100 books like Dr. No

A gem of a book and another one that I read again and again. It’s not just the wonderful writing and the moody atmosphere; I love the way that le Carré explores the moral ambiguity in spying during this early part of the Cold War.

I read an interview in which le Carré talked about the pleasure of secrecy and enjoying the feeling that you know something that others don’t. I get that "I’ve got a secret" idea and I’ve used that thought in my own work. Le Carré was also a spy.

The first novel about legendary private eye Phillip Marlowe is also the first mystery novel that ever made me cry when I turned the last page.

Marlowe’s poetic narration and bruised outsider’s voice offer a cynical but also strangely hopeful perspective on both the shady underworld types and the corrupt high-society folk who fill the “mean streets” down which Marlowe must walk (in Chandler’s much-quoted phrase).

Why hopeful when death–the big sleep–awaits us all? Because a man of principles like Marlowe can still bring a measure of justice in this unjust world, sometimes just by bearing witness.

I was intensely moved by the vivid, harrowing portrayal of what people go through in attempting to reach our border and the author’s ability to keep the point of view within the character’s experience, centering on the “showing” and minimizing the “telling.”

The pacing was great. I found myself caught up in the narrator’s journey from beginning to end, and I also gained a deeper understanding of what people actually go through. All of this made the book very worthwhile and important to read despite the controversy surrounding the appropriateness of a white author writing about a Latina woman.

Besides being a page-turning terrorism thriller, what gives the novel even more life is the protagonist, John Corey. He’s a bit of a wise-ass, and his sarcastic humor, despite dire situations, appeals to me. You just know he’ll get the bad guy(s) and do it with devil-may-care determination. His pugnacious attitude often gets him in trouble, but he’s a character easy to like and root for.

After a lonely barman, Bob, rescues an abused puppy from a trashcan, his mundane world is turned upside down. He befriends an emotionally scarred woman, which puts him at odds with her ex, and unknowingly gets drawn into a con against the Chechen Mafia that uses the bar for money drops.

Lehane is masterful at creating flawed characters that pins readers to the text. As a short novel, The Drop is loaded with punchy dialogue, rapid characterisation, and off-beat humour. However, it’s barman Bob’s stoic presence that makes this such a fascinating read. He fades sublimely into the gloomy Boston crime scene in a profound way, which makes him one of the most unconventional protagonists caught on paper.

I’ll admit, the Russian villain in this thriller is a very bit part, but I can’t have a top 5 list of any thriller without including Elmore Leonard. I read one of Leonard’s first urban thrillers, Glitz, back in ‘80’s and was blown away with how gritty it was. I’d never heard dialogue coming out of character’s mouths like that before. He wrote dialogue like people actually spoke—not with perfect dialect, but street language. It’s the reason he was dubbed the Dickens of Detroit. If you’ve read Elmore Leonard and liked him, then pick this up and read it. It’s a quasi-sequel to Get Shorty with shylock Chili Palmer moving from the movie industry to the music business. 

If you’ve never read Leonard, then start with this one. My writing career would never have flourished like is has without reading Leonard, so this on is near to my heart. Enjoy.  

When Prudence Emery and I set out to collaborate on our first mystery novel, we searched around for inspiration.

I found it rereading Someone Is Killing the Great Chefs of Europe. Published in 1976, it cleverly dealt with food and the murder of—you guessed it—Europe’s great chefs. But what most appealed to me was its entertaining mix of humor, sex, and suspense.

The perfect recipe, Prudence and I decided, for our mysteries—with a little Charade and To Catch a Thief thrown in for good measure. 

Torn between the Hardy Boys novels and Mickey Spillane’s Mike Hammer mysteries, I’ve reluctantly gone with the Hardy Boys.

Both authors (although there were many pseudonymous writers of the Hardy Boys series) taught a fledging writer invaluable lessons about keeping the story moving forward while leaving the reader hanging from the edge of a cliff at the end of each chapter.

What I adored about Joe and Frank Hardy was the freedom they had as teenagers. They never seemed to have to go to high school, they drove their own car, they were never short of money, and they solved mysteries that their detective father never could.

My kind of guys!

The Secret Intelligence Service, SIS and also known now as MI6, is one of Britain’s most secret organisations, and as such has provoked intrigue, mystique, and fascination; all partly fuelled by Ian Fleming’s successful James Bond novels. But whilst there is some crossover at points with the fictional world, the official history makes it plain that much of its work was mundane. That does not lessen our interest in the organisation. This book provides the first authorised recognition that SIS existed, but also the first glimpse into its clandestine activities. Told chronologically rather than thematically, there is a sense of the developing history of the organisation, from the threats in 1909, through to the deceptions and counter-espionage ops of the First and Second World Wars to 1949 (the start of the early Cold War). The book is the first insight into some of the central characters – those who can… show more.

Drawing on Fleming's experiences in Jamaica, MI6 intelligence officer Bond, James Bond, not only outwits the villain's attempt to turn him into shark and barracuda bait but also deploys a limpet mine to good effect in order to save himself and his female companion from death by coral reef dragging, a device I pay homage to in a later novel.

Fleming's Bond novels introduced the world to a clever hero required to take direct responsibility for stopping great evil. Bond doesn't shy away from brute force when required, but prefers more elegant solutions, inspiring later writers.

Like millions of others, the popular movies introduced his work to me, but Fleming was the early master of the art of an espionage/action thriller novel, inspiring many who followed.