100 books like The Pastel City

Like The Ballad of Songbirds and Snakes, Frank Herbert’s book tells the story of a man who could be the villain or the hero, depending on who you ask. I love watching how an intelligent yet malleable person can be swept up in feelings of duty, responsibility, and leadership only to make highly questionable decisions.

Paul Atreides’ moral ambiguity is undeniably engineered by the shifting and slimy political landscape of the Dune universe, driving home the idea in my mind that good worldbuilding can set the stage for truly complicated characters.

The only Young Adult book on this list but firmly deserving of its place, this book is the perfect example of how to successfully blend science fiction and fantasy. 

Colfer takes a traditional fantasy fairy society and gives them advanced weaponry, surveillance gadgets, and time-stopping devices. It works incredibly well, and through convincing world-building I was immediately bought into the idea of fantasy creatures with sci-fi technology. 

A standout feature of the novel is the characters, whose backstories, motivations, and behaviours all help to build this science fantasy world. We get an elf “LEPRecon” officer with access to bionic wings, a centaur who heads the technology department of the “Lower Elements Police,” and a dwarven thief who sells stolen human property on the black market. They were all enormously fun to read.

This book is a classic now and will still be one hundred years from now. It’s the only truly fiction book on this list, but it contains some of the deepest truths about human nature, the meaning of time, memory, and identity.

Different narrators tell their tragic stories, which converge in a beautifully wrapped-up end set in a dystopian future with an ongoing war among different species descent from modern Homo sapiens. What is not to love about it?

This book drew me in from the first sentence: “It is possible I already had some presentiment of my future.” I was amazed that in just eleven words, Wolfe conjured three time periods (the present moment, the future, and a later future while looking back).

The incredible adventures of the narrator, Severian, span five books, and I’ve read them all several times. Shadow is also one of the most challenging science fiction books I’ve read because the author leaves mysteries behind for me to figure out myself.

Every English major in the 20th century (maybe even in the 21st!) came to grips with T.S. Eliot. 

People remember J. Alfred Prufrock and his love song. And The Waste Land has just passed its 100th birthday and readers are still scratching their heads over it.

T. S. Eliot was the man—along with several others—who made modern poetry “hard” and complicated, and he was quite a complicated figure himself.

Lyndall Gordon gives us Eliot in all his complexities and shows how he became our age’s Dr. Johnson.

I also love Eliot’s poetry (and his comments on the creative process) because of how different they are from Wordsworth’s—and equally profound. In essays including Tradition and the Individual Talent, Eliot argues that keeping your poetry “personal” artificially limits your material. And I think he’s right: some of my own best poems come from imagining my way into someone else’s mind.

Eliot’s own poetry, including The Love Song of J. Alfred Prufrock, illustrates the value of this approach in how it crafts its titular character. Eliot can also write deeply intellectual poems like The Waste Land that transcend purely “personal” concerns by exploring history and that repay many re-readings. In addition to their thematic richness, Wordsworth’s and Eliot’s poems are also beautifully musical.

Gillian Bradshaw is one of the best historical fiction writers I know of, and everyone else should know of her too. The Wolf Hunt is based on Bisclavret, one of the Lais of Marie de France, and fairly drips with historical detail (please use a coaster). The fantasy element is the major plot point, but the magic that allows for it is so subtle and low-key that I nearly forgot to classify the book as historical fantasy. This is a grown-up Catherine, Called Birdy in its ability to evoke a medieval mind and setting, minus the humor, plus more romance. And while there's no floor-scrubbing, it has big floor-scrubbing energy.

If I had to pick a perfect writer, Chadwick would be it. Her prose, her dialogue, her historical detail, and her characters are all pitch-perfect—it’s like she was reborn from the Middle Ages and is just reporting what she saw. This book is the first in a series about William Marshall, and if you don’t know who he is, you need to. Not only was he the greatest tournament champion ever, but an all-around exemplary soldier and statesman who saved the English crown at least a dozen times. Best of all, he lived during the most intriguing time of English history, the reign of Henry II, when the indomitable Eleanor was queen, and their four sons, Henry, Richard, Geoffrey, and John, were wrestling for the throne. (Two of my favorite movies, A Lion in Winter and Becket, also take place during this fascinating period.) William’s story has gotten lost… show more.

Cosmic horror and fantasy have shared a close relationship since the times of Robert E. Howard. But historical fantasy and cosmic horror? Now that’s different.

If you are a fan of series such as The Last Kingdom, or enjoy a bit of cosmic horror in the vein of the Cthulhu Mythos, this is for you. Written by Gary Whitta, who also wrote the script for Rogue One. Set during Alfred the Great’s rule, this is a story about a knight that saves his kingdom at great personal cost thanks to the dabbling in dark magic from a deranged monk.

The tension and trepidation grow with every page. And that’s just half the story. Don’t let the body horror distract you, this is at its core a story about family love.

This beautifully illustrated book gently teaches that an act of kindness is always returned ten-fold. While my youngest child may not understand the biggest lesson in this book until he reads it to his own children, he did understand that helping others is always a good deed, and that sometimes we have to delay fulfilling our own wants and put others before ourselves. I read this book to my children over and over again, not only because we loved knights and tales of medieval times, but because the book has so much heart and soul in it, that it begs to be taken off the shelf.