Here are 100 books that Mr. Flood's Last Resort fans have personally recommended if you like
Mr. Flood's Last Resort.
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At the close of World War II, I was born into the peace and prosperity of mid-twentieth century America, but I longed to be transported to an earlier era and a simpler time. I grew up living in an apartment building in New York City, but my spiritual home was Central Park, which served as my wilderness. Clumps of bushes were my woods. Rock outcroppings were my mountains. Books like Heidi and Little House on the Prairie captured my imagination and warmed my heart. But when my beloved father died in my eleventh year, a shadow fell that changed the emotional landscape of my life.
I wasn't an orphan, I wasn’t raised on a farm, and no one teased me for my ordinary brown hair, but my identification with “carrot topped” Anne Shirley was immersive and all consuming. I could smell the flowers and taste the russet apples she delights in, and I could feel the unrelenting joie de vivre that, despite life’s many slings and arrows, courses through her childhood, adolescence, and young adulthood.
This book may date from 1905, but this beloved story of an orphan girl who comes to live with an aging brother and sister on their farm on Prince Edward Island has lost nothing of its irresistible charm. An awkward outsider looking in upon a world she longs to join, outspoken, feisty, wildly imaginative Anne came alive for me and won my heart from the moment I met her on the page.
Anne of Green Gables is the classic children's book by L M Montgomery, the inspiration for the Netflix Original series Anne with an E. Watch it now!
Marilla and Matthew Cuthbert are in for a big surprise. They are waiting for an orphan boy to help with the work at Green Gables - but a skinny, red-haired girl turns up instead. Feisty and full of spirit, Anne Shirley charms her way into the Cuthberts' affection with her vivid imagination and constant chatter. It's not long before Anne finds herself in trouble, but soon it becomes impossible for the Cuthberts to…
During my 25-year journalism career and now, in my books, I’ve specialized in telling powerful, human stories that are often humorous and sometimes laugh-out-loud funny. To me, humor is an essential part of life. Real stories might make us cry, but just as often, they make us laugh. That’s the balance I try to achieve with all my writing.
Humor often comes from putting normal people in absurd situations. That’s what Kevin Wilson does here—setting the lovable loser Lillian in her rich friend’s home, where she’s asked to care for her two young children. Children who, when agitated, tend to burst into flames. This frightens everyone but leaves the kids unhurt.
I found myself laughing and caring at the same time. That’s a neat trick for any author.
A New York Times Bestseller • A Read with Jenna Today Show Book Club Pick!
Named a Best Book of the Year by The New York Times Book Review, The Washington Post, People, Entertainment Weekly, USA Today, TIME, The A.V. Club, Buzzfeed, and PopSugar
“I can’t believe how good this book is.... It’s wholly original. It’s also perfect.... Wilson writes with such a light touch.... The brilliance of the novel [is] that it distracts you with these weirdo characters and mesmerizing and funny sentences and then hits you in a way you didn’t see coming. You’re laughing so hard you…
As a novelist, I focus on the characters in my books, and the plot is woven around them. I'm a people-watcher, and I remember bits and pieces of the folks I observe—many of which find their way into my novels. As a reader, plot pulls me in, but it is the characters that I remember.As a novelist, I always begin with a cast of characters: I start with a physical quirk, a personality flaw, an offbeat way of seeing things. Then I add a plot. For me, plot is the hardest. There are hundreds of characters swimming around in my imagination (see my first book, Characters in Search of a Novel).
Perhaps this was an inspiration for my own novel. It is about Louis, who has not left his house in sixteen years, due to his disfigured face. I won’t ruin the book, but I must say that it is written with great tenderness and understanding, and the characters are luminous.
This book has stayed with me for years. Cohen weaves a bit of magic into his writing, and though the topic is sad on the surface, its two main characters will fill the reader with deep love and great satisfaction.
An off-beat love story alternately deeply moving and laugh-aloud funny. Good Housekeeping Jon Cohen conjures magic, weaving a gentle romantic fantasy of piercing and eccentric beauty. Boston GlobeSince he was disfigured in a fire sixteen years ago, recluse Louis Malone has remained hidden from the prying eyes of his neighbors in the small town of Waverly.Across town, Iris Shula, a lonely and unlovely nurse knows, at thirty-seven, it is unlikely that her Prince Charming will ever appear. But Iris is about to learn how wrong she is.When Louis accidently falls out of his second story window these two kindred souls…
Growing up as a bi-racial Malay Filipina in a country that only recognizes my Malay-Muslim heritage, I have always inadvertently never quite met the standards of what constitutes a “good Malay Muslim woman.” My circumstances have meant I am always drawn to stories of women who strain against the confines of their societies and desire more for themselves than what is considered acceptable by polite society. Whether they achieve their goals by coloring within the lines or straying outside them, their journeys are what continue to inspire me to live my own life as authentically as possible.
I love this novel for its hilarious, unique take on the rage-against-the-patriarchy trope. Elizabeth Zott, the novel’s lead, is a refreshing portrayal of a woman battling the world of mansplaining while doing it in the most stereotypically “female” way—cooking up a storm! As a chemist, her scientific breakdowns of how ingredients chemically react with one another make for many humourous moments on the page.
This is a book that will have you hooting with laughter and rooting alongside the protagonist till the very end. It mirrored the frustrations I have often felt as a working woman and left me vindicated for the times I, too, have “behaved badly” in male company.
NEW YORK TIMES BESTSELLER • GOOD MORNING AMERICA BOOK CLUB PICK • Meet Elizabeth Zott: a “formidable, unapologetic and inspiring” (PARADE) scientist in 1960s California whose career takes a detour when she becomes the unlikely star of a beloved TV cooking show in this novel that is “irresistible, satisfying and full of fuel. It reminds you that change takes time and always requires heat” (The New York Times Book Review).
A BEST BOOK OF THE YEAR: The New York Times, Washington Post, NPR, Oprah Daily, Newsweek, GoodReads
"A unique heroine ... you'll find yourself wishing she wasn’t fictional." —Seattle Times…
Horror has had a place in my life since my parents let me watch horror movies at far too young an age. But horror comes in many forms, and I’ve found that my love for atmosphere supersedes that of cheap thrills. In Gothic literature, atmosphere is everything. Done right, it paints an unsettling picture that builds tension for readers hoping to get lost in a disquieting world. A lover of classics, I was drawn to Gothic texts, from Dracula to the works of Edgar Allen Poe, and my Gothic novel The Alchemy of Moonlight is a love letter to the pioneers who shaped these shadowy worlds for generation of readers.
The shocking twists alone are enough to satisfy readers eager for turmoil and drama in an unsettling Gothic environment, but Marshall deftly creates a shadowy world with its own rules, with a sure hand.
As mist settles over the landscape as well as our protagonist’s memories, something rotten in this ancestral home calls to her through a labyrinth of architecture that is slightly off. The antagonistic distant family intimidates Helen as the house settles into her bones and dreams, steeling readers for a stunning final act that will keep their hearts pounding well after setting this book down.
This is one of the most thoroughly enjoyable books I’ve read in recent memory.
The Haunting of Hill House meets Knives Out in a bid for an inheritance that will leave Helen Vaughan either rich...or dead.
Helen Vaughan doesn't know why she and her mother left their ancestral home at Harrowstone Hall, called Harrow, or why they haven't spoken to their extended family since. So when her grandfather dies, she's shocked to learn that he has left everything—the house, the grounds, and the money—to her. The inheritance comes with one condition: she must stay on the grounds of Harrow for one full year, or she'll be left with nothing.
I’ve read crime fiction since I was a kid, starting with Nancy Drew and the mystery magazines—Alfred Hitchcock, Mike Shayne, and Ellery Queen. While in elementary school, I wrote mystery short stories, which my sister illustrated, and we sold them on the street corner for 25 cents apiece. In the nineties, I devoured novels by Patricia Highsmith, Ruth Rendell, and P.D. James. The 2000s introduced another generation of favorite authors, including Belinda Bauer, Chris Whitaker, and Tana French. I love too many to name! My current passion is for novels that I can really sink my teeth into, with complex characters hiding dark secrets.
The first line had me hooked: “It would be inaccurate to say that my childhood was normal before they came.”
That one sentence fired up my imagination, and the story kept me turning the pages late into the night. Libby, an adoptee, unexpectedly inherits a once-grand mansion in London’s Chelsea, only to discover it comes with a grim family history that’s nothing like the fanciful one she’d imagined.
I’m particularly drawn to novels like this one, with multiple narrators and intertwining timelines.
'I swear I didn't breathe the whole time I was reading it. Gripping, pacy, brilliantly twisty.' CLARE MACKINTOSH
'Creepy, intricate and utterly immersive: an excellent holiday read.' GUARDIAN
'A twisty and engrossing story of betrayal and redemption.' IAN RANKIN ____________________________
FROM THE #1 BESTSELLING AUTHOR OF THEN SHE WAS GONE
In a large house in London's fashionable Chelsea, a baby is awake in her cot. Well-fed and cared for, she is happily waiting for someone to pick her up.
In the kitchen lie three decomposing corpses. Close to them is a hastily scrawled note.
As a child I loved reading detective stories, and I still retain strong memories of Tintin and Sherlock Holmes, after which I graduated to Agatha Christie. As an adult my tastes changed and I lost interest in mysteries (with the exception of Edgar Alan Poe). However recently my interests have reversed, partly because I became a grandfather, and partly for the reason that I teach ethics to primary school children, as a volunteer. So it’s possible that Worcester Glendenis is a re-incarnation of me, but as the 12-year-old I wish I had been (as far as my memory can be relied upon to go back 60 years): more emotionally mature and more extrovert.
Katherine is a super-talented writer who has written adult books as well.
In this case she brings her amazing skills to bear on a strong mystery with a female protagonist, a grandad, and a bunch of talented circus performer types. Great use of words, complex plot, good resolution, spooky locations.
“A dazzling tale of wild hope, lingering grief, admirable self-sufficiency, and intergenerational adoration.” —Publishers Weekly (starred review) “Vita tests her own limits, and readers will thrill at her cleverness, tenacity, and close escapes.” —Booklist “A satisfying adventure.” —Kirkus Reviews
From award-winning author Katherine Rundell comes a fast-paced and utterly thrilling adventure driven by the loyalty and love between a grandfather and his granddaughter.
When Vita’s grandfather’s mansion is taken from him by a powerful real estate tycoon, Vita knows it’s up to her to make things right.
With the help of a pickpocket and her new circus friends, Vita creates…
I am the author of a number of psychological thrillers including The Perfect Family and The Wrong Twin. I like this genre because it really makes your blood pump. For the most part, these are ordinary people who get caught in extraordinary situations so it’s easy to relate. Once you start reading a really good thriller you can’t stop, it’s like riding a roller coaster. It feels exhilarating but it’s totally safe. And the really good ones get you thinking. What would I do in that situation? How would I react?
A child is taken. A family is shattered. But this plays out a little differently than most missing child cases. I definitely did not expect that epic twist. It’s well written and you’ll tear through the pages with the song 99 Red Balloons playing in your head the whole time.
Two girls go missing, decades apart. What would you do if one was your daughter?
Eight-year-old Grace is last seen in a sweetshop. Her mother Emma is living a nightmare. But as her loved ones rally around her, cracks begin to emerge. What are the emails sent between her husband and her sister? Why does her mother take so long to join the search? And is there more to the disappearance of her daughter than meets the eye? Meanwhile, ageing widow Maggie Sharples sees a familiar face in the newspaper. A face that jolts her from the pain of her…
I write mysteries and I love to read them. The mysteries I write are traditional and cozy. The focus is on my sleuth as she solves murders, her relationships, and on the local setting. These past few years I've enjoyed reading mysteries quite a bit edgier than the ones I write. These books are filled with characters that are often unstable or emotionally damaged. The murders are more brutal; the plots are more complex. Psychological thrillers veer off in many directions, and the person narrating the story is not always reliable. You can't take for granted that what a character says is true. Your best bet is to observe the action and enjoy the ride!
This was the first Lisa Jewell mystery I read. When I finished it, I went on to read several more. Kim is thirty-nine and raising her grandson Noah because her daughter Tallulah has disappeared. She and her boyfriend Zach, who lived with Kim, have gone out for the evening and never returned home. The police discover they ended up spending the evening with a group of young people from a nearby school. As the story progresses, we learn more about these young people and about Tallulah's secret relationship with their leader, a volatile woman. And finally we find out what happened that fateful night.
From the #1 New York Times bestselling author of Then She Was Gone comes “her best thriller yet” (Harlan Coben, New York Times bestselling author) about a young couple’s disappearance on a gorgeous summer night, and the mother who will never give up trying to find them.
On a beautiful summer night in a charming English suburb, a young woman and her boyfriend disappear after partying at the massive country estate of a new college friend.
One year later, a writer moves into a cottage on the edge of the woods that border the same estate. Known locally as the…
In addition to being an author, I’m an avid reader, averaging about a book a week. While I enjoy a good historical fiction or NYT bestseller, my go-to is mystery and suspense, and has been since the day my mother first introduced me to Nancy Drew. I’m especially drawn to cold case mysteries, multiple POVs, and complex plots and characters, but I can dive headfirst into a fast-paced beach read with equal pleasure. As a writer by profession, I truly believe reading is the best teacher and I have learned from, and enjoyed, every one of these recommendations immensely. It’s my hope that you'll discover a new-to-you author and love the book you choose.
While not your typical cut-and-dried cold case mystery—the first half of this suspense thriller centers around the present-day case of Maddie Lane, a 12-year-old girl who is either a runaway or abducted from her bedroom—the second half is set four years in the future, and in my opinion, this is where the book really comes into its own. I found the past/present structure—no back and forth, no fancy flashbacks—refreshing, and Mofina does a fine job detailing the scrutiny Maddie’s family faces in the aftermath of her disappearance, while slowly and methodically revealing not only their secrets but their feelings of guilt.
Families with nothing to hide don’t have so many secrets
Life can change in an instant. For Ryan and Karen Lane, it happens on the morning they discover their twelve-year-old daughter’s window open, their beloved Maddie missing from her bed.
Police investigate. Suspicions swirl. A teenage boy admits he was outside her bedroom window the night she disappeared. A halfway house for convicts recently opened in the neighborhood. The Lane family is thrown into turmoil, then detectives turn their sights on them.
No one is ruled out. Not Karen, with her tragic past, who argued with her daughter. Not Ryan,…
