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I am a half-Mexican author who grew up in a tiny Alabama town, where I spent my summers playing with sticks in the woods and exploring such distinguished careers as Forest Bandit, Wayward Orphan, and Woodland Fairy Princess. After college, I ran away to New Zealand for seven months and only pretended to be a character from Lord of the Rings on special occasions. Nowadays, I live and work in South Carolina with my clingy (and, unfortunately, non-magical) cat.
I’ve always loved a good Gothic novel, but Moreno-Garcia raised the bar with this book.
Part mystery, part romance, part haunted house story—this novel runs the gamut from eerie to enchanting. The menacing secrets of High Place, set against the backdrop of glamorous 1950s Mexico, drew me into an intriguing plot that was as captivating as it was frightening.
The award-winning author of Gods of Jade and Shadow (one of the 100 best fantasy novels of all time, TIME magazine) returns with a mesmerising feminist Gothic fantasy, in which a glamorous young socialite discovers the haunting secrets of a beautiful old mansion in 1950s Mexico.
He is trying to poison me. You must come for me, Noemi. You have to save me.
When glamorous socialite Noemi Taboada receives a frantic letter from her newlywed cousin begging to be rescued from a mysterious doom, it's clear something is desperately amiss. Catalina has always had a flair for the dramatic, but…
As a writer of Gothic-inflected suspense and horror fiction, I just can’t help it: I love to be scared! We are lucky to be in a time when so many wonderful thrillers, mysteries, suspense, and horror stories are being written and published, but I have a great love for the classics of the genre. These are the books I turn to again and again, not just to marvel at their craft and ingenuity, but to feel the skin prickle on my arms and shoulders and the hairs rise on the back of my neck. Whether for the first or the twentieth time, let these masterworks cast their spells over you.
I have been a fan of Gothic and melodrama since I first watched the 1931 film Frankenstein with Boris Karloff–and I was delighted to discover that the book is even better and so much more than what we’ve ever seen on screen.
Frankenstein’s monster is articulate and soulful in Mary Shelley’s atmospheric, dread-filled original novel, and his plight is all the more moving because of it. She wrote it when she was just 18 years old, still grieving over the death of her first child two years earlier. I feel her aching sorrow on every page.
One of the BBC's '100 Novels That Shaped Our World'
'That rare story to pass from literature into myth' The New York Times
Mary Shelley's chilling Gothic tale was conceived when she was only eighteen, living with her lover Percy Shelley on Lake Geneva. The story of Victor Frankenstein who, obsessed with creating life itself, plunders graveyards for the material to fashion a new being, but whose botched creature sets out to destroy his maker, would become the world's most famous work of horror fiction, and remains a devastating exploration of the limits of human creativity. Based on the third…
I’ve always loved stories that rearrange reality in some simple, allusive way, including movies like Groundhog Day or The Truman Show. They remind me of a quote about Italo Calvino that I first read when I was a teenager and have loved ever since: ‘He holds a mirror up to life, then writes about the mirror.’ I tend not to be attracted to stories that simply depict reality and even less so to stories that completely abandon reality for an invented fantasy world. All my favorite fictions take place somewhere in between, in the blending of the real and the impossible.
Anyone who’s ever taken drugs (or drunk an energy drink) will know that the high always comes at a price: you are not being given new energy; you are just borrowing tomorrow’s energy, and you will pay for it later.
This book tells the story of a man who lives a life of hedonistic depravity but sails through it all, apparently untouched by experience, his face as young and innocent-looking as ever. But all his guilt and fear show up on the face of the portrait of himself that he keeps in his attic. I can’t think of a more perfect example of the novel-as-metaphor.
'A triumph of execution ... one of the best narratives of the "double life" of a Victorian gentleman' Peter Ackroyd
Oscar Wilde's alluring novel of decadence and sin was a succes de scandale on publication. It follows Dorian Gray who, enthralled by his own exquisite portrait, exchanges his soul for eternal youth and beauty. Influenced by his friend Lord Henry Wotton, he is drawn into a corrupt double life, indulging his desires in secret while remaining a gentleman in the eyes of polite society. Only his portrait bears the traces of his depravity. This definitive edition includes a selection of…
Horror has had a place in my life since my parents let me watch horror movies at far too young an age. But horror comes in many forms, and I’ve found that my love for atmosphere supersedes that of cheap thrills. In Gothic literature, atmosphere is everything. Done right, it paints an unsettling picture that builds tension for readers hoping to get lost in a disquieting world. A lover of classics, I was drawn to Gothic texts, from Dracula to the works of Edgar Allen Poe, and my Gothic novel The Alchemy of Moonlight is a love letter to the pioneers who shaped these shadowy worlds for generation of readers.
Anne Rice is a master of atmosphere, and the Mayfair Witches may be her greatest creation, in a sweeping saga of dread-inducing nights and unparalleled depravity.
Hypnotic echoes of the distant past converge upon a modern New Orleans, bringing with it keys to long-lost mysteries, seduction, and death. As magic whirls through this world of witchcraft and creatures shambling from the shadowy crypts of Rice’s imagination, a storm brews, propelling readers toward an explosive climax of unbridled passion and evil that could devour Rowan whole.
As one of my first introductions to what a Gothic novel can do incredibly well, this will always have a special place in my heart.
SOON TO BE A MAJOR TV SHOW, FROM THE NETWORK BEHIND THE WALKING DEAD
'[W]hen I found Rice's work I absolutely loved how she took that genre and (...) made [it] feel so contemporary and relevant' Sarah Pinborough, bestselling author of Behind Her Eyes
'[Rice wrote] in the great tradition of the gothic' Ramsey Campbell, bestselling author of The Hungry Moon
On the veranda of a great New Orleans house, now faded, a mute and fragile woman sits rocking. And the witching hour begins...
Demonstrating once again her gift for spellbinding storytelling and the creation of legend, Anne Rice makes…
Horror has had a place in my life since my parents let me watch horror movies at far too young an age. But horror comes in many forms, and I’ve found that my love for atmosphere supersedes that of cheap thrills. In Gothic literature, atmosphere is everything. Done right, it paints an unsettling picture that builds tension for readers hoping to get lost in a disquieting world. A lover of classics, I was drawn to Gothic texts, from Dracula to the works of Edgar Allen Poe, and my Gothic novel The Alchemy of Moonlight is a love letter to the pioneers who shaped these shadowy worlds for generation of readers.
The shocking twists alone are enough to satisfy readers eager for turmoil and drama in an unsettling Gothic environment, but Marshall deftly creates a shadowy world with its own rules, with a sure hand.
As mist settles over the landscape as well as our protagonist’s memories, something rotten in this ancestral home calls to her through a labyrinth of architecture that is slightly off. The antagonistic distant family intimidates Helen as the house settles into her bones and dreams, steeling readers for a stunning final act that will keep their hearts pounding well after setting this book down.
This is one of the most thoroughly enjoyable books I’ve read in recent memory.
The Haunting of Hill House meets Knives Out in a bid for an inheritance that will leave Helen Vaughan either rich...or dead.
Helen Vaughan doesn't know why she and her mother left their ancestral home at Harrowstone Hall, called Harrow, or why they haven't spoken to their extended family since. So when her grandfather dies, she's shocked to learn that he has left everything—the house, the grounds, and the money—to her. The inheritance comes with one condition: she must stay on the grounds of Harrow for one full year, or she'll be left with nothing.
Horror has had a place in my life since my parents let me watch horror movies at far too young an age. But horror comes in many forms, and I’ve found that my love for atmosphere supersedes that of cheap thrills. In Gothic literature, atmosphere is everything. Done right, it paints an unsettling picture that builds tension for readers hoping to get lost in a disquieting world. A lover of classics, I was drawn to Gothic texts, from Dracula to the works of Edgar Allen Poe, and my Gothic novel The Alchemy of Moonlight is a love letter to the pioneers who shaped these shadowy worlds for generation of readers.
Roiling fog and shadows cloak the evil at the heart of this tale of hidden pasts and restrained magic.
Strange occurrences and vague prophecies push our cast of characters together, even if they would rather not be, creating an unsettling dynamic between the forces at work in the small town of Four Paths.
Violet doesn’t seem to fit in, but as a descendant of one of the founding families, it’s her destiny to confront what awakens in the woods, as well as her ties to a mysterious and dark legacy. In my opinion, this book is a perfect marriage of a Gothic novel and YA.
On the edge of town, a beast haunts the woods, trapped in the Gray, its bonds loosening...
Uprooted from the city, Violet Saunders doesn't have much hope of fitting in at her new school in Four Paths, a town almost buried in the woodlands of rural New York. The fact that she's descended from one of the town's founders doesn't help much, either-her new neighbours treat her with distant respect, and something very like fear. When she meets Justin, May, Isaac, and Harper, all children of founder families, and sees the otherworldly destruction they can wreak, she starts to wonder…
As my debut novel demonstrated, I’m a massive fan of Gothic literature. Compelling stories are found in many genres, but rarely with such atmosphere and style. The freedom and enjoyment of writing in this category are unparalleled, offering an excuse to use language your editor would prefer to eliminate from contemporary fiction.
In a Glass Darkly is a collection of unusual Gothic tales. The shorter stories provide the foreboding inevitability of the genre, with atmospheric hauntings and ghostly floating eyes. Fans of M. R. James or H. P Lovecraft will appreciate these.
In addition, the collection features two novella-length stories. Carmilla, an early and influential vampire story, and "The Room At The Dragon Volant", which is a romance horror. Carmilla inspired many of the elements Bram Stoker used in Dracula. Both these longer stories are atmospheric and wonderfully picturesque in their descriptions of the people and places.
`the ideal reading...for the hours after midnight'
Thus Henry James described the style of supernatural tale of which Sheridan Le Fanu was a master. Known in nineteenth-century Dublin as `The Invisible Prince' because of his reclusive and nocturnal habits, Le Fanu was fascinated by the occult. His writings draw on the Gothic tradition, elements of Irish folklore, and even on the social and political anxieties of his Anglo-Irish contemporaries. In exploring sometimes inexplicable terrors, the tales focus on the unease of the haunted men and women who encounter the supernatural, rather than on the origin or purpose of the visitant.…
As my debut novel demonstrated, I’m a massive fan of Gothic literature. Compelling stories are found in many genres, but rarely with such atmosphere and style. The freedom and enjoyment of writing in this category are unparalleled, offering an excuse to use language your editor would prefer to eliminate from contemporary fiction.
The Monk mixes rich Gothic fiction with wonderfully light comedic moments to create a compelling story that feels more modern than its 1796 publishing date.
The two main concurrent stories allow the plot to develop from the romance of the early chapters into a dark glimmering tale of religion, romance, corruption, and downfall.
The book is gloriously written, especially if you can find a copy prior to the slightly sanitized fourth edition, which was written in response to controversy about the "immorality and wild extravagance" of the original. What better praise could a book obtain?
Matthew Lewis's Gothic masterpiece, depicting a holy man slowly becoming entangled in a web of sin, The Monk is edited with an introduction by Christopher MacLachlan in Penguin Classics.
Savaged by critics for its blasphemy and obscenity, particularly since the author was a Member of Parliament, The Monk soon attracted thousands of readers keen to see if this Gothic novel lived up to its lurid reputation. With acute psychological insight, Lewis shows the diabolical decline of Ambrosio, a worthy superior of the Capuchins of Madrid who is tempted by Matilda, a young girl who has entered his monastery disguised as…
There's no particular reason why I'm the right person to talk about intrusive narrators. I studied math, not literature, in school, though variables can be as tricky as any imaginary character. As an unpopular child, I read a developmentally unhealthy number of books, but tragic backstories are a dime a dozen. I pepper my life with ironic asides to the Reader, but anyone with a devoted Reader (better yet, a dozen of them) can do that. To be honest, you'd probably have come up with a better list than I did. You should give it a shot.
When I first read this series as a child, I was surprised and delighted to find the pseudo-author Lemony Snicket breaking the fourth wall to comment on the pathos of the action, the meaning of obscure words, and the telling of stories.
Behind a veil of whimsy, Lemony gave my child-self a dark metaphor I didn't (yet) realize I needed and a new literary language. I wouldn't be the person I am without him.
Lemony Snicket's The Bad Beginning is the first book in the globally bestselling series A Series of Unfortunate Events. This exclusive gold foiled 20th anniversary hardback gift edition commemorates the miserable fact that every child in the world has wanted this brilliantly funny book for twenty years.
Perfect for fans of Roald Dahl and Mr Gum, young readers of 9 to 11 will adore the mischievously dark humour. Lemony Snicket's 'A Series of Unfortunate Events' has been made into a blockbuster Hollywood film starring Jim Carrey and is also a hit Netflix TV series. Now with new anniversary blurb by…
I've been book-besotted my entire life. I've read, studied, taught, reviewed, and written books. I went to “gradual” school, as John Irving calls it, earning a PhD in literature before gradually realizing that what I really loved was writing. For me, books contain the intellectual challenge of puzzles, the fun of entertainment, the ability to fill souls. They have changed my life, and the best compliments I have received are from readers who say my books have changed theirs. I read widely and indiscriminately (as this list shows) because I believe that good books are found in all genres. But a book about books? What a glorious meta-adventure.
Magical doors that appear out of nowhere, a fantastical book that may not be fiction, some truly sketchy villains, a quest, and an intrepid heroine.
The author had me at fantastical book, but what I love about this novel is the world and character building, that feeling of opening the cover and being somewhere that has nothing to do with ordinary life.
And yet, there is mystery. And romance. A lost father. A daring daughter. You’ll want to race through it, but slow down at the same time, just to savor the ride.
"A gorgeous, aching love letter to stories, storytellers, and the doors they lead us through...absolutely enchanting."—Christina Henry, bestselling author of Alice and Lost Boys
LOS ANGELES TIMES BESTSELLER! Finalist for the 2020 Hugo, Nebula, Locus, and World Fantasy Awards.
In the early 1900s, a young woman embarks on a fantastical journey of self-discovery after finding a mysterious book in this captivating and lyrical debut.
In a sprawling mansion filled with peculiar treasures, January Scaller is a curiosity herself. As the ward of the wealthy Mr. Locke, she feels little different from the artifacts that decorate the halls: carefully maintained, largely…
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