Here are 86 books that Collected Poems fans have personally recommended if you like
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I am a cultural historian, film critic, literary critic, editor, and essayist–and a closeted fiction writer–fascinated by ‘the fantastic’ in art or in life. And Christmas seems to me the perfect example of a time that unites realism and the strange–the time of ghost stories and nativities. I wrote a book on It’s a Wonderful Life (2023) because it triumphantly succeeds at bridging the connection between ordinary life and the marvelous. I have also edited anthologies of Victorian and Edwardian ghost stories, The Penguin Book of Ghost Stories: From Elizabeth Gaskell to Ambrose Bierce (Penguin, 2010), and Victorian Fairy Tales (Oxford World’s Classics, 2015), both of which include many seasonal classics.
Dickens did not “invent” Christmas, of course, but our modern understanding of it undoubtedly derives from him.
For long a Londoner, because of Dickens, Christmas still seems to me at heart a matter of foggy London streets, enclosed city houses, and window-lights and passers-by at dusk. Christmas means rituals, and I, among others, go through the yearly rite of re-reading A Christmas Carol. And every year, it’s just as vivid, as funny, and as moving as the years before.
Dickens celebrates Christmas as a time of renewal, and Scrooge finds redemption by finding the person he used to be and the person he ought to be now. Robert Louis Stevenson said that reading it made him want to do good things, and what better recommendation could there be?
Tom Baker reads Charles Dickens' timeless seasonal story.
Charles Dickens' story of solitary miser Ebenezer Scrooge, who is taught the true meaning of Christmas by the three ghosts of Christmas past, present, and future, has become one of the timeless classics of English literature. First published in 1843, it introduces us not only to Scrooge himself, but also to the memorable characters of underpaid desk clerk Bob Cratchit and his poor family, the poorest amongst whom is the ailing and crippled Tiny Tim.
In this captivating recording, Tom Baker delivers a tour-de-force performance as he narrates the story. The listener…
I am a cultural historian, film critic, literary critic, editor, and essayist–and a closeted fiction writer–fascinated by ‘the fantastic’ in art or in life. And Christmas seems to me the perfect example of a time that unites realism and the strange–the time of ghost stories and nativities. I wrote a book on It’s a Wonderful Life (2023) because it triumphantly succeeds at bridging the connection between ordinary life and the marvelous. I have also edited anthologies of Victorian and Edwardian ghost stories, The Penguin Book of Ghost Stories: From Elizabeth Gaskell to Ambrose Bierce (Penguin, 2010), and Victorian Fairy Tales (Oxford World’s Classics, 2015), both of which include many seasonal classics.
Christmas brings memories of other Christmases and can, therefore, be as much a melancholy time as a wonderful one.
The last story in James Joyce’s Dubliners ends with this burden of memory, and within a marriage, strikes a note of separation at the time of festivity. Before then, he brings to life for us Christmas parties, Edwardian Dublin in late December, conviviality, and the pain and delight of music.
It’s as good a story as anyone ever wrote and as Christmassy in its sadness as Dickens is in its joy.
A shocking confession from his wife prompts Gabriel to reconsider what he knows and understands of his wife and their shared past, whether it is better to die young, and what will be remembered of him when he is gone.
Critically acclaimed author James Joyce’s Dubliners is a collection of short stories depicting middle class life in Dublin in the early twentieth century. First published in 1914, the stories draw on themes relevant to the time such as nationalism and Ireland’s national identity, and cement Joyce’s reputation for brutally honest and revealing depictions of everyday Irish life. At the heart…
I am a cultural historian, film critic, literary critic, editor, and essayist–and a closeted fiction writer–fascinated by ‘the fantastic’ in art or in life. And Christmas seems to me the perfect example of a time that unites realism and the strange–the time of ghost stories and nativities. I wrote a book on It’s a Wonderful Life (2023) because it triumphantly succeeds at bridging the connection between ordinary life and the marvelous. I have also edited anthologies of Victorian and Edwardian ghost stories, The Penguin Book of Ghost Stories: From Elizabeth Gaskell to Ambrose Bierce (Penguin, 2010), and Victorian Fairy Tales (Oxford World’s Classics, 2015), both of which include many seasonal classics.
Another children’s book, but one that I first encountered in adulthood, and have wished ever since that some aunt or uncle or grandparent had known to give it to me as a present back when I was ten.
Masefield’s vein of fantasy makes this a strangely uncentered and whirling book, incorporating gangsters and fairies, spy planes and Roman legionaries, saloon bars in winter afternoons, and snowbound cathedrals. Through it all, it holds steady around the meanings of Christmas, and more than any other book in this list, it draws equally upon the Christian and pagan roots of the season. There’s a taste of old England in the snow that settles on the tongue.
And now, Master Harker, now that the Wolves are Running, perhaps you could do something to stop their Bite?'
A magical old man has asked Kay to protect the Box of Delights, a Box with which he can travel through time. But Kay is in danger: Abner Brown will stop at nothing to get his hands on it. The police don't believe Kay, so when his family and the Bishop are scrobbled up just before Christmas, he knows he must act alone ...
John Masefield's classic children's book is considered to be one of the great works of modern children's…
I am a cultural historian, film critic, literary critic, editor, and essayist–and a closeted fiction writer–fascinated by ‘the fantastic’ in art or in life. And Christmas seems to me the perfect example of a time that unites realism and the strange–the time of ghost stories and nativities. I wrote a book on It’s a Wonderful Life (2023) because it triumphantly succeeds at bridging the connection between ordinary life and the marvelous. I have also edited anthologies of Victorian and Edwardian ghost stories, The Penguin Book of Ghost Stories: From Elizabeth Gaskell to Ambrose Bierce (Penguin, 2010), and Victorian Fairy Tales (Oxford World’s Classics, 2015), both of which include many seasonal classics.
As a dad, I’ve spent every December for at least the last dozen years returning to read out loud once again a set of children’s Christmas classics. With no slight to Dr. Seuss and the Grinch, it’s Judith Kerr’s Christmas story that I am most happy to read again. I asked my youngest daughter this morning why it’s the best choice, and she simply said, ‘Because it’s got Mog in it.’
Being a creature of habit, Kerr’s anti-heroic cat rather dislikes the Christmas celebrations, and opts out, as the Grinch would too. But as the Christmas story means new life in the dark of midwinter, then it's only appropriate that the books end with reconciliation and pleasure. And the aunts and uncles who stay with Mog’s family bring back to me relatives who were young in the 1930s and who visited us for our own family Christmases.
The enchanting classic Christmas story of Mog - everyone's favourite family cat! This funny and warm-hearted escapade has a stunning foiled cover for extra Christmas sparkle. As seen on TV!
From the creator of The Tiger Who Came to Tea and Mog the Forgetful Cat comes the delightful Christmas adventure about a really remarkable cat!
It's Christmas, and Mog's house is full of strange noises and peculiar smells. Everyone is busy hanging holly and blowing up balloons, and where is that tree going...? But it's always a Merry Christmas in the end when you're with Mog and her family.
Science fantasy uniquely combines elements of science fiction (advanced technology, futuristic settings) with those of fantasy (magic, mythological creatures, and supernatural elements). This fusion creates rich and versatile storytelling that often comes with a deep sense of mystery beyond what science fiction or fantasy achieves on their own.
This blend also requires greater “buy-in” from the reader to believe in the world we’re being presented. As readers, we often accept dwarves in fantasy with little to no explanation. We do the same with spaceships in science fiction. But dwarves in spaceships require truly creative storytelling to achieve a much higher buy-in threshold. The author who can pull this off has my attention.
Set among the post-apocalyptic remnants of a far-future earth, this book combines the “forgotten technology” trope common to science fiction with archetypal fantasy characters.
Civilisations relying on technology so advanced it’s incomprehensible to them, is one of my favourite concepts in science fiction. Harrison uses this to create a world I thought was magical, melancholic, and nostalgic–effecting a tone more common to epic fantasy.
However, it is the imagery that sets this book apart, with Harrison depicting battlefields and blasted landscapes with a colourful yet eerily retro and forlorn beauty. It was like reading T.S. Eliot’s The Waste Land in a 70s disco, complete with knights fighting among rusted metal swamps, with lightsaber-like baans, against brain-eating bioengineered creatures from humanity’s former technological apex.
I was hooked by the setting and drawn along by knights, queens, and old warriors interacting with androids and futuristic weapons as they attempted to save their…
The first book in the Viriconium series: In the distant future, a medieval system rises from the ruins of a technology that destroyed itself. Armored knights ride their horses across dunes of rust, battling for the honor of the Queen. But the knights find more to menace them than mere swords and lances. A brave quest leads them face to face with the awesome power of a complex, lethal technology that has been erased from the face of the Earth--but lives on, underground.
Librarian Note: This edition has ISBN 0380000571 printed on the inside cover.
I have spent my life both in the classroom (as a university professor) and out of it as a passionate, committed reader, for whom books are as necessary as food and drink. My interest in poetry dates back to junior high school, when I was learning foreign languages (first French and Latin, and then, later, Italian, German, and ancient Greek) and realized that language is humankind’s most astonishing invention. I’ve been at it ever since. It used to be thought that a writer’s life was of little consequence to an understanding of his or her work. We now think otherwise. Thank goodness.
Every English major in the 20th century (maybe even in the 21st!) came to grips with T.S. Eliot.
People remember J. Alfred Prufrock and his love song. And The Waste Land has just passed its 100th birthday and readers are still scratching their heads over it.
T. S. Eliot was the man—along with several others—who made modern poetry “hard” and complicated, and he was quite a complicated figure himself.
Lyndall Gordon gives us Eliot in all his complexities and shows how he became our age’s Dr. Johnson.
In this "nuanced, discerning account of a life famously flawed in its search for perfection" (The New Yorker), Gordon captures Eliot's "complex spiritual and artistic history . . . with tact, diligence, and subtlety" (Boston Globe). Drawing on recently discovered letters, she addresses in full the issue of Eliot's anti-Semitism as well as the less-noted issue of his misogyny. Her account "rescues both the poet and the man from the simplifying abstractions that have always been applied to him" (The New York Times), and is "definitive but not dogmatic, sympathetic without taking sides. . . . Its voice rings with…
I’m a poet, lover of great literature, and an English professor who has served as faculty advisor to my university’s student-run literary journal. I caught the bug as a teenager when I first started reading and memorizing poems that moved and intrigued me. Since then, reading and writing poetry—and having the pleasure of teaching it to students—has been my best way of checking in with myself to see what’s most important to me that I may have lost sight of in the daily bustle. It’s also my best way of going beyond myself—allowing my imagination to carry me to unexpected places.
I also love Eliot’s poetry (and his comments on the creative process) because of how different they are from Wordsworth’s—and equally profound. In essays including Tradition and the Individual Talent, Eliot argues that keeping your poetry “personal” artificially limits your material. And I think he’s right: some of my own best poems come from imagining my way into someone else’s mind.
Eliot’s own poetry, including The Love Song of J. Alfred Prufrock, illustrates the value of this approach in how it crafts its titular character. Eliot can also write deeply intellectual poems like The Waste Land that transcend purely “personal” concerns by exploring history and that repay many re-readings. In addition to their thematic richness, Wordsworth’s and Eliot’s poems are also beautifully musical.
An indispensable collection of the Nobel Prize winner's most renowned works
“In ten years’ time,” wrote Edmund Wilson in Axel’s Castle, “Eliot has left upon English poetry a mark more unmistakable than that of any other poet writing in English.” In 1948, Eliot was awarded the Nobel Prize “for his work as a trail-blazing pioneer of modern poetry.”
This book is made up of six individual titles: Four Quartets, Collected Poems: 1909–1935, Murder in the Cathedral, The Family Reunion, Old Possum’s Book of Practical Cats, and The Cocktail Party. It offers not only enjoyment of one of the great talents…
I am someone who loves Christmas. My family’s Christmas Eve gatherings and a 5th-grade assignment inspired me to learn more about my heritage. This quest has outlived my eclectic career in libraries, teaching, and project management. In my fifties, I suddenly realized that who we are as people is forgotten within 100 years of our death. So, I started writing to preserve the ‘essence’ of those who came before me. A character fromUntil the Robin Walks on Snow tapped my shoulder to tell this survival story—one which embodies the love, traditions, and miracles of the holiday season. The recommended books lift hearts, too.
According to Nielson ratings, 18.7 million households viewed the 2009 Hallmark Hall of Fame movie debut of A Dog Named Christmas. It outperformed the NFL game and 60 Minutes broadcasts that Sunday evening. I was one of the movie’s ‘captives.’
The short novel equally touched my heart. I admire how the author eased in the backstories of the dog, father, mother, and son—all so crucial in the story path. Todd, an animal lover and developmentally challenged young man wants his family to participate in a program to foster a shelter dog over the holidays. Can you guess the inherent conflict? The mother’s quiet strength and influence reminded me of Mrs. Brown in the movie, National Velvet.
When Todd, a developmentally challenged young man still living on his parents' Kansas farm, hears that a local animal shelter is seeking temporary homes for its dogs during the holiday week, he knows exactly what he wants for Christmas.
Animals are Todd's first love, and his persistence quickly overwhelms his father's objections to befriending a canine, a reluctance that proves to have a painful origin.
The family takes in a very special animal, and the shelter's Christmas adoption programme soon grows larger than anyone had hoped. By the story's end, Todd, with the help of a dog named Christmas, has…
As a wife of 38 years, mother of two fine adults, teacher of 30 years in art, speech, theatre, art…well painter, and now author, I enjoy hearing about others' stories. Purely by accident, I wrote a small personal story and found that people wanted more… so I wrote more and shazam I had a book. My first book is about childhood experiences and growing up in my normal world. For me it was normal but the outsiders looking in today would see anything but normal. My parents’ careful actions sheltered my sister and me from the outside world's bad influences until things blew up. Then with care they showed us their world of Nazi hunting.
It’s always good to have a book to read during the holidays about the holidays. This book does that and more. The main character Jane’s calamitous life feels like that never-ending Christmas song racing towards the new year. Jane is not sure she will make it in one piece. It is an easy read with lots of action and romance. Because it is divided into 12 crazy moments it is perfect to stop and start this book without having to back up and reread, you just read the next adventure.
On the first day of Christmas, her true life gave to Jane, an arm broken by a door...
With eleven more days until her evil stepsister's wedding, where the only thing uglier than the bridesmaids' dresses is the bride's personality, can Jane Smith go more than twenty-four hours without a disaster?
On the second day of Christmas, her true life gave to Jane, two killer dates...
Jane's calamitous life feels like that never-ending Christmas song, racing toward the new year like a gulf coast hurricane heading to Galveston.
On the third day of Christmas, her true life gave to Jane,…
As I child I could be found reading anywhere, anytime. Through books I could go on adventures, learn about new worlds, explore emotions, and make friends. A schoolmate and I picked our library books together and traded during the week so we wouldn’t run out! As I shared this love of reading with my children, I realized I wanted to write books that a child would ask for again and again. Books that would explain tough topics, bring giggles, ignite imaginations, show a child the importance of friends, and empower them to solve their own problems.
Steven Kellogg has written wonderfully imaginative stories with illustrations that should be pored over. Both of my adult children wanted this book from my stash. It’s an atypical Christmas book, yet shows us that love and generosity can turn enemies into friends. Gloria is training to be a witch, but she’d rather smile than scowl. She’s sent by an angel to a dark planet where the Pepperwills and Valdoons have been feuding for centuries. With some help from elves, Gloria figures out how to bring light to the planet. The clans finally end their feud when Gloria asks them, “remember how happy you were when the magic of Christmas entered your hearts?” Just imagine if we could all be Gloria spreading love and generosity.
