93 books like Hotel Transylvania

I’ve loved history ever since I was a kid when I first had the realisation that it was made up of stories. Ancient Rome has always fascinated me, not the battles or the emperors or the big picture stuff, but the daily lives of the ordinary people. You only need to read some of the rude graffiti from Pompeii to realise that people have never really changed where it counts! I studied English and History at university, neither of them as thoroughly as I could have, but at least now when people ask me what I’d ever use an Arts degree for, I can point to my book. 

I have been an avid reader all my life and have been fortunate (or unfortunate) to have a life full of a variety of experiences. Wonderful stuff to draw on when you’re writing, including a unique near-death experience. When I stumbled on a book idea with a topic I’d never heard of before, I was fascinated with the idea of writing “something new under the sun.” I also am thrilled to write books that give others as much joy as reading has given me over the years. A little action, a little passion, and a bunch of plot twists bring other worlds to life for me.

As a child, I learned that I was able to lucid dream at will, speaking to the beings I met in these places I’d never seen before, and it always gave me a sense of interconnectedness. A thread that goes through all of us and our histories. I believe that the ancients dedicated so much of their energy and resources to preserving their stories in order to maintain this connection because it’s so important. Inside all of us is a darkness that, if left unchecked would lead us to ruin. These books all demonstrate the inner struggle we have to understand and redirect that darkness toward the light and the good. 

I love the mysteriousness of the past. Learning dates or the importance of battles does not yield understanding. Skillfully written historical fiction can make a reader live history—in a twelfth-century abbey or nursing in WWI. The characters I find the most gripping are outsiders: a Black man always in danger of capture and slavery, and investigating the murders of the marginalized; a monk, once a crusader, who sees human frailties clearly; or a Victorian lady, restless under the constraints of her time, who marries beneath her. Why murder mysteries? Because, although murder is forbidden in almost every culture and every religion, we still kill each other. 

From movies and shows I watched as a child, I've always had a fascination for all things oriental. When I did the research for my first published novel, In the Service of Samurai—a YA fantasy based in feudal Japan, I also fell in love with history. Mysteries have also always been a draw for me, so combining these two loves and the story fodder research brings up, which might not have otherwise presented itself, is like magic. Magic that other authors and I bring to you to enlighten, entertain, and forge connections with the past and present—a pleasure I wish to share with you.  

I’ve obviously read a lot of Holmes retellings. Part of the impetus behind my new novella was trying to figure out why I was so attracted to them. Part of it, I realized, is the neurodivergence aspect: fundamental to the Holmes story is the idea of someone who thinks differently—and who finds a way to interact with the world that uses that as an asset. The other component I love is the Holmes-Watson dynamic. Whether it's romantic or not, the development of a relationship of affection between two people who think very differently is an emotional counterpoint to plot-driven mysteries. Those elements—along with stellar writing, gripping mysteries, and characters I love spending time with.

When I was about 8 years old, I read a book called Tom and the Two Handles by Russell Hoban. It’s a children’s book designed to teach that every story has two sides. This book stuck with me for some reason. So, when I started writing novels, I always made sure my villains had pure motives. Remember, no well-written bad guy THINKS he’s a bad guy. He thinks he’s doing the right thing. This is true of all the classic Bond villains right up to Thanos in the MCU. Plus, and I’m sure most writers would agree, the bad guys are always more fun to write.

I first started reading vampire stories when I worked at Kitt Peak National Observatory in the 1990s. One of my co-workers suggested that we were the vampires of the mountain because we were only seen between sunset and sunrise. She encouraged me to read Anne Rice, whose work gave me a taste for heroic vampires. A while later, I moved to Las Cruces, New Mexico, known as the City of Crosses. Another friend suggested I write a story asking what a vampire would make of such a thing. That became an early chapter in Vampires of the Scarlet Order.

I first started reading vampire stories when I worked at Kitt Peak National Observatory in the 1990s. One of my co-workers suggested that we were the vampires of the mountain because we were only seen between sunset and sunrise. She encouraged me to read Anne Rice, whose work gave me a taste for heroic vampires. A while later, I moved to Las Cruces, New Mexico, known as the City of Crosses. Another friend suggested I write a story asking what a vampire would make of such a thing. That became an early chapter in Vampires of the Scarlet Order.

I first started reading vampire stories when I worked at Kitt Peak National Observatory in the 1990s. One of my co-workers suggested that we were the vampires of the mountain because we were only seen between sunset and sunrise. She encouraged me to read Anne Rice, whose work gave me a taste for heroic vampires. A while later, I moved to Las Cruces, New Mexico, known as the City of Crosses. Another friend suggested I write a story asking what a vampire would make of such a thing. That became an early chapter in Vampires of the Scarlet Order.