Fans pick 100 books like A Simple Plan

I’ve been a stay-at-home mom and author for the past decade, and during that time, I went through the stillbirth of my second baby. Grief taught me a lot about compassion, including the importance of being able to see the nuance of difficult subject matters. I learned it’s easy to theorize what to do in a situation until you're in that situation. For that reason, I love books in all sorts of genres that are layered with characters’ past griefs, impossible scenarios, and tensions regarding the choices they make. I picked five of my favorite books with a heart-ripping plot that sparks interesting discussion and leaves readers pondering, "What would I have done?"

I have cerebral palsy, but the list of things that I absolutely can’t do is surprisingly short: I can climb a flight of steps or walk the length of a football field, for example, but those tasks are going to take a lot more time and energy for me than they would an able-bodied person. We all choose where to invest in life, but cerebral palsy makes that process much more deliberate, and I’ve been fascinated by it for a long time. I’m always on the hunt for stories that demonstrate that our choices shape our life, not our limitations, and I’m determined to choose joy.

Too often, I find that novelists force the endings of their books in ways that aren’t true to their characters, the stories, or their settings. Often, they do so to provide the Hollywood ending that many readers crave. That always leaves me cold. I love novels whose characters are complex, human, and believable and interact with their setting and the story in ways that do not stretch credulity. This is how I try to approach my own writing and was foremost in my mind as I set out to write my own book.

I began research as an undergraduate at Harvard College, initially studying the effects of vitamin A deficiency on the photoreceptors in the eye that capture the light and initiate vision. After receiving my PhD and starting my own laboratory, I became fascinated with the other four classes of cells/neurons found in the retina, which begin the analysis of visual information: two being in the outer retina and two in the inner retina. We mapped out the synaptic interactions among the neurons, recorded from them, and began to put together the neural circuitries that underlie the visual messages that are sent to other parts of the brain. 

I've been a horror fanatic since I was a little girl. At the age of 7, I was attempting to write my first horror novel, My Teacher is a Vampire, and at age of 9, I had already read my mom’s copy of, It. By the age of 16, I read the majority of Stephen King’s novels and was fascinated with Nosferatu, the original vampire, Vincent Price - the master of horror, and George Romero. When people ask why do I love the horror genre so much…my answer is: I’d rather read about the monsters in books and in movies instead of reading the newspaper or turning on the news and see the real monsters.

I was raised—not born—in a small town in northeast Pennsylvania (population 379), which serves as the setting for two of my novels. Since I was not born in this community, I always felt like a bit of an outsider. Misunderstood and often overlooked. There is great isolation when growing up in a small community that’s barely on the map. But despite all this, I am drawn to rural life and its sometimes deceiving bucolic atmosphere. I believe that is why I both read and write suspenseful stories about not only small towns, but marginalized and outsider characters as well.

As a kid I found myself watching cop shows and wondering “These cops seem to be on duty all day and all night. Don’t they have families?” And when I’d read dramas in which characters took lavish vacations and bought expensive cars, I’d think “Doesn’t anyone worry about money?” While I certainly don’t believe that fiction should always strive toward perfect realism (I love fantasy and sci-fi stories!) I do think that adding everyday problems and concerns makes a character much more relatable and interesting. A detective chasing a serial killer is exciting. A detective suffering from an excruciating toothache while chasing a serial killer adds another layer of delicious tension.

As a kid I found myself watching cop shows and wondering “These cops seem to be on duty all day and all night. Don’t they have families?” And when I’d read dramas in which characters took lavish vacations and bought expensive cars, I’d think “Doesn’t anyone worry about money?” While I certainly don’t believe that fiction should always strive toward perfect realism (I love fantasy and sci-fi stories!) I do think that adding everyday problems and concerns makes a character much more relatable and interesting. A detective chasing a serial killer is exciting. A detective suffering from an excruciating toothache while chasing a serial killer adds another layer of delicious tension.

I’ve been obsessed with travel and novels that feature travel in the narrative since my early teens. A near-death experience at the age of nineteen, forced me to confront my own limited life experiences and encouraged me to travel the globe and see some of the world we live in before it was too late, as there’s nothing worse than too late. Also growing up on an inner city council estate instilled a desire to escape the urban environment and international travel and travel writing satisfied those compelling urges.

I’m a novelist, essayist, and journalist who’s written extensively about the problems and consolations of faith, about belonging in and out of faith, and about the tribes of what I think of as the In Between. When you’re in between, you’re neither in it nor out of it, whatever “it” might be for you. You bear an “infinity of traces,” as the writer Antonio Gramsci called these formative influences. My first novel looks at these influences directly, while my second one looks at them indirectly. I’m late in the game with a third novel now—a detective story that investigates a murder along with these same themes.