Here are 82 books that The Little Friend fans have personally recommended if you like
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Raised alongside three feral younger brothers in the rash-inducing, subtropical climate of Cairo, Georgia, I am a lifelong resident of the South. A circumstance, no doubt, leaving an indelible mark on my voice as a writer. At this point in my writing career, I write what I know. As a reader, I enjoy exploring the rich stories woven by Southern authors, capturing other places, people, and experiences beyond my own frame of reference. Ultimately, as a Southerner, I endeavor to reconcile the South’s troubled past of racial and social oppression with the romanticized notion others have of this place I call home.
This gothic fairytale is a favorite. Exploring the universal themes of good and evil, William Gay’s prose poetically weaves a sinister tale of Fenton Breece, an undertaker who abuses the dead.
This novel takes the reader on an eerie backwoods odyssey lush with peril and a grotesque cast of characters. I am inspired in my writing by Gay’s assignment of myth to place as he has done with the wilderness he calls the Harrikin.
Suspecting that something is amiss with their father's burial, teenager Kenneth Tyler and his sister Corrie venture to his gravesite and make a horrific discovery: their father, a whiskey bootlegger, was not actually buried in the casket they bought for him. Worse, they learn that the undertaker, Fenton Breece, has been grotesquely manipulating the dead. Armed with incriminating photographs, Tyler becomes obsessed with bringing the perverse undertaker to justice. But first he must outrun Granville Sutter, a local strongman and convicted murderer hired by Fenton to destroy the evidence. What follows is an adventure through the Harrikin, an eerie backwoods…
As a writer, I consider myself lucky to be born and raised in the Deep South. Although I currently live near Los Angeles, I continue to draw upon the region’s complex history, regional color, eccentric characters, and rich atmosphere for inspiration. I also love to read fiction set in the South, especially mysteries and thrillers—the more atmospheric, the better!
Not for the squeamish, this gothic tale of a depraved serial killer in rural Tennessee is probably the closest Cormac McCarthy ever came to writing a horror novel. For all the sordidness, the power of the author’s language shines through. I enjoyed the humor, pathos, and psychological insight woven in throughout
As with other McCarthy novels I’ve read, this book contains beautiful sentences and phrases, as well as searing images, that have lingered in my mind for years.
In this taut, chilling novel from the bestselling, Pulitzer Prize–winning author of The Road, Lester Ballard—a violent, dispossessed man falsely accused of rape—haunts the hill country of East Tennessee when he is released from jail.
While telling his story, Cormac McCarthy depicts the most sordid aspects of life with dignity, humor, and characteristic lyrical brilliance.
"Like the novelists he admires-Melville, Dostoyevsky, Faulkner-Cormac McCarthy has created an imaginative oeuvre greater and deeper than any single book. Such writers wrestle with the gods themselves." —Washington Post
Look for Cormac McCarthy's new novel, The Passenger.
Raised alongside three feral younger brothers in the rash-inducing, subtropical climate of Cairo, Georgia, I am a lifelong resident of the South. A circumstance, no doubt, leaving an indelible mark on my voice as a writer. At this point in my writing career, I write what I know. As a reader, I enjoy exploring the rich stories woven by Southern authors, capturing other places, people, and experiences beyond my own frame of reference. Ultimately, as a Southerner, I endeavor to reconcile the South’s troubled past of racial and social oppression with the romanticized notion others have of this place I call home.
This 2011 novel is set in the Ten Thousand Islands off the southwest coast of Florida. I am drawn to the novel’s peculiar backdrop: a shabby alligator-wrestling theme park in the swamp.
Along with the fantastical setting, the reader is quickly lured into this place by the vivid, precocious voice of the thirteen-year-old narrator, Ava Bigtree, who is on a quest to rescue her sister, whom Ava believes to have been stolen away into the Underworld by Bird Man, a mysterious gentleman claiming to possess magical gifts.
New York Times Bestseller | Pulitzer Prize Finalist
"Ms. Russell is one in a million. . . . A suspensfuly, deeply haunted book."--The New York Times
Thirteen-year-old Ava Bigtree has lived her entire life at Swamplandia!, her family’s island home and gator-wrestling theme park in the Florida Everglades. But when illness fells Ava’s mother, the park’s indomitable headliner, the family is plunged into chaos; her father withdraws, her sister falls in love with a spooky character known as the Dredgeman, and her brilliant big brother, Kiwi, defects to a rival park called The World of Darkness.
Bright but unassuming Marilyn Jones has some grown-up decisions to make, especially after Mama goes to prison for drugs and larceny. With no one to take care of them, Marilyn and her younger, mentally challenged brother, Carol, get tossed into the foster care…
Raised alongside three feral younger brothers in the rash-inducing, subtropical climate of Cairo, Georgia, I am a lifelong resident of the South. A circumstance, no doubt, leaving an indelible mark on my voice as a writer. At this point in my writing career, I write what I know. As a reader, I enjoy exploring the rich stories woven by Southern authors, capturing other places, people, and experiences beyond my own frame of reference. Ultimately, as a Southerner, I endeavor to reconcile the South’s troubled past of racial and social oppression with the romanticized notion others have of this place I call home.
Truman Capote’s 1948 debut novel holds a special place with me because it was my introduction to Southern Gothic when I was thirteen. A coming-of-age tale, it takes place at Scully’s Landing, a decaying mansion in Mississippi.
Rich with place and atmosphere, the book follows lonesome thirteen-year-old Joel Harrison Knox, who travels to live with his father, an emotionally unavailable presence who abandoned the boy at birth. Replete with a cast of the peculiar and grotesque, this book holds firm with literary merit and thematical relevance.
Truman Capote’s first novel is a story of almost supernatural intensity and inventiveness, an audacious foray into the mind of a sensitive boy as he seeks out the grown-up enigmas of love and death in the ghostly landscape of the deep South.
At the age of twelve, Joel Knox is summoned to meet the father who abandoned him at birth. But when Joel arrives at the decaying mansion in Skully’s Landing, his father is nowhere in sight. What he finds instead is a sullen stepmother who delights in killing birds; an uncle with the face—and heart—of a debauched child; and…
I’m a former magazine journalist and nonfiction book writer who now only writes crime novels. I try to write about a world that exists in varying degrees and shades of black and white. The characters in my books are flawed, sometimes deeply, trying their best to navigate a complex world while grappling with their own psychological and emotional scars. As a result, they often make decisions that wind up not being in their (or anyone else’s) best interest. In trying to breathe life into these characters, I get to know them better than I know myself, and it’s this I think allows me to admire the five books I’ve chosen.
David Joy, an Edgar Award finalist for his first novel, Where All the Light Tends to Go, is a master of character, mood, and setting. This novel is set in Appalachia and immediately we’re pulled into a dangerous world that has its own set of fierce rules for survival. The novel opens with Darl Moody hunting for a monster buck which if snagged can mean the difference between meat for the winter and an empty freezer. Hunting for men like Moody is not about sport but survival. Unfortunately, he’s followed his prey onto private land, where not only shouldn’t he be but where he certainly be hunting. When he accidentally kills not a buck but a man—it turns out he’s killed a Brewer, a member of a family notorious for vengeance and violence—his life is turned upside down and it’s touch and go as to whether he’ll survive. From…
An accidental death, and the cover-up that follows, sparks a dark series of events that reverberates through the lives of four people who will never be the same again.
When Darl Moody went hunting after a monster buck, a kill that could make the difference between meat for the winter and an empty freezer, he never expected he'd accidentally shoot a man digging ginseng. Worse yet, he's killed a Brewer, a family notorious for vengeance and violence.
With nowhere to turn, Darl calls on the help of the only man he knows will answer, his best friend, Calvin Hooper. But…
I have always straddled between the worlds of fiction and poetry. I received my MFA in poetry in 2016, but during my time in the program, I was often told my poems were too narrative. Sometimes in my fiction workshops in undergrad, I was told my stories were too poetic. So when I finally jumped into the world of verse, I really fell in love with the intersection of poetry and story. Finally, there was a medium that felt “just right!” There are so many fantastic novels in verse out there—with so many more to come—but I hope you’ll enjoy these five favorites of mine!
Long Way Down does an incredible job of telling such a contained story, telling everything within the span of a single elevator ride.
Reynolds uses the elevator trip to make the protagonist encounter ghosts of multiple dead people in his community, all connected to his murdered brother, and question if vengeance is the right answer to his grief. This is a well-deserved classic, and a must-read for all novel-in-verse fans!
“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review)
A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of…
From Kirkus Reviews: "This debut short-story collection paints the wistful life of a newspaper journalist as seen through his sexual and romantic encounters...
Throughout, Hickok writes in an assured style, pulling readers along. The narrow sexual focus results in a distorted picture, yet other aspects of Art's life emerge at…
I love books about everyman/everywoman characters facing danger, puzzles, and romance with a sense of humor. I love the suspense that builds throughout a whole book and the tension that can develop in just a paragraph. It’s easier for me to imagine I’m the protagonist and lose myself in the pages if I’m not reading about a superhero or a serial killer. With so many choices out there, it’s easier to find another person who’s seen the same TV show, for instance, but books are my true love because they are limitless and offer so many choices. It’s a privilege to be able to share some favorites.
I love surprises and characters who are not what they seem, and I enjoy a high-tech backdrop when it fits the story. When a character thinks he sees evidence of a crime in what’s basically Google Street View, he will not let go of it and drags our unwilling protagonist into danger.
I loved the emotional core of a man dealing with his brother’s mental health issues and the blossoming romance in his life.
What would you do if you witnessed a murder - but no one believed you . . .?
Another masterful suspense novel from the bestselling author of the Richard & Judy summer read winner, NO TIME FOR GOODBYE and FIND YOU FIRST
Map-obsessed Thomas spends his days and nights on a virtual tour of the world through his computer screen, believing he must store the details of every town and city in his head. Then one day, while surfing a street view program, he sees something that shouldn't be there: a woman being murdered behind a window on a New…
One review of my books mentioned that I make heroes out of damaged people, so it’s natural I would read that kind of book. I love to see lost souls, losers, battlers for justice, and the underdogs rise above all the elements that hold them down. I think most people root for the underdogs, whether in life, in sports, or the weaker in any competition. It’s in our nature to do so. I’m a wife, mother, writer, former commercial artist, former store owner, former importer, which makes me ripe to be something new. But I think I’m done. I’ve shot my wad, done my best at whatever, and it’s always been fun.
Iron House, short for the Iron Mountain Home for Boys, is a thriller that features orphaned brothers: weakling Julian, and his strong and fiercely protective brother, Michael. After being bullied to the point of cracking, Julian kills his abuser. Michael escapes Iron House and takes the blame as he leaves.
This leads the brothers on two very different paths. Julian is adopted and, though mentally unbalanced, becomes a writer of dark children’s stories. Michael is also adopted off the streets by the head of a crime syndicate who teaches him how to kill. Iron House is a complicated story of abuse, torment, and love. The book is not for the faint of heart.
John Hart has written three New York Times bestsellers and won an unprecedented two back-to-back Edgar Awards. His books have been called "masterful" (Jeffery Deaver) and "gripping" (People) with "Grisham-style intrigue and Turow-style brooding" (The New York Times). Now he delivers his fourth novel—a gut-wrenching, heart-stopping thriller no reader will soon forget.
HE WOULD GO TO HELL
At the Iron Mountain Home for Boys, there was nothing but time. Time to burn and time…
My first books were set in and around San Francisco, an area I knew well and with plenty of opportunities for crime stories. When we moved to Montana twenty years ago, people asked when I’d write one there. I resisted setting dark stories in my own city, where my kids were growing up. Reading about the Bakken Oil Formation in North Dakota, a boom of wealth and expansion and a subsequent bust, offered a perfect storm—the kind that drives desperation, where locals conflict with newcomers, where money—new and old—drives people to make bad decisions. After a visit to the area, the fictional town of Hagen, North Dakota, and the Badlands Thriller Series was born.
Collins’ The Family Plot is set Blackburn Island, off the coast of Rhode Island where the Lighthouse Family lived in a secluded mansion deep in the woods and isolated by their true-crime-obsessed parents.
After her twin brother disappears when they are sixteen, Dahlia leaves home at the earliest opportunity, returning years later after her father’s death. When the family goes to bury him, there is already a body in his grave—her brother’s.
The layered family drama, secrets, and one hell of a twist make this the kind of story I love—layered with tension and impossible to put down.
"Exceedingly entertaining." -The New York Times "Umbrella Academy meets Tana French. Dark, claustrophobic, and beautifully written." -Andrea Bartz, author of We Were Never Here
From the author of The Winter Sister and Behind the Red Door, a family obsessed with true crime gathers to bury their patriarch-only to find another body already in his grave.
At twenty-six, Dahlia Lighthouse is haunted by her upbringing. Raised in a secluded island mansion deep in the woods and kept isolated by her true crime-obsessed parents, she is unable to move beyond the disappearance of her twin brother, Andy, when they were sixteen.
I love a good thriller, as my bookshelf will attest. Anything that can drag me to the edge of my seat, desperate to see how it ends, will always get a recommendation from me, but the books that endure and inspire me the most have always been the ones that keep turning over in my head long after I’ve discovered whodunnit or seen the villain taken down. I have so much admiration for the art of taking what is often the pulpiest genre and infusing it with something more. Closely studying the books that successfully pull that off, for me, gives thriller writers everywhere a benchmark to aspire to.
In interviews, Paul Howarth has discussed the ways in which colonial Australia was essentially a second Wild West, albeit one scarcely explored in fiction. Only Killers and Thieves leans into that understanding and in doing so creates a vivid, blood-soaked, Biblical saga about revenge, redemption, and the lies upon which nations are built, full of unforgettable characters and passages of writing that will make your breath catch. That it is followed by an even better sequel is the icing on a magnificent cake.
Tommy McBride and his brother Billy return to their isolated family home to discover that their parents have been brutally murdered. Haunted and alone, their desperate search for the killers leads them to the charismatic but deadly Inspector Noone and his Queensland Native Police - an infamous arm of colonial power whose sole purpose is the 'dispersal' of Indigenous Australians in protection of settler rights.
The retribution that follows will leave a lasting mark on the colony and the country it later becomes. It will also devastate Tommy - and destroy his relationship with his brother, forever.
