100 books like Goldfinger

Okay, technically, this is not a book. But it is the greatest work in the English language. When I do public speaking, I like to say my ” favorite mystery is Scandinavian.” Everyone nods. “There’s a questionable murder to begin, then a suicide, an attempted kidnapping, and a big fight when the two main characters die.” People nod again. “It’s called Hamlet. Have you ever heard of it?” And everyone laughs. 

I then ask the question: what is the difference between a mystery and a thriller? I believe in a mystery the protagonist is ahead of the reader. (Think classic detective novels such as The Big Sleep). But in a thriller, the audience is ahead of the protagonist. (Think a movie such as Wait Until Dark). In Hamlet, we have both. The first half is a mystery. Was his father really murdered? But in the crucial midpoint,… show more.

The first time I talked to my New York agent, I told her my three favorite novels were The Spy Who Came in From the Cold, the Eye of the Needle, and, of course, the Day of the Jackal. She caught her breath. “I’ve just written an article,” she said, “saying those were the three best thrillers ever.” 

Here’s a secret. Old City Hall is not the first book I’ve written. I spent ten years writing a thriller inspired by Jackal. Set in 1988, an assassin is on her way to Toronto to kill the G-7 world leaders meeting there. The manuscript never sold. Then, last year, I pulled out my “book-in-a-drawer” and updated it as a prequel. Now it’s my new novel. I’ve moved in my writing from legal thrillers to historical dramas (my last novel is based on a Nazi massacre in Italy in 1944) and… show more.

This book taught me how to write a thriller. I’ll admit I’m obsessive. I’ve not only read this book—and watched the movie—many times, but I read everything I could find about how Follet wrote this novel, his method of writing, etc. 

As I do in my novels, he breaks some of the so-called rules. His “bad guys” are real and engaging characters. He paces his novels, intertwining characters and storylines. He builds tension. And he mixes real history and real locations with his fictional characters in a way that brings them to life. 

Most of all, as do I, he loves plot, conflict, and storytelling. 

I always wanted to be a writer, but after university and a year of traveling and trying to write a book, I went to law school. A fish out of water there, all I did was criminal law. To me, this novel was a beacon. Turow was a criminal lawyer and a novelist—I could do the same one day. 

I loved everything about the book, from the first line to the complex and ambiguous ending. In my first novel, I ended it in the same way. One of the wonderful things about being a published author is meeting writers whose books I’ve read and loved. When I met Turow, we mostly talked about baseball: Cubs versus Blue Jays. (Writers I’ve learned don’t like to talk about writing with each other). What was unspoken but clear was my admiration and thanks for his inspiration. 

How could I not love a book that sets its tone with “My name is Bond, Shaman Bond”? 

Bond, aka Eddie Drood, has all the latest magical gadgets to help suppress the forces of magical mayhem on behalf of the ancient and powerful Drood family (and yes there’s a pun there on Druid). This is what James Bond would have been if Ian Fleming had gone easy on the Martinis and tried a few magic mushrooms instead. 

The book, and in fact the whole series, is inventive, witty, and in places outright insane, with every book title a parody of a Bond book or film. 

(Also, Mr Green is a very nice man – we met him once over pizza at EasterCon several decades ago.)

Drawing on Fleming's experiences in Jamaica, MI6 intelligence officer Bond, James Bond, not only outwits the villain's attempt to turn him into shark and barracuda bait but also deploys a limpet mine to good effect in order to save himself and his female companion from death by coral reef dragging, a device I pay homage to in a later novel.

Fleming's Bond novels introduced the world to a clever hero required to take direct responsibility for stopping great evil. Bond doesn't shy away from brute force when required, but prefers more elegant solutions, inspiring later writers.

Like millions of others, the popular movies introduced his work to me, but Fleming was the early master of the art of an espionage/action thriller novel, inspiring many who followed.

This is the latest in a series that is a clever parody of the James Bond series of books by Ian Fleming. 

Haris Orkin is an excellent writer who has built this series around his charming protagonist, James Flynn, who you cannot tell if he is crazy or has the deepest and most brilliant cover story imaginable – a patient in a psychiatric hospital.

While it is told with a tongue firmly planted in cheek, there is plenty of real action and adventure. It is a great escape from the mundane everyday life.     

I found this book to be like a mix between Gallagher Girls and Alex Rider, with maybe a bit of Mean Girls in the mix—all in a good way!

One thing that sets this book apart from other teen spy books is that all the characters are damaged and yet they use that to fight back and to show the world what they’re made of. I felt like I was watching a movie while reading the book, and the scenes felt like I was in a James Bond movie! I can’t wait to crack open book 2.

The first section of this book feels so accurate in its depiction of the Smersh (death to spies) training camp that I hardly missed 007 at all, who appears on page 95 in part two of the book. I first came across James Bond when my sister, who was three years my senior, got me to see the 1963 film. I was twelve at the time. I wonder what today’s politically correct regime would have to say about that? My sister was probably underage as well but looked older, so she passed muster.

This book is my favorite of Fleming’s Bond books. I have read it many times, yet when I pick it up to start again, there is that air of excitement; I can almost smell the exotic location of Istanbul, Bond being pitched against a dangerous adversary, and, to top it all, the remarkable character, Colonel Rosa Klebb,… show more.

Dr. No was the sixth James Bond novel Fleming wrote but it was the first one I was finally able to read in paperback when I was about twelve years old.

It transfixed me. I had never read anything quite like it, transporting a boy trapped in small-town Ontario into a wider world of sophistication, sex, and violence.

I devoured the other Bond adventures as fast as I could get my hands on them. If any books made me hunger for faraway glamorous places, it was the Bond novels.

If you can’t imagine the influence Fleming’s worldly writing had on me, you have only to read one of the Priscilla Tempest mysteries.