Here are 83 books that Dybbuk fans have personally recommended if you like
Dybbuk.
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I’ve always believed in magic, the kind that’s just around the corner, out of view. I loved books and libraries. So, it was no surprise that I became a teacher, and later, a poet and novelist. Now, as the author of four novels, I want my books to capture what I love best from poetry and teaching: beautiful, unexpected language, a touch of wonder, and themes that probe the big questions of life. A library shows up in most of my novels along with a bit of the fantastic.
What’s a better family secret than a golem tasked with protecting the main character?
Set against World War II in France, remarkable characters that I rooted for faced unspeakable odds. The book is a testament to what makes us human: The power of love and redemption. The golem, Ava, is a fully fleshed character with her own character arc.
'Oh, what a book this is! Hoffman's exploration of the world of good and evil, and the constant contest between them, is unflinching; and the humanity she brings to us - it is a glorious experience. The book builds and builds, as she weaves together, seamlessly, the stories of people in the most desperate of circumstances - and then it delivers with a tremendous punch. It opens up the world ... in a way that is absolutely unique. By the end you may be weeping' Elizabeth Strout, Pulitzer Prize-winning author of Olive…
I come from a rather strange background: southern Italian and Eastern European Jewish. As a child, I heard both Italian (Neapolitan dialect) and Yiddish. I later learned that my maternal grandmother’s brother was the well-known Yiddish poet and playwright, Jacob Adler, creator of Yente (who wrote under the name B. Kovner to avoid confusion with the great actor by that name). I have been involved with what some call the “occult,” “paranormal,” or “supernatural” for many years, and these appear in much of my recent writing. Moreover, The Ibbur’s Taledraws on various elements drawn from the history of my mother’s family, including the fate of some during the Holocaust.
Zimler’s earlier novel,The Last Kabbalist of Lisbon, presented masterful prose in the genres of historical fiction, mystery, and thriller.
The Warsaw Anagrams continued in this vein: a murder mystery set amidst the horrors of the Warsaw Ghetto. For me, it was a “can’t-put-it-down” novel, and I was absolutely captivated by the author’s design. He has the ibbur– in this case, the late Dr. Erik Cohen – tell the story to Heniek Corben, and what a profound tale it is!
To the best of my knowledge, The Warsaw Anagrams was the first novel to present an ibbur, and it prompted my own efforts. I hope that my novella will in turn encourage other authors to consider using this material from the Jewish shtetlach of a lost era.
Autumn 1940. The Nazis seal 400,000 Jews inside a small area of the Polish capital, creating an urban island cut off from the outside world. Erik Cohen, an elderly psychiatrist, is forced to move into a tiny apartment with his niece and his beloved nine-year-old nephew, Adam.
One bitterly cold winter's day, Adam goes missing. The next morning, his body is discovered in the barbed wire surrounding the ghetto. The boy's leg has been cut off, and a tiny piece of string has been left in his mouth.
Soon, another body turns up - this time a girl's, and one…
I come from a rather strange background: southern Italian and Eastern European Jewish. As a child, I heard both Italian (Neapolitan dialect) and Yiddish. I later learned that my maternal grandmother’s brother was the well-known Yiddish poet and playwright, Jacob Adler, creator of Yente (who wrote under the name B. Kovner to avoid confusion with the great actor by that name). I have been involved with what some call the “occult,” “paranormal,” or “supernatural” for many years, and these appear in much of my recent writing. Moreover, The Ibbur’s Taledraws on various elements drawn from the history of my mother’s family, including the fate of some during the Holocaust.
This 1988 anthology provides fifty stories, dating from the medieval period to the last century: from central and eastern Europe, the Middle East, and across northern Africa.
Although we find "possession" in several of the narratives, we do not find the ibbur. Nevertheless, some of the demons who take possession of the living are truly evil, and perhaps thus similar to the dybbukin that regard. Many of the selections read almost like fairy tales, although not all have a "happy ending."
This is by no means a source for the ibbur, but it is a nice introduction to the Jewish supernatural. A few tales are actually rather profound, though most are quite simple. Those unfamiliar with this aspect of Jewish culture might find Schwartz’s anthology a nice place to begin.
Once upon a time in the city of Tunis, a flirtatious young girl was drawn into Lilith's dangerous web by glancing repeatedly at herself in the mirror. It seems that a demon daughter of the legendary Lilith had made her home in the mirror and would soon completely possess the unsuspecting girl. Such tales of terror and the supernatural occupy an honored position in the Jewish folkloric tradition.
Howard Schwartz has superbly translated and retold fifty of the best of these folktales, now collected into one volume for the first time. Gathered from countless sources ranging from the ancient Middle…
I come from a rather strange background: southern Italian and Eastern European Jewish. As a child, I heard both Italian (Neapolitan dialect) and Yiddish. I later learned that my maternal grandmother’s brother was the well-known Yiddish poet and playwright, Jacob Adler, creator of Yente (who wrote under the name B. Kovner to avoid confusion with the great actor by that name). I have been involved with what some call the “occult,” “paranormal,” or “supernatural” for many years, and these appear in much of my recent writing. Moreover, The Ibbur’s Taledraws on various elements drawn from the history of my mother’s family, including the fate of some during the Holocaust.
Perhaps the best-known play in the Yiddish canon, The Dybbuk has spawned other cinematic, dramatic, and literary efforts.
Of course, the dybbukis, by definition, a malevolent entity: a dead spirit unwilling to depart; instead it takes possession of a living person. In Ansky’s play, the pious Khonen was not necessarily “evil,” but he felt betrayed by Leah’s engagement to Menashe, took possession of “his” intended, and had to be exorcised by Rabbi Azriel (with the inevitable tragic consequences).
An ibburis a benevolent spirit, and in my novella, Benjamin works willingly with Miriam, in order to help her complete her last task.Nevertheless, I feel profoundly indebted to Ansky’s masterful drama, particularly because it presents a more sympathetic dybbuk. This treatment prompted me to offer a more modern ibbur!
The Dybbuk, regarded as the classic drama of the Yiddish stage, has long frightened yet fascinated audiences throughout the world. Based on Jewish folklore, its dark implications of mysterious, other-worldly forces at work in a quaint and simple village make for gripping, suspenseful theater. To the Chassidic Jews of eastern Europe, a dybbuk was not a legend or a myth; rather it remained a constant and portentous possibility. During that age of pervasive mysticism, when rabbis became miracle workers and the sinister arts of the Kabbala were fearsomely invoked, it was never doubted that a discontented spirit from the dead…
Heinz Kohler was born in Berlin, Germany, where he grew up before and during World War II. By the war's end, he found himself in rural East Germany and spent years watching the Nazi tyranny give way to a Communist one. Since 1961, he taught economics at Amherst College, while also logging thousands of flight hours as a commercial pilot. These numerous experiences come to life in a powerful tale of war and its aftermath. As David R. Mayhew, Yale University Sterling Professor of Political Science, put it “In novelistic form, this is a riveting child’s-eye account of growing up in Germany under the Nazis and then the Russians. Laced with extraordinary photos and posters from these times, it combines memory with testimony.”
A beautiful novel about Doriel, a European expatriate living in New York, who was a hidden child during the war, while his mother was a member of the Resistance, and who is still haunted by his parents' secrets. A psychoanalyst finally helps him deal with his own ghosts, which reminds me of decades of PTSD I myself inherited from that war and the associated sufferings of family and friends I had to witness.
Now in paperback, Wiesel’s newest novel “reminds us, with force, that his writing is alive and strong. The master has once again found a startling freshness.”—Le Monde des Livres
A European expatriate living in New York, Doriel suffers from a profound sense of desperation and loss. His mother, a member of the Resistance, survived World War II only to die soon after in France in an accident, together with his father. Doriel was a hidden child during the war, and his knowledge of the Holocaust is largely limited to what he finds in movies, newsreels, and books. Doriel’s parents and…
I love noir fiction and the hard-boiled detective novels that often best exemplify the genre. Both Dashiel Hammet’s Sam Spade and Raymond Chander’s Marlowe are two men who will sacrifice everything for the truth, no matter the cost. There is a stark beauty in that. Fantasy, the genre of myth, carries the deepest, most poignant truths. These are the hard truths that can break a hero’s heart, as in Gilgamesh, or give you the bittersweet ending of The Lord of the Rings. Blending them produces some of my favorite stories, stories I love to read as the fog rolls in, listening to the music of heartbreaking jazz.
In this noir story with a philosophical bent, Miles has been hired to track the reincarnation of a demonic guardian by a Tibetan monk on the eve of a visit of the Dali Lama to New York, and Miles finds himself over his head as an apparent gang war erupts in Chinatown, killings that some on the force think he had a role in. He must avoid capture by the cops so that he can find the killer and the demon, if they are not the same, and avoid becoming the demon's next victim.
I loved the weaving of Tibetan myth into a story of gang warfare and revenge.
Miles Landry is trying to put violence behind him when he takes up work as a private detective focused on humdrum adultery cases. But when a Tibetan monk hires him to find a missing person, things get weird fast.
Charged with tracking down the reincarnation of a man possessed by a demonic guardian from the Tibetan Book of the Dead, Miles is plunged into a world of fortune-tellers, gangsters, and tantric rituals. The year is 1991, and a series of grisly murders has rocked New York City in the run up to a visit from the Dalai Lama.
All my books are narrated by either dogs or wolves except two. First, animals are a prevalent force in my life, and I have many. I see them with souls. I have combined them with my love of vampires, werewolves, and monsters. After I read Stephen King’s Salem’s Lot, I was hooked on vampire stories. I hold a master’s degree in English. After teaching writing for a decade, becoming a magazine editor and publisher, and then starting my own writing and editing company, I have published 16 novels. Oddly enough, even with the subject matter, they all are about unconditional love.
I must include my friend Travis Luedke’s book, The Shepherd. It totally took me by surprise. From the uncensored male teen dialogue to the games girls will play, I totally returned to high school. Travis captured the entire clique strata. Mike has had visions that he does not discuss. His life is depressing with an unemployed, alcoholic father. Then, he meets Nadia, a young girl Mike barely avoids hitting with his car. She is mysterious and latches on to Mike. The reader has no idea who she is, where she is from, or why she acts as if she has always known Mike. Neither does Mike. When weird, awful events begin to happen, Nadia is the key. Travis keeps this twisted tale going in high gear and keeps us enthralled all the way to the shocking end.
Skate punks, kleptomaniacs, clairvoyant visions and reincarnation...
THE SHEPHERD is unlike any other Young Adult novel you have ever read.
For me, Mike Evans, a skate punk living in a white-trash trailer park, high school blows.
My dad's an out-of-work drunk. My ex-girlfriend avoids me like the plague. My best friend, Anita, won't keep her hands off me...then there's Moses Lake's champion wrestler. The a-hole is waiting for an excuse to beat my face into the skate park concrete.
Worse, my visions of grisly death are back again, and if I tell anyone what I've seen I might actually cause…
I’m an award-winning author of fiction that always explored existential questions but in a ruminating sort of way. After the loss of my only child, I turned to memoir and wrote Little Matches: A Memoir of Finding Light in the Dark, to tell the story of my search for satisfying answers to the big life questions. I spent months reading the philosophers and visiting people who claimed psi abilities. I sought out books on the paranormal written by critical thinkers, books by people who possessed real-world credentials, and/or had been tested and certified by groups I respected. They opened the door to a fascinating world of ideas and beliefs.
A science teacher who knew that my interest in enduring consciousness was tempered with skepticism recommended I read this book after I lost Caitlin. The author is an investigative journalist, and her essays are dense with in-depth, picked-apart examinations of claims of paranormal phenomena. A good chunk of its pages are devoted to over 400 end-notes. Leslie Kean is a smart and down-to-earth narrator, equipped with an objective yet curious sensibility, and I found Surviving Death to be an addicting read that spoke to my skepticism.
THE INSPIRATION FOR THE NETFLIX ORIGINAL SERIES • An impeccably researched, page-turning investigation, revealing stunning and wide-ranging evidence suggesting that consciousness survives death, from New York Times bestselling author Leslie Kean
“An engaging, personal, and transformative journey that challenges the skeptic and informs us all.”—Harold E. Puthoff, Ph.D., director of the Institute for Advanced Studies at Austin
In this groundbreaking book, award-winning journalist and New York Times bestselling author Leslie Kean investigates the unexplained continuity of the human psyche after death. Here, Kean explores the most compelling case studies of young children reporting verifiable details from past lives, contemporary mediums…
When I was a child, I was fascinated by the supernatural and wanted to believe in the paranormal. On reaching university, I discovered there was no reliable evidence for such phenomena but rather there was a much more satisfying explanation based on the weaknesses and wishes of human psychology. Development is critical to human psychology and as I specialized in children’s thinking, I found more reasons to understand the natural origins of the peculiarities of our reasoning. SuperSense was my first popular science book to expound my ideas, but all of my subsequent books apply similar novel ways of explaining human behaviour from surprising perspectives.
This book examines the psychology of superstition from the perspective of cognitive science and fallibility of human reasoning. Rather than dismissing superstitious behaviour, Vyse provides a comprehensive explanation of why we continue to hold such beliefs as a function of the way our minds work. This was the book that really inspired me to examine the developmental origins of magical thinking.
While we live in a technologically and scientifically advanced age, superstition is as widespread as ever. Not limited to just athletes and actors, superstitious beliefs are common among people of all occupations, educational backgrounds, and income levels.
In this fully updated edition of Believing in Magic, renowned superstition expert Stuart Vyse investigates our tendency towards these irrational beliefs. Superstitions, he writes, are the natural result of several psychological processes, including our human sensitivity to coincidence, a penchant for developing rituals to fill time (to battle nerves, impatience, or both), our efforts to cope with uncertainty, the need for control, and…
Monsters and magic have always had a hook on me, ever since I was just a kid going through a stack of Stephen King paperbacks that I was definitely too young for my brother to have given me – not that many would call his work “fantasy” exactly, despite the amount of vampires ghosts and magic that say otherwise. Urban fantasy, blending those elements with the familiar world we know, is a particular favourite of mine. So much so, that I wrote my own! Granted, the urban area in question is 19th-century Paris, but I say that still counts.
Can you call it “urban fantasy” when most of the action happens in rural areas? You really get a sense of how much young Paxton Locke lost when his mother murdered his father to summon a demon, and how that shapes him in the present into a man who goes out of his way to help others all over the country. Paxton isn’t the only character whose layers we get to dig into either. Without spoiling anything, he does pick up a sidekick in his travels who is more than meets the eye, and the narration occasionally switches to some other colourful characters on their own arcs to intersect Paxton’s.
From Dragon Award nominee Daniel Humphreys Son of a Witch
Family drama is bad enough without adding magic and human sacrifice. Ten years ago, Paxton Locke’s mother killed his father in a mysterious ritual that – thankfully – went incomplete. Now, Paxton makes his living as a roving paranormal investigator, banishing spirits while Mother languishes in jail.
When a terrified ghost warns him of a dangerous, newly-freed entity, Paxton faces a fight far beyond simple exorcism. In a battle for his very soul, will he be able to endure – or simply fade away?
