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I care about military SFF because it has the potential to contribute to a just and prosperous society by building bridges of understanding between military professionals and civilians. I've never served in the military, but I taught operations and strategy to US Army officers for six years, after which I went to Abu Dhabi as one of the founding faculty members of the UAE National Defense College. I wrote a book, How Militaries Learn, which is one of the few academic books on civil-military relations to use large-n statistical analysis. I’ve lived in ten countries and I speak four languages, including Arabic.
Drake served in an armor unit in Southeast Asia in the 1970s, so it’s no coincidence that Hammer’s Slammers, a collection of short stories, revolves around a tank unit. So many military SFF stories focus on knuckle-dragging ground-pounders, so it’s refreshing to see war from a tank turret. Drake has been accused of writing gun porn, but I find a lot of nuance in his writing, especially on combat motivation and small-unit leadership. He was one of the first military SFF authors to write an openly gay character, and women fight right alongside men without the misogynistic or objectifying undertones that sometimes afflict the subgenre. To get a sense for Drake’s writing, “But Loyal to His Own” and “Caught in the Crossfire” are two of my favorite stories.
I was a cop for twenty years. And while I always saw True Crime as a busman’s holiday, I loved crime fiction all along. Eventually my own writing took me there, as well. I love how crime fiction, much like good science fiction, explores the nature of human behavior in a way that isn’t as prevalent in other genres. As a result, I’ve read widely in the field, always gravitating toward the darker and grittier entries. The lone wolf protagonists who either live by a code or undergo a fascinating change within the book or series has also been my focus.
Thanks to Hollywood adaptations and sometimes a greedy publisher, a great series can diminish as time passes. But that doesn’t change how cool the original was.
I love the setup of a man waking on a sailing vessel with no memory, only to discover his identity as super espionage agent. The mystery of the scenario and the intrigue as Bourne unravels his own personhood was so well done in this first book (and the first film was an excellent adaptation), and it is worth revisiting.
Jason Bourne is back in the forthcoming major motion picture starring Matt Damon and Alicia Vikander. Go back to where it all began for Bourne in his first adventure - The Bourne Identity
He was dragged from the sea, his body riddled with bullets. There are a few clues: a frame of microfilm surgically implanted beneath the skin of his hip; evidence that plastic surgery has altered his face; strange things he says in his delirium, which could be code words. And a number on the film negative that leads to a bank account in Zurich, four million dollars, and…
When writing about quick-witted heroes fighting through danger to protect the innocent and those they love, I draw on the thousands of books and their authors who shaped my own understanding of how a hero behaves; of the principles and emotions which drive a person to persist in the face of massive adversity. Lost in the worlds of those books, inspired by the reading habits of my adopted father, I inhaled these five authors' works in particular. They became an illustrated history of the craft for me, showing through example how adventure writing had evolved and what it could become at its finest.
Louis L'Amour mastered the art of the adventure story. A story where we root for the hero to succeed and live their exuberance with them when they do. In 1965, he published The Sacket Brand, a western about a man and his new bride traveling to their first home together. Ambushed, badly injured, hungry, cold, and desperate, we live his experience of being hunted by enemies while uncovering the mystery of why it's all happening.
When he finally discovers the truth, we cheer as he, in turn, forces his enemies to run from him. Honor, integrity, stubborn principle. Persistence in the face of extreme adversity. Those were the life lessons I received from L'Amour's books and try to pass on in mine.
In The Sackett Brand, Louis L’Amour spins the story of a courageous man who must face overwhelming odds to track down a killer.
Tell Sackett and his bride, Ange, came to Arizona to build a home and start a family. But on Black Mesa, something goes terribly wrong. Tell is ambushed and badly injured. When he finally manages to drag himself back to where he left Ange, she is gone. Desperate, cold, hungry, and with nothing to defend himself, Tell is stalked like a wounded animal. While he hides from his attackers, his rage and frustration mount as he tries…
I’m a lifelong science fiction fan, and that genre has proved to be a potent gateway to others: espionage thrillers, fantasy horror, category romance, and more. “Spy-fi” in particular has always fascinated me, since it often deals with the intersection (sometimes collision) of new technologies with age-old human needs and wants. And spies operate in the margins and gray areas of society, basically committing crimes while still claiming to be in the service of a greater good. Sometimes HOW and WHY we do things is just as important as WHAT we’re doing.
Again, I imagine most people are more familiar with the film adaptation of this novel, which kicked off the long-running Jack Ryan franchise. (Trivia break: name all 5 different actors who have portrayed the character on screen!)
And again, when I cracked open the book after seeing the movie, I was (wait for it) TECHNO-THRILLED (see what I did there?) to learn all about nuclear submarine operations. As the saying goes, the devil is in the details, and one little thing can either make or ruin a spy’s day on the job.
Tom Clancy's rich imagination and his remarkable grasp of the capabilities of advanced technology give this novel an amazing ring of authenticity. It is a thriller with a new twist, a "military procedural" with an ingenious, tightly woven plot that revolves around the defection of a Soviet nuclear submarine--the USSR's newest and most valuable ship, with its most trusted and skilled officer at the helm.
A deadly serious game of hide-and-seek is on. The entire Soviet Atlantic Fleet is ordered to hunt down the submarine and destroy her at all costs. The…
As readers may have gathered from the five books I’ve chosen, my childhood obsessions and passions have had an immense influence on my later writing life. Somewhat to my surprise, I must say. I’ve been a newspaper reporter, magazine writer, movie critic, and have written screenplays. But returning to novels, first with the Sanibel Sunset Detective series and lately with Death at the Savoyand Scandal at the Savoy, I am, in effect, reliving my childhood, using it to write these books. What a joy to be looking back as I move forward—and you always keep the plot moving forward!
Dr. Nowas the sixth James Bond novel Fleming wrote but it was the first one I was finally able to read in paperback when I was about twelve years old.
It transfixed me. I had never read anything quite like it, transporting a boy trapped in small-town Ontario into a wider world of sophistication, sex, and violence.
I devoured the other Bond adventures as fast as I could get my hands on them. If any books made me hunger for faraway glamorous places, it was the Bond novels.
If you can’t imagine the influence Fleming’s worldly writing had on me, you have only to read one of the Priscilla Tempest mysteries.
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Dr. No
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This book is for kids age
9,
10, and
11.
What is this book about?
Dispatched by M to investigate the mysterious disappearance of MI6’s Jamaica station chief, Bond was expecting a holiday in the sun. But when he discovers a deadly centipede placed in his hotel room, the vacation is over.
On this island, all suspicious activity leads inexorably to Dr. Julius No, a reclusive megalomaniac with steel pincers for hands. To find out what the good doctor is hiding, 007 must enlist the aid of local fisherman Quarrel and alluring beachcomber Honeychile Rider. Together they will combat a local legend the natives call “the Dragon,” before Bond alone must face the most punishing…
I love reading crime but oh, it does annoy me when an otherwise competent sensible female detective insists on going into the lonely house to tackle the murderer without backup, and needs to be rescued by her male sidekick. Cass is the cool-in-a-crisis heroine we’d all like to be. Like her, I’m a solo sailor (I’ve lent her my yacht for the series) and I’d love to say I’ve learned to be quick-thinking, self-reliant, and prudent—the sea doesn’t forgive stupidity. I also live in a village where everyone sees the lifeboat going out, and having to be rescued would be the ultimate embarrassment.
This one’s my go-to fantasy world when I feel middle-aged. Bett runs a mysterious team whose skills include hacking, guns, gadgets, and flying helicopters. When scientist Ross Fleming disappears from his arms research job, Bett calls in the person he knows will do anything to save Ross: his mother, bored housewife Jane Fleming who dreams of adventure. Leaving a trail of broken laws behind her, she gets herself illegally into France to join Bett, where her dreams start coming true: a sports car, a transmitter disguised as an earring, a casino, and a gun she now knows how to fire... and it’s all narrated with Brookmyre’s trademark humour.
As a teenager Jane Bell had dreamt of playing in the casinos of Monte Carlo in the company of James Bond, but in her punk phase she'd got herself pregnant and by the time she reaches forty-six she's a grandmother, her dreams as dry as the dust her Dyson sucks up from her hall carpet every day. Then her son Ross, a researcher working for an arms manufacturer in Switzerland, is forced to disappear before some characters cut from the same cloth as Blofeld persuade him to part with the secrets of his research. But they are not the only…
I’m a lifelong science fiction fan, and that genre has proved to be a potent gateway to others: espionage thrillers, fantasy horror, category romance, and more. “Spy-fi” in particular has always fascinated me, since it often deals with the intersection (sometimes collision) of new technologies with age-old human needs and wants. And spies operate in the margins and gray areas of society, basically committing crimes while still claiming to be in the service of a greater good. Sometimes HOW and WHY we do things is just as important as WHAT we’re doing.
If you, like the younger me, are only familiar with James Bond 007 via the long-running film franchise, you might also be fascinated to discover the original source material, even if you don’t entirely enjoy it.
To be blunt, Ian Fleming’s novels are steeped in highly problematic historical British colonialism, not to mention being grossly misogynistic and ridiculously violent at times. But they also include a reasonable amount of actual, real-world tradecraft, and that’s what I twigged to when I started checking out the books.
JAMES BOND GOES HEAD-TO-HEAD WITH SMERSH IN A BID TO SECURE A KEY PIECE OF SOVIET INTELLIGENCE
SMERSH, the Russian intelligence unit whose acronym stands for “Death to Spies,” is hell-bent on destroying Special Agent James Bond.
His death would deal a catastrophic hammer blow to the heart of the British Secret Service.
The lure? A beautiful woman who needs 007’s help. Tatiana Romanova is a Russian spy who promises to hand over the prized Spektor decoding machine if Bond aids her defection. Bond suspects a trap but can’t resist the opportunity to give the British the upper hand in…
I have a Walter Mitty view of the world. If I were a movie character, I would be Edward Bloom, in Big Fish. I have been a lawyer in the entertainment industry for almost four decades. As a result of my personality and profession, my books mix fantasy, science fiction, and the mystical into our everyday world, and I do it in a way that makes you wonder if what I’m telling you is true, causes you to hope it is true and compels you to wish you could join in the adventures.
This is the latest in a series that is a clever parody of the James Bond series of books by Ian Fleming.
Haris Orkin is an excellent writer who has built this series around his charming protagonist, James Flynn, who you cannot tell if he is crazy or has the deepest and most brilliant cover story imaginable – a patient in a psychiatric hospital.
While it is told with a tongue firmly planted in cheek, there is plenty of real action and adventure. It is a great escape from the mundane everyday life.
Hornitos State Mental Hospital houses the worst of the worst. Those convicted of violent criminal behavior and judged not guilty by reason of insanity. Mass murderers, serial killers, mad bombers, arsonists, terrorists, and now... James Flynn. Still convinced he's an international super spy, Flynn finds himself in the most dangerous predicament of his life.
He faces off with old enemies, new enemies, and psycho killers who just want to watch the world burn. He also meets a fierce and beautiful woman who might be even more dangerous and delusional than he is.
Together they walk a tightrope between objective reality…
When I realized I didn’t have what it takes to join the CIA, I made it my life mission to find out everything it takes to be a spy—which, of course, made it necessary to watch every show and read every espionage story ever told. In the process, I discovered a passion for uncovering truth, as well as a love of writing. After writing three young adult spy novels, I feel like I’ve found the linguist, code breaker, and crime fighter in myself. My work for LitJoy Crate has given me the ability to know a good story when I read it, and then recommend that book to book lovers everywhere.
I found this book to be like a mix between Gallagher Girls and Alex Rider, with maybe a bit of Mean Girls in the mix—all in a good way!
One thing that sets this book apart from other teen spy books is that all the characters are damaged and yet they use that to fight back and to show the world what they’re made of. I felt like I was watching a movie while reading the book, and the scenes felt like I was in a James Bond movie! I can’t wait to crack open book 2.
I'm a writer based in Wisconsin. I write in a genre that exists much like its subjects: lurking in the shadows. It's something I call Gothic Espionage, which is the intersection of the Gothic and Espionage/Spy genres. My first novel, Bite of the Wolf, was the first synthesis of these two worlds, and continues with the follow up, slated for release in September, Operation Frankenstein. Appropriately enough, spies are often referred to as “spooks,” and these selections will highlight both the spooky and the spooks of Gothic Espionage, and I’ll highlight why both horror and spy novels can both be described as “thrillers.”
A man is sent to visit a mysterious count in his secluded mountaintop fortress, where a diabolical plot unfolds, involving an attack on England using his Angels of Death, women under his hypnotic command. The man finds himself slowly becoming a prisoner, leading to his planning an escape and a race to stop the Count’s plot from unfolding.
Sound familiar? It is, essentially, the plot of Dracula. It is also the plot of Ian Fleming’s On Her Majesty’s Secret Service, the tenth James Bond novel. If Count Dracula is the king of vampires, then James Bond is inarguably the king of spies.
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