Here are 100 books that The World That We Knew fans have personally recommended if you like
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I'm a Dutch author and lawyer specialized in international criminal law. My expertise is the role of women leaders in times of conflict, crisis, and change – especially during war and in post-conflict societies. Women are traditionally portrayed as victims, while it is precisely women who show genuine leadership skills in times of conflict, crisis, and change. I've done research on women’s armed resistance in the Netherlands in WWII, and am an expert on the lives and resistance work of Hannie Shaft and the sisters Truus and Freddie Oversteegen. In addition, I've done research in the former Yugoslavia and Rwanda and saw the same patterns in these conflicts and the impact on the generations after.
A remarkable novel about Truus Wijsmuller, a very brave woman in the Netherlands, resisting the Nazis by smuggling Jewish children out of Nazi Germany to the nations that will take them. A very moving and true story. The role of women in the resistance movement in the Netherlands has been neglected or underrepresented for way too long, so this story helps to shed light on the active resistance women carried out in WWII. This is exactly what my platform ‘Sophie’s Women of War’ sheds light on.
The New York Times bestselling author of Beautiful Exiles conjures her best novel yet, a pre-World War II-era story with the emotional resonance of Orphan Train and All the Light We Cannot See, centering on the Kindertransports that carried thousands of children out of Nazi-occupied Europe-and one brave woman who helped them escape to safety.
In 1936, the Nazi are little more than loud, brutish bores to fifteen-year old Stephan Neuman, the son of a wealthy and influential Jewish family and budding playwright whose playground extends from…
I love historical fiction, and with dual timelines, I often find myself identifying with a contemporary character who is trying to solve some mystery from the past. I wrote an article titled Five Questions to Ask Before Writing a Dual Timeline Novel, in which I addressed structure, how to relate the timelines to each other, and how to keep the reader engaged when going back and forth between time periods. I also wrote a blog post about how fitting the pieces together for this kind of work can be a bit like solving a jigsaw puzzle. Each of the novels I’ve recommended is an example of a satisfying final picture.
This is one of my favorite books of all time! Kadish adeptly intertwines the story of Ester in 1660s London with that of two modern academics, the soon-to-retire Helen and the grad student Aaron. As they research a treasure trove of papers they have received, they slowly learn of Ester’s astonishing story.
Academic success is not all that is at stake in the lives of Helen and Aaron, and we carefully follow their trials, too. Kadish wrote an article for the Paris Review in 2018 called “Writing the Lives of Forgotten Women,” which I often think of when creating my own characters.
WINNER OF A NATIONAL JEWISH BOOK AWARD A USA TODAY BESTSELLER "A gifted writer, astonishingly adept at nuance, narration, and the politics of passion."-Toni Morrison Set in London of the 1660s and of the early twenty-first century, The Weight of Ink is the interwoven tale of two women of remarkable intellect: Ester Velasquez, an emigrant from Amsterdam who is permitted to scribe for a blind rabbi, just before the plague hits the city; and Helen Watt, an ailing historian with a love of Jewish history. As the novel opens, Helen has been summoned by a former student to view a…
I love stories about human connection and creativity. I came to writing later in life; I was moved to research and write a memoir about raising our two daughters, both of whom were born deaf. I discovered in my Jewish ancestry two deaf great-great aunts who tied strings to their babies’ wrists at night so that when their babies cried, they would feel the tug in the darkness and wake to care for them. This innovation of connection has shaped me as a mother, a writer, and a reader. In my novel, The Yellow Bird Sings, a mother and daughter stay connected through music and the power of imagination.
I read this magical, mystical novel on an airplane, and had to retrieve a spare t-shirt from my suitcase to sob into! A beautiful, heart-wrenching work about family history, memory, and the power of imagination, the story is narrated by a girl, Lena, who leads her village to imagining their way out of the reality of the Holocaust's horrors. For a time, the villagers are spared, even repaired, until the outside world presses its way in and the myths crack, then shatter.
From the award-winning author of Sons and Daughters of Ease and Plenty and the new story collection, Awayland.
In 1939, the families in a remote Jewish village in Romania feel the war close in on them. Their tribe has moved and escaped for thousands of years- across oceans, deserts, and mountains-but now, it seems, there is nowhere else to go. Danger is imminent in every direction, yet the territory of imagination and belief is limitless. At the suggestion of an eleven-year-old girl and a mysterious stranger who has washed up on the riverbank, the villagers decide to reinvent the world:…
My life and work have been profoundly affected by the central circumstance of my existence: I was born into a very large military Catholic family in the United States of America. As a child surrounded by many others in the 60s, I wrote, performed, and directed family plays with my numerous brothers and sisters. Although I fell in love with a Canadian and moved to Canada, my family of origin still exerts considerable personal influence. My central struggle, coming from that place of chaos, order, and conformity, is to have the courage to live an authentic life based on my own experience of connectedness and individuality, to speak and be heard.
Trapped in her enormous, devout Catholic family in 1963, Annie creates a hilarious campaign of lies when the pope dies and their family friend, Cardinal Stefanucci, is unexpectedly on the shortlist to be elected the first American pope.
Driven to elevate her family to the holiest of holy rollers in the parish, Annie is tortured by her own dishonesty. But when “The Hands” visits her in her bed and when her sister finds herself facing a scandal, Annie discovers her parents will do almost anything to uphold their reputation and keep their secrets safe.
Questioning all she has believed and torn between her own gut instinct and years of Catholic guilt, Annie takes courageous risks to wrest salvation from the tragic sequence of events set in motion by her parents’ betrayal.
I write fiction and poetry in English and translate literary works from Kannada, a South Indian language. I was shortlisted for the Lucien Stryk Asian Translation Prize, and twice in a row for the Montreal International Poetry Prize. I had the Charles Wallace India Trust Fellowship in writing and translation at LAF and UWTSD in 2022. As a reader, I admire original and clever use of language, writing that portrays with humour the profundity in the absurdity of life, that which makes the quotidian quotable – writing that strikes while the ‘irony’ is hot. These are qualities that I think are intuitive in my own writing. I've enjoyed the following books for these reasons.
This book was a present from a friend and I dove into it with no information about the novel or the author.
Many histories come together in it in an unhurried pace, present dots, and let the characters join them. The various perspectives weave and interweave stories and the warps and wefts bring them closer and closer into forming a bigger whole – only to see the knitting is too late by very little.
There are unrecognised talents and relationships, and accidents and serendipity direct the needles. And when the revelation comes, it is to a person bent heavy under a lifetime of acceptance. It is not often that pathos is so poetic.
Leo Gursky taps his radiator each evening to let his upstairs neighbor know he's still alive. But it wasn't always like this: in the Polish village of his youth, he fell in love and wrote a book...Sixty years later and half a world away, fourteen-year-old Alma, who was named after a character in that book, undertakes an adventure to find her namesake and save her family. With virtuosic skill and soaring imaginative power, Nicole Krauss gradually draws these stories together toward a climax of "extraordinary depth and beauty" (Newsday).
I’ve always believed in magic, the kind that’s just around the corner, out of view. I loved books and libraries. So, it was no surprise that I became a teacher, and later, a poet and novelist. Now, as the author of four novels, I want my books to capture what I love best from poetry and teaching: beautiful, unexpected language, a touch of wonder, and themes that probe the big questions of life. A library shows up in most of my novels along with a bit of the fantastic.
Wow. The voice in this book takes my breath away. I’ve never read anything else quite like it.
There’s a plot full of adventure, tragedy, and healing, but mostly, there is Rueben Land and his sister Swede, two of the most compelling characters in literature. The story begins with a miracle when Rueben’s father commands his newly stillborn son to breathe.
Questions about miracles, hope, faith, and redemption pepper the story with no easy answers, again asking: What does it mean to be human? That’s a question all great literature grapples with.
When Israel Finch and Tommy Basca, the town bullies, break into the home of school caretaker Jeremiah Land, wielding a baseball bat and looking for trouble, they find more of it than even they expected. For seventeen-year-old Davey is sitting up in bed waiting for them with a Winchester rifle. His younger brother Reuben has seen their father perform miracles, but Jeremiah now seems as powerless to prevent Davey from being arrested for manslaughter, as he has always been to ease Reuben's daily spungy struggle to breathe. Nor does brave and brilliant nine-year-old Swede, obsessed as she is with the…
I’ve always believed in magic, the kind that’s just around the corner, out of view. I loved books and libraries. So, it was no surprise that I became a teacher, and later, a poet and novelist. Now, as the author of four novels, I want my books to capture what I love best from poetry and teaching: beautiful, unexpected language, a touch of wonder, and themes that probe the big questions of life. A library shows up in most of my novels along with a bit of the fantastic.
Everything about this literary novel captures my imagination, from the beautiful language to the quirky characters and atmospheric setting. It feels as if I’ve stepped into a fairytale with a mystery at the heart of it: a mysterious child has shown up at the local pub, and as the book unspools, we discover the secrets of the town and eventually the secret of the missing girl.
The Armstrongs, Daunt, and Rita are characters as real as any people I know. Part of me still stays in the village of Radcot and wants to share stories at the local pub, The Swan.
From the instant #1 New York Times bestselling author of the “eerie and fascinating” (USA TODAY) The Thirteenth Tale comes a “swift and entrancing, profound and beautiful” (Madeline Miller, internationally bestselling author of Circe) novel about how we explain the world to ourselves, ourselves to others, and the meaning of our lives in a universe that remains impenetrably mysterious.
On a dark midwinter’s night in an ancient inn on the river Thames, an extraordinary event takes place. The regulars are telling stories to while away the dark hours, when the door bursts open on a grievously wounded stranger. In his…
I come from a rather strange background: southern Italian and Eastern European Jewish. As a child, I heard both Italian (Neapolitan dialect) and Yiddish. I later learned that my maternal grandmother’s brother was the well-known Yiddish poet and playwright, Jacob Adler, creator of Yente (who wrote under the name B. Kovner to avoid confusion with the great actor by that name). I have been involved with what some call the “occult,” “paranormal,” or “supernatural” for many years, and these appear in much of my recent writing. Moreover, The Ibbur’s Taledraws on various elements drawn from the history of my mother’s family, including the fate of some during the Holocaust.
Zimler’s earlier novel,The Last Kabbalist of Lisbon, presented masterful prose in the genres of historical fiction, mystery, and thriller.
The Warsaw Anagrams continued in this vein: a murder mystery set amidst the horrors of the Warsaw Ghetto. For me, it was a “can’t-put-it-down” novel, and I was absolutely captivated by the author’s design. He has the ibbur– in this case, the late Dr. Erik Cohen – tell the story to Heniek Corben, and what a profound tale it is!
To the best of my knowledge, The Warsaw Anagrams was the first novel to present an ibbur, and it prompted my own efforts. I hope that my novella will in turn encourage other authors to consider using this material from the Jewish shtetlach of a lost era.
Autumn 1940. The Nazis seal 400,000 Jews inside a small area of the Polish capital, creating an urban island cut off from the outside world. Erik Cohen, an elderly psychiatrist, is forced to move into a tiny apartment with his niece and his beloved nine-year-old nephew, Adam.
One bitterly cold winter's day, Adam goes missing. The next morning, his body is discovered in the barbed wire surrounding the ghetto. The boy's leg has been cut off, and a tiny piece of string has been left in his mouth.
Soon, another body turns up - this time a girl's, and one…
I come from a rather strange background: southern Italian and Eastern European Jewish. As a child, I heard both Italian (Neapolitan dialect) and Yiddish. I later learned that my maternal grandmother’s brother was the well-known Yiddish poet and playwright, Jacob Adler, creator of Yente (who wrote under the name B. Kovner to avoid confusion with the great actor by that name). I have been involved with what some call the “occult,” “paranormal,” or “supernatural” for many years, and these appear in much of my recent writing. Moreover, The Ibbur’s Taledraws on various elements drawn from the history of my mother’s family, including the fate of some during the Holocaust.
This 1988 anthology provides fifty stories, dating from the medieval period to the last century: from central and eastern Europe, the Middle East, and across northern Africa.
Although we find "possession" in several of the narratives, we do not find the ibbur. Nevertheless, some of the demons who take possession of the living are truly evil, and perhaps thus similar to the dybbukin that regard. Many of the selections read almost like fairy tales, although not all have a "happy ending."
This is by no means a source for the ibbur, but it is a nice introduction to the Jewish supernatural. A few tales are actually rather profound, though most are quite simple. Those unfamiliar with this aspect of Jewish culture might find Schwartz’s anthology a nice place to begin.
Once upon a time in the city of Tunis, a flirtatious young girl was drawn into Lilith's dangerous web by glancing repeatedly at herself in the mirror. It seems that a demon daughter of the legendary Lilith had made her home in the mirror and would soon completely possess the unsuspecting girl. Such tales of terror and the supernatural occupy an honored position in the Jewish folkloric tradition.
Howard Schwartz has superbly translated and retold fifty of the best of these folktales, now collected into one volume for the first time. Gathered from countless sources ranging from the ancient Middle…
I come from a rather strange background: southern Italian and Eastern European Jewish. As a child, I heard both Italian (Neapolitan dialect) and Yiddish. I later learned that my maternal grandmother’s brother was the well-known Yiddish poet and playwright, Jacob Adler, creator of Yente (who wrote under the name B. Kovner to avoid confusion with the great actor by that name). I have been involved with what some call the “occult,” “paranormal,” or “supernatural” for many years, and these appear in much of my recent writing. Moreover, The Ibbur’s Taledraws on various elements drawn from the history of my mother’s family, including the fate of some during the Holocaust.
This study offers a thorough presentation of the traditional (and non-traditional) Jewish thoughts about various topics, including ghosts and apparitions, magic and superstition, and even reincarnation. However, the main thrust is the analysis of six (presumably) documented accounts of possession by spirits and subsequent exorcisms.
I have listed this work for two reasons. First, it underscores the significance of possession within a community not known for performing exorcisms. Then, more personally, I found the presentation challenging, intriguing, and perhaps even provocative. If such malevolent possession has been documented, why not a benevolent ibbur?
An astonishing book chronicling and dramatizing six documented reports of possession and exorcism in the Jewish experience. Also features a fascinating historical look at the traditional Jewish perspective on reincarnation, ghosts, apparitions, magic and superstition.
I come from a rather strange background: southern Italian and Eastern European Jewish. As a child, I heard both Italian (Neapolitan dialect) and Yiddish. I later learned that my maternal grandmother’s brother was the well-known Yiddish poet and playwright, Jacob Adler, creator of Yente (who wrote under the name B. Kovner to avoid confusion with the great actor by that name). I have been involved with what some call the “occult,” “paranormal,” or “supernatural” for many years, and these appear in much of my recent writing. Moreover, The Ibbur’s Taledraws on various elements drawn from the history of my mother’s family, including the fate of some during the Holocaust.
Perhaps the best-known play in the Yiddish canon, The Dybbuk has spawned other cinematic, dramatic, and literary efforts.
Of course, the dybbukis, by definition, a malevolent entity: a dead spirit unwilling to depart; instead it takes possession of a living person. In Ansky’s play, the pious Khonen was not necessarily “evil,” but he felt betrayed by Leah’s engagement to Menashe, took possession of “his” intended, and had to be exorcised by Rabbi Azriel (with the inevitable tragic consequences).
An ibburis a benevolent spirit, and in my novella, Benjamin works willingly with Miriam, in order to help her complete her last task.Nevertheless, I feel profoundly indebted to Ansky’s masterful drama, particularly because it presents a more sympathetic dybbuk. This treatment prompted me to offer a more modern ibbur!
The Dybbuk, regarded as the classic drama of the Yiddish stage, has long frightened yet fascinated audiences throughout the world. Based on Jewish folklore, its dark implications of mysterious, other-worldly forces at work in a quaint and simple village make for gripping, suspenseful theater. To the Chassidic Jews of eastern Europe, a dybbuk was not a legend or a myth; rather it remained a constant and portentous possibility. During that age of pervasive mysticism, when rabbis became miracle workers and the sinister arts of the Kabbala were fearsomely invoked, it was never doubted that a discontented spirit from the dead…
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