Here are 41 books that Lilith's Cave fans have personally recommended if you like
Lilith's Cave.
Shepherd is a community of 11,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
I’ve always believed in magic, the kind that’s just around the corner, out of view. I loved books and libraries. So, it was no surprise that I became a teacher, and later, a poet and novelist. Now, as the author of four novels, I want my books to capture what I love best from poetry and teaching: beautiful, unexpected language, a touch of wonder, and themes that probe the big questions of life. A library shows up in most of my novels along with a bit of the fantastic.
What’s a better family secret than a golem tasked with protecting the main character?
Set against World War II in France, remarkable characters that I rooted for faced unspeakable odds. The book is a testament to what makes us human: The power of love and redemption. The golem, Ava, is a fully fleshed character with her own character arc.
'Oh, what a book this is! Hoffman's exploration of the world of good and evil, and the constant contest between them, is unflinching; and the humanity she brings to us - it is a glorious experience. The book builds and builds, as she weaves together, seamlessly, the stories of people in the most desperate of circumstances - and then it delivers with a tremendous punch. It opens up the world ... in a way that is absolutely unique. By the end you may be weeping' Elizabeth Strout, Pulitzer Prize-winning author of Olive…
I come from a rather strange background: southern Italian and Eastern European Jewish. As a child, I heard both Italian (Neapolitan dialect) and Yiddish. I later learned that my maternal grandmother’s brother was the well-known Yiddish poet and playwright, Jacob Adler, creator of Yente (who wrote under the name B. Kovner to avoid confusion with the great actor by that name). I have been involved with what some call the “occult,” “paranormal,” or “supernatural” for many years, and these appear in much of my recent writing. Moreover, The Ibbur’s Taledraws on various elements drawn from the history of my mother’s family, including the fate of some during the Holocaust.
Zimler’s earlier novel,The Last Kabbalist of Lisbon, presented masterful prose in the genres of historical fiction, mystery, and thriller.
The Warsaw Anagrams continued in this vein: a murder mystery set amidst the horrors of the Warsaw Ghetto. For me, it was a “can’t-put-it-down” novel, and I was absolutely captivated by the author’s design. He has the ibbur– in this case, the late Dr. Erik Cohen – tell the story to Heniek Corben, and what a profound tale it is!
To the best of my knowledge, The Warsaw Anagrams was the first novel to present an ibbur, and it prompted my own efforts. I hope that my novella will in turn encourage other authors to consider using this material from the Jewish shtetlach of a lost era.
Autumn 1940. The Nazis seal 400,000 Jews inside a small area of the Polish capital, creating an urban island cut off from the outside world. Erik Cohen, an elderly psychiatrist, is forced to move into a tiny apartment with his niece and his beloved nine-year-old nephew, Adam.
One bitterly cold winter's day, Adam goes missing. The next morning, his body is discovered in the barbed wire surrounding the ghetto. The boy's leg has been cut off, and a tiny piece of string has been left in his mouth.
Soon, another body turns up - this time a girl's, and one…
I come from a rather strange background: southern Italian and Eastern European Jewish. As a child, I heard both Italian (Neapolitan dialect) and Yiddish. I later learned that my maternal grandmother’s brother was the well-known Yiddish poet and playwright, Jacob Adler, creator of Yente (who wrote under the name B. Kovner to avoid confusion with the great actor by that name). I have been involved with what some call the “occult,” “paranormal,” or “supernatural” for many years, and these appear in much of my recent writing. Moreover, The Ibbur’s Taledraws on various elements drawn from the history of my mother’s family, including the fate of some during the Holocaust.
This study offers a thorough presentation of the traditional (and non-traditional) Jewish thoughts about various topics, including ghosts and apparitions, magic and superstition, and even reincarnation. However, the main thrust is the analysis of six (presumably) documented accounts of possession by spirits and subsequent exorcisms.
I have listed this work for two reasons. First, it underscores the significance of possession within a community not known for performing exorcisms. Then, more personally, I found the presentation challenging, intriguing, and perhaps even provocative. If such malevolent possession has been documented, why not a benevolent ibbur?
An astonishing book chronicling and dramatizing six documented reports of possession and exorcism in the Jewish experience. Also features a fascinating historical look at the traditional Jewish perspective on reincarnation, ghosts, apparitions, magic and superstition.
I come from a rather strange background: southern Italian and Eastern European Jewish. As a child, I heard both Italian (Neapolitan dialect) and Yiddish. I later learned that my maternal grandmother’s brother was the well-known Yiddish poet and playwright, Jacob Adler, creator of Yente (who wrote under the name B. Kovner to avoid confusion with the great actor by that name). I have been involved with what some call the “occult,” “paranormal,” or “supernatural” for many years, and these appear in much of my recent writing. Moreover, The Ibbur’s Taledraws on various elements drawn from the history of my mother’s family, including the fate of some during the Holocaust.
Perhaps the best-known play in the Yiddish canon, The Dybbuk has spawned other cinematic, dramatic, and literary efforts.
Of course, the dybbukis, by definition, a malevolent entity: a dead spirit unwilling to depart; instead it takes possession of a living person. In Ansky’s play, the pious Khonen was not necessarily “evil,” but he felt betrayed by Leah’s engagement to Menashe, took possession of “his” intended, and had to be exorcised by Rabbi Azriel (with the inevitable tragic consequences).
An ibburis a benevolent spirit, and in my novella, Benjamin works willingly with Miriam, in order to help her complete her last task.Nevertheless, I feel profoundly indebted to Ansky’s masterful drama, particularly because it presents a more sympathetic dybbuk. This treatment prompted me to offer a more modern ibbur!
The Dybbuk, regarded as the classic drama of the Yiddish stage, has long frightened yet fascinated audiences throughout the world. Based on Jewish folklore, its dark implications of mysterious, other-worldly forces at work in a quaint and simple village make for gripping, suspenseful theater. To the Chassidic Jews of eastern Europe, a dybbuk was not a legend or a myth; rather it remained a constant and portentous possibility. During that age of pervasive mysticism, when rabbis became miracle workers and the sinister arts of the Kabbala were fearsomely invoked, it was never doubted that a discontented spirit from the dead…
Having heard Celtic legends as a kid made me want to either become a leprechaun or a goddess with the power to remake the world’s worst parts. Although I didn’t achieve either, I write about both, as well as other quirky people who march to the rhythm of delightfully offbeat drummers. I so adore eccentric people and jaunty environments, I’ve built a career out of writing them. That has allowed me to capture the sassy voice of the daughter of madcap Hollywood stars, the outrageous garments worn by a cheerfully fake psychic, and the journey of a brokenhearted chef who can’t quote an adage normally to save her life.
Although I don’t usually read dark fantasy, Charlotte and the Demons has become one of my favorite books.
Young Charlotte’s father is an abusive alcoholic, causing his kids’ lives to fall apart. Suddenly, the floor of Charlotte’s closet opens into a gateway to hell. Charlotte’s soon meeting the underworld’s worst baddies. She crushes on Ezequiel, a clerk who does secretarial work for the Old Guy, the Prince of Darkness who seems to have lost control over his underworld.
A plot that turns in the most unexpected ways, the richness of the humor, and the engaging voices of an imaginative range of characters make this novel creative and unique. I wasn’t sure how it would end, but the last chapter absolutely made my heart fill with joy. You’ll love it.
She prayed for an angel, but demons entered her life.
Nine-year old Charlotte lives in Las Vegas amid a hellish scenario of domestic violence. A vision of a beautiful woman on a screen door appears, and she prays for a guardian angel.
She's convinced the vision is of the Virgin Mary.
No dice.
It's the demon Lilith in disguise.
One night, Ezequiel, a fledgling demon of 16, strikes a match in her closet. He steps into her bedroom adorned with both horns and halo. He warns that satanic forces are headed her way, but he can only do so much…
I am a science fiction and fantasy novelist and also a screenwriter and prolific writer of audio dramas for BBC Radio. I began my career many eons ago writing for the crime drama series The Bill and during that period I spent a lot of time mixing with coppers & villains and attending crime scenes. I have a great passion for detective and crime writing as well as all forms of speculative fiction, and I’m a sucker for crime/fantasy mash-ups.
Dante Valentine is a Necromance who works as an investigator for the police—solving murders by conjuring up the spirit of the dead person then asking, ‘Hey, who did this?’ Like Jim Butcher, Lilith blends humour and action, and she locates her stories in a unique futuristic/fantasy world in which demons wear black jeans. These books are afire with narrative energy and also brim with passion and love and eroticism. Dante Valentine is a superb kick-ass heroine and if you like a walk on the dark side, I’d warmly recommend the five volumes in this series.
When the Devil needs a rogue demon killed, who does he call? The Player: Necromance-for-hire Dante Valentine is choosy about her jobs. Hot tempered and with nerves of steel, she can raise the dead like nobody's business. But one rainy Monday morning, everything goes straight to hell. The Score: The Devil hires Dante to eliminate a rogue demon: Vardimal Santino. In return, he will let her live. It's an offer she can't refuse. The Catch: How do you kill something that can't die?
I’ve been an equestrian all of my life, so when I pick up a story that promises horses, I have high expectations. I want to be immersed in the moment, and to be honest, that can be difficult to find. I have put down more ranch romances than I have finished. My cowboys really need to be cowboys, not just hot guys in hats that maybe ride a horse off-screen sometimes. But when I find that special something, I can’t put it down. I hang on for the ride and put the horses up wet. I do wish these places were real. I’d book my ticket in a heartbeat.
The sweeping views of Stargazer Springs Ranch are enough to make me want to visit! It certainly helps that we are first introduced to the ranch through an FMC who is also a photographer and her enthusiasm for the vistas shines brightly. Quaint little cabins, horses, wide-open spaces, and a fishing river set the mood for sweet romance so well. I could spend ages on the ranch discovering each little nook and cranny as the author drops little tidbits for the reader. The ranch house sounds like such a fun place to hang out after a hard day’s work, and with more pies at Thanksgiving than people, you can count me in! I do wish we got to see a bit more of the animals, but I suspect that the more of the series I read, the more will be revealed. I need another trip to Stargazer Springs ASAP!
Holy hot flashes! This blue-eyed dream in a pair of Wranglers is the best-looking cowboy I’ve ever seen. Thankfully, I’m immune to his charms.
After nearly 25 years as a trophy wife, my cheating ex dumped me for a younger woman. Now I’m starting over in a new place with a car, a piddly amount if money in the bank, and an exotic cat. Oh, and a ten-foot pole to keep between me and any man, even the good-looking, boot-wearing Texan who swoops in to help me.
Yes, he makes me remember what it’s like to feel something. But my…
I have pursued escapism in all its forms for most of my life. From studying the otherworlds of ancient civilisations, especially in my native Britain, including Arthurian tales and those of the Welsh Mabinogion to the fictional worlds of Tolkien and Lewis’s Narnia. I am lucky enough to live in the Snowdonia Mountains with a wealth of legends and myth-making landscapes on my doorstep. This led to a practical interest in The Western Mystery Tradition and from there an academic curiosity toward occult societies and their founders. I believe there is a distinct link between our spiritual morality and physical mortality that is worth exploring through experience.
First published in 1956 Dion Fortune recalls her heroine Vivian le Fay, first introduced in The Sea Priestess fifteen years earlier.
In Moon Magic she is conjured as Lilith le Fay, mysterious and alluring. Interestingly, considering Dion Fortune died before finishing the book, its completion was brought about by an acolyte ‘channeling the author’ after her death.
Her play on the dynamic of the male and female polarity allows the story to evolve on different levels, as an interesting, if dated view of a society in need of a spiritual revelation, and a treatise on genuine esoteric practices. Fortune’s clipped prose style gives the reader's imagination free rein, allowing her to influence our understanding of certain concepts and provide an entertaining tale to boot.
Almost 15 years after she first appeared in Sea Priestess, Dion Fortune wrote about her heroine Vivien Le Fay again. In Moon Magic Vivien appears as Lilith Le Fay, and uses her knowledge of moontides to construct an astral temple of Hermetic magic. The viewpoint of Lilith Le Fay is purely pagan, and she is a rebel against society, bent upon its alteration. She may, of course, represent my Freudian subconscious... --'from the Introduction 'Dion Fortune's books sell! Sea Priestess has sold 32,000 copies and Moon Magic has 25,000 copies in print. 'First published in 1938 and 1956, neither Sea…
At the age of seven, already a devoted bookworm, I came upon a large stack of early-20th century children's magazines filled with stories, poems, and especially fairy tales, some the classic kind, and some weird, scary or unfamiliar. I don't know where those dog-eared, well-thumbed annuals came from, or what happened to them afterward – they were lost or given away when our family moved, I suppose. But I have never forgotten them, or the effect they had on my imagination and longings. I've been searching for those long-lost tales ever since... and it finally led me to decide I would just have to write a few of my own.
The 19th-century Scottish writer George MacDonald is said to be the father of the modern fairy tale, inspiring C.S. Lewis, Tolkien, and many others. I chose The Light Princess because I find it his most charming tale: it's about a princess under a wicked spell who has been made weightless, unable to obey the laws of gravity. As in all good fairy tales, a prince eventually comes along to drag her back down to earth. He must sacrifice himself for her, but in the end, it is she who rescues him – from a feminist perspective, a most gratifying conclusion.
George MacDonald (1824-1905), the great nineteenth-century innovator of modern fantasy, influenced not only C. S. Lewis but also such literary masters as Charles Williams and J. R. R. Tolkien. Though his longer fairy tales Lilith and Phantastes are particularly famous, much of MacDonald’s best fantasy writing is found in his shorter stories. In this volume editor Glenn Sadler has compiled some of MacDonald’s finest short works―marvelous fairy tales and stories certain to delight readers familiar with MacDonald and those about to meet him for the first time.
I’m a horror writer to the core, always have been, so few things get me as interested as a great collection of short stories. I can remember a few corkers that really put the wind up me as a kid, and it seems I’ve been chasing that feeling ever since! Australia is my home, and it has a broad and diverse genre scene that deserves a lot more attention – I’ve befriended a great many authors of horror, fantasy, SF, and all points in between, and to a person they are lovely, generous, and talented. I’m doing my part to draw attention to the proliferation of vital voices down here.
Claire is an irreverent delight in person, but you won’t see much of that persona in her stories – this book is heavy with gooey and bizarre body horror that always has a deeply personal context for her characters.
She’s admitted that writing is a vehicle for talking about her epilepsy, but you don’t need to share that with her to relate to the strange changes that take place on her pages.
This is just her first collection, an opening salvo across the bow of Australian horror, so it will be interesting indeed to see how her work evolves and metamorphosises over time – to meet the creature that crawls, slime-slicked and hungry, from the casing of her next books.
This short story collection includes 17 tales of terror. Madeline will never become a woman. William will never become a man. Does June deserve to be human? Does Lilith deserve a heart? If imperfection is crucial to a society’s survival, what makes a monster?
