Here are 88 books that Believing in Magic fans have personally recommended if you like
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When I was a child, I was fascinated by the supernatural and wanted to believe in the paranormal. On reaching university, I discovered there was no reliable evidence for such phenomena but rather there was a much more satisfying explanation based on the weaknesses and wishes of human psychology. Development is critical to human psychology and as I specialized in children’s thinking, I found more reasons to understand the natural origins of the peculiarities of our reasoning. SuperSense was my first popular science book to expound my ideas, but all of my subsequent books apply similar novel ways of explaining human behaviour from surprising perspectives.
This was the book that impelled me to write my own account of superstition. I could have also recommended his masterpiece, The Selfish Gene, which I read as a teenager and got me into science in the first place but this unforgiving attack on religion spurred me to write a more balanced view that considered religion as a naturally emerging consequence of cognitive development. In fairness, The God Delusion does briefly mention evidence in support of a natural inclination, but this is outweighed by an agenda (that I do not share) to eradicate religion as pernicious indoctrination. Whatever your opinion of Dawkins, he is undeniably one of the most gifted science writers with a clarity of argument combined with a poetic beauty of prose.
The God Delusion caused a sensation when it was published in 2006. Within weeks it became the most hotly debated topic, with Dawkins himself branded as either saint or sinner for presenting his hard-hitting, impassioned rebuttal of religion of all types.
His argument could hardly be more topical. While Europe is becoming increasingly secularized, the rise of religious fundamentalism, whether in the Middle East or Middle America, is dramatically and dangerously dividing opinion around the world. In America, and elsewhere, a vigorous dispute between 'intelligent design' and Darwinism is seriously undermining and restricting the teaching of science. In many countries…
As a licensed mental health professional, I once had a client claiming to be demonically possessed, and requested that I get an exorcist to drive the evil spirits out of her body. Instead, I utilized a therapeutic approach to challenge “irrational” beliefs. The problem was gone. I realized that people were prone to strange beliefs and started to read and listen to “experts” who were skeptical in nature. To my surprise, I saw Carl Sagan distinguishing astrology (pseudoscience) from astronomy (science). His talk was clear, convincing, and logical. I was hooked.
Michael Shermer systematically addresses why humans believe weird and extraordinary things. He even makes a case that we are hard-wired for it. Further—and this should make most of us feel better about our strange thinking—he shows how even highly intelligent people sometimes believe in pseudoscience and other extraordinary claims.
This work presents a down-to-earth and sometimes funny survey of a range of contemporary irrationalisms, and explains their empirical and logical flaws. It tackles a variety of topics including creationism, Holocaust denial, race and IQ, cults and alien abductions, and the author looks at the research behind the claims and discredits the pseudoscience involved.
When I was a child, I was fascinated by the supernatural and wanted to believe in the paranormal. On reaching university, I discovered there was no reliable evidence for such phenomena but rather there was a much more satisfying explanation based on the weaknesses and wishes of human psychology. Development is critical to human psychology and as I specialized in children’s thinking, I found more reasons to understand the natural origins of the peculiarities of our reasoning. SuperSense was my first popular science book to expound my ideas, but all of my subsequent books apply similar novel ways of explaining human behaviour from surprising perspectives.
This is an easily accessible book based on Wegner's brilliant work on consciousness and mental control. I have always found Wegner’s work utterly fascinating as it provides such a convincing picture of a mind constantly in a struggle to think coherently – something that I easily recognise in my own conscious awareness. The findings on intrusive implicit thoughts were particularly influential in my own writing about the conflict between dormant thoughts and conscious appraisal that may be factors in why magical thinking surfaces in the rational mind.
In a series of groundbreaking experiments, Daniel M. Wegner told subjects not to think about white bears. Of course, they found it impossible to avoid thinking of the bears--just as it often seems impossible to stop thinking about forbidden foods, a painful memory, or everyday fears and worries. Synthesizing a wealth of scientific knowledge in an accessible, engaging style, this book reveals that the more we attempt to push away or avoid unwanted thoughts, the deeper they take hold. Wegner offers compelling insights into how unpleasant or obsessive thoughts get out of control--and what we can do to break free…
I’ve been interested in philosophy ever since I heard the album Poitier Meets Plato, a product of the 60’s coffee house culture, in which Sidney Poitier reads Plato to jazz music. As a professional philosopher, I investigate the nature of knowledge and reality, and if paranormal claims turn out to be true, many of our beliefs about knowledge and reality may turn out to be false. In an attempt to distinguish the justified from the unjustified—the believable from the unbelievable—I’ve tried to identify the principles of good thinking and sound reasoning that can be used to help us make those distinctions.
I learned from Gilovich the psychological mechanisms that drive us to believe things that aren’t true. We are pattern-recognizing machines, he tells us, designed to make sense of the data we perceive. But when that data is incomplete, ambiguous, or inconsistent, the mechanisms that normally yield correct inferences can lead us astray.
Thomas Gilovich offers a wise and readable guide to the fallacy of the obvious in everyday life.
When can we trust what we believe-that "teams and players have winning streaks," that "flattery works," or that "the more people who agree, the more likely they are to be right"-and when are such beliefs suspect? Thomas Gilovich offers a guide to the fallacy of the obvious in everyday life. Illustrating his points with examples, and supporting them with the latest research findings, he documents the cognitive, social, and motivational processes that distort our thoughts, beliefs, judgments and decisions. In a rapidly changing…
I come from a rather strange background: southern Italian and Eastern European Jewish. As a child, I heard both Italian (Neapolitan dialect) and Yiddish. I later learned that my maternal grandmother’s brother was the well-known Yiddish poet and playwright, Jacob Adler, creator of Yente (who wrote under the name B. Kovner to avoid confusion with the great actor by that name). I have been involved with what some call the “occult,” “paranormal,” or “supernatural” for many years, and these appear in much of my recent writing. Moreover, The Ibbur’s Taledraws on various elements drawn from the history of my mother’s family, including the fate of some during the Holocaust.
This study offers a thorough presentation of the traditional (and non-traditional) Jewish thoughts about various topics, including ghosts and apparitions, magic and superstition, and even reincarnation. However, the main thrust is the analysis of six (presumably) documented accounts of possession by spirits and subsequent exorcisms.
I have listed this work for two reasons. First, it underscores the significance of possession within a community not known for performing exorcisms. Then, more personally, I found the presentation challenging, intriguing, and perhaps even provocative. If such malevolent possession has been documented, why not a benevolent ibbur?
An astonishing book chronicling and dramatizing six documented reports of possession and exorcism in the Jewish experience. Also features a fascinating historical look at the traditional Jewish perspective on reincarnation, ghosts, apparitions, magic and superstition.
As a feminist writer, I first gravitated to light female-driven stories in college as a break from the heavy academic tomes I was reading. I tore through the chick lit section of my local bookstores and realized that there was so much more to the genre than I knew or had heard it given credit for. They explored relatable themes— friendship, injustice, love, loss, sex—while being unapologetically feminine and light. For my own writing, I still read a lot of heavy nonfiction about injustice and smashing the patriarchy, but I keep the lightness by blending the heavy stuff with humor—this genre’s specialty.
I came across this book in the research stage of writing my new novel and from the very beginning I was hooked. I love a good fairytale, in this case Rapunzel, retold as feminist historical fiction. The characters are deliciously multi-faceted, the alternating storylines deftly woven together, and I felt like I was being doled out insights into where we are now as women through the lens of where we’ve been before. Engaging and enlightening. After reading it I felt inspired to read more of her work, write more of my own, and empower as many women as possible.
A Library Journal Best Book of 2014: Historical Fiction
The amazing power and truth of the Rapunzel fairy tale comes alive for the first time in this breathtaking tale of desire, black magic and the redemptive power of love
French novelist Charlotte-Rose de la Force has been banished from the court of Versailles by the Sun King, Louis XIV, after a series of scandalous love affairs. At the convent, she is comforted by an old nun, Sœur Seraphina, who tells her the tale of a young girl who, a hundred years earlier, is sold by her parents for a handful…
As a scientist, I love hard science fiction, especially when the story makes me think about the true nature of reality or takes me on an adventure to places unknown. We’ve all read the classics from Clarke, Heinlein, Bear, or Asimov. But books written decades ago are becoming increasingly dated as society progresses into a new century. (Will people of the future really chain smoke? And why are all the characters men?) Never fear, modern hard sci-fi is alive and well. Here are five recent books that tell an intriguing, uplifting, or awe-inspiring story. Even better than the classics, it’s hard sci-fi for the 21st century!
Peter Cawdron has written a whole series based on various first-contact scenarios, each an independent novel.
Apothecary is one of my favorites. Set in 16th-century England, it follows a young apprentice named Anthony, who works at a London apothecary (a pharmacy). When his blind friend Julia is accused of witchcraft and set to burn at the stake, Anthony seeks help from a member of the aristocracy who harbors a deep secret about her arrival in this medieval land.
The story is accurate, fascinating, and fun, as superstition and primitive technology clashes with advanced alien science. But like all Peter Cawdron stories, at its heart Apothecary is a story of characters struggling to do what’s right.
I write cross-genre fiction with a pen in one hand and a vintage cocktail in the other, filling the romantic void, writing novels when my husband deployed. When in port, we taught swing dancing and have been avid collectors of vintage sewing patterns, retro clothing, and antiques. All of which make appearances in my stories. I’ve always been fascinated with the paranormal and have had some unexplained experiences, some of those made their way into my stories as well. I live in a 1908 home in Texas that may or may not be haunted. I have book reviews, vintage lifestyle tips, recipes, interviews, giveaways, and games on my site!
I was fascinated with the depiction of the 1930s Malaysian dance halls steeped in music, fashion, and dance. As a writer who dabbles in the paranormal, the cultural spirits and supernatural elements were intriguing. The split narrative appealed to me since my Jitterbug Dress series is a dual narrative set in the 1940s and 1990s. The author also set the narrative apart by telling the story in different tenses and POVs (Ren and William’s story is in third person past, while Ji Lin’s story is first person, present). Choo did a great job of juxtaposing the beast or wild animal inside each person, where the line of who we are inside and what we present to society is drawn all while creating tension and suspense, keeping me guessing on how all these narratives intertwine.
THE NEW YORK TIMES BESTSELLER | REESE BOOK CLUB PICK | BBC BIG JUBILEE BETWEEN THE COVERS READ
'It reminds me of Where the Crawdads Sing . . . it's an amazing book' Rhys Stephenson on BBC's Between the Covers
'You won't be able to put this one down!' Reese Witherspoon
They say a tiger that devours too many humans can take the form of a man and walk among us...
In 1930s colonial Malaya, a dissolute British doctor receives a surprise gift of an eleven-year-old Chinese houseboy. Sent as a bequest from an old friend, young Ren has a…
I moved to New York City for school when I was 18 years old and found myself surrounded by people from all over the world. Every fourth person in New York City is an expat. It was fascinating to me and since then I have lived in three countries and done months-long artist residences in Morocco and Ireland. I also read books and stories about cultures from around the world and am particularly enchanted by Africa. Currently, I live on the Pacific coast of Mexico in the city of Mazatlán and have written two children’s books about Mexico.
The illustrations are marvelous and the story is a peek into what it’s like for a child that is different in Russian culture. As a left-handed child she is forced to write and do nearly everything with her right hand except draw. This is the author’s personal story and you can see from the art that her drawing is amazing. I added this book to my list as Russia tops the headlines these days and remembering that children in Russia are just children with their own stories to tell feels important. Also, it’s an incredible book.
Left-handed Anya draws with great passion . . . but only when she's alone.
In Russia, right-handedness is demanded--it is the right way. This cultural expectation stifles young Anya's creativity and artistic spirit as she draws the world around her in secret.
Hiding away from family, teachers, and neighbors, Anya imagines a secret society of famous left-handed artists drawing alongside her. But once her family emigrates from Russia to America, her life becomes less clandestine, and she no longer feels she needs to conceal a piece of her identity.
As a writer from Aotearoa New Zealand who cares deeply about social issues and human rights, I believe fiction has the power to change hearts and minds and bring us all together with greater compassion and understanding. When I was growing up here, there were few books published by Pacific or Māori writers and we were taught little about their customs or mythologies. I’ve loved watching this change over the last forty-odd years (and particularly the last ten years) and can see how access to these stories has not only empowered Māori and Pacific youth and brought them closer to their culture but enriched everyone who lives in our pacific paradise!
Another classic title by one of Aotearoa New Zealand’s most-loved storytellers. This moving story follows the special friendship forged between Jonasi, a lonely deaf-mute pacific islander, and a huge white turtle. It’s a book about isolation and prejudice, and how love can heal all. One review describes it as ‘somewhere between fact and fiction, superstition and the supernatural.’It’s another that’s been made into a fabulous film.
The Silent One is Jonasi, sent from the sea as a baby to grow up in an isolated Pacific village. Separated from the villagers by his silence and their prejudices, Jonasi finds solace in his underwater world where he develops a special relationship with a huge white turtle. However, the superstitious villagers see both Jonasi and the turtle as evil spirits. A series of natural disasters and a struggle for leadership within the village sweep Jonasi toward his strange destiny.
