45 books like Live and Let Die

Drake served in an armor unit in Southeast Asia in the 1970s, so it’s no coincidence that Hammer’s Slammers, a collection of short stories, revolves around a tank unit. So many military SFF stories focus on knuckle-dragging ground-pounders, so it’s refreshing to see war from a tank turret. Drake has been accused of writing gun porn, but I find a lot of nuance in his writing, especially on combat motivation and small-unit leadership. He was one of the first military SFF authors to write an openly gay character, and women fight right alongside men without the misogynistic or objectifying undertones that sometimes afflict the subgenre. To get a sense for Drake’s writing, “But Loyal to His Own” and “Caught in the Crossfire” are two of my favorite stories.

I first read this book not because of interest—in fact, I hadn’t read anything else by its author, Robert Ludlum. Instead, I read this novel because I had been told that my writing was like that of Ludlum’s.

And that is startlingly true. It was as if reading something I had forgotten having written but which was richer with a depth of ever-increasing emotional nuances than works of a comparable kind. It’s a compelling read.

Through a combination of unusual story elements and narrative style, this novel engages a reader in the main character’s journey to discover his forgotten identity. Although this isn’t an all-that-unusual aspect of story-telling, the espionage element makes it a singular literary experience. Over the course of the novel, I progressively felt as if I were spending time with a really awesome friend. And this is owed to, I think, the “slow burn” of empathy compelled… show more.

Louis L'Amour mastered the art of the adventure story. A story where we root for the hero to succeed and live their exuberance with them when they do. In 1965, he published The Sacket Brand, a western about a man and his new bride traveling to their first home together. Ambushed, badly injured, hungry, cold, and desperate, we live his experience of being hunted by enemies while uncovering the mystery of why it's all happening.

When he finally discovers the truth, we cheer as he, in turn, forces his enemies to run from him. Honor, integrity, stubborn principle. Persistence in the face of extreme adversity. Those were the life lessons I received from L'Amour's books and try to pass on in mine.

This book is the book that made me decide to become an author. I was always a voracious reader and crazy about all things technological—space exploration, airplanes, naval warfare, you name it. In my mind, there was no way anyone would want to read a book about my interests—until Tom Clancy showed it absolutely could be done and singlehandedly created a new genre of fiction with one book.

His research was so accurate that he was accused of spilling classified information about our submarine capabilities and tactics. But no, he was just an insurance agent from Owings, Maryland, who touched a 220-volt wire in my soul that made me decide, “Someday I’m going to do that, too!”

Dr. No was the sixth James Bond novel Fleming wrote but it was the first one I was finally able to read in paperback when I was about twelve years old.

It transfixed me. I had never read anything quite like it, transporting a boy trapped in small-town Ontario into a wider world of sophistication, sex, and violence.

I devoured the other Bond adventures as fast as I could get my hands on them. If any books made me hunger for faraway glamorous places, it was the Bond novels.

If you can’t imagine the influence Fleming’s worldly writing had on me, you have only to read one of the Priscilla Tempest mysteries.

Sometimes, when I talk about this book when I’m teaching writing students, I like to joke: “Luckily, I’m Jewish, so I can say this: Fleming was sexist, racist, and anti-Semitic, but boy, could he write!”

It always gets a laugh. And indeed, I don’t think it’s true. He was a writer in his time. I take pride in my writing being clean, clear, and simple. My inspirations were writers such as Chandler, Hammett, Hemingway, and Fitzgerald. Fleming took the lessons he’d learned from them and created a whole new genre. Pick up any of his novels and see how they are far more complex, compelling, and, as you’ll see, beautifully written. 

I found this book to be like a mix between Gallagher Girls and Alex Rider, with maybe a bit of Mean Girls in the mix—all in a good way!

One thing that sets this book apart from other teen spy books is that all the characters are damaged and yet they use that to fight back and to show the world what they’re made of. I felt like I was watching a movie while reading the book, and the scenes felt like I was in a James Bond movie! I can’t wait to crack open book 2.

The first section of this book feels so accurate in its depiction of the Smersh (death to spies) training camp that I hardly missed 007 at all, who appears on page 95 in part two of the book. I first came across James Bond when my sister, who was three years my senior, got me to see the 1963 film. I was twelve at the time. I wonder what today’s politically correct regime would have to say about that? My sister was probably underage as well but looked older, so she passed muster.

This book is my favorite of Fleming’s Bond books. I have read it many times, yet when I pick it up to start again, there is that air of excitement; I can almost smell the exotic location of Istanbul, Bond being pitched against a dangerous adversary, and, to top it all, the remarkable character, Colonel Rosa Klebb,… show more.

This one’s my go-to fantasy world when I feel middle-aged. Bett runs a mysterious team whose skills include hacking, guns, gadgets, and flying helicopters. When scientist Ross Fleming disappears from his arms research job, Bett calls in the person he knows will do anything to save Ross: his mother, bored housewife Jane Fleming who dreams of adventure. Leaving a trail of broken laws behind her, she gets herself illegally into France to join Bett, where her dreams start coming true: a sports car, a transmitter disguised as an earring, a casino, and a gun she now knows how to fire...  and it’s all narrated with Brookmyre’s trademark humour.

This is the latest in a series that is a clever parody of the James Bond series of books by Ian Fleming. 

Haris Orkin is an excellent writer who has built this series around his charming protagonist, James Flynn, who you cannot tell if he is crazy or has the deepest and most brilliant cover story imaginable – a patient in a psychiatric hospital.

While it is told with a tongue firmly planted in cheek, there is plenty of real action and adventure. It is a great escape from the mundane everyday life.