Fans pick 95 books like The Mysteries of Udolpho

I adore reading atmospheric adventures of mystery, supernatural, and ghostly powers; this book has these values in abundance. Noemi’s alluring character is smart, savvy, and admirably vulnerable. Loved her. At High House in the Mexican countryside, Noemi discovers ghostly entities repeatedly forming blisters across the walls. How mysterious and threatening; I was fascinated.

The best part of the novel for me was the emotional intelligence of the characters because their behavior is both suspiciously rational and heart-stopping clever. Gripping as all heck. This family was obsessed with a relentless desire to rule and control their destiny at all costs via Otherworld powers. Absolutely compelling. I was breathless along with Noemi at every step as she was drawn into the dangers and treacherous family secrets that threatened to kill her.

I love that this book was the result of a dare! In 1816, eighteen-year-old Mary Shelley and three friends held a contest to see who could write the scariest story. Mary’s story—like her monster—has since taken on a life of its own and today permeates all forms of storytelling.

I find it amusing that my favorite version of the monster is the one Mel Brooks gave us in Young Frankenstein. I wonder what Mary Shelley would think if she knew how much her acceptance of a dare would change storytelling forever.

I like to revisit the original story from time to time to savor the gothic drama and flowery writing. If I’m reading it on a dark and stormy night, all the better.

Jackson’s Gothic horror flows like black chiffon over a yawing window. That’s how I felt reading about Hill House. I loved the way the house sneaks up with its psychological weights swinging and jarring. Eleanor possesses a dark ambiance. She desperately needed to belong to something or someone, and I couldn’t let go of that.

Her emotions and fears were right there with me. But it was the romantic underbelly that got me: Eleanor’s romance with Hill House. The statuesque gardens, the light, and shadows, all tempted her into its sinister realm. As it tempted me. I felt deeply for Eleanor, wanting to belong to something extraordinary to replace her dull life. Shirley Jackson is quoted as saying, “I delight in what I fear.” This book proves it.

I have always loved the central premise of the book, that a human being might never age, and yet a portrait of him ages as the years go by.

I love the way that Wilde used elegant and lyrical prose, always boosted by a flamboyant irony, in describing the dissolute life of an aesthete while putting it in the context of a philosophical pursuit of beauty and art. Dorian Gray himself is a deeply flawed moral character, and that is key to the success of the novel.  

Remember when schools handed out a catalog of books for you to order? I do. I chose this book when I was about eleven years old, and while even then I was already reading Caroline B. Cooney and Richie Tankersley Cusick, this book took my childhood love of ghost stories and nudged it into my adolescence and adulthood. 

Twin houses, the Civil War and broken families are the backdrop to the principal theme of young and forbidden love across the ages. Jealousy, revenge and a love which is not quite right live within the walls of these houses. Here, the places are not born evil; they are made evil by common human emotions allowed to fester and never laid to rest. 

I have read it at least five times and love it still. Barbara Michaels is one of my favorite Gothic writers, and this book holds a vast place in… show more.

Anne Rice is a wonderful poet disguised as a novelist who creates dreamy and eerie landscapes in this book. She paints backdrops of multiple settings and weaves those landscapes with the mood of her characters: modern and bustling San Francisco to mysterious and moody New Orleans.

The plot involves an analytical science girl who is suddenly immersed in a mysterious past that includes witches and other supernatural beings. It explores the roots of societal misogyny by recapping the history of the Mayfair clan and an unleashed demon spirit that haunts the family, all with a romance lurking in the subplot.

It is written like a dark fairy tale that weaves a contemporary world with supernatural elements. Don’t miss this!

Published in 1834, this one amplifies Ann Radcliffe's Gothic-ness to eleven. I loved the story because it's fun, wild, gloomy, rogue, and riveting, like a gripping telenovela. 

The plot is all about inheritance, family drama, illegitimate sons, and revenge. It features villains, gypsies, apparitions, corpses, evil priests, murders, curses, and the famous highwayman Dick Turpin and his mare Black Bess. It recounts Turpin's midnight ride through the English countryside as he flees capture, and like it, the entire novel is a wild ride. 

Though a bit antiquated and with "songs" aplenty—which Ainsworth himself lamented had been lost in British literature and tried to resurrect—its gloomy and despairing story captivated me. The book begins at night inside a mausoleum, where the sexton Peter Bradley tells his grandson Luke his family history.

Right off the bat, we have a desecration and a rotting hand; how much more Gothic can this story be?

The shocking twists alone are enough to satisfy readers eager for turmoil and drama in an unsettling Gothic environment, but Marshall deftly creates a shadowy world with its own rules, with a sure hand.

As mist settles over the landscape as well as our protagonist’s memories, something rotten in this ancestral home calls to her through a labyrinth of architecture that is slightly off. The antagonistic distant family intimidates Helen as the house settles into her bones and dreams, steeling readers for a stunning final act that will keep their hearts pounding well after setting this book down.

This is one of the most thoroughly enjoyable books I’ve read in recent memory.

Roiling fog and shadows cloak the evil at the heart of this tale of hidden pasts and restrained magic.

Strange occurrences and vague prophecies push our cast of characters together, even if they would rather not be, creating an unsettling dynamic between the forces at work in the small town of Four Paths.

Violet doesn’t seem to fit in, but as a descendant of one of the founding families, it’s her destiny to confront what awakens in the woods, as well as her ties to a mysterious and dark legacy. In my opinion, this book is a perfect marriage of a Gothic novel and YA.

In a Glass Darkly is a collection of unusual Gothic tales. The shorter stories provide the foreboding inevitability of the genre, with atmospheric hauntings and ghostly floating eyes. Fans of M. R. James or H. P Lovecraft will appreciate these.

In addition, the collection features two novella-length stories. Carmilla, an early and influential vampire story, and "The Room At The Dragon Volant", which is a romance horror. Carmilla inspired many of the elements Bram Stoker used in Dracula. Both these longer stories are atmospheric and wonderfully picturesque in their descriptions of the people and places.