of J. Alfred Prufrock, illustrates the value of this approach in how it crafts its titular character. Eliot can also write deeply intellectual poems like The Waste Land that transcend purely “personal” concerns by exploring history and that repay many re-readings. In addition to their thematic richness, Wordsworth’s and Eliot’s poems are also beautifully musical.
An indispensable collection of the Nobel Prize winner's most renowned works
“In ten years’ time,” wrote Edmund Wilson in Axel’s Castle, “Eliot has left upon English poetry a mark more unmistakable than that of any other poet writing in English.” In 1948, Eliot was awarded the Nobel Prize “for his work as a trail-blazing pioneer of modern poetry.”
This book is made up of six individual titles: Four Quartets, Collected Poems: 1909–1935, Murder in the Cathedral, The Family Reunion, Old Possum’s Book of Practical Cats, and The Cocktail Party. It offers not only enjoyment of one of the great talents…
As a cultural historian of 20th century America, I’m fascinated by how culture is used to rebel against the status quo and how the status quo fights back. In my first book, Class Acts: Young Men and the Rise of Lifestyle, I looked at greasers, hippies, and white hip hop lovers to understand how they used style and fashion to push back against being white and middle class. In Come and Be Shocked: Baltimore Beyond John Waters and The Wire, I went beyond looking at how individuals shape their identity to thinking about how artists and city leaders shape the identity of a place. Can artists counter the efforts of cities to create sanitized images of themselves?
A former journalist, Antero Pietila delves into the history of Baltimore’s battles over housing and race since the 1880s. He shows how racism and antisemitism shaped who could live where in Baltimore, eventually consigning working-class Black people to disintegrating neighborhoods in the inner city. Where this book is especially good is on the history of blockbusting in the 1950s and 1960s.
Pietila introduces us to the real estate agents who preyed on Black people desperate to move out of slums and shows us how they panicked white people into selling their houses cheaply to get out before Black people moved in. Pietila draws connections between this history and the more recent example of speculators who lured Baltimore residents into subprime mortgages. Baltimore successfully sued Wells Fargo for discriminatory lending in 2012.
Baltimore is the setting for (and typifies) one of the most penetrating examinations of bigotry and residential segregation ever published in the United States. Antero Pietila shows how continued discrimination practices toward African Americans and Jews have shaped the cities in which we now live. Eugenics, racial thinking, and white supremacist attitudes influenced even the federal government's actions toward housing in the 20th century, dooming American cities to ghettoization. This all-American tale is told through the prism of Baltimore, from its early suburbanization in the 1880s to the consequences of "white flight" after World War II, and into the first…
I was raised in Kansas, a conservative, Republican state. My parents were conservative Republicans. We went to a fundamentalist church, where the minister preached about Revelationand warned against the dangers of “humanism”. He said the Bible predicted an end time where God would violently destroy the evil world. I have grown away from such ideas, but I understand the cultural milieu out of which such Christian extremism comes. Fortunately, I also learned from my parents the values of honesty and love for all people. Those values call me to look at today’s right-wing authoritarianism, and to find the hope that will lead us to something better.
Recent authoritarian trends and attempts to re-establish white supremacy are not new in America.
In this novel, Philip Roth envisions an alternate history where Charles Lindbergh has defeated Franklin D. Roosevelt in the 1940 Presidential election. He then proceeds to collude with Adolph Hitler and seeks to establish anti-Semitism throughout the country.
The novel is based on the actual attitudes which Lindbergh had toward Jews and other minorities. Of course, this is not truly an insurrection. Still, it is a portrayal of how extreme right-wing attitudes can seek to rob people of our hard-won democracy.
I was raised with a deep respect for freedom for all people in this country. My family had several Jewish friends and we loved and learned from them.
'He captures better than anyone the collision of public and private, the intrusion of history into the skin, the pores of every individual alive' Guardian
'Though on the morning after the election disbelief prevailed, especially among the pollsters, by the next everybody seemed to understand everything...'
When celebrity aviator, Charles A. Lindbergh, wins the 1940 presidential election on the slogan of 'America First', fear invades every Jewish household. Not only has Lindbergh blamed the Jews for pushing America towards war with Germany, he has negotiated an 'understanding' with the Nazis promising peace between the two nations.
I’ve been a liberal all my life: I went to my first protest march by myself when I was 13 and cast my first vote for George McGovern. I’ve also been an academic most of my life, studying and teaching at multiple colleges and universities. Over the last decade I’ve watched the animating principles of both academia and liberalism – the spirit of free inquiry and the willingness to debate ideas – descend into an authoritarian conformism that brooks no dissent. I hope that these books can persuade people to fight against these trends before it’s too late: “Do not go gentle into that good night; Rage, rage, against the dying of the light.”
If McWhorter focuses on how woke ideology harms Blacks, Bernstein shows how it harms Jews and inevitably fosters antisemitism.
Like McWhorter, Bernstein provides very specific examples of wokeness in action, both on and off campus. Jews were asked to leave an LGBT Pride event because their flag – a Pride flag with a Star of David on it – “made people feel unsafe”; a Jewish organization that issued a public statement condemning George Floyd’s murder was lambasted because the statement had not been drafted by a person of color; and more.
Bernstein and I are both liberal Jews, but we both fear the consequences of an ideology that divides the world into the non-privileged oppressed and the privileged oppressors – Jews, by virtue of their current success, are automatically considered privileged oppressors despite the long worldwide history of antisemitism.
Woke Antisemitism is a firsthand account from a top Jewish leader about how woke ideology shuts down discourse, corrupts Jewish values, and spawns a virulent new strain of antisemitism.
“David Bernstein has written an important book which deserves to be read widely and be thoroughly discussed in our community. This book is a powerful defense of liberal values….Bernstein’s treatment is nuanced and respectful, showing understanding for the goals even as he critiques the methods of woke culture and shows us cases where it leads to antisemitism.”
–Rabbi Yitz Greenberg, American scholar, author and rabbi
