100 books like The Walker in Shadows

When Daniel Roke takes on an unusual job he does it for monetary and personal reasons and has no idea he is risking his life. Dick Francis takes you from Australia to the world of English horseracing with a clever plot that is unexpected and has a really wicked twist. He also can deliver some villains that inspire visceral dislike like no other author and doesn’t let you down in this intense novel. Well done and kept me doing the infamous reading into the night.

Jackson’s Gothic horror flows like black chiffon over a yawing window. That’s how I felt reading about Hill House. I loved the way the house sneaks up with its psychological weights swinging and jarring. Eleanor possesses a dark ambiance. She desperately needed to belong to something or someone, and I couldn’t let go of that.

Her emotions and fears were right there with me. But it was the romantic underbelly that got me: Eleanor’s romance with Hill House. The statuesque gardens, the light, and shadows, all tempted her into its sinister realm. As it tempted me. I felt deeply for Eleanor, wanting to belong to something extraordinary to replace her dull life. Shirley Jackson is quoted as saying, “I delight in what I fear.” This book proves it.

Let’s talk about memorable beginnings and I am talking about the kind that will keep you awake at night. Sanford is gritty and he really pushes the edge with his villains. On that note, he really pushes the edge with his protagonists as well, because Lucas Davenport is one of my favorite cops. Take one very smart (but seriously disturbed villain) and one very smart (but intense cop) and pit them against each other.

As Lucas weaves through the unfathomable workings of the brain of someone who is truly unhinged, he encounters an unholy marriage of two killers who operate on a separate plane yet have a common goal and the result is chilling to say the least.

The Prey novels are never for the faint of heart, but always fast-paced and well-written, suspense being the end game each time.

If as a suspense fan you missed this one, shame on you. Well, let’s picture a haunted castle on Rhine with a murdered magician, an eccentric cast of characters, a very astute detective, and his pragmatic American assistant investigating the crime.

Carr never cheats on plot and he always delivers on drama. His timing is just exquisite. You are given everything but you still have an ah-ha moment (usually more than one) as events unfold. It is a timeless setting and story tension so high that I could see the flicker of the lights and hear the rush of the river.

The twists are so unpredictable you are truly blindsided.

If you like a dramatic setting and unpredictable conflict, I recommend it.

The first in the series of Dave Robicheaux novels, this is handled quite well. The main character is very human, flawed by his own admission by a battle with an addiction to alcohol, but nonetheless is a tough and competent cop who definitely sees—and knows well—the seedier side. Set in the deep south, Burke takes you there with description that is so evocative that you can feel it with every sense, and the danger as the story unravels into a tale of corruption and bloody violence. I really wanted the main character to win this battle and it was one almost literally to the death. If you like great writing and to sit on the edge of your seat (near the bayou, so be careful), this is a must-read.

Published in 1834, this one amplifies Ann Radcliffe's Gothic-ness to eleven. I loved the story because it's fun, wild, gloomy, rogue, and riveting, like a gripping telenovela. 

The plot is all about inheritance, family drama, illegitimate sons, and revenge. It features villains, gypsies, apparitions, corpses, evil priests, murders, curses, and the famous highwayman Dick Turpin and his mare Black Bess. It recounts Turpin's midnight ride through the English countryside as he flees capture, and like it, the entire novel is a wild ride. 

Though a bit antiquated and with "songs" aplenty—which Ainsworth himself lamented had been lost in British literature and tried to resurrect—its gloomy and despairing story captivated me. The book begins at night inside a mausoleum, where the sexton Peter Bradley tells his grandson Luke his family history.

Right off the bat, we have a desecration and a rotting hand; how much more Gothic can this story be?

This book by Ann Radcliffe was published in 1794, and I read it in the spring of 2020 (yeah, we all remember). It was a welcome respite from my book club books as I sat on my lawn chair accompanying the main character, Emily Saint-Aubert, as she journeyed through the Languedoc. It was a long and arduous journey with long and arduous descriptions, and while I am averse to these, the narrative and language fascinated me. The story pulled me into a moonlit graveyard abutting an ancient convent, then into the languid beauty of 16th-century Venice, the gloomy castle Udolpho, and Signor Montoni's villainous schemes.

This book is the epitome of classic Gothic fiction, a genre of literature that started with Horace Walpole's The Castle of Otranto. But Udolpho sets the bar even higher with its narrative's light and darkness and winding twists. 

I love the story, the setting,… show more.

About twenty years ago, I read the opening lines of this book (published in 1955) in the evening and finished the entire book in one sitting. This time, I read it in two sittings and fell in love with it again. 

I love how this short novel straddles several genres—literary fiction, magic realism, surrealist fiction, and Gothic fiction—in its own way. I always enjoy a precise and simple style, at which Juan Rulfo excels. Yet, the narrative and the plot are so complex that it's hard to believe so much fits into one hundred pages. 

This book has all the elements of Gothic fiction in the Mexican style. The gloom and eeriness are palpable in the oppressive heat of the wasteland that is the fictional town of Comala, and only Rulfo could marry such contradictions in one short novel. 

I found Major Rufus Dawes' first-hand account of Antietam to be perhaps the best, most readable of the many soldier accounts available. Not only does Dawes write clear narrative accounts of what he experienced at Antietam, but he offers his own feelings and thoughts on the fighting that take the reader beyond the movements and action. Another thing that I appreciated about Dawes' account is that he frequently offers wider context for the fighting and movements that gives the reader a deeper understanding of why he was experiencing these events (and unlike many other postwar accounts, Dawes avoids using this hindsight to cast blame). Although it naturally only gives the Union side and a small portion of the battle, Dawes' experiences probably generally reflect what it was like to “be there.”

There are many published letters and diaries of Civil War soldiers, but far fewer from black men. This collection, penned by James Henry Gooding, a member of the famed 54th Massachusetts regiment, highlights the military service of a black man, born into slavery but later freed, educated, and keenly observant of the world around him. He enlisted in February 1863, recording his experiences in letters first published in the New Bedford Mercury. Here, they are assembled with insightful editing, illustrations, and an appendix featuring Gooding’s efforts to obtain equal pay for black troops. In September 1863, Gooding wrote President Lincoln, asking pointedly: “Are we Soldiers, or are We Labourers?” Gooding was later captured in battle and sent to Andersonville Prison where he died. His story and his words are invaluable windows into this tumultuous time.