Here are 100 books that These Fleeting Shadows fans have personally recommended if you like
These Fleeting Shadows.
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An avid reader, I began a project in 2012 to read one short story a week in supernatural mysteries, ghost stories, and quiet horror genres. I began with the classic authors: Poe, MR James, Lovecraft, Shelley, Stoker, du Maurier, etc. I began a blog, Reading Fiction Blog, and posted these free stories with my reviews (I’m still posting today). Over the years, it turned into a compendium of fiction. Today, I have nearly 400 short stories by over 150 classic and now contemporary authors in the blog Index. I did this because I wanted to learn more about writing dark fiction and who better to learn from than the masters?
I adore reading atmospheric adventures of mystery, supernatural, and ghostly powers; this book has these values in abundance. Noemi’s alluring character is smart, savvy, and admirably vulnerable. Loved her. At High House in the Mexican countryside, Noemi discovers ghostly entities repeatedly forming blisters across the walls. How mysterious and threatening; I was fascinated.
The best part of the novel for me was the emotional intelligence of the characters because their behavior is both suspiciously rational and heart-stopping clever. Gripping as all heck. This family was obsessed with a relentless desire to rule and control their destiny at all costs via Otherworld powers. Absolutely compelling. I was breathless along with Noemi at every step as she was drawn into the dangers and treacherous family secrets that threatened to kill her.
The award-winning author of Gods of Jade and Shadow (one of the 100 best fantasy novels of all time, TIME magazine) returns with a mesmerising feminist Gothic fantasy, in which a glamorous young socialite discovers the haunting secrets of a beautiful old mansion in 1950s Mexico.
He is trying to poison me. You must come for me, Noemi. You have to save me.
When glamorous socialite Noemi Taboada receives a frantic letter from her newlywed cousin begging to be rescued from a mysterious doom, it's clear something is desperately amiss. Catalina has always had a flair for the dramatic, but…
I am a mother, wife, sister, teacher, artist, officer, and writer. I retired from the USAF after serving active duty and as a reservist as a C-130 navigator, executive officer, and maintenance officer for over 20 years. Currently, I teach physical science in northern California. My main passions have always centered around story-telling, and I have been a lifelong dabbler in writing fiction. With my experiences in male-dominated fields like military aviation and my love of science, I feel particularly drawn to tales involving women striving to overcome obstacles in a male-dominated culture. I enjoy traveling, art, and, most of all, lounging on my sofa and reading.
Anne Rice is a wonderful poet disguised as a novelist who creates dreamy and eerie landscapes in this book. She paints backdrops of multiple settings and weaves those landscapes with the mood of her characters: modern and bustling San Francisco to mysterious and moody New Orleans.
The plot involves an analytical science girl who is suddenly immersed in a mysterious past that includes witches and other supernatural beings. It explores the roots of societal misogyny by recapping the history of the Mayfair clan and an unleashed demon spirit that haunts the family, all with a romance lurking in the subplot.
It is written like a dark fairy tale that weaves a contemporary world with supernatural elements. Don’t miss this!
SOON TO BE A MAJOR TV SHOW, FROM THE NETWORK BEHIND THE WALKING DEAD
'[W]hen I found Rice's work I absolutely loved how she took that genre and (...) made [it] feel so contemporary and relevant' Sarah Pinborough, bestselling author of Behind Her Eyes
'[Rice wrote] in the great tradition of the gothic' Ramsey Campbell, bestselling author of The Hungry Moon
On the veranda of a great New Orleans house, now faded, a mute and fragile woman sits rocking. And the witching hour begins...
Demonstrating once again her gift for spellbinding storytelling and the creation of legend, Anne Rice makes…
Ghost stories have fascinated me since I was a small child, even when they gave me nightmares every night. I've never lived in a haunted house, been part of a cursed family, or been kidnapped by highwaymen and villainous villains, but I've always sensed some people never leave this world. Despite the nightmares, I also believe ghosts aren't always vengeful spirits but loved ones, beings of light who sometimes just want to say hi. I have been writing stories since I learned to write. Ghost stories have always been a part of me, and I hope to shed a different light on this gloomy genre.
This book by Ann Radcliffe was published in 1794, and I read it in the spring of 2020 (yeah, we all remember). It was a welcome respite from my book club books as I sat on my lawn chair accompanying the main character, Emily Saint-Aubert, as she journeyed through the Languedoc. It was a long and arduous journey with long and arduous descriptions, and while I am averse to these, the narrative and language fascinated me. The story pulled me into a moonlit graveyard abutting an ancient convent, then into the languid beauty of 16th-century Venice, the gloomy castle Udolpho, and Signor Montoni's villainous schemes.
This book is the epitome of classic Gothic fiction, a genre of literature that started with Horace Walpole's The Castle of Otranto. But Udolpho sets the bar even higher with its narrative's light and darkness and winding twists.
`Her present life appeared like the dream of a distempered imagination, or like one of those frightful fictions, in which the wild genius of the poets sometimes delighted. Rreflections brought only regret, and anticipation terror.'
Such is the state of mind in which Emily St. Aubuert - the orphaned heroine of Ann Radcliffe's 1794 gothic Classic, The Mysteries of Udolpho - finds herself after Count Montoni, her evil guardian, imprisions her in his gloomy medieval fortress in the Appenines. Terror is the order of the day inside the walls of Udolpho, as Emily struggles against Montoni's rapacious schemes and the…
The thrilling follow-up to RUN, a Finalist for BestThrillers' Book of the Year.
Veronica Walsh’s meticulously created ‘normal’ life was torn apart by the public revelations about her past.She is trying to put the pieces back together when a desperate Mikaela Alonso comes to her asking for help. She…
Horror has had a place in my life since my parents let me watch horror movies at far too young an age. But horror comes in many forms, and I’ve found that my love for atmosphere supersedes that of cheap thrills. In Gothic literature, atmosphere is everything. Done right, it paints an unsettling picture that builds tension for readers hoping to get lost in a disquieting world. A lover of classics, I was drawn to Gothic texts, from Dracula to the works of Edgar Allen Poe, and my Gothic novel The Alchemy of Moonlight is a love letter to the pioneers who shaped these shadowy worlds for generation of readers.
Roiling fog and shadows cloak the evil at the heart of this tale of hidden pasts and restrained magic.
Strange occurrences and vague prophecies push our cast of characters together, even if they would rather not be, creating an unsettling dynamic between the forces at work in the small town of Four Paths.
Violet doesn’t seem to fit in, but as a descendant of one of the founding families, it’s her destiny to confront what awakens in the woods, as well as her ties to a mysterious and dark legacy. In my opinion, this book is a perfect marriage of a Gothic novel and YA.
On the edge of town, a beast haunts the woods, trapped in the Gray, its bonds loosening...
Uprooted from the city, Violet Saunders doesn't have much hope of fitting in at her new school in Four Paths, a town almost buried in the woodlands of rural New York. The fact that she's descended from one of the town's founders doesn't help much, either-her new neighbours treat her with distant respect, and something very like fear. When she meets Justin, May, Isaac, and Harper, all children of founder families, and sees the otherworldly destruction they can wreak, she starts to wonder…
I’ve read crime fiction since I was a kid, starting with Nancy Drew and the mystery magazines—Alfred Hitchcock, Mike Shayne, and Ellery Queen. While in elementary school, I wrote mystery short stories, which my sister illustrated, and we sold them on the street corner for 25 cents apiece. In the nineties, I devoured novels by Patricia Highsmith, Ruth Rendell, and P.D. James. The 2000s introduced another generation of favorite authors, including Belinda Bauer, Chris Whitaker, and Tana French. I love too many to name! My current passion is for novels that I can really sink my teeth into, with complex characters hiding dark secrets.
The first line had me hooked: “It would be inaccurate to say that my childhood was normal before they came.”
That one sentence fired up my imagination, and the story kept me turning the pages late into the night. Libby, an adoptee, unexpectedly inherits a once-grand mansion in London’s Chelsea, only to discover it comes with a grim family history that’s nothing like the fanciful one she’d imagined.
I’m particularly drawn to novels like this one, with multiple narrators and intertwining timelines.
'I swear I didn't breathe the whole time I was reading it. Gripping, pacy, brilliantly twisty.' CLARE MACKINTOSH
'Creepy, intricate and utterly immersive: an excellent holiday read.' GUARDIAN
'A twisty and engrossing story of betrayal and redemption.' IAN RANKIN ____________________________
FROM THE #1 BESTSELLING AUTHOR OF THEN SHE WAS GONE
In a large house in London's fashionable Chelsea, a baby is awake in her cot. Well-fed and cared for, she is happily waiting for someone to pick her up.
In the kitchen lie three decomposing corpses. Close to them is a hastily scrawled note.
As a novelist, I focus on the characters in my books, and the plot is woven around them. I'm a people-watcher, and I remember bits and pieces of the folks I observe—many of which find their way into my novels. As a reader, plot pulls me in, but it is the characters that I remember.As a novelist, I always begin with a cast of characters: I start with a physical quirk, a personality flaw, an offbeat way of seeing things. Then I add a plot. For me, plot is the hardest. There are hundreds of characters swimming around in my imagination (see my first book, Characters in Search of a Novel).
Talk about quirky chararcters and magic! This book is full of them!
Apparently, I am fascinated with agoraphobics and magical themes! Cathal Flood is a horrible old man. He is a hoarder and misanthrope. However, he doesn’t want to go into a home, so he hires Maud to help him sort out his home so he can satisfy all that he is sane and orderly.
But there are saints seeping out of the woodwork and cats are everywhere. This hoarder has stories, and Maud keeps uncovering them, along with hints from the saints who comment on the action. This book is what? A thriller? A study of Irish folklore and the Catholic faith? I don’t know, but I just loved the book.
From the award-winning author of Himself comes a spellbinding and “magically entertaining read” (Good Housekeeping, UK) about a lonely caregiver and a cranky hoarder with a house full of secrets that “will appeal to fans of Tana French and Sophie Hannah, as it charms and unsettles in equal measure” (BookPage).
Maud Drennan is a dedicated caregiver whose sunny disposition masks a deep sadness. A tragic childhood event left her haunted, in the company of a cast of prattling saints who pop in and out of her life like tourists. Other than visiting her agoraphobic neighbor, Maud keeps to herself, finding…
As a mystery author, I’ve long been drawn to stories about missing persons, particularly novels featuring missing mothers. I suspect the special appeal of books about missing moms is because my own mother was M-I-A during my childhood. Whereas my older sisters lost our mother to mental illness at the tender ages of four and seven, in some ways, I was fortunate because I was an infant when our mom was institutionalized and, thus, had never fully bonded with her. And yet, the longing for my mother was ever-present. She left behind a large empty space in our family.
Having grown up in a waterfront community, I couldn’t resist this atmospheric thriller featuring a young woman drawn back to a small Southern town built around a lake. Years ago, her mother had abandoned her, leaving her with her stepfather. Or so she’s always been told.
But as she peels away family secrets and lies, she discovers that her mother never intended to leave her, and she has no idea who hurt her mother or who may be trying to silence her. The plot twists and sense of ever-present dread kept me reading long into the night!
Her father was the town detective. Her mother its most notorious criminal. Now the secrets of Mirror Lake are coming to the surface…and changing everything. "[A] stunning psychological thriller from one of the most insightful writers around” (CrimeReads), don’t miss the latest from Megan Miranda, the instant New York Times bestselling author of All the Missing Girls, The Last to Vanish, and The Only Survivors.
“Miranda…exposes revelation after twisty revelation…Small-town claustrophobia and intimacies alike propel this twist-filled psychological thriller” (Kirkus Reviews, starred review).
As a child I loved reading detective stories, and I still retain strong memories of Tintin and Sherlock Holmes, after which I graduated to Agatha Christie. As an adult my tastes changed and I lost interest in mysteries (with the exception of Edgar Alan Poe). However recently my interests have reversed, partly because I became a grandfather, and partly for the reason that I teach ethics to primary school children, as a volunteer. So it’s possible that Worcester Glendenis is a re-incarnation of me, but as the 12-year-old I wish I had been (as far as my memory can be relied upon to go back 60 years): more emotionally mature and more extrovert.
Katherine is a super-talented writer who has written adult books as well.
In this case she brings her amazing skills to bear on a strong mystery with a female protagonist, a grandad, and a bunch of talented circus performer types. Great use of words, complex plot, good resolution, spooky locations.
“A dazzling tale of wild hope, lingering grief, admirable self-sufficiency, and intergenerational adoration.” —Publishers Weekly (starred review) “Vita tests her own limits, and readers will thrill at her cleverness, tenacity, and close escapes.” —Booklist “A satisfying adventure.” —Kirkus Reviews
From award-winning author Katherine Rundell comes a fast-paced and utterly thrilling adventure driven by the loyalty and love between a grandfather and his granddaughter.
When Vita’s grandfather’s mansion is taken from him by a powerful real estate tycoon, Vita knows it’s up to her to make things right.
With the help of a pickpocket and her new circus friends, Vita creates…
My family was from Morocco and settled in France when I was five. Moreover, we were Jewish in a very Catholic world. Even with my friends, I often felt like I didn’t fit in. I now live in the US and still feel very drawn to stories of people who have felt at odds with their surroundings, who have had a difficult upbringing, who tried so hard to fit in. I find comfort in the book-company of others who also have struggled and yet found their own ways to deal with their difficulties. I have chosen books where the characters felt like friends to me.
Sunny is spending the summer with her grandfather in his retirement community after the family’s plan of a beach vacation is cancelled. I loved the connection between Sunny and her grandfather. Neither one was counting on this long visit and they both make the best of it. At first, it seems there is nothing much for Sunny to do. Luckily she meets the only other kid in the community and they become good friends, bonding over his beloved comics collection.
But there are things Sunny sees and doesn’t tell, secrets that weigh on her, troubling memories of home. From funny moments to poignant ones, I couldn’t put this book down.
Sunny Lewin has been packed off to Florida to live with her grandfather for the summer. At first she thought Florida might be fun -- it is the home of Disney World, after all. But the place where Gramps lives is no amusement park. It's full of . . . old people. Really old people. Luckily, Sunny isn't the only kid around. She meets Buzz, a boy who is completely obsessed with comic books, and soon they're having adventures of their own: facing off against golfball-eating alligators, runaway cats, and mysteriously disappearing neighbors. But the question remains -- why is…
As a reader and a writer, I am drawn to the darker side of human nature. Dysfunctional families, toxic relationships, liars, murderers, bring on the bad. An avid reader of horror and thrillers, I love a jaw-dropping twist. I aim for that feeling in my own novels, opening up reader questions and slowly delivering satisfying answers until the final big reveal. While inside my head is very dark and murdery, outside I live a very normal, law-abiding life, in Tampa with my husband, our four kids, and two dogs.
John Marrs is one of my favorite authors, and this book is what got me hooked on his work. This is not your typical thriller, or your typical plot. So buckle up because you are in for a ride. You think you’ve read about dysfunctional families? Wait until you meet Maggie and Nina. Just your run-of-the-mill mom and daughter, hanging out, eating dinner, until mom gets sent back to the attic where she’s chained and being held captive—um what?! Dark, disturbing, with unreliable narrators, it’s everything I love in a domestic thriller and more.
Nina can never forgive Maggie for what she did. And she can never let her leave.
They say every house has its secrets, and the house that Maggie and Nina have shared for so long is no different. Except that these secrets are not buried in the past.
Every other night, Maggie and Nina have dinner together. When they are finished, Nina helps Maggie back to her room in the attic, and into the heavy chain that keeps her there. Because Maggie has done things to Nina that can't ever be forgiven, and now she is paying the price.