Here are 100 books that The Pastel City fans have personally recommended if you like
The Pastel City.
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Whereas many seek out stories of human triumph and heroic deeds, I have always been captivated by stories that show humanity for what it is–a bastion of innovation and wonder but also a complex and ethically questionable force of nature. I began writing my book when I was twelve years old, and I immediately knew that my characters would not be one-sided, cast in light or shadow. Instead, they would love at times and hate others, try their hardest to do what is right, but sometimes end up doing more harm than good. Remember that a ‘hero’ is a product of perspective when reading these books.
Like The Ballad of Songbirds and Snakes, Frank Herbert’s book tells the story of a man who could be the villain or the hero, depending on who you ask. I love watching how an intelligent yet malleable person can be swept up in feelings of duty, responsibility, and leadership only to make highly questionable decisions.
Paul Atreides’ moral ambiguity is undeniably engineered by the shifting and slimy political landscape of the Dune universe, driving home the idea in my mind that good worldbuilding can set the stage for truly complicated characters.
Before The Matrix, before Star Wars, before Ender's Game and Neuromancer, there was Dune: winner of the prestigious Hugo and Nebula awards, and widely considered one of the greatest science fiction novels ever written.
Melange, or 'spice', is the most valuable - and rarest - element in the universe; a drug that does everything from increasing a person's lifespan to making interstellar travel possible. And it can only be found on a single planet: the inhospitable desert world of Arrakis.
Whoever controls Arrakis controls the spice. And whoever controls the spice controls the universe.
Science fantasy uniquely combines elements of science fiction (advanced technology, futuristic settings) with those of fantasy (magic, mythological creatures, and supernatural elements). This fusion creates rich and versatile storytelling that often comes with a deep sense of mystery beyond what science fiction or fantasy achieves on their own.
This blend also requires greater “buy-in” from the reader to believe in the world we’re being presented. As readers, we often accept dwarves in fantasy with little to no explanation. We do the same with spaceships in science fiction. But dwarves in spaceships require truly creative storytelling to achieve a much higher buy-in threshold. The author who can pull this off has my attention.
The only Young Adult book on this list but firmly deserving of its place, this book is the perfect example of how to successfully blend science fiction and fantasy.
Colfer takes a traditional fantasy fairy society and gives them advanced weaponry, surveillance gadgets, and time-stopping devices. It works incredibly well, and through convincing world-building I was immediately bought into the idea of fantasy creatures with sci-fi technology.
A standout feature of the novel is the characters, whose backstories, motivations, and behaviours all help to build this science fantasy world. We get an elf “LEPRecon” officer with access to bionic wings, a centaur who heads the technology department of the “Lower Elements Police,” and a dwarven thief who sells stolen human property on the black market. They were all enormously fun to read.
Twelve-year-old criminal mastermind Artemis Fowl has discovered a world below ground of armed and dangerous--and extremely high-tech--fairies. He kidnaps one of them, Holly Short, and holds her for ransom in an effort to restore his family's fortune. But he may have underestimated the fairies' powers. Is he about to trigger a cross-species war?
Disney's “Artemis Fowl” is directed by Kenneth Branagh and stars Ferdia Shaw, Lara McDonnell, Tamara Smart, Nonzo Anozie, with Josh Gad, and Judi Dench.
I have researched human origins professionally for almost decades by studying the trail of fossils that have survived millions of years. But, before then, and since I can remember, I’ve been a lover of adventure and science fiction stories in all formats: action movies (Indiana Jones, Back to the Future), TV shows (The X Files), novels (Jack London!), or anime and manga (Ghost in the Shell, Akira, Alita). So, I guess my mind constantly travels from the past to the future. I think this list will also work as a time machine for others.
This book is a classic now and will still be one hundred years from now. It’s the only truly fiction book on this list, but it contains some of the deepest truths about human nature, the meaning of time, memory, and identity.
Different narrators tell their tragic stories, which converge in a beautifully wrapped-up end set in a dystopian future with an ongoing war among different species descent from modern Homo sapiens. What is not to love about it?
In 1662, a man is wrongly executed for signing the death warrant of Charles I. Awaiting execution, he asks to speak with a priest, to whom he declares a curse on the village that betrayed him. The priest responds with a counter-curse, leaving just one option to nullify it.
Four centuries later, Faith and James move to the country to start a new life and a family. They discover their village lives under the curse uttered by the hanged man. Could their arrival be connected? They fear their choice of new home is no coincidence. Unexplained events hint at threats…
In 1660, a man is wrongly executed for signing the death warrant of Charles I. While awaiting execution, he asks to speak with a priest, to whom he declares a curse on the village that betrayed him. The priest responds with a counter-curse, leaving just one option to nullify it. Over four centuries later, Faith and James move to the country to start a new life and a family. They learn that their village lives under the curse uttered by the hanged man. Could their arrival be connected? Faith and James fear that their choice of a new home is…
As a nonfiction author, I’ve always been mystified by fictional character development. What qualities make one character fascinating and another a dud? How do great writers make us fall in love with their creations? If I had one wish as an author, it would be to create one truly beloved character. I particularly like quirky nonconformists who forge their own paths, making mistakes along the way, yet they remain sympathetic. When I finish reading the story, I miss their company. My five recommended books include some of my favorite characters in modern literature.
This book drew me in from the first sentence: “It is possible I already had some presentiment of my future.” I was amazed that in just eleven words, Wolfe conjured three time periods (the present moment, the future, and a later future while looking back).
The incredible adventures of the narrator, Severian, span five books, and I’ve read them all several times. Shadow is also one of the most challenging science fiction books I’ve read because the author leaves mysteries behind for me to figure out myself.
“A major work of twentieth-century American literature...Wolfe creates a truly alien social order that the reader comes to experience from within...once into it, there is no stopping.” ―The New York Times on The Book of the New Sun
Gene Wolfe has been called "the finest writer the science fiction world has yet produced" by the Washington Post.
THE BOOK OF THE NEW SUN is unanimously acclaimed as Wolfe’s most remarkable work, hailed as “a masterpiece of science fantasy comparable in importance to the major works of Tolkien and Lewis” by Publishers Weekly and “one of the most ambitious works of…
I have spent my life both in the classroom (as a university professor) and out of it as a passionate, committed reader, for whom books are as necessary as food and drink. My interest in poetry dates back to junior high school, when I was learning foreign languages (first French and Latin, and then, later, Italian, German, and ancient Greek) and realized that language is humankind’s most astonishing invention. I’ve been at it ever since. It used to be thought that a writer’s life was of little consequence to an understanding of his or her work. We now think otherwise. Thank goodness.
Every English major in the 20th century (maybe even in the 21st!) came to grips with T.S. Eliot.
People remember J. Alfred Prufrock and his love song. And The Waste Land has just passed its 100th birthday and readers are still scratching their heads over it.
T. S. Eliot was the man—along with several others—who made modern poetry “hard” and complicated, and he was quite a complicated figure himself.
Lyndall Gordon gives us Eliot in all his complexities and shows how he became our age’s Dr. Johnson.
In this "nuanced, discerning account of a life famously flawed in its search for perfection" (The New Yorker), Gordon captures Eliot's "complex spiritual and artistic history . . . with tact, diligence, and subtlety" (Boston Globe). Drawing on recently discovered letters, she addresses in full the issue of Eliot's anti-Semitism as well as the less-noted issue of his misogyny. Her account "rescues both the poet and the man from the simplifying abstractions that have always been applied to him" (The New York Times), and is "definitive but not dogmatic, sympathetic without taking sides. . . . Its voice rings with…
I am a cultural historian, film critic, literary critic, editor, and essayist–and a closeted fiction writer–fascinated by ‘the fantastic’ in art or in life. And Christmas seems to me the perfect example of a time that unites realism and the strange–the time of ghost stories and nativities. I wrote a book on It’s a Wonderful Life (2023) because it triumphantly succeeds at bridging the connection between ordinary life and the marvelous. I have also edited anthologies of Victorian and Edwardian ghost stories, The Penguin Book of Ghost Stories: From Elizabeth Gaskell to Ambrose Bierce (Penguin, 2010), and Victorian Fairy Tales (Oxford World’s Classics, 2015), both of which include many seasonal classics.
From 1927 to 1931 (and again in 1954), T. S. Eliot would send out a short poem as a Christmas greeting. There are only six of them, but they encapsulate the mystical and religious side of Christmas in ways that yearly move me.
From The Journey of the Magi to The Cultivation of Christmas Trees, Eliot reflects on the spiritually unsettling aspects of Christmas, where the cozy clashes with the necessity to change, and where reminiscence comes up against the mystery of our future, and we see how life brings up moments of spiritual vision.
'Each year Eliot's presence reasserts itself at a deeper level, to an audience that is surprised to find itself more chastened, more astonished, more humble.' Ted Hughes
Poet, dramatist, critic and editor, T. S. Eliot was one of the defining figures of twentieth-century poetry. This edition of Collected Poems 1909-1962 includes his verse from Prufrock and Other Observations (1917) to Four Quartets (1943), and includes such literary landmarks as The Waste Land and Old Possum's Book of Practical Cats.
I’m a poet, lover of great literature, and an English professor who has served as faculty advisor to my university’s student-run literary journal. I caught the bug as a teenager when I first started reading and memorizing poems that moved and intrigued me. Since then, reading and writing poetry—and having the pleasure of teaching it to students—has been my best way of checking in with myself to see what’s most important to me that I may have lost sight of in the daily bustle. It’s also my best way of going beyond myself—allowing my imagination to carry me to unexpected places.
I also love Eliot’s poetry (and his comments on the creative process) because of how different they are from Wordsworth’s—and equally profound. In essays including Tradition and the Individual Talent, Eliot argues that keeping your poetry “personal” artificially limits your material. And I think he’s right: some of my own best poems come from imagining my way into someone else’s mind.
Eliot’s own poetry, including The Love Song of J. Alfred Prufrock, illustrates the value of this approach in how it crafts its titular character. Eliot can also write deeply intellectual poems like The Waste Land that transcend purely “personal” concerns by exploring history and that repay many re-readings. In addition to their thematic richness, Wordsworth’s and Eliot’s poems are also beautifully musical.
An indispensable collection of the Nobel Prize winner's most renowned works
“In ten years’ time,” wrote Edmund Wilson in Axel’s Castle, “Eliot has left upon English poetry a mark more unmistakable than that of any other poet writing in English.” In 1948, Eliot was awarded the Nobel Prize “for his work as a trail-blazing pioneer of modern poetry.”
This book is made up of six individual titles: Four Quartets, Collected Poems: 1909–1935, Murder in the Cathedral, The Family Reunion, Old Possum’s Book of Practical Cats, and The Cocktail Party. It offers not only enjoyment of one of the great talents…
I'm an American writer who grew obsessed with all things King Arthur at age 10. Trying to be the best 7th-grade Arthurian scholar in the world set me on a path of life-long learning and research. My historical fantasy novels for children have been flatteringly called "maybe the only [fiction] depiction of the complexities of feudal obligations & responsibilities I've ever seen" by a real medievalist. While that wasn't what I was going for, it speaks to the thing I seek out when I read: total immersion in another world. If you don't feel like you scrubbed pots in the Middle Ages, why would you read about a medieval scullery maid?
Gillian Bradshaw is one of the best historical fiction writers I know of, and everyone else should know of her too. The Wolf Hunt is based on Bisclavret, one of the Lais of Marie de France, and fairly drips with historical detail (please use a coaster). The fantasy element is the major plot point, but the magic that allows for it is so subtle and low-key that I nearly forgot to classify the book as historical fantasy. This is a grown-up Catherine, Called Birdy in its ability to evoke a medieval mind and setting, minus the humor, plus more romance. And while there's no floor-scrubbing, it has big floor-scrubbing energy.
THE WOLF HUNT is a breathtaking and romantic adventure. When Marie Penthievre of Chalendrey is abducted and taken to Brittany's court she vows never to dishonour her family by marrying a Breton. There is only one who might change her mind: Tiarnan of Talensac, a handsome and noble knight...and a werewolf. But Tiarnan marries someone else - and when his new wife learns of his secret, she betrays him. When the widow joins forces with Tiarnan's enemy, Marie realises something is dreadfully wrong. Only she is clear headed enough to rescue Tiarnan and return him to his rightful status -…
My passion for the Middle Ages began with castles. I lived in Germany for a time, where there are a lot of castles, and I got sucked into the whole romantic notion of living a castle life, though I’d probably have been more of a scullery maid than a princess. When I decided to try writing a novel, I figured castles had to be involved somehow. I started doing research on medieval subjects that would make a good book. Unfortunately, the time period I ended up choosing for my novel was the early 8th century—no castles. I spent over twenty years researching and writing my novel, so I hope I learned something.
If I had to pick a perfect writer, Chadwick would be it. Her prose, her dialogue, her historical detail, and her characters are all pitch-perfect—it’s like she was reborn from the Middle Ages and is just reporting what she saw. This book is the first in a series about William Marshall, and if you don’t know who he is, you need to. Not only was he the greatest tournament champion ever, but an all-around exemplary soldier and statesman who saved the English crown at least a dozen times. Best of all, he lived during the most intriguing time of English history, the reign of Henry II, when the indomitable Eleanor was queen, and their four sons, Henry, Richard, Geoffrey, and John, were wrestling for the throne. (Two of my favorite movies, A Lion in Winter and Becket, also take place during this fascinating period.) William’s story has gotten lost…
Historical fact and fiction are entwined in this engrossing story about the infamous William Marshal. He was the penniless young knight who was plucked from obscurity to become a royal favourite and went on to be described as 'the true Lancelot'. This is the fascinating fictionalised story of the jealousies, romance and conflict within the royal court that led to him becoming a forgotten hero.
I grew up watching 80s Saturday morning cartoons, playing RPGs such as Final Fantasy. Those cartoons and games didn’t care about genre, they cared about telling a story, about making you care about the characters. Hence you could have wizards driving space cars, or knights battling giant robots and so on. They were proof of how wonderfully crazy our imagination can go when we threw labels away and just create stories. The books in this list allow themselves to do that and go bigger, go bolder, showing us the readers what’s possible if we let loose. I hope this list takes others on such wonderful rides, like they did with me.
Cosmic horror and fantasy have shared a close relationship since the times of Robert E. Howard. But historical fantasy and cosmic horror? Now that’s different.
If you are a fan of series such as The Last Kingdom, or enjoy a bit of cosmic horror in the vein of the Cthulhu Mythos, this is for you. Written by Gary Whitta, who also wrote the script for Rogue One. Set during Alfred the Great’s rule, this is a story about a knight that saves his kingdom at great personal cost thanks to the dabbling in dark magic from a deranged monk.
The tension and trepidation grow with every page. And that’s just half the story. Don’t let the body horror distract you, this is at its core a story about family love.
"Whitta is a master of suspense. Abomination grabs you and doesn't let go." ―Hugh Howey, New York Times-Bestselling Author of Wool
He is England's greatest knight, the man who saved the life of Alfred the Great and an entire kingdom from a Viking invasion. But when he is called back into service to combat a plague of monstrous beasts known as abominations, he meets a fate worse than death and is condemned to a life of anguish, solitude, and remorse.
She is a fierce young warrior, raised among an elite order of knights. Driven by a dark secret from her…
