As someone who spent his days working as a journalist and his nights writing novels and short stories, I've always been fascinated by the fine line separating fact and fiction. We live our lives conforming to the rules of our universe, yet sometimes feel brave enough to ask what’s that?and watch with delight as reality transforms into fantasy. What, exactly, is that brilliant sunset? Billions of bits of light being processed by our survival-evolved brain as a reminder to seek shelter before the perilous darkness descends? The wondrous work of God’s hand? A pleasing distraction from the brutality of our brief existence? Something else we may never comprehend? Great stories help us decide.
When sixteen-year-old Ashlee Sutton's home life falls apart, she is beset by a rare mental illness that makes her believe she's clairvoyant. While most people scoff at her, she begins demonstrating an uncanny knack for sometimes predicting the future, using what could either be pure luck or something more remarkable. And when she helps her drug-addict father win enough casino cash to accidentally overdose, she becomes the target of violent people determined to exploit her, and she goes on the run. No, You’re Crazy is a multi-layered novel that examines the many ways a family can wound and heal us. A page-turning thriller and a sensitive look at faith and neurodiversity, it ultimately dares to ask, Who gets to decide what’s real?
In the bestselling novelLife of Pi, a boy survives 227 days at sea in a lifeboat with a Bengal tiger named Richard Parker. Or does he? That’s why I am always intrigued by this multi-layered story that explores the relativity of belief. The author is asking me, the reader, to decide what’s real and what isn’t. Do I accept the more unbelievable yet uplifting tale of surviving in a lifeboat with a tiger and other zoo animals, or should I conform to the world as I know it and default to a more mundane version without the animals? It’s hard not to be captivated by a novel that asks us to dream big by taking a wild leap of faith.
After the sinking of a cargo ship, a solitary lifeboat remains bobbing on the wild blue Pacific. The only survivors from the wreck are a sixteen-year-old boy named Pi, a hyena, a wounded zebra, an orangutan—and a 450-pound Royal Bengal tiger.
Soon the tiger has dispatched all but Pi Patel, whose fear, knowledge, and cunning allow him to coexist with the tiger, Richard Parker, for 227 days while lost at sea. When they finally reach the coast of Mexico, Richard Parker flees to the jungle, never to be seen again. The Japanese authorities who interrogate Pi refuse to believe his…
David Mitchell is a master of dreaming up non-linear, mind-bending, genre-blending stories that fuse fantasy and reality, so he has plenty of candidates for this list. I chose Number9Dream, a wonderful and genuinely bizarre coming-of-age novel that keeps the reader constantly asking if any of this is real. With gangster battles, kamikaze diaries, deadly floods and earthquakes, family tragedy, a stuttering “Goatwriter,” and (spoiler) a concluding chapter that is a blank page, this is, on the surface, the dazzling tale of a Japanese student searching for a father he’s never met. But from the opening chapter, where Eiji fantasizes about outrageous ways to confront his father’s lawyer in her place of work, but never does, the reader quickly senses that this strange journey will forever change those open-minded souls brave enough to embark on it.
As Eiji Miyake's twentieth birthday nears, he sets out for the seething metropolis of Tokyo to find the father he has never met. There, he begins a thrilling, whirlwind journey where dreams, memories and reality collide then diverge as Eiji is caught up in a feverish succession of encounters by turn bizarre, hilarious and shockingly dangerous. But until Eiji has fallen in love and exorcised his childhood demons, the belonging he craves will remain, tantalizingly, just beyond his grasp...
Who doesn’t love a novel where the protagonist discovers he’s not the person he thought he was. There’s one such big reveal in Fight Club, and it throws into question everything that has happened and will happen. Stuck in a dull life without purpose, the novel’s unnamed (and apparently unreliable) narrator meets a strange, destructive soap-seller named Tyler Durden, with whom he establishes a fight club. But when (spoiler) the narrator learns heis Tyler Durden, it becomes clear how far this brilliant, subversive novel is leading the reader down a dark and dangerous road in search of deeper meaning.
Chuck Palahniuk showed himself to be his generation's most visionary satirist in this, his first book. Fight Club's estranged narrator leaves his lackluster job when he comes under the thrall of Tyler Durden, an enigmatic young man who holds secret after-hours boxing matches in the basements of bars. There, two men fight "as long as they have to." This is a gloriously original work that exposes the darkness at the core of our modern world.
When Toronto bookstore owner Jean Mason hears she may have a doppelganger, it sets off a strange series of events that show how fragile our grip on reality really is. Equal parts psychological horror, ghost story, warm family drama, and literary look at mental illness, this dizzying and at times difficult novel asks if we genuinely know ourselves and the nature of our existence. It may leave you like its bewildered main character: full of questions about identity and struggling to distinguish between what’s real and what isn’t.
A darkly comic literary thriller about a woman who fears for her sanity—and then her life—when she learns that her doppelganger has appeared in a local park.
Jean Mason has a doppelganger. She's never seen her, but others swear they have. Apparently, her identical twin hangs out in Kensington Market, where she sometimes buys churros and drags an empty shopping cart down the streets, like she's looking for something to put in it. Jean's a grown woman with a husband and two kids, as well as a thriving bookstore in downtown Toronto, and…
Ursula Todd first dies at birth on Feb. 11, 1910, when a snowstorm in the English countryside delays the doctor. But in this looping story of second chances and altered outcomes, the rule-breaking narrative rewinds, and she survives the birth thanks to the doctor’s timely arrival. A few years later, she dies again. And again and again, only to be each time re-spawned, like a video game player with a vague awareness of the need to make better choices next time. Kate Atkinson’s wildly ambitious novel full of endless failures and rebirths illustrates how small decisions can dramatically affect our lives. It leaves readers wondering if there are dozens of better lives they could be living, assuming they aren’t already doing so someplace else.
What if you could live again and again, until you got it right?
On a cold and snowy night in 1910, Ursula Todd is born to an English banker and his wife. She dies before she can draw her first breath. On that same cold and snowy night, Ursula Todd is born, lets out a lusty wail, and embarks upon a life that will be, to say the least, unusual. For as she grows, she also dies, repeatedly, in a variety of ways, while the young century marches on towards its second cataclysmic world war.
I grew up on a family farm surrounded by larger vegetable and dairy operations that used migrant labor. From an early age, my siblings and I were acquainted with the children of these workers, children whom we shared a school desk with one day and were gone the next. On summer vacations, our parents hauled us around in a station wagon with a popup camper, which they parked in out-of-the-way hayfields and on mountainous plateaus, shunning, much to our chagrin, normal campgrounds, and swimming pools. Thus, I grew up exposed to different cultures and environments. My writing reflects my parents’ curiosity, love of books and travel, and devotion to the natural world.
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through young adulthood. Miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are displaced from their land by multinational energy companies. They are taken in temporarily by Sadie’s aunt, a human rights activist who heads a cultural exchange program.
Stefan promptly runs afoul of local authority, but Sadie, intrigued by him and captivated by his story, has grown sympathetic to his cause and complicit in his pushback against prejudiced accusations. Their mutual attraction is stymied when Stefan’s older brother, Joachim, who stayed behind, becomes embroiled in the resistance, and Stefan is compelled to return to Canada. Sadie, concerned for his safety, impulsively follows on a trajectory doomed by cultural misunderstanding and oncoming winter.
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through the pitfalls of young adulthood. Hundreds of miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are forced off their land by multinational energy companies and flawed treaties. They are taken in temporarily by Sadie's aunt, a human rights activist who heads a cultural exchange program. Stefan, whose own father died in prison while on a hunger strike, promptly runs afoul of local authority, but Sadie, intrigued by him and captivated by his…
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