I love stories about human connection and creativity. I came to writing later in life; I was moved to research and write a memoir about raising our two daughters, both of whom were born deaf. I discovered in my Jewish ancestry two deaf great-great aunts who tied strings to their babies’ wrists at night so that when their babies cried, they would feel the tug in the darkness and wake to care for them. This innovation of connection has shaped me as a mother, a writer, and a reader. In my novel, The Yellow Bird Sings, a mother and daughter stay connected through music and the power of imagination.
As Nazi soldiers round up Jews in their town, Róża and her 5-year-old daughter, Shira, flee, seeking shelter in a neighbor’s barn. Hidden in the hayloft day and night, Shira struggles to stay still and quiet, as music pulses through her and the farmyard outside beckons. To soothe her daughter and pass the time, Róża tells her a story about a girl in an enchanted garden: The girl is forbidden from making a sound, so the yellow bird sings.
In this make-believe world, Róża can shield Shira from the horrors that surround them. But the day comes when their haven is no longer safe, and Róża must make an impossible choice: to keep Shira by her side or give her the chance to survive apart.
The Weight of Ink is a sweeping, expansive story about two brilliant females: a young woman in the 1660s, who becomes the scribe to a blind rabbi and, through feats of great daring, a correspondent with the philosophers of the day; and an aging historian in the 1990s, who fights to gain access to and analyse these correspondences. Kadish highlights how intellectual women of different centuries have coped with restrictions set upon them.
WINNER OF A NATIONAL JEWISH BOOK AWARD A USA TODAY BESTSELLER "A gifted writer, astonishingly adept at nuance, narration, and the politics of passion."-Toni Morrison Set in London of the 1660s and of the early twenty-first century, The Weight of Ink is the interwoven tale of two women of remarkable intellect: Ester Velasquez, an emigrant from Amsterdam who is permitted to scribe for a blind rabbi, just before the plague hits the city; and Helen Watt, an ailing historian with a love of Jewish history. As the novel opens, Helen has been summoned by a former student to view a…
I read this magical, mystical novel on an airplane, and had to retrieve a spare t-shirt from my suitcase to sob into! A beautiful, heart-wrenching work about family history, memory, and the power of imagination, the story is narrated by a girl, Lena, who leads her village to imagining their way out of the reality of the Holocaust's horrors. For a time, the villagers are spared, even repaired, until the outside world presses its way in and the myths crack, then shatter.
From the award-winning author of Sons and Daughters of Ease and Plenty and the new story collection, Awayland.
In 1939, the families in a remote Jewish village in Romania feel the war close in on them. Their tribe has moved and escaped for thousands of years- across oceans, deserts, and mountains-but now, it seems, there is nowhere else to go. Danger is imminent in every direction, yet the territory of imagination and belief is limitless. At the suggestion of an eleven-year-old girl and a mysterious stranger who has washed up on the riverbank, the villagers decide to reinvent the world:…
Every time I open The History of Love—and I return to it again and again—I find myself suspended between tears and laughter reading this gorgeous, emotionally-charged story. It is full of heartbreak and humor about an old man, Leo Gursky and a teenage girl, Alma—and the history, longing, and loneliness that brings them together, and connects all of us.
Leo Gursky taps his radiator each evening to let his upstairs neighbor know he's still alive. But it wasn't always like this: in the Polish village of his youth, he fell in love and wrote a book...Sixty years later and half a world away, fourteen-year-old Alma, who was named after a character in that book, undertakes an adventure to find her namesake and save her family. With virtuosic skill and soaring imaginative power, Nicole Krauss gradually draws these stories together toward a climax of "extraordinary depth and beauty" (Newsday).
The World That We Knew blends realism and magic as a golem—a mystical human-like being, required to follow the demands of its maker— is invoked to protect a 12-year-old girl, Lea, escaping the horrors of the Holocaust. As the golem gains more humanity, the dangers and poignancies mount. A lyrical, heartrending novel about sacrifice, connection, love, and loss.
'Oh, what a book this is! Hoffman's exploration of the world of good and evil, and the constant contest between them, is unflinching; and the humanity she brings to us - it is a glorious experience. The book builds and builds, as she weaves together, seamlessly, the stories of people in the most desperate of circumstances - and then it delivers with a tremendous punch. It opens up the world ... in a way that is absolutely unique. By the end you may be weeping' Elizabeth Strout, Pulitzer Prize-winning author of Olive…
This suspenseful, big-hearted novel is based on the true story of Truus Wijsmuller, a childless Dutch woman who smuggled hundreds of Jewish children to London on the Kindertransport. The story is inspiring and beautiful, and shows the extraordinary power of one person to change the fates of many.
The New York Times bestselling author of Beautiful Exiles conjures her best novel yet, a pre-World War II-era story with the emotional resonance of Orphan Train and All the Light We Cannot See, centering on the Kindertransports that carried thousands of children out of Nazi-occupied Europe-and one brave woman who helped them escape to safety.
In 1936, the Nazi are little more than loud, brutish bores to fifteen-year old Stephan Neuman, the son of a wealthy and influential Jewish family and budding playwright whose playground extends from…
My life and work have been profoundly affected by the central circumstance of my existence: I was born into a very large military Catholic family in the United States of America. As a child surrounded by many others in the 60s, I wrote, performed, and directed family plays with my numerous brothers and sisters. Although I fell in love with a Canadian and moved to Canada, my family of origin still exerts considerable personal influence. My central struggle, coming from that place of chaos, order, and conformity, is to have the courage to live an authentic life based on my own experience of connectedness and individuality, to speak and be heard.
Trapped in her enormous, devout Catholic family in 1963, Annie creates a hilarious campaign of lies when the pope dies and their family friend, Cardinal Stefanucci, is unexpectedly on the shortlist to be elected the first American pope.
Driven to elevate her family to the holiest of holy rollers in the parish, Annie is tortured by her own dishonesty. But when “The Hands” visits her in her bed and when her sister finds herself facing a scandal, Annie discovers her parents will do almost anything to uphold their reputation and keep their secrets safe.
Questioning all she has believed and torn between her own gut instinct and years of Catholic guilt, Annie takes courageous risks to wrest salvation from the tragic sequence of events set in motion by her parents’ betrayal.
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