I’ve always been a fan of short fiction. My debut book, The Escape to Candyland, is a collection of interrelated short stories. It was a finalist in two contests: The Restless Books Prize for New Immigrant Writing and Southern Fried Karma Novel Contest. My latest book, Sometimes We Fall, is also a short story collection. It includes several contest winners. I’m working on a third collection which will be published in 2024.
There are so many layers to The Metamorphosis. At first glance, it is a tale of the main character’s physical transformation into a bug. The real terror is how his family turns into monsters of their own when he becomes a burden to them. After he dies, his family is relieved and moves on to happier places.
This is one of the only books I have in my library (11 in total). I have several copies of The Metamorphosis, the oldest copy from high school. I hope to buy the illustrated copy next.
“When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin.”
With this startling, bizarre, yet surprisingly funny first sentence, Kafka begins his masterpiece, The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetlelike insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowing—though absurdly comic—meditation on human feelings of inadequacy, guilt, and isolation, The Metamorphosis has taken its place as one of the most widely read and influential works of twentieth-century…
Shirley Jackson is a master of the short story. My favorite is The Lottery. The build-up to the main event is spectacular. The reader thinks the village is getting ready for a normal event. As time passes, we realize what is to come. The themes of tradition and mob mentality are still relevant as we read about current events.
I paid homage to this story in my own tale which is included in my book.
I fell in love with The Yellow Wallpaper in high school. It is one of the earliest, if not only, stories we were reading about a woman’s mental health. The protagonist is depressed but is not taken seriously by her husband. He locks her away and ridicules her worries. She goes mad and becomes part of the wallpaper that first disturbed her.
What first caught my attention is that she is not allowed any mental stimulation including reading and writing. It speaks to society’s expectations of women – they should be content with being wives and mothers, and nothing more.
The Yellow Wallpaper (original title: "The Yellow Wall-paper. A Story") is a 6,000-word short story by the American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine. It is regarded as an important early work of American feminist literature, illustrating attitudes in the 19th century toward women's health, both physical and mental.
Presented in the first person, the story is a collection of journal entries written by a woman whose physician husband (John) has rented an old mansion for the summer. Forgoing other rooms in the house, the couple moves into the upstairs nursery. As…
If I Loved You, I Would Tell You This was a finalist for the Frank O’Connor Short Story Award. I picked up this short story collection when I started my writing career. Everyone told me short stories weren’t popular. No one read them. Publishers weren’t buying them.
It took Robin Black eight years to write these ten stories. Each word is exquisite. Penguin Random House bought it. We’re all reading them.
Heralding the arrival of a stunning new voice in American fiction, If I Loved You, I Would Tell You This takes readers into the minds and hearts of people navigating the unsettling transitions that life presents to us all: A father struggles to forge an independent identity as his blind daughter prepares for college. A mother comes to terms with her adult daughter’s infidelity. An artist mourns the end of a romance while painting the portrait of a dying man. Brilliant, hopeful, and fearlessly honest, If I…
Full Dark, No Stars is a collection of four novellas dealing with the theme of retribution. One of the stories, "The Big Driver", is about a writer. I won’t give any spoilers but every time I am asked to attend a writing event, I ask myself if I should go.
From the master of the long story form, the Sunday Times No. 1 besteller, Full Dark, No Stars - described by the Sunday Telegraph as 'an extraordinary collection, thrillingly merciless, and a career high point' - now with a stunning new cover look.
Is it possible to fully know anyone? Even those we love the most? What tips someone over the edge to commit a crime?
In '1922', a story which was adapted into a Netflix original film, a Nebraska farmer, the turning point comes when his wife threatens to sell off the family homestead.
Sometimes We Fall takes readers into the lives of people searching for self, sense of belonging, and their version of truth: A son protects a secret that could destroy his family's reputation and fortune. A daughter searches for the truth as her mother descends into dementia. A mother asks an unexpected friend to look after the baby she plans to abandon. Their paths are not easy and inevitably they fall. Some pick themselves up and some can’t or won’t as they struggle to find the reason for their failures.
Not So Little Things by Kyle Ann Robertson unravels the meticulously crafted life of Tina, an artist engrossed in the intricate world of historically accurate miniatures. As she dutifully honors her deceased father's desire for her to follow in his artistic and historical footsteps, Tina's controlled existence is shaken by the emergence of long-buried secrets when she takes a commission to build a replica of Jake Martin’s family mansion.
Robertson navigates the delicate balance between Tina's devotion to her father's wishes and the disruptions caused by revelations from the past. The novel beautifully explores the complexity of familial expectations and…
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away leaving Tina with feelings of abandonment and suspicion. Raised by her loving, wheelchair-bound Aunt Liddy, her father's sister, 33 year old Tina has become a miniature room artist and cherishes the control she has over her life in Northeast Georgia as she works hard to please her beloved dead father's wishes of following in his footsteps in art and…
