10 books like Misery

I read The Road when I was working three jobs, enrolled in university full-time, and trying to figure out what it meant to be an adult. I felt the gut-punch bleakness of McCarthy’s post-apocalyptic future, and yet despite all the gray, grim privation, I found hope in the Man and the Boy’s march toward…something. While it’s not quite a fantasy, the ashen world rendered in McCarthy’s beautifully austere language changed the way I write, and changed the way I read. There is a sobering warning that I hear echoed in The Odyssey and Gilgamesh; something like an Ozymandian warning: look upon the works of man, ye mortal: all this shall fade. The Road stays with you like a scar, but one you earned, that taught you something.

The TV show, Game of Thrones, only followed the first book, this book, to the letter, however, in spite of this, I still prefer the book. The descriptions of the characters, their inner thoughts, their adventures, their tragedies. It’s Shakespearian in scale. If Shakespeare had the chance to know of the horror of what it takes to be an honest man like Ned Stark, he’d be inspired to write a play on this. I know my own writing has been greatly influenced by Martin. 

This suspense novel is a leader in the field of deceptive protagonists. Ripley adapts another’s persona alongside his own, but even as he plays both roles he knows that it will all have to end at some point. He is aware of what he’s doing, yet this is coupled with great self-deception: ‘I’m a good person really.’ His vulnerability is shown in his fear of being judged. At heart he is a lonely man, driven by obsession and jealousy. Ripley is a complex, well-drawn character - I’d love to see his personality profile!

I had the pleasure of hearing Sarah Waters speak at the Derby Book Festival in 2015, bought a signed copy of her latest novel, and have been recommending it ever since. The Paying Guests is set in the wake of World War I, and the historical context is beautifully rendered. Frances Wray and her mother have been living a quiet and orderly life on a street where the houses have ‘a Sunday blankness to them… every day of the week.’ It’s a life stuck in time, in a house whose ‘heart stopped… years ago.’ Then the Wrays’ new lodgers arrive, and they are noisy, gaudy, messy, dramatic, attractive. The two worlds collide with Frances caught between them, and what follows is both a captivating love story and a gripping crime story.

Let me be clear: I’m talking about the book—not the TV series!

This is a dystopian classic that everyone should read. In fact, all of Atwood’s books should be read. As for The Handmaid’s Tale, I read it in a literature class in university, and it has stuck with me ever since (much like other classics—hello The Great Gatsby).

The Republic of Giliead, where the story takes place, was created when the US government was overthrown, and strips women of their rights. It’s a premise that has roots in real events—the 1979 Iranian Revolution, most notably, and so the rich worldbuilding (and powerful imagery) doesn’t feel contrived—or all that dystopian.

And while it will definitely transport you away from your day-to-day life while you read it, it’s the way the haunting Republic will stay with you afterwards that makes this book a gem. 

This book is a classic example of exceptional world building and detail. The lone human survivor among a word now ruled by vampires, Robert Neville’s daily existence is expertly documented by Matheson. Each meal and drink he prepares to get through his daily horror feels so real. His isolation feels so real. The descriptions of what it would actually be like to fall asleep at night when an army of vampires is patiently waiting outside your house is beyond gripping. Despite solid efforts from those involved, the film adaptation that was later made doesn’t scratch the surface of the power of this story. 

This book is ideal for people who like to explore the dark side of scientific obsession devoid of context and the unexpected negative effects of research without any restraint or concern for the consequences in the shadowy figure of Dr. Moreau. One of the most intriguing villains in literary history in my view. When science pursues goals without any concern for how it affects the entire scope of persons involved or the wider field of influence around it, disastrous things can happen no one can predict. That being said, there is a lot of unknowns in pursuing cutting-edge research which cannot be determined beforehand and I feel this novel deals with that adequately too.

Hannibal Lecter. That alone is enough to recommend this brilliant Thomas Harris novel. Red Dragon serves as the literary debut of the iconic psychiatrist/gourmand serial killer. This tense, psychological thriller places FBI profiler Will Graham between the imprisoned but still dangerous Lecter and the titular character who slays entire families under the light of a full moon. The novel opens with Graham on leave and recovering from physical and psychological injuries sustained in Lecter’s capture when the urgency of catching this new killer presses him reluctantly back into service. Graham’s effort to aid the hunt of the Dragon from the shadows is thwarted when Lecter aims the killer at Graham and his family. Wicked fun.

In interviews, Paul Howarth has discussed the ways in which colonial Australia was essentially a second Wild West, albeit one scarcely explored in fiction. Only Killers and Thieves leans into that understanding and in doing so creates a vivid, blood-soaked, Biblical saga about revenge, redemption, and the lies upon which nations are built, full of unforgettable characters and passages of writing that will make your breath catch. That it is followed by an even better sequel is the icing on a magnificent cake.

I love Tana French’s books. She’s a master of mystery and suspense but her books are normally fairly straightforward, gather-the-clues-and-figure-out-the-secret procedurals. In the Woods has a different feel. It delves more into psychological territory and relies partially on an unsolved mystery from the past–of which one of the detectives Rob was the sole, amnesiac survivor–that affects how the mystery in the present unfolds. As the tension builds, the reader is never sure whether the past events tie into the present mystery, Rob is cracking up under the pressure of the investigation and the bits of memory that return to him, or some unseen force is steering the protagonists away from the solution.