100 books like Slender Man

I'm an author, inventor, military veteran, (mostly) self-taught scholar, and an entrepreneur. Every internet-connected person interacts with things I invented (the tracking pixel, the ebook, etc) every day, but I'm best known for my books about business and personal development. As I write this, I'm serving as the Founder and CEO of a software platform called "Simpleology." It's designed to solve what I think is one of mankind's greatest threats to survival as a species:  "The Complexity Gap." It's the gap between the amount of information in the world and our ability to navigate it. It solves this by guiding you to focus on what we call "HIME" (high impact, minimal effort).

I’ve been heavily immersed in the fantasy and sci-fi world since the age of nine, across fiction novels, role-playing games, tabletop miniature gaming, and movies. My first love was fantasy, and that’s one of the reasons why the post-apocalyptic genre particularly appeals to me when it comes to sci-fi. It plays in that dark, gritty place between futuristic, sci-fi, technology, and dark-age style fantasy. In addition, I’ve always felt socially conscious and value writing that highlights themes that are relevant today. This is another place that the post-apocalyptic genre slides comfortably into. And, of course, there’s the zombies. Another fantasy element that works beautifully in post-apocalyptic, sci-fi settings.

Growing up, I melted into the cinematic universe. And it was always the fantasies that made me feel wonderous. Star Wars, Skyrim, Fallout, Dune, The Hunger Games, you name it, they all sucked me in during the darkest times in life. That’s why I write, for the children and the young adults. I want them to experience my worlds to understand their own. I earned my BFA in Creative Writing at Full Sail University. I hope to translate my books into screenplays while my dream and goal is to watch my own story on the big screen with a bucket of popcorn in my hands.

Growing up I read a lot of science fiction: HG Wells, Isaac Asimov, John Wyndham; those kind of authors and their inspiring tales. In my early twenties, I penned a few short stories as I worked as an aeronautical engineer. Always being at the leading edge of technology certainly helped shape my dreams of the future. I have an interest in writing novels that place humankind within a universe [or multiverse] we are only just starting to understand. To date, I have written six novels, two of them extensive short story collections. They are light years from each other, but share the future adventures of mankind in an expansive universe as a common theme.

I have always felt like an outsider and so have been preoccupied by questions of identity and belonging. In my youth, I became fascinated by the great Irish writers W. B. Yeats and James Joyce and their struggles with such questions after my family moved from Ulster to Scotland. As a young academic in Brisbane, I encountered fierce debates about Australian national identity as it shifted from a British heritage to a multicultural society. In the flux of the modern world, our identities are always under challenge and often require painful renovation.

Human psychology has always fascinated me, and studying what drives human behavior is necessary in writing realistic characters. I bring psychological studies into every novel I write, and realistic characters, often flawed, always receive top billing. One of my hallmarks is presenting a story’s setting as a supporting character, as well—much like the books I’ve recommended. I have written and published seventeen titles, chock full of the many facets of the human condition, whether I’m writing for teens (as Sasha Dawn) or adults (as Brandi Reeds). The books on my list inspire, entertain, and perhaps most importantly feel. I hope you enjoy them as much as I do.

I’ve been drawn to thought-provoking novels from my early days as a reader, and especially later when my own work took shape. My books tend to deal with life’s big topics––love, loss, creativity, self-discovery, aging, forgiveness, what it means to be a good man, and the climate crisis––so I tend to gravitate to ambitious novels focused on how we humans might evolve in a healthy way. My characters do have flaws, many of them, but in the end, they are resilient and figure out a way to take a step forward. All of the books I mentioned are similar in scope and approach.

I do not remember a time when I wasn’t captivated by stories about adolescence. This was the case when I myself was a teenager—when I sought in these overwrought sagas the sort of sentimental melodrama that eluded the banality of my own life—but curiously it’s no less true at thirty, for reasons that are fundamentally the same but somehow more urgent. Becoming an adult is an exercise in hardening; to grow up is to forget what it’s like to be beholden to one’s own autobiographical romance. The following titles offer a respite from the cynicism that is adulthood; as a writer and a human, I'm forever in their debt.

I made the mistake of reading Dracula as an eight-year-old (thanks, Mom and Dad, for paying attention to what I brought home from school book fairs). Beyond disrupting my sleep pattern, there were two significant consequences to this decision: 1) I became enthralled with the intersection of historical detail, mystery, and magic, an enchantment that continues to this day; and 2) I ultimately majored in English literature, with a concentration in Victorian literature. To my professors’ chagrin, I put that education to use in concocting my own historically-based magical mysteries (sorry, Dr. Steinitz). But hey—I’ve always got good recommendations in this milieu.

History and literature have been my two passions in life, and I’ve been lucky enough to have had a career in both. I’m fascinated in particular by history ‘from below,’ the stories of those disenfranchised – by gender, race, class – from the historical record. My non-fiction books, focusing on oral histories of women, and the Caribbean, reflect this. Untold histories continue in my fiction. My novels are set in WWII, telling parts of its history rarely encountered in the official record – of women trafficked and abused, of survival and misogyny, of the long shadow of war trauma on the soldiers who fought and the society that silenced them.