Here are 100 books that The Warsaw Anagrams fans have personally recommended if you like
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I’ve always believed in magic, the kind that’s just around the corner, out of view. I loved books and libraries. So, it was no surprise that I became a teacher, and later, a poet and novelist. Now, as the author of four novels, I want my books to capture what I love best from poetry and teaching: beautiful, unexpected language, a touch of wonder, and themes that probe the big questions of life. A library shows up in most of my novels along with a bit of the fantastic.
What’s a better family secret than a golem tasked with protecting the main character?
Set against World War II in France, remarkable characters that I rooted for faced unspeakable odds. The book is a testament to what makes us human: The power of love and redemption. The golem, Ava, is a fully fleshed character with her own character arc.
'Oh, what a book this is! Hoffman's exploration of the world of good and evil, and the constant contest between them, is unflinching; and the humanity she brings to us - it is a glorious experience. The book builds and builds, as she weaves together, seamlessly, the stories of people in the most desperate of circumstances - and then it delivers with a tremendous punch. It opens up the world ... in a way that is absolutely unique. By the end you may be weeping' Elizabeth Strout, Pulitzer Prize-winning author of Olive…
I come from a rather strange background: southern Italian and Eastern European Jewish. As a child, I heard both Italian (Neapolitan dialect) and Yiddish. I later learned that my maternal grandmother’s brother was the well-known Yiddish poet and playwright, Jacob Adler, creator of Yente (who wrote under the name B. Kovner to avoid confusion with the great actor by that name). I have been involved with what some call the “occult,” “paranormal,” or “supernatural” for many years, and these appear in much of my recent writing. Moreover, The Ibbur’s Taledraws on various elements drawn from the history of my mother’s family, including the fate of some during the Holocaust.
This 1988 anthology provides fifty stories, dating from the medieval period to the last century: from central and eastern Europe, the Middle East, and across northern Africa.
Although we find "possession" in several of the narratives, we do not find the ibbur. Nevertheless, some of the demons who take possession of the living are truly evil, and perhaps thus similar to the dybbukin that regard. Many of the selections read almost like fairy tales, although not all have a "happy ending."
This is by no means a source for the ibbur, but it is a nice introduction to the Jewish supernatural. A few tales are actually rather profound, though most are quite simple. Those unfamiliar with this aspect of Jewish culture might find Schwartz’s anthology a nice place to begin.
Once upon a time in the city of Tunis, a flirtatious young girl was drawn into Lilith's dangerous web by glancing repeatedly at herself in the mirror. It seems that a demon daughter of the legendary Lilith had made her home in the mirror and would soon completely possess the unsuspecting girl. Such tales of terror and the supernatural occupy an honored position in the Jewish folkloric tradition.
Howard Schwartz has superbly translated and retold fifty of the best of these folktales, now collected into one volume for the first time. Gathered from countless sources ranging from the ancient Middle…
I come from a rather strange background: southern Italian and Eastern European Jewish. As a child, I heard both Italian (Neapolitan dialect) and Yiddish. I later learned that my maternal grandmother’s brother was the well-known Yiddish poet and playwright, Jacob Adler, creator of Yente (who wrote under the name B. Kovner to avoid confusion with the great actor by that name). I have been involved with what some call the “occult,” “paranormal,” or “supernatural” for many years, and these appear in much of my recent writing. Moreover, The Ibbur’s Taledraws on various elements drawn from the history of my mother’s family, including the fate of some during the Holocaust.
This study offers a thorough presentation of the traditional (and non-traditional) Jewish thoughts about various topics, including ghosts and apparitions, magic and superstition, and even reincarnation. However, the main thrust is the analysis of six (presumably) documented accounts of possession by spirits and subsequent exorcisms.
I have listed this work for two reasons. First, it underscores the significance of possession within a community not known for performing exorcisms. Then, more personally, I found the presentation challenging, intriguing, and perhaps even provocative. If such malevolent possession has been documented, why not a benevolent ibbur?
An astonishing book chronicling and dramatizing six documented reports of possession and exorcism in the Jewish experience. Also features a fascinating historical look at the traditional Jewish perspective on reincarnation, ghosts, apparitions, magic and superstition.
A historical thriller set in south London just after World War II, as Britain returns to civilian life and the men return home from the fight, causing the women to leave their wartime roles. The South London Hospital for Women and Children is a hospital, (based on a real place)…
I come from a rather strange background: southern Italian and Eastern European Jewish. As a child, I heard both Italian (Neapolitan dialect) and Yiddish. I later learned that my maternal grandmother’s brother was the well-known Yiddish poet and playwright, Jacob Adler, creator of Yente (who wrote under the name B. Kovner to avoid confusion with the great actor by that name). I have been involved with what some call the “occult,” “paranormal,” or “supernatural” for many years, and these appear in much of my recent writing. Moreover, The Ibbur’s Taledraws on various elements drawn from the history of my mother’s family, including the fate of some during the Holocaust.
Perhaps the best-known play in the Yiddish canon, The Dybbuk has spawned other cinematic, dramatic, and literary efforts.
Of course, the dybbukis, by definition, a malevolent entity: a dead spirit unwilling to depart; instead it takes possession of a living person. In Ansky’s play, the pious Khonen was not necessarily “evil,” but he felt betrayed by Leah’s engagement to Menashe, took possession of “his” intended, and had to be exorcised by Rabbi Azriel (with the inevitable tragic consequences).
An ibburis a benevolent spirit, and in my novella, Benjamin works willingly with Miriam, in order to help her complete her last task.Nevertheless, I feel profoundly indebted to Ansky’s masterful drama, particularly because it presents a more sympathetic dybbuk. This treatment prompted me to offer a more modern ibbur!
The Dybbuk, regarded as the classic drama of the Yiddish stage, has long frightened yet fascinated audiences throughout the world. Based on Jewish folklore, its dark implications of mysterious, other-worldly forces at work in a quaint and simple village make for gripping, suspenseful theater. To the Chassidic Jews of eastern Europe, a dybbuk was not a legend or a myth; rather it remained a constant and portentous possibility. During that age of pervasive mysticism, when rabbis became miracle workers and the sinister arts of the Kabbala were fearsomely invoked, it was never doubted that a discontented spirit from the dead…
I’m an author, reader, and cinephile with a real appetite for all things crime. If it’s a mystery, if it’s a detective story, if there are questionable morals at play in a story with no easy answers and no clear way out, then count me in. I’m also fascinated by the WWII era and was spellbound by the stories my maternal grandfather told me about his time as an infantry soldier in Italy during the war. These passions moved me to write my own novels and continue to inspire me in my embrace of art. I hope you enjoy the books on this list as much as I do!
Winner of the 2022 Edgar Award for Best Novel, James Kestrel’s Five Decembers tells a gripping story of survival that spans the entirety of World War II.
It’s got it all, man, and it is a helluvafantastic read. The story begins in Honolulu, Hawaii, and follows detective Joe McGrady on the trail of a murder that takes him far from home and far from the woman he loves.
Before he knows it, he’s in the middle of the war, in Japan, no less, and nothing for him will ever be the same.
Don’t walk for this one, run, and keep a copy on your shelf. You’re sure to reread it a few times and the cover’s a true beaut.
"War, imprisonment, torture, romance...The novel has an almost operatic symmetry, and Kestrel turns a beautiful phrase." -New York Times
Five Decembers is a gripping thriller, a staggering portrait of war, and a heartbreaking love story, as unforgettable as All the Light We Cannot See.
NOMINATED FOR BEST THRILLER IN THE 2022 BARRY AWARDS
FINALIST FOR THE HAMMETT PRIZE 2021
"Read this book for its palpitating story, its perfect emotional and physical detailing and, most of all, for its unforgettable conjuring of a steamy quicksilver world that will be new to almost…
I have been researching, curating, and writing women’s history for 30 years. I curated the suffragette exhibition Purple, White, and Green at the Museum of London. I wrote The Suffragettes in Pictures; Love and Dirt: The Marriage of Arthur Munby and Hannah Cullwick; Elsie and Mairi Go To War: Two Extraordinary Women on the Western Front; The Criminal Conversation of Mrs Norton, and Rise Up, Women! The Remarkable Lives of the Suffragettes.
I am a public historian, devoted to sharing my research and writing with all. I am a keen podcaster, Youtuber, and guest on television and radio. You could say I’m a heroine addict.
I hope you love my recommendations.
It is the best true crime book I have read in recent years. It is a gripping murder story and tragic romance, and a terrific biography of a thoroughly modern woman trapped between the freedoms earned on the one hand by women’s critical participation in two world wars, and the suffocating conservatism of the 1920s and 1920s. For challenging the status quo Alma Rattenbury paid the heaviest price. On a broader note, this book offers a fascinating slice of women’s lives in the years leading up to the outbreak of the Second World War.
'A case study in human frailty, jealousy and desire ... fascinating.' The Times, Best Books of 2019
'Meticulously researched...superbly evocative and gripping...a narrative that builds with the intensity of an approaching thunderstorm.' The Spectator
'Sean O'Connor can't resist striking a theatrical note in this "biography of murder".' Sunday Times
Adultery, alcoholism, drugs and murder on the suburban streets of Bournemouth.
The Rattenbury case of 1935 was one of the great tabloid sensations of the interwar period. The glamorous femme fatale at the heart of the story dominated the front pages for months, somewhere between the rise of Hitler and the…
At twenty-six I was living in Wuhan. I had been in China for a couple of years and was looking for a change. Not ready to go back home to New Zealand, I made my way across Europe, through the USA, and on to Argentina. Since that visit, I’ve followed Argentina's economic crises and scoured its newspapers for quirky crime stories. I started to send out true crime articles to various magazines. Eventually, I had enough material to write a novel. For years I’ve wanted to find a literary yet straightforward crime novel set in Argentina. The search goes on, but below are the best I’ve come across so far.
An Agatha Christie-style mystery set in Buenos Aires. At two in the morning, Pancho Soler returns drunk to his apartment building on Santa Fe Avenue. He presses the button for the lift, and it arrives with a surprise inside: a beautiful blonde woman, sitting upright, but dead. Many of the suspects who live in the building are recent immigrants from Europe and, as the novel is set in the 1950s, their memories and secrets from WW2 are still fresh. Boris, a Bulgarian chemist who worked for the Nazis, is the most entertaining of the lot. There are the usual red herrings and revelations in the search for the murderer. The young Argentinian detective is a little flat by Christie's standards, but this is a satisfying whodunnit.
Frida Eidinger is young, beautiful and lying dead in the lift of a luxury Buenos Aires apartment block.
It looks like suicide, and yet none of the building's residents can be trusted; the man who discovered her is a womanising drunk; her husband is behaving strangely; and upstairs, a photographer and his sister appear to be hiding something sinister. When Inspector Ericourt and his colleague Blasi are set on the trail of some missing photographs, a disturbing secret past begins to unravel...
One of Argentina's greatest detective stories, Death Going Down is a postwar tale of survival and extortion, obsession…
My love of British crime fiction began when, as a young teen, I discovered Agatha Christie on the shelves of my local library. With Scottish grandparents, I was already well indoctrinated in the “everything British is best” theory, but it was as a student at St. Clare’s College, Oxford, that I fell totally under the spell of the British Isles. No surprise, then, that my Kate Hamilton Mystery series is set in the UK and features an American antiques dealer with a gift for solving crimes. I love to read the classic mysteries of the Golden Age as well as authors today who follow that tradition.
For my last pick, I’ve chosen a novel published near the end of the Golden Age (roughly the 1920s through the 1950s). Author and solicitor Michael Gilbert set his novel in the chambers of Horniman, Birley, and Craine. After the death of the firm’s senior partner, a hermetically sealed deed box is opened, revealing the corpse of Marcus Smallbone, a co-trustee with the late Mr. Horniman of the valuable Ichbod Trust. With the help of newly qualified solicitor Henry Bohun, Chief Inspector Hazelrigg sorts through a maze of lies and misdirection to uncover the surprising perpetrator and motive. Martin Edwards, in the foreword to the Poisoned Pen Press edition, said, “The book blends in masterly fashion, an authentic setting, pleasingly differentiated characters, smoothly readable prose, and a clever puzzle.”
Discover the captivating treasures buried in the British Library's archives. Largely inaccessible to the public until now, these enduring classics were written in the golden age of detective fiction.
"A first-rate job"—New York Times
"A classic of the genre"—Guardian
Horniman, Birley and Craine is a highly respected legal firm with clients drawn from the highest in the land. When a deed box in the office is opened to reveal a corpse, the threat of scandal promises to wreak havoc on the firm's reputation—especially as the murder looks like an inside job. The partners and staff of the firm keep a…
I’m a multi-genre writer who loves hearing the characters’ voices and getting their stories out there in the world. A lot of my characters are shaped by their gifts, whether they have supernatural ones or not. The things that happen to them shape who they are and how they react to future events. I exist on sarcasm, sass, and hot tea, so many of my characters do too.
Logan loses it all. Then her best friend’s charged with murder. Time’s running out and a deranged killer wants her dead.
In the first novel of Davisson’s thrilling, best-selling series, Logan loses her husband, her illusions, the company they built together, her music, and now, probably her job. But when a young glassblower is brutally killed at the local arts festival and her good friend, Thomas Delgado, a Native American artist, is accused of the crime, Logan drops everything to come to his defense.
It doesn’t help that Thomas is refusing to defend himself. As Logan struggles to maintain her…
In the bigoted milieu of 1945, six days after the official end of World War II, Bess Myerson, the daughter of poor Russian immigrants living in the Bronx, remarkably rises to become Miss America, the first —and to date only— Jewish woman to do so. At stake is a $5,000…
I am a storyteller and I conceived The Life of Crime as the ‘life story’ of a fascinating and truly diverse genre. I’ve always been intrigued by the ups and downs of literary lives, and the book explores the rollercoaster careers of writers from across the world. The chapter endnotes contain masses of trivia and information, as well as some original research, that I hope readers will find enjoyable as well as interesting. But The Life ofCrimeisn’t an academic text. It’s a love letter to a genre that I’ve adored for as long as I can remember.
Haycraft was an American commentator and this survey of the history of crime writing up to the Second World War is soundly written and sympathetic. Interestingly, he believed that the locked room puzzle was played out and that authors should avoid it, whereas this type of mystery has enjoyed a significant revival in recent years. Predicting how crime writing will evolve in the future is fraught with danger! Inevitably, Haycraft’s focus was mainly on American and British crime fiction. The limited number of translated mysteries in those days meant that the global reach of crime writing, and the achievements of authors whose first language is not English, has long been under-estimated. Only now is this problem being addressed.
"Genuinely fascinating reading."—The New York Times Book Review "Diverting and patently authoritative."—The New Yorker "Grand and fascinating … a history, a compendium and a critical study all in one, and all first rate."—Rex Stout "A landmark … a brilliant study written with charm and authority."—Ellery Queen "This book is of permanent value. It should be on the shelf of every reader of detective stories."—Erle Stanley Gardner Author Howard Haycraft, an expert in detective fiction, traces the genre's development from the 1840s through the 1940s. Along the way, he charts the innovations of Edgar Allan Poe, Wilkie Collins, and Arthur Conan…
