Here are 91 books that The Night Always Comes fans have personally recommended if you like
The Night Always Comes.
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I’ve been a stay-at-home mom and author for the past decade, and during that time, I went through the stillbirth of my second baby. Grief taught me a lot about compassion, including the importance of being able to see the nuance of difficult subject matters. I learned it’s easy to theorize what to do in a situation until you're in that situation. For that reason, I love books in all sorts of genres that are layered with characters’ past griefs, impossible scenarios, and tensions regarding the choices they make. I picked five of my favorite books with a heart-ripping plot that sparks interesting discussion and leaves readers pondering, "What would I have done?"
This book was a very bingeable read. I got caught up in the mystery of Hannah’s missing husband, and I also loved the layers of complicated family relationships shown with her stepdaughter.
I’m a sucker for the “he isn’t who he said he was” storyline, and this book masters that through Hannah’s husband, Owen. The entire story is weaved with surprises and plot twists, including the impossible choice Hannah faces at the end.
* SOON TO BE A MAJOR TV SERIES STARRING JULIA ROBERTS *
'Brilliant. Pacy tense and twisty' - LISA HALL
'I adored this beautifully written thriller' - JO SPAIN
IT WAS THE LAST THING HE TOLD ME: PROTECT HER
Before Owen Michaels disappears, he manages to smuggle a note to his new wife, Hannah: protect her. Hannah knows exactly who Owen needs her to protect - his sixteen-year-old daughter, Bailey, who lost her mother tragically as a child. And who wants absolutely nothing to do with her new stepmother.
As her increasingly desperate calls to Owen go unanswered, his boss…
I have cerebral palsy, but the list of things that I absolutely can’t do is surprisingly short: I can climb a flight of steps or walk the length of a football field, for example, but those tasks are going to take a lot more time and energy for me than they would an able-bodied person. We all choose where to invest in life, but cerebral palsy makes that process much more deliberate, and I’ve been fascinated by it for a long time. I’m always on the hunt for stories that demonstrate that our choices shape our life, not our limitations, and I’m determined to choose joy.
I love this book because it’s the best fictional example I’ve ever seen of a character’s disability being eclipsed by his talent. Lincoln Rhyme is paralyzed, but his talent as a criminologist is far more important—and Deaver showcases Rhyme’s genius and passion as often as he details the difficulties of disability.
I find the book’s mystery compelling and the characters well-written, and I couldn’t get enough of the relationship between Lincoln Rhyme and Amelia Sachs. I’ve never seen a better portrayal of a partnership based solidly on mutual respect and admiration. I’m so grateful for how this story demonstrates that disability doesn’t need to stop you from making a real impact through the gifts and talents you’ve been given.
From the Sunday Times bestselling author of The Goodbye Man, discover Jeffery Deaver's chilling thriller that inspired the film starring Angelina Jolie and Denzel Washington and is now a major NBC TV series.
Their first case, their worst killer . . .
New York City has been thrown into chaos by the assaults of the Bone Collector, a serial kidnapper and killer who gives the police a chance to save his victims from death by leaving obscure clues. Baffled, the cops turn to the one man with a chance of solving them - Lincoln Rhyme.
As a kid I found myself watching cop shows and wondering “These cops seem to be on duty all day and all night. Don’t they have families?” And when I’d read dramas in which characters took lavish vacations and bought expensive cars, I’d think “Doesn’t anyone worry about money?” While I certainly don’t believe that fiction should always strive toward perfect realism (I love fantasy and sci-fi stories!) I do think that adding everyday problems and concerns makes a character much more relatable and interesting. A detective chasing a serial killer is exciting. A detective suffering from an excruciating toothache while chasing a serial killer adds another layer of delicious tension.
I disagreed with almost every action by every character in
this book. I’d find myself saying to them: “Don’t do that!” But
they did
do that. And it kept me reading nonstop.
It’s a strange feeling, to
watch
characters spin out of control, yet be unable to look away. It's also
the mark of terrific storytelling, and writing that I greatly admire.
“Spectacular. . . . Ten shades blacker and several corpses grimmer than the novels of John Grisham. . . . Do yourself a favor. Read this book.” —Entertainment Weekly
Two brothers and their friend stumble upon the wreckage of a plane–the pilot is dead and his duffle bag contains four million dollars in cash. In order to hide, keep, and share the fortune, these ordinary men all agree to a simple plan.
As a kid I found myself watching cop shows and wondering “These cops seem to be on duty all day and all night. Don’t they have families?” And when I’d read dramas in which characters took lavish vacations and bought expensive cars, I’d think “Doesn’t anyone worry about money?” While I certainly don’t believe that fiction should always strive toward perfect realism (I love fantasy and sci-fi stories!) I do think that adding everyday problems and concerns makes a character much more relatable and interesting. A detective chasing a serial killer is exciting. A detective suffering from an excruciating toothache while chasing a serial killer adds another layer of delicious tension.
There are a dozen reasons to read anything by Ken Bruen, but the best is this: His books are fun.
Unlike so many self-serious writers, Bruen never forgets that he’s writing for readers. And Bruen’s most compelling creation is Jack Taylor, a washed-up private investigator who always has a sharp comment, even when stuck in a scary situation. I read Bruen and find myself cackling just as often as I gasp.
Still stinging from his unceremonious ouster from the Garda Síochána—the Guards, Ireland's police force—and staring at the world through the smoky bottom of his beer mug, Jack Taylor is stuck in Galway with nothing to look forward to. In his sober moments Jack aspires to become Ireland's best private investigator, not to mention its first—Irish history, full of betrayal and espionage, discourages any profession so closely related to informing. But in truth Jack is teetering on the brink of his life's sharpest edges, his memories of the past cutting deep into his soul and his prospects for the future nonexistent.…
I'm a fifth-generation Arizonan, a former staff writer for the Arizona Republic, and a lifelong student of the Grand Canyon State. One of my very favorite things to do is travel the backroads of this amazing state and talk with the astonishing people who live there. Along the way, I wrote eight nonfiction books, including Island on Fire, which won the 2020 National Book Critics Circle Award. My day job is at Chapman University, where I am an English professor.
Brian Jabas Smith lived a hard life on society’s margins and developed the ability to see people–the forgotten, the filthy, the addicted, and unattractive–that most of us simply look through on our way to someplace else.
In this wonderful book, Smith writes portraits of the invisible people of Tucson, Arizona, most of them down and out, and all of them with stories to tell. But he never slips into mawkishness and doesn’t expect the reader to “do anything” about society’s problems except pay attention to the human beings who take the worst of it.
His graceful and empathetic prose style makes that easy to ride along, and what’s left is a curious glow of hope. Smith is probably the best working journalist in the Southwest today, finding stories where others would never think to look.
Literary Nonfiction. Essays. This book is a chronicle of the overlooked and unsung, a collection of award-winning essays based on Brian Jabas Smith's popular column, "Tucson Salvage."
"A true champion of the dispossessed and forgotten. ... I can't recommend this book highly enough."—Willy Vlautin
"TUCSON SALVAGE is holy work, no doubt about it, but done by a fallen altar boy who truly knows what it's like to feel completely alone and abandoned, all bridges burned, no direction home."—Dan Stuart
"In TUCSON SALVAGE, Brian Jabas Smith deftly delivers us a nuanced collection of field reports from the modern human condition; keenly…
Since the age of seven, I've been conscious of the need to bypass how one is supposed to do things. I realized then that my grandmother could not pursue a writing career because she was also a woman and a wife; a cautionary tale I took to heart since I was already beginning to identify as an artist. I'm driven to uncover how we recognize what we see, and how forces beyond our control engender or foreclose upon new ways of being in the world. A professional life lived in the arts has allowed the fullest flexibility for exploring these ideas as one is generally encouraged to think differently.
This is the book that launched a thousand essays about gentrification in urban neighborhoods and reinvented the term “revanchism” for use in critical geography.
From the French noun revanche, revanchism refers to a policy or movement focused on reacquiring a nation's lost territory. The Revanchist City as it became known after Smith’s book, describes city residents under siege by their own city governments.
Starting with a description of the battles over who could use Tompkins Square Park in New York City’s Lower East Side in the 1980s and 90s, and moving on to other case studies (some global), Smith shows how cities are transformed into zones of international capital investment and class privilege through neoliberal policies enacted at the municipal level.
Why have so many central and inner cities in Europe, North America and Australia been so radically revamped in the last three decades, converting urban decay into new chic? Will the process continue in the twenty-first century or has it ended? What does this mean for the people who live there? Can they do anything about it? This book challenges conventional wisdom, which holds gentrification to be the simple outcome of new middle-class tastes and a demand for urban living. It reveals gentrification as part of a much larger shift in the political economy and culture of the late twentieth…
I started writing for kids and teens before I became a parent myself, but now, seeing these kinds of stories from both perspectives, I’m even more passionate about helping foster conversations among families, about the things that are hard to talk about. In the time of pandemics and global warming and school shootings, not to mention the access the internet provides, kids have more questions and concerns than ever. I’ve found, both in my research and in practice, that being honest with kids in a way that they can understand and process is a true gift to them.
Giles does a wonderful job with a current hot topic that might come up a lot for kids: gentrification. Take Back the Block made me want to leap into action, and that’s a pretty magical thing to be able to say about a book! Not only did I want to read more about these characters, but I wanted to get involved in my own city to preserve homes and mitigate gentrification. Change is constant, and kids will love this book for talking about the changes we can control and those we cannot, and how to see the difference. Parents will appreciate a way to concretely illustrate what gentrification is, and to have honest conversations about it with their kids.
Wes Henderson has the best style in sixth grade. That--and hanging out with his crew (his best friends since little-kid days) and playing video games--is what he wants to be thinking about at the start of the school year, not the protests his parents are always dragging him to.
But when a real estate developer makes an offer to buy Kensington Oaks, the neighborhood Wes…
I’ve been fascinated by cities ever since I was a teenager without a driver’s license on Long Island and my parents let me take the train into Manhattan (“Just be back by midnight!”). In college, I studied architecture and urbanism and learned how cities churned and changed. Today, having written about places like New Orleans, San Francisco, Mumbai and Berlin for publications including Harper’s and The New York Times Magazine, as well as in my books, I know I’ll be walking, riding, and eating my way through cities forever. And reading through them, too!
I love this book because it was so ahead of its time. Written during San Francisco’s first bout of hyper-gentrification—the 1990s dot-com boom—it is a chronicle of and tribute to the economically marginal but culturally central communities that got squeezed out: SRO denizens, Black activists, and queer refugees from Middle America.
In this 2001 book, a yet-to-be-discovered Solnit, in league with photographers Susan Schwartzenberg and Kate Joyce, records it all through the bulldozed and whitewashed spaces where these urbanites once lived. Most indelible is Joyce’s photo essay on San Francisco Starbucks outlets, each with a line below marking the storefront’s former life (“New Manila Restaurant, 1964-1994”; “Melody Video & Sound, 1936-1992”) showing how a flood of corporate money washed away so much that was unique in a great American city.
California's Bay Area is home to nearly a third of the venture capital and internet businesses in the United States, generating a boom economy and a massive influx of well-paid workers that has transformed the face of San Francisco. Once the great anomaly among American cities, San Francisco is today only the most dramatically affected among the many urban centers experiencing cultural impoverishment as a result of new forms and distributions of wealth.
A collaboration between writer-hiostorian Rebecca Solnit and photographer Susan Schwartzenberg, Hollow City surveys San Francisco's transformation-skyrocketing residential and commercial rents that are driving out artists, activists, nonprofit…
I am a White person who grew up in a primarily Black DC neighborhood in the 1980s. Growing up in a Black community in DC at a time when the city was experiencing a cascade of crises – from the spread of crack to an AIDS epidemic to a failing school system – has fundamentally shaped my life and my view of the world. When I returned in the early twenty-first century to my city to find it had significantly changed and that many of my Black neighbors had been pushed out, I was compelled to learn more about DC before gentrification and to understand the path the city I love had taken.
This book offers insight into how Black DC residents think about their changing city.
For many Black long-term residents, DC has long been a “Chocolate city,” a city where Black people held both the demographic and political majority, and where Black people created their own spaces of belonging, pride, and self-reliance.
This book draws from oral histories and ethnographic data with long-term African-American residents of DC to explain both how gentrification has enhanced the vulnerability of low-income residents and how Black residents of DC are reclaiming spaces in their city.
This book uses qualitative data to explore the experiences and ideas of African Americans confronting and constructing gentrification in Washington, D.C. It contextualizes Black Washingtonians' perspectives on belonging and attachment during a marked period of urban restructuring and demographic change in the Nation's Capital and sheds light on the process of social hierarchies and standpoints unfolding over time. African Americans and Gentrification in Washington, D.C. emerges as a portrait of a heterogeneous African American population wherein members define their identity and culture as a people informed by the impact of injustice on the urban landscape. It presents oral history and…
I am a White person who grew up in a primarily Black DC neighborhood in the 1980s. Growing up in a Black community in DC at a time when the city was experiencing a cascade of crises – from the spread of crack to an AIDS epidemic to a failing school system – has fundamentally shaped my life and my view of the world. When I returned in the early twenty-first century to my city to find it had significantly changed and that many of my Black neighbors had been pushed out, I was compelled to learn more about DC before gentrification and to understand the path the city I love had taken.
Read this book if you want to understand the nuances of blackness in the nation’s capital.
Brandi Thompson Summers argues in her book, Black in Place, that gentrification along the H Street Corridor in DC has involved the embracing of blackness as an aesthetic alongside the displacement of actual Black people. Summers explains how blackness came to be valued as a prized aesthetic at the same time that Black people experienced the heavy policing, predatory lending, and displacement that both make possible and accompany the gentrification of Black neighborhoods.
While Washington, D.C., is still often referred to as "Chocolate City," it has undergone significant demographic, political, and economic change in the last decade. In D.C., no place represents this shift better than the H Street corridor. In this book, Brandi Thompson Summers documents D.C.'s shift to a "post-chocolate" cosmopolitan metropolis by charting H Street's economic and racial developments. In doing so, she offers a theoretical framework for understanding how blackness is aestheticized and deployed to organize landscapes and raise capital. Summers focuses on the continuing significance of blackness in a place like the nation's capital, how blackness contributes to…
