Here are 100 books that Slender Man fans have personally recommended if you like
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Whereas many seek out stories of human triumph and heroic deeds, I have always been captivated by stories that show humanity for what it is–a bastion of innovation and wonder but also a complex and ethically questionable force of nature. I began writing my book when I was twelve years old, and I immediately knew that my characters would not be one-sided, cast in light or shadow. Instead, they would love at times and hate others, try their hardest to do what is right, but sometimes end up doing more harm than good. Remember that a ‘hero’ is a product of perspective when reading these books.
Like The Ballad of Songbirds and Snakes, Frank Herbert’s book tells the story of a man who could be the villain or the hero, depending on who you ask. I love watching how an intelligent yet malleable person can be swept up in feelings of duty, responsibility, and leadership only to make highly questionable decisions.
Paul Atreides’ moral ambiguity is undeniably engineered by the shifting and slimy political landscape of the Dune universe, driving home the idea in my mind that good worldbuilding can set the stage for truly complicated characters.
Before The Matrix, before Star Wars, before Ender's Game and Neuromancer, there was Dune: winner of the prestigious Hugo and Nebula awards, and widely considered one of the greatest science fiction novels ever written.
Melange, or 'spice', is the most valuable - and rarest - element in the universe; a drug that does everything from increasing a person's lifespan to making interstellar travel possible. And it can only be found on a single planet: the inhospitable desert world of Arrakis.
Whoever controls Arrakis controls the spice. And whoever controls the spice controls the universe.
I love to cheer for underdogs, and young women who are in this category have my special devotion. As a child of the 1960s, I remember a time when women didn’t have the same rights and opportunities as men, and we still seem to be fighting it today. Coming from a trauma-based childhood myself, I find myself comparing and contrasting coping mechanisms. Luckily, I haven’t found it necessary to kill anyone with dragon stone or jacked-up hornets so far. It delights me when these girls win, whether they game the system or fight their way with guns and knives.
I fell in love with Katniss from the very beginning. I was the oldest daughter in a single-parent family and had to take over and care for my younger sisters a lot of times because my father was dysfunctional. So I get it. The whole concept is horrifying to me—children forced to kill each other—but following along as Katniss manages to defeat the fate waiting for her inspired me.
I related to how she did most of it on her own, seeing as she had been let down by her mother, her country, and, later, those she thought were friends. Trust is so important and valuable for young people to have, and so easy to destroy.
Sixteen-year-old Katniss Everdeen regards it as a death sentence when she is forced to represent her district in the annual Hunger Games, a fight to the death on live TV. But Katniss has been close to death before - and survival, for her, is second nature. The Hunger Games is a searing novel set in a future with unsettling parallels to our present. Welcome to the deadliest reality TV show ever...
Growing up, I melted into the cinematic universe. And it was always the fantasies that made me feel wonderous. Star Wars, Skyrim, Fallout, Dune, The Hunger Games, you name it, they all sucked me in during the darkest times in life. That’s why I write, for the children and the young adults. I want them to experience my worlds to understand their own. I earned my BFA in Creative Writing at Full Sail University. I hope to translate my books into screenplays while my dream and goal is to watch my own story on the big screen with a bucket of popcorn in my hands.
The Shadow War is a historical fiction story that takes place in the majestic, horrific era of World War II. The word choices and story pace interested me with this story. For the chapter heads, the author used character names to jump from one to the next, and while I believe that’s used a lot in books, I formatted mine quite uniquely from others, transforming the pages into what feels like a cinematic marvel, all thanks to studying the formats of other books.
Inglourious Basterds meets Stranger Things in this dark and thrilling tale of power, shadow, and revenge set during World War II.
World War II is raging, and five teens are looking to make a mark. Daniel and Rebeka seek revenge against the Nazis who slaughtered their family; Simone is determined to fight back against the oppressors who ruined her life and corrupted her girlfriend; Phillip aims to prove that he's better than his worst mistakes; and Liam is searching for a way to control the portal to the shadow world he's uncovered, and the monsters that live within it--before the…
Growing up I read a lot of science fiction: HG Wells, Isaac Asimov, John Wyndham; those kind of authors and their inspiring tales. In my early twenties, I penned a few short stories as I worked as an aeronautical engineer. Always being at the leading edge of technology certainly helped shape my dreams of the future. I have an interest in writing novels that place humankind within a universe [or multiverse] we are only just starting to understand. To date, I have written six novels, two of them extensive short story collections. They are light years from each other, but share the future adventures of mankind in an expansive universe as a common theme.
It’s not often that I rave about a Stephen King novel, but I really loved this one.
It's long, but it does keep you interested. And you almost believe it could happen. The fact that it is about missing and mentally mistreated children lends a contemporary and a futuristic feel to the tale.
Fans will love it, and it will bring a few more to the fold. Recommended.
'It does everything you'd expect of a masterpiece - and it is one' Sunday Express
'Hums and crackles with delicious unease' Independent
'Captivating' The Sunday Times
'An absorbing thriller' Mail on Sunday
NO ONE HAS EVER ESCAPED FROM THE INSTITUTE.
Luke Ellis, a super-smart twelve-year-old with an exceptional gift, is the latest in a long line of kids abducted and taken to a secret government facility, hidden deep in the forest in Maine.
Here, kids with special talents - telekinesis and telepathy - like Luke's new friends Kalisha, Nick and Iris, are subjected to a series of experiments.
History and literature have been my two passions in life, and I’ve been lucky enough to have had a career in both. I’m fascinated in particular by history ‘from below,’ the stories of those disenfranchised – by gender, race, class – from the historical record. My non-fiction books, focusing on oral histories of women, and the Caribbean, reflect this. Untold histories continue in my fiction. My novels are set in WWII, telling parts of its history rarely encountered in the official record – of women trafficked and abused, of survival and misogyny, of the long shadow of war trauma on the soldiers who fought and the society that silenced them.
I think Sebastian Barry is one of the greatest contemporary novelists whose prose unfailingly sings, pirouettes, and enriches. I would recommend all his novels, which take various members of the Dunne or McNulty families over time and place. This particular novel is set in the First World War and follows Willie Dunne as he leaves Dublin to fight for the British, only to find himself caught on the wrong side at the Easter uprising and having to face his own countrymen. It is a brilliant depiction of a young Irish tommy out of his depth in a brutal war, fighting on the side of a country for whom he has mixed loyalties, of the ambivalence and tension of the Irish war of independence, and those caught in its cross hairs.
Praised as a "master storyteller" (The Wall Street Journal) and hailed for his "flawless use of language" (Boston Herald), Irish author and playwright Sebastian Barry has created a powerful new novel about divided loyalties and the realities of war.
Sebastian Barry's latest novel, Days Without End, is now available.
In 1914, Willie Dunne, barely eighteen years old, leaves behind Dublin, his family, and the girl he plans to marry in order to enlist in the Allied forces and face the Germans on the Western Front. Once there, he encounters a horror of violence and gore he could not have imagined…
I’ve been obsessed with travel and novels that feature travel in the narrative since my early teens. A near-death experience at the age of nineteen, forced me to confront my own limited life experiences and encouraged me to travel the globe and see some of the world we live in before it was too late, as there’s nothing worse than too late. Also growing up on an inner city council estate instilled a desire to escape the urban environment and international travel and travel writing satisfied those compelling urges.
First up in Fante’s famous quartet of Bandini novels—The Road to Los Angeles is a literary—Tour De Force. The central narrator—Arturo Bandini—is stuck out in Boulder Colorado, where it is freezing cold, and nothing ever happens. Not surprisingly a young Arturo is keen to escape to warmer climes, and pursue a writing career in Hollywood. Immediately I could relate to the books central idea, as I was keen to do exactly the same at exactly the same age, albeit on the other side of the world. This novel introduces Fante's alter ego Arturo Bandini who reappears in Wait Until Spring, Bandini (1938), Ask the Dust (1939), and Dreams from Bunker Hill (1982). It’s an important first novel by an important American author.
I had a lot of jobs in Los Angeles Harbor because our family was poor and my father was dead. My first job was ditchdigging a short time after I graduated from high school. Every night I couldn’t sleep from the pain in my back. We were digging an excavation in an empty lot, there wasn’t any shade, the sun came straight from a cloudless sky, and I was down in that hole digging with two huskies who dug with a love for it, always laughing and telling jokes, laughing and smoking bitter tobacco.
I’ve been drawn to thought-provoking novels from my early days as a reader, and especially later when my own work took shape. My books tend to deal with life’s big topics––love, loss, creativity, self-discovery, aging, forgiveness, what it means to be a good man, and the climate crisis––so I tend to gravitate to ambitious novels focused on how we humans might evolve in a healthy way. My characters do have flaws, many of them, but in the end, they are resilient and figure out a way to take a step forward. All of the books I mentioned are similar in scope and approach.
The Moviegoer was the first novel I read which had little plot and a great deal of meaning. Basically, it’s about one man’s search for meaning in a world which values shallowness and consumerism above all else. It’s as relevant today as it was when written and the prose is amazing!
Winner of the 1962 National Book Award and one of Time magazine’s 100 Best English-Language Novels, Walker Percy’s debut The Moviegoer is an American masterpiece and a classic of Southern literature. Insightful, romantic, and humorous, it is the story of a young man’s search for meaning amid a shallow consumerist landscape.
Binx Bolling, a young New Orleans stockbroker, fills his days with movies and casual sex. His life offers him nothing worth retaining; what he treasures are scenes from The Third Man or Stagecoach, not the personal experiences he knows other people hold dear. On the cusp of turning thirty,…
From my days as a student in India in the early 1970s through my years in the U.S. Foreign Service with postings in Pakistan, Bangladesh, and Kenya, as well as assignments to the India, Kenya, and Uganda desks at the Department of State, I learned something of the cultures of South Asia and East Africa and gained an appreciation for the peoples of those countries. During the early months of the Covid-19 pandemic, I had the time to write. I developed a novel that was part autobiography and part fiction, and most of which was set in South Asia and East Africa. The result is Danger and Romance in Foreign Lands.
In the early 1980s, when I lived in Lahore, Pakistan, and served on the board of the Lahore American School—an institution that catered to rich Pakistanis and expats whose commercial companies paid the high tuition—I talked to a fourth-grade class whose Pakistani teacher was a close friend. She alerted me twenty years later that one of those students had just published his first novel, describing the fast life of the affluent and often decadent Pakistanis who lived in mansions, partied till dawn, drank heavily, and engaged, it was rumored, in romantic liaisons with each other’s spouses.
Moth Smoke describes this life, with a main character who falls in love with a friend’s wife while losing his job and turning to the sale of heroin and hashish to survive. Mohsin takes the reader through a bittersweet recounting of life in the fast lane in modern Pakistan, a life I observed for…
The debut novel from the internationally bestselling author of Exit West and The Reluctant Fundamentalist, both shortlisted for the Man Booker Prize
Moth Smoke, Mohsin Hamid’s deftly conceived first novel, immediately marked him as an uncommonly gifted and ambitious young literary talent to watch when it was published in 2000. It tells the story of Daru Shezad, who, fired from his banking job in Lahore, begins a decline that plummets the length of Hamid’s sharply drawn, subversive tale.
Fast-paced and unexpected, Moth Smoke was ahead of its time in portraying a contemporary Pakistan far more vivid and complex than the…
I made the mistake of reading Dracula as an eight-year-old (thanks, Mom and Dad, for paying attention to what I brought home from school book fairs). Beyond disrupting my sleep pattern, there were two significant consequences to this decision: 1) I became enthralled with the intersection of historical detail, mystery, and magic, an enchantment that continues to this day; and 2) I ultimately majored in English literature, with a concentration in Victorian literature. To my professors’ chagrin, I put that education to use in concocting my own historically-based magical mysteries (sorry, Dr. Steinitz). But hey—I’ve always got good recommendations in this milieu.
The Peculiarities offers a delightful and occasionally droll mix of alternate history, mystery, the arcane, and Victorian atmosphere. Liss, who writes killer historical fiction, has been spreading his tendrils into more fantastic fare of late and he’s got a real gift for it. The characters he develops over the course of this fantastical tale are so endearing that I took my time down the homestretch of this book because I didn’t want it to come to an end; I wanted to keep hanging out with them…even the notorious—and in Liss’s hands, occasionally rakish—Aleister Crowley.
From popular historical fiction author David Liss (A Conspiracy of Paper) comes the tale of a clueless young man embroiled in a deadly supernatural mystery in Victorian London. Rooted in strange conspiracies and secret societies, this absurdist comedic romp combines strange bedfellows with murderous creatures, resulting in an unexpectedly delightful consequences.
Thomas’s problems are more serious than those of a typical young Victorian gentleman. His elder brother may be sabotaging the family’s bank. His childhood friend has died under…
As a kid I found myself watching cop shows and wondering “These cops seem to be on duty all day and all night. Don’t they have families?” And when I’d read dramas in which characters took lavish vacations and bought expensive cars, I’d think “Doesn’t anyone worry about money?” While I certainly don’t believe that fiction should always strive toward perfect realism (I love fantasy and sci-fi stories!) I do think that adding everyday problems and concerns makes a character much more relatable and interesting. A detective chasing a serial killer is exciting. A detective suffering from an excruciating toothache while chasing a serial killer adds another layer of delicious tension.
I disagreed with almost every action by every character in
this book. I’d find myself saying to them: “Don’t do that!” But
they did
do that. And it kept me reading nonstop.
It’s a strange feeling, to
watch
characters spin out of control, yet be unable to look away. It's also
the mark of terrific storytelling, and writing that I greatly admire.
“Spectacular. . . . Ten shades blacker and several corpses grimmer than the novels of John Grisham. . . . Do yourself a favor. Read this book.” —Entertainment Weekly
Two brothers and their friend stumble upon the wreckage of a plane–the pilot is dead and his duffle bag contains four million dollars in cash. In order to hide, keep, and share the fortune, these ordinary men all agree to a simple plan.
