10 books like Woke Antisemitism

If you want to know how we got here – where college students and young adults consider speech and ideas they dislike to be “violence,” and use tools that include everything from getting people fired to actual violence to defeat those they disagree with – this is the book for you.

Things have only gotten worse since the book’s publication in 2018, but the authors convincingly show how overlapping trends in parenting, politics, and education have produced a generation that is fearful, quick to take offense, and unable to think critically and independently. That in turn created a perfect environment for wokeness to thrive.

Like both McWhorter and Bernstein, the authors don’t stop at description and criticism: they provide solutions, ways to “help parents and teachers to raise wiser, stronger, more independent children,” as well as suggestions for improving universities.

This book persuaded me that the “woke” movement (which McWhorter calls “Third Wave antiracism”) is not a political movement but a religion in the fullest sense of the term.

It has articles of faith and a common language, and it goes after heretics with the vengeance of the Spanish Inquisition. Since it’s a religion we can’t defeat it with arguments or reason. It’s also dangerous; as McWhorter writes: “Make no mistake: these people are coming after your kids.”

But he isn’t fatalistic or pessimistic. He gives specific, sensible suggestions for defeating the new religion and for better ways of moving forward on racial equality. Two things make this book unique: McWhorter’s writing is a joy to read, and because he’s Black and politically liberal, he can’t be easily dismissed.

This book is not actually about wokeness. Instead, it helps us see the dangers inherent in that ideology.

Perilous Times is a partial history of the American government’s censorship of speech and thought from the 1790s to the early 2000s. Stone is a fabulous storyteller. Even though I’ve studied – and taught – constitutional law and constitutional history for decades, some of what he recounts was new to me, and all of it was newly fascinating in its detail and its focus on people as well as events.

In a way, this is a “be careful what you wish for” warning to both the woke and the unwoke: once it becomes widely accepted that it’s OK to restrict harmful speech, anyone who disagrees with whatever the majority or the government happens to favor is at risk.

Like Stone’s book, this is a book about history, not wokeness. It’s not an easy read, but it’s worth the effort.

It recounts the triumph of scientific reasoning and liberal tolerance over several decades in the mid-twentieth century. That triumph was largely brought about by the “secularization” of American culture, spearheaded by Jewish intellectuals.

I read it long before wokeness was a thing – it was published in 1996 – and found it interesting but not particularly relevant to anything I was thinking about. But when wokeness came along, it suddenly hit me that this new religion was taking us backwards, back to the beginning of Hollinger’s story.

If that trend continues, we are in danger of losing the gains that science and tolerance have produced.

This book was the first time I read a graphic novel with Jewish themes other than the Holocaust. As a comic book artist who was exploring my Jewish roots, it was eye-opening to read a tale with Jewish characters, especially because it deals with the legend of the Golem, a mystical being made of mud and brought to life through Hebrew incantations.  Add to that great action scenes of 1920s baseball, and it makes for a great read.

Recent authoritarian trends and attempts to re-establish white supremacy are not new in America.

In this novel, Philip Roth envisions an alternate history where Charles Lindbergh has defeated Franklin D. Roosevelt in the 1940 Presidential election. He then proceeds to collude with Adolph Hitler and seeks to establish anti-Semitism throughout the country.

The novel is based on the actual attitudes which Lindbergh had toward Jews and other minorities. Of course, this is not truly an insurrection. Still, it is a portrayal of how extreme right-wing attitudes can seek to rob people of our hard-won democracy.

I was raised with a deep respect for freedom for all people in this country. My family had several Jewish friends and we loved and learned from them.

This is the first novel by Modiano, who won the Nobel Prize for Literature in 2014.  It has been translated into English but with a French title, which contains a pun that can’t be translated (referring both to a location in Paris and to the infamous badge imposed by the Nazis). A darkly comic and shocking send-up of French antisemitic literature, the novel features a clownish protagonist named Raphaël Schlemilovitch who embraces every antisemitic stereotype imaginable, becoming in turn, a cosmopolitan, a traitor, a collaborator, and a pimp before winding up on the couch of Sigmund Freud begging to be put out of his misery.  Modiano wrote this novel to exorcise the demons of French literature and it helped him carve out a place as a distinctly Jewish voice in the French literary pantheon.

This is Eliot’s last novel about an ostensible British aristocrat’s journey to uncovering his real identity. Often referred to as Eliot’s “Jewish novel,” it reflects her unerring ability to empathize with the Other. It is very long but also un-put-downable, with two interwoven plots that complement each other masterfully. It’s at once a conventional 19th-century novel and an entirely original and surprising take on the genre. As a Jew with a love of nineteenth-century British novels, this one spoke to me most powerfully.

There’s so much texture on this cover, and the Renoir painting stands out because it’s probably the most recognizable part. The story involves Irene Cahen d’Anvers, the woman who sat for Renoir as a young girl, and how she came from a prominent Jewish family in France. Irene made some pivotal decisions that would forever change the lives of her ex-husband and daughter.

Where to begin? Proust’s gigantic masterpiece is the proverbial gift that keeps giving, none more so than in its explication and then repeated “demonstration” of the very thing it describes, the sensory triggers of what Proust calls involuntary memory but that here become the emotional propulsion for this book about writing the very beautiful book (or books—it comes in six volumes) you are reading.