Here are 81 books that Only Killers and Thieves fans have personally recommended if you like
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In my early twenties, I worked in a maximum security, Category A men’s prison. I got to know the prisoners, who were usually polite, funny, and, for want of a better word, ‘normal,’ even if guilty of terrible crimes. It made me realize you can’t simply tell if someone is ‘good’ or ‘bad’ by looking at them. It left an indelible mark on me: a fascination with people who lie easily and fool the world. My fascination grew when I became a journalist, but writing fiction has given me the freedom to truly explore liars of all types and try to understand them.
He’s charming, he’s intelligent, and he’s a professional conman who is out to steal his new best friend’s life. And I can’t get enough of Tom Ripley! I absolutely love an anti-hero, and I like nothing better than getting a look inside a psychopath’s mind. I’ve read this book at least five times.
The writing is tight as a drum, Italy is brought to life, and it’s understandable why Tom falls in love with it…and Dickie. He falls in love so much he wants to become Dickie. The more Tom is backed into a corner, the more clever, audacious, and vicious he becomes. It’s no surprise to me that this book is such a classic.
It's here, in the first volume of Patricia Highsmith's five-book Ripley series, that we are introduced to the suave Tom Ripley, a young striver seeking to leave behind his past as an orphan bullied for being a "sissy." Newly arrived in the heady world of Manhattan, Ripley meets a wealthy industrialist who hires him to bring his playboy son, Dickie Greenleaf, back from gallivanting in Italy. Soon Ripley's fascination with Dickie's debonair lifestyle turns obsessive as he finds himself enraged by Dickie's ambivalent affections for Marge, a charming American dilettante, and Ripley begins a deadly game. "Sinister and strangely alluring"…
You’ve got to root for the underdog, right? And there’s no bigger underdog than fictional villains. While real-life criminals are doing very nicely, thank you very much, in fiction, the bad guy is screwed from the start. What could be more relatable than knowing on a bone-deep, existential level that you’ve already lost? And what could be more heroic than stepping out onto the field of play knowing that no matter how hard you play, you’re still going down? Keep your flawed anti-heroes; they’re just too chicken to go over to the losing side. I’ll cheer for the doomed bad guy every single time.
About halfway into Red Dragon, you meet Francis Dolarhyde, and from then on, the book is all his. Forget the FBI who are looking for him, the only person you care about is Dolarhyde, the serial killer who’s been brutally murdering entire families.
As far as I’m concerned, he’s the hero. Hannibal Lecter isn’t Thomas Harris’ best villain. It’s Dolarhyde. He’s everything Lecter isn’t. He’s awkward, shy, hates his body, hates himself and spends all his time stewing on his inadequacies. If I’ve got to pick between the Virgin Dolarhyde and the Chad Lecter, it’s Dolarhyde every time.
Deep down, he just wants to be loved, but the way he goes about it is almost comically misguided. Dolardhyde is on an impossible, bloody mission to fix himself, and no matter how many bodies he drops trying to do it, I’m always rooting for him to make it out the…
From the author of "Silence of the Lambs" and "Black Sunday", this is the book that introduces the most famous serial killer of them all - Hannibal Lecter.
I have just written my twelfth novel and quite possibly my last. I’ve returned to where my heart is. My first five crime novels came about through the generous help of some undercover California wildlife agents. Now, in a sense, I’m back where I started, except that my latest book is also a love story. We make plenty of mistakes in life, some much worse than others. My characters deal with them in their own way. I can understand that, and I like that. And hey, there’s always the possibility of redemption.
I remember summers growing up when we were out of the house seeking freedom from parents as we streamed toward our teenage years, so I can identify with this story’s start. We’d follow deer trails through brush and trees to spots up in the hills we’d claimed as our own. This book begins with a prologue made vivid with three children and Tana French’s gorgeous prose.
The children go up and over a rock wall and into “A summer full-throated and extravagant in a hot pure silk skin blue…your tongue tasting of chewed blades of long grass, your own clean sweat…” “…long slow twilight and mothers silhouetted in doorways…” and the haunted last sentence, “These children will not be coming of age, this or any other summer.”
The bestselling debut, with over a million copies sold, that launched Tana French, author of the forthcoming novel The Searcher and "the most important crime novelist to emerge in the past 10 years" (The Washington Post).
"Required reading for anyone who appreciates tough, unflinching intelligence and ingenious plotting." -The New York Times
Now airing as a Starz series.
As dusk approaches a small Dublin suburb in the summer of 1984, mothers begin to call their children home. But on this warm evening, three children do not return from the dark and silent woods. When the police arrive, they find only…
Even as a boy, I could see (or maybe just sense) the darkness that resides just below the surface of this otherwise pleasant world. We all have stories, and the ones we hold closest to ourselves are often the darkest. Those are the stories that fascinate me the most. What are the limits of man’s menace? What causes seemingly normal people to snap? To turn on their fellow man? I could do one of two things with this fascination: become a sociopath (perhaps psychopath) or an author of dark, twisted, twisty tales. As you know, I chose the latter.
Surely, you’re not surprised to see the dark master himself on my list. Stephen King is one of the most prolific horror authors (or authors of any genre, for that matter) of all time. I have to be honest; I don’t always like his endings, but I love King’s vividly detailed stories. They draw you in and make the unreal feel very real. Misery is one of my favorites because it’s probably one of King’s best psychological thrillers. I also like that it’s a departure from his normal supernatural themes.
Sure, it doesn’t hurt that the protagonist is a novelist, but even if he wasn’t, I’d love this book. There’s nothing scarier than to be totally at the mercy of someone for your survival. And when that person is an unhinged lunatic who destroys your work and forces you to be her personal storyteller, or you won’t get medicine, food,…
Raised alongside three feral younger brothers in the rash-inducing, subtropical climate of Cairo, Georgia, I am a lifelong resident of the South. A circumstance, no doubt, leaving an indelible mark on my voice as a writer. At this point in my writing career, I write what I know. As a reader, I enjoy exploring the rich stories woven by Southern authors, capturing other places, people, and experiences beyond my own frame of reference. Ultimately, as a Southerner, I endeavor to reconcile the South’s troubled past of racial and social oppression with the romanticized notion others have of this place I call home.
This 2002 novel follows young Harriet Cleve Dufresnes in 1970s Mississippi during the aftermath of the death of her nine-year-old brother, who was killed by hanging in the shadow of unexplained circumstances. I am particularly enamored by the novel’s focus on the customs and dynamics of Harriet’s extended Southern family.
Tartt best describes in her own words why I love this novel: It is “a frightening, scary book about children coming into contact with the world of adults frighteningly.”
NATIONAL BESTSELLER • From the Pulitzer Prize-winning author of The Goldfinch comes an utterly riveting novel set in Mississippi of childhood, innocence, and evil. • “Destined to become a special kind of classic.” —The New York Times Book Review
The setting is Alexandria, Mississippi, where one Mother’s Day a little boy named Robin Cleve Dufresnes was found hanging from a tree in his parents’ yard. Twelve years later Robin’s murder is still unsolved and his family remains devastated. So it is that Robin’s sister Harriet—unnervingly bright, insufferably determined, and unduly influenced by the fiction of Kipling and Robert Louis Stevenson--sets…
I’m a former magazine journalist and nonfiction book writer who now only writes crime novels. I try to write about a world that exists in varying degrees and shades of black and white. The characters in my books are flawed, sometimes deeply, trying their best to navigate a complex world while grappling with their own psychological and emotional scars. As a result, they often make decisions that wind up not being in their (or anyone else’s) best interest. In trying to breathe life into these characters, I get to know them better than I know myself, and it’s this I think allows me to admire the five books I’ve chosen.
David Joy, an Edgar Award finalist for his first novel, Where All the Light Tends to Go, is a master of character, mood, and setting. This novel is set in Appalachia and immediately we’re pulled into a dangerous world that has its own set of fierce rules for survival. The novel opens with Darl Moody hunting for a monster buck which if snagged can mean the difference between meat for the winter and an empty freezer. Hunting for men like Moody is not about sport but survival. Unfortunately, he’s followed his prey onto private land, where not only shouldn’t he be but where he certainly be hunting. When he accidentally kills not a buck but a man—it turns out he’s killed a Brewer, a member of a family notorious for vengeance and violence—his life is turned upside down and it’s touch and go as to whether he’ll survive. From…
An accidental death, and the cover-up that follows, sparks a dark series of events that reverberates through the lives of four people who will never be the same again.
When Darl Moody went hunting after a monster buck, a kill that could make the difference between meat for the winter and an empty freezer, he never expected he'd accidentally shoot a man digging ginseng. Worse yet, he's killed a Brewer, a family notorious for vengeance and violence.
With nowhere to turn, Darl calls on the help of the only man he knows will answer, his best friend, Calvin Hooper. But…
I have always straddled between the worlds of fiction and poetry. I received my MFA in poetry in 2016, but during my time in the program, I was often told my poems were too narrative. Sometimes in my fiction workshops in undergrad, I was told my stories were too poetic. So when I finally jumped into the world of verse, I really fell in love with the intersection of poetry and story. Finally, there was a medium that felt “just right!” There are so many fantastic novels in verse out there—with so many more to come—but I hope you’ll enjoy these five favorites of mine!
Long Way Down does an incredible job of telling such a contained story, telling everything within the span of a single elevator ride.
Reynolds uses the elevator trip to make the protagonist encounter ghosts of multiple dead people in his community, all connected to his murdered brother, and question if vengeance is the right answer to his grief. This is a well-deserved classic, and a must-read for all novel-in-verse fans!
“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review)
A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of…
I am uniquely qualified to assemble this list because I gave my heart and head to the fictional and true West in fourth grade. When I learned California history, enraptured by images of wild horses and vaqueros, the cruelty of bear and bullfighting (no one talked then about cruelty to “converted” Native Americans), and the myth of Zorro. I grabbed the chance to move to the cowgirl state of Nevada, where I learned to love the scents of sagebrush and alkali flats. Research for my fiction and non-fiction has given me license to ride in a Pony Express reenactment and 10-day cattle drive and spend all night bottle-feeding an orphan mustang.
This ranch-centered book puts a human face on the cost of war.
A best in the West (or at least his small Nevada town) bull rider is physically and mentally torn apart by war. He can’t see the future he envisioned for himself anymore. But the story is really about his younger brother, Cam. I love Cam’s humor most of all, but his devotion to his idolized big brother is what makes this more than a story about a skateboarder turned bull rider.
This book is about family in an opposite way from The Red Pony it confirms the safety net family can provide.
Cam O'Mara, grandson and younger brother of bull-riding champions, is not interested in partaking in the family sport. Cam is a skateboarder, and perfecting his tricks—frontside flips, 360s—means everything until his older brother, Ben, comes home from Iraq, paralyzed from a brain injury. What would make a skateboarder take a different kind of ride? And what would get him on a monstrosity of a bull named Ugly? If Cam can stay on for the requisite eight seconds, could the $15,000 prize bring hope and a future for his big brother?
I have lived in London most of my life, and what I love most about it are the wild places, the spots where the city and nature rub shoulders. When reading fiction, ‘place’ matters a lot to me, and if I am familiar with the setting, I like it to be accurate. That said, I love a little fantasy to stretch the boundaries. As well as being a writer and editor, I have worked part-time in bookshops for over forty years, and during that time, I must have read hundreds of novels set in and around London. These are five of my absolute favourites.
As a bookseller as well as a writer and editor, I believe strongly that good children’s books should also be read by adults.
The setting here is 1683, and the River Thames is frozen. I studied history, and I often stand on London Bridge and try to imagine the flowing water as a field of ice with stalls and side shows on the frozen surface. Embankments and new bridges mean the river no longer freezes, but this story brings historical London to life and allows us to feel what it would have been like.
A magic nocturnal Frost Fair, a lost boy, and a determined twin sister are at the heart of this bewitching story, which is dark yet uplifting–a perfect combination that had me gripped throughout.
'Absolutely stunning... Real emotional depth alongside a fast-paced plot. Fantastic' A F Steadman
An amazing and captivating, curl-up-on-the-sofa debut about a magical frost fair and the lasting power of friendship, perfect for fans of Tamzin Merchant, Abi Elphinstone and Anna James.
The Great Frost of 1683 has London in its icy grip.
Thomasina and her best friend Anne sell sweets on the frozen Thames, amid rumours of the magical Frost Fair that awakens there at night. They say if you can find the fair, Father Winter himself will grant you any wish.
While writing this book, a study on a professionally competent woman who is taken out by grief when her partner dies due to an act of violence, my grandfather passed away and my theoretical study of grief quickly became a real one. Working through Stella’s grief helped me work through my own and allowing her to heal and fall in love aided in my healing immensely. Grief is brutal and feels endless, but coming out of the other side of it with the support of the people around me changed me for the better.
Besides well written non-fiction and sapphic romance, my favorite type of book is always going to be middle grade fiction.
In AfterMath, 12-year-old Lucy is struggling with the death of her younger brother from heart failure. When she changes school, she comes into the aftermath of a school shooting where her classmates struggle with grief of a different kind. Chock full of character development and with a solid plot, this takes a gentle look at grief, trauma, gun violence, terminal illness, and the real-life things that we have to face, no matter our age.
I love a story where children are resilient, though I wish they didn’t have to be so resilient all the time.
"This book is a gift to the culture." ―Amy Schumer, writer, actor, and activist
After her brother's death from a congenital heart defect, twelve-year-old Lucy is not prepared to be the new kid at school―especially in a grade full of survivors of a shooting that happened four years ago. Without the shared past that both unites and divides her classmates, Lucy feels isolated and unable to share her family's own loss, which is profoundly different from the trauma of her peers.
Lucy clings to her love of math, which provides the absolute answers she craves. But through budding friendships and…
