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I was a foreign correspondent seven time zones from home when my father died of a sudden heart attack. My grief mixed with guilt for never having sat down with him to unravel his vague vignettes about life and loss in the Holocaust. I wondered, how did he survive when so many perished? How much depended on resilience, smarts, or dumb luck? As reporters do, I started digging. I uncovered a Nazi paper trial that tracked his life from home, through ghettos, slave labor, concentration camps, death marches, and more. The tattered documents revealed a man very different from the quiet, quintessential Type-B Dad I knew…or thought I knew.
This novel left me feeling both teary-eyed and ennobled. Superficially, it is about two French sisters living through the Nazi occupation of France during World War II. At its root, however, Hannah deconstructs the essence of survival.
I loved how her characters frame the book’s cosmic questions: What would you do to survive? What compromises would you make? Is it better to fight back aggressively or resist passively? The sisters are of different temperaments and personalities. Each answers these questions differently, painfully. I found myself haunted by these themes long after I put The Nightingale back on the shelf. You will, too.
Soon to be a major motion picture, The Nightingale is a multi-million copy bestseller across the world. It is a heart-breakingly beautiful novel that celebrates the resilience of the human spirit and the endurance of women.
This story is about what it was like to be a woman during World War II when women's stories were all too often forgotten or overlooked . . . Vianne and Isabelle Mauriac are two sisters, separated by years and experience, by ideals and passion and circumstance, each embarking on her own dangerous path towards survival, love and freedom in war-torn France.
Growing up, my mother often shared stories of her evacuation to a small Wiltshire village during World War Two. Far from a warm welcome, the local children viewed the newcomers with suspicion, and they were made to feel unwanted. My mother did, however, form one lifelong friendship that was very important to her. Her tales inspired me to write a novel about an evacuee’s experience for my Creative Writing MA. Living in Dorset at the time, I set my story there. The research was fascinating, allowing me to weave together historical insights with my own memories and experiences of today’s rural life.
The thought of walking around an occupied town in France during WWII terrifies me. The prospect of running into Nazis, looking for any excuse to arrest me, is the thing of nightmares.
But my fears shrink to nothing compared to the experience of blind sixteen-year-old Marie-Laure attempting to navigate war-torn Saint-Malo from the memory of a handmade tabletop model. The strength of courage she shows in this story has never left me.
WINNER OF THE 2015 PULITZER PRIZE FOR FICTION NATIONAL BOOK AWARD FINALIST NEW YORK TIMES BESTSELLER WINNER OF THE CARNEGIE MEDAL FOR FICTION
A beautiful, stunningly ambitious novel about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II
Open your eyes and see what you can with them before they close forever.'
For Marie-Laure, blind since the age of six, the world is full of mazes. The miniature of a Paris neighbourhood, made by her father to teach her the way home. The microscopic…
The Second World War has always fascinated me, starting when I first entered school. The war had just started and it became even more real with each successive class when we were encouraged to buy war-saving stamps. On the home front, we experienced blackouts and mock air raids. Sugar, meat, butter, alcohol, and even gasoline were rationed. My cousins were overseas and in the thick of it. They always made sure I had an airplane model at Christmas. And as the war wound to a close, they sent me a cap from one from one of the German soldiers. It still intrigues me and still lives in my head.
You can feel the danger lurking behind every day as radio journalist Shirer watched Hitler build on one horror after another.
Reynolds writes in a way you can hear him, in a stye that echoed his broadcasts. Even after the declaration of war, “life here is still quite normal… the theatres and movies, all open and jammed.”
And this item when he went to the front: “At last will get a chance–maybe–to see how this German colossus has been doing it, walking through Belgium, Holland and now, Northern France, so fast.”
What I like about Shirer’s approach is that he takes you along with him on every day’s events. There were so many things he touched on that often got missed in other books. I enjoyed being with him each day and you will, too.
By the acclaimed journalist and bestselling author of The Rise and Fall of the Third Reich, this day-by-day, eyewitness account of the momentous events leading up to World War II in Europe is now available in a new paperback edition. CBS radio broadcaster William L. Shirer was virtually unknown in 1940 when he decided there might be a book in the diary he had kept in Europe during the 1930s-specifically those sections dealing with the collapse of the European democracies and the rise of Nazi Germany. Berlin Diary first appeared in 1941, and the timing was perfect. The energy, the…
I came to England on a Rhodes Scholarship from South Africa in 1961 and have been a Professor at the London School of Economics and Brandeis University. I am the Chief Historian of the Global Educational Outreach Project at the POLIN Museum of the History of Polish Jews in Warsaw. My interests are the politics of Eastern Europe, the history of the Jews, and the conflict in the Middle East. I have witnessed the transition from communist rule to democracy in Poland and the end of apartheid in South Africa. There are growing threats to democracy and political pluralism, and I very much hope that these can be successfully resisted.
This book deals with a neglected aspect of Jewish resistance to the Nazis in occupied Eastern Europe. The young women whose activities it describes were determined to respond to the brutal murder of their families and the violent destruction of their communities which they had witnessed. Some of them were as young as 15, and they were active, above all, as couriers linking Jewish resistance groups in more than ninety different cities of Poland. They were also involved in armed actions, bombing German train lines and on one occasion blowing up a town's water supply.
What I found particularly moving is the way it describes in detail the actions of some of the women who engaged in these activities.
'Original and compelling, an untold story of rare and captivating power' Philippe Sands
'A fascinating history about a little-known group who took on the Nazis . . . The individual tales of these courageous young women are remarkable' Independent
'Rescues a long-neglected aspect of history from oblivion, and puts paid to the idea of Jewish, and especially female, passivity during the Holocaust. It is uncompromising, written with passion - and it preserves truly significant knowledge. ... Judy Batalion has uncovered a trove of unknown or forgotten information about the Holocaust of genuine import and impact.'…
I have studied World War 2 for thirty years not so much about the killing, but to see how the Allies developed strategies to win the battles. So many decisions and so many sacrifices were made which give me pause about how great our leaders were even with their mistakes. They orchestrated the war in a grand panorama as well as focused on tactics to take a key bridge. I served in Vietnam but WW2 was different in almost every way. Recently I have focused on the effects of shell shock (WW1) and battle fatigue (WW2) known today as Post Traumatic Stress Disorder. PTSD remains in the forefront from Vietnam to Afghanistan and Iraq. I have even counseled soldiers and families about PTSD.
During August 1944, Joe Mower’s P-38 was shot down, and Nazi forces sent him to Buchenwald—the infamous work camp where tens of thousands died of cruelty, medical experiments, and starvation. It’s a story of survival in the worst of situations.
On August 13, 1944, during his 44th combat mission, Joe Moser's P-38 Lightning was shot down. Captured by Nazi forces, he and his fellow group of Allied fliers were scheduled for execution as “terrorfliegers” and shipped in overcrowded cattle cars to Buchenwald—the infamous work camp where tens of thousands died of cruelty, medical experiments, and starvation. Once a simple farm boy focused on sports and his dream to fly the fastest, meanest fighter plane, Moser now faced some of the worst of Hitler’s ghastly system. From the harrowing and sometimes hilarious experiences of flight training to the dehumanization at the…
I am a long-time journalist and have been passionate about understanding history ever since taking a wonderful AP course in European history in high school. I have read many historical books, both fiction and nonfiction, so it makes sense that my first novel, Rebecca of Ivanhoe, is historical fiction. To be a good journalist and citizen, you have to know and understand history to inform your reporting and try to prevent the bad moments of history from repeating themselves.
This book is the fascinating story of a Sephardic Jewish emigrant in London who, in the 1660s, was permitted to scribe for a blind rabbi even though she was a woman. The narration flips between Esther Velasquez’s remarkable story and an ailing historian in the 21st century who is trying to determine the identity of the mysterious scribe known to scholars only as “aleph.”
I liked this story because it revealed a fascinating window on how women, and particularly Jewish women, were treated in 17th-century Europe.
WINNER OF A NATIONAL JEWISH BOOK AWARD A USA TODAY BESTSELLER "A gifted writer, astonishingly adept at nuance, narration, and the politics of passion."-Toni Morrison Set in London of the 1660s and of the early twenty-first century, The Weight of Ink is the interwoven tale of two women of remarkable intellect: Ester Velasquez, an emigrant from Amsterdam who is permitted to scribe for a blind rabbi, just before the plague hits the city; and Helen Watt, an ailing historian with a love of Jewish history. As the novel opens, Helen has been summoned by a former student to view a…
I love stories about human connection and creativity. I came to writing later in life; I was moved to research and write a memoir about raising our two daughters, both of whom were born deaf. I discovered in my Jewish ancestry two deaf great-great aunts who tied strings to their babies’ wrists at night so that when their babies cried, they would feel the tug in the darkness and wake to care for them. This innovation of connection has shaped me as a mother, a writer, and a reader. In my novel, The Yellow Bird Sings, a mother and daughter stay connected through music and the power of imagination.
I read this magical, mystical novel on an airplane, and had to retrieve a spare t-shirt from my suitcase to sob into! A beautiful, heart-wrenching work about family history, memory, and the power of imagination, the story is narrated by a girl, Lena, who leads her village to imagining their way out of the reality of the Holocaust's horrors. For a time, the villagers are spared, even repaired, until the outside world presses its way in and the myths crack, then shatter.
From the award-winning author of Sons and Daughters of Ease and Plenty and the new story collection, Awayland.
In 1939, the families in a remote Jewish village in Romania feel the war close in on them. Their tribe has moved and escaped for thousands of years- across oceans, deserts, and mountains-but now, it seems, there is nowhere else to go. Danger is imminent in every direction, yet the territory of imagination and belief is limitless. At the suggestion of an eleven-year-old girl and a mysterious stranger who has washed up on the riverbank, the villagers decide to reinvent the world:…
I have always been a lover of love stories, yet it can be difficult to find “love stories” that aren’t put into other boxes or aren’t genre romances. My debut is also a family drama that spans sixty years of the twentieth century, but it’s a love story at its core. It’s sometimes classified as a romance because it’s a love story set on a beach. Still, it doesn’t quite fit into typical romance frameworks, which have characters meet and pulled apart before finally ending up back together. My book, instead, explores the reality of loving someone over decades and building a life together.
I read the book originally in college as part of a Jewish Literature course, and I was struck by the love story inside. The title drew me in immediately, and it was one of those beautifully heartbreaking stories with lines that will stick with you for a lifetime.
“Once upon a time, there was a boy who loved a girl, and her laughter was a question he wanted to spend his whole life answering.” I will never be over this one.
Leo Gursky taps his radiator each evening to let his upstairs neighbor know he's still alive. But it wasn't always like this: in the Polish village of his youth, he fell in love and wrote a book...Sixty years later and half a world away, fourteen-year-old Alma, who was named after a character in that book, undertakes an adventure to find her namesake and save her family. With virtuosic skill and soaring imaginative power, Nicole Krauss gradually draws these stories together toward a climax of "extraordinary depth and beauty" (Newsday).
I’ve always believed in magic, the kind that’s just around the corner, out of view. I loved books and libraries. So, it was no surprise that I became a teacher, and later, a poet and novelist. Now, as the author of four novels, I want my books to capture what I love best from poetry and teaching: beautiful, unexpected language, a touch of wonder, and themes that probe the big questions of life. A library shows up in most of my novels along with a bit of the fantastic.
What’s a better family secret than a golem tasked with protecting the main character?
Set against World War II in France, remarkable characters that I rooted for faced unspeakable odds. The book is a testament to what makes us human: The power of love and redemption. The golem, Ava, is a fully fleshed character with her own character arc.
'Oh, what a book this is! Hoffman's exploration of the world of good and evil, and the constant contest between them, is unflinching; and the humanity she brings to us - it is a glorious experience. The book builds and builds, as she weaves together, seamlessly, the stories of people in the most desperate of circumstances - and then it delivers with a tremendous punch. It opens up the world ... in a way that is absolutely unique. By the end you may be weeping' Elizabeth Strout, Pulitzer Prize-winning author of Olive…
I’m an accidental historian, one that stumbled over a love of history in spite of myself. In school, history was all just dates and places—not the kind of thing to inspire a kid that loved stories about people, not dusty old battles. But then a funny thing happened on the way to an English degree. A few history electives suddenly seemed way more appealing than another round of Austen, and led me to a BA History with Distinction. The first half of the twentieth century is a favorite period, but I say bring on the Renaissance and Viking ships too!
Sarah’s Keykeeps us hoping in spite of ourselves—and despite the terrible odds facing a Jewish family in Paris, 1942. When the police come knocking one night, ten-year-old Sarah has no idea that her family is being rounded up for transport to an internment camp. She locks her little brother in a closet to save him, certain she’ll return the next day. That fateful choice will echo from WWII into the present, where the apartment’s new occupant uncovers long-ago choices and secrets in her own family. For me, though, the real question isn’t whether Sarah can rescue her brother. It’s about the many ways we justify our own ‘us’ and ‘them,’ and the hope that we can learn from history’s lessons.
Paris, July 1942: Sarah, a ten year-old girl, is arrested with her family by the French police in the Vel' d'Hiv' roundup, but not before she locks her younger brother in a cupboard in the family's apartment, thinking that she will be back within a few hours. Paris, May 2002: On Vel' d'Hiv's 60th anniversary, journalist Julia Jarmond is asked to write an article about this black day in France's past. Through her contemporary investigation, she stumbles onto a trail of long-hidden family secrets that connect her to Sarah. Julia finds herself compelled to retrace the girl's ordeal, from that…
