Here are 70 books that Tucson Salvage fans have personally recommended if you like
Tucson Salvage.
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I'm a fifth-generation Arizonan, a former staff writer for the Arizona Republic, and a lifelong student of the Grand Canyon State. One of my very favorite things to do is travel the backroads of this amazing state and talk with the astonishing people who live there. Along the way, I wrote eight nonfiction books, including Island on Fire, which won the 2020 National Book Critics Circle Award. My day job is at Chapman University, where I am an English professor.
“They came hungry,” begins the first chapter of this delightful look at the gastronomy of America’s desert quarter.
The whole dining table is here: huevos rancheros, tamales, chili, oranges, russet potatoes, rotgut whiskey, the chimichanga (which McNamee calls “a crispy torpedo of goodness”) and the Apache home-brewed beer called tiswin.
It’s one thing to enjoy Southwestern cooking. It’s another to understand its roots.
In this entertaining history, Gregory McNamee explores the many ethnic and cultural traditions that have contributed to the food of the Southwest. He traces the origins of the cuisine to the arrival of humans in the Americas, the work of the earliest farmers of Mesoamerica, and the most ancient trade networks joining peoples of the coast, plains, and mountains. From the ancient chile pepper and agave to the comparatively recent fare of sushi and Frito pie, this complex culinary journey involves many players over space and time. Born of scarcity, migration, and climate change, these foods are now fully at…
I'm a fifth-generation Arizonan, a former staff writer for the Arizona Republic, and a lifelong student of the Grand Canyon State. One of my very favorite things to do is travel the backroads of this amazing state and talk with the astonishing people who live there. Along the way, I wrote eight nonfiction books, including Island on Fire, which won the 2020 National Book Critics Circle Award. My day job is at Chapman University, where I am an English professor.
Cities all over the country were busy wrecking their own architectural heritage in the mid-20th century during the heyday of “slum clearance,” but Tucson experienced an especially painful loss: multiple blocks of irreplaceable colonial townhouses in Barro Viejo turned to dust for the sake of an ugly convention center.
Lydia Otero explains how and why this was allowed to happen with the exactitude of a scholar and the muted outrage of one who came from the community mourning the loss.
On March 1, 1966, the voters of Tucson approved the Pueblo Center Redevelopment Project--Arizona's first major urban renewal project--which targeted the most densely populated eighty acres in the state. For close to one hundred years, tucsonenses had created their own spatial reality in the historical, predominantly Mexican American heart of the city, an area most called "la calle." Here, amid small retail and service shops, restaurants, and entertainment venues, they openly lived and celebrated their culture. To make way for the Pueblo Center's new buildings, city officials proceeded to displace la calle's residents and to demolish their ethnically diverse neighborhoods,…
I'm a fifth-generation Arizonan, a former staff writer for the Arizona Republic, and a lifelong student of the Grand Canyon State. One of my very favorite things to do is travel the backroads of this amazing state and talk with the astonishing people who live there. Along the way, I wrote eight nonfiction books, including Island on Fire, which won the 2020 National Book Critics Circle Award. My day job is at Chapman University, where I am an English professor.
I loved this road memoir by one of our most gentle and graceful writers, the poet Richard Shelton, who mentored hundreds of incarcerated writers in Arizona prisons.
He writes of a return to the “delightful maze” of the town of Bisbee, where he first worked as a teacher in 1956, a place where the old copper miner's shacks cling to the hillsides of the Mule Mountains as precariously as the villas on a Mediterranean island, and where the people have shrugged off life's hard punches as insouciantly as a prizefighter.
Resplendent with nature writing, you can practically smell the creosote on the sentences. I think this is one of the most tonally accurate volumes ever written about this region.
I'm a fifth-generation Arizonan, a former staff writer for the Arizona Republic, and a lifelong student of the Grand Canyon State. One of my very favorite things to do is travel the backroads of this amazing state and talk with the astonishing people who live there. Along the way, I wrote eight nonfiction books, including Island on Fire, which won the 2020 National Book Critics Circle Award. My day job is at Chapman University, where I am an English professor.
We take our sunsets seriously in Arizona, enough that we put a variation of one on our state flag. But Bruce Berger's book made me rethink how I look at the smeared colors in the evening sky.
Look not west, he says, but to the mountains in the east: the “decreasing wavelengths and cooling colors–vermillion to salmon to plum” on the slopes that provide a lightbox to the garish display at your back.
This is only the start. In finely wrought prose befitting the author’s other career as a pianist, he renders the harsh beauty of the Southwest in a set of twenty essays that draw a portrait of landscape and memory.
I am an optimist. I jump out of bed in the morning ready to read and write. With my dog and cat by my side and a cup of coffee in hand, I lose myself in whatever I am working on. I am deeply curious about a gamut of subjects and constantly challenge myself to learn more. I am persistent and not afraid of hard work. Nature and animals are my bottomless well of inspiration and joy. I very much believe life is a journey and I try to enjoy each step.
It is a memoir where Barbara Kingsolver writes humorously about a year of living off the land. She is not a vegetarian but must raise, kill, and butcher animals if she wants to eat meat. The result is, every time she eats meat, she weighs the emotional cost.
This reckoning has been my bible. I ask myself, would I be willing to kill the chick I raised to eat? Inevitably, the answer is “no.”
The book is not a treaty encouraging people to live off the land, it’s the opposite. It makes you appreciate every bit of food you put in your mouth and the fact you did not have to grow, harvest, clean and cook it.
"We wanted to live in a place that could feed us: where rain falls, crops grow, and drinking water bubbles up right out of the ground."
Barbara Kingsolver opens her home to us, as she and her family attempt a year of eating only local food, much of it from their own garden. Inspired by the flavours and culinary arts of a local food culture, they explore many a farmers market and diversified organic farms at home and across the country. With characteristic warmth, Kingsolver shows us how to put food back at the centre of the political and family…
Jackie Alpers is an award-winning professional food photographer and author. She is a longtime contributing recipe developer & photographer for The Food Network, Refinery29, TheKitchn, TodayFood, Real Simple, National Geographic, and Edible Baja Arizona Magazine among others. She has been featured in articles for Reader’s Digest, CNN, Good Morning America, The New York Times & NPR. She writes, cooks, and styles recipes from her sun-lit studio in Tucson, Arizona.
I owe a huge debt of gratitude to the Flores family for hiring me on as a busier/bartender shortly after I moved to Tucson from Ohio in 1993. Carne Seca, albondigas and topopo were all new words to me that have since become embedded in my daily experience.
Carlotta Flores published a cookbook of recipes from the restaurant in 1998 and I reference it often in my own cookbook, Taste of Tucson. It’s a must-have book for anyone interested in learning more about Sonoran style Mexican food.
I'm an activist/scholar and I taught in the Feminist Studies department at the University of California, Santa Cruz for 40 years. My most popular class was Introduction to Feminism. Then I taught another large, undergraduate course Feminism & Social Justice. By the time I retired I had taught over 16,000 students, and worked with scores of graduate students. My online class, Feminism & Social Justice, on the Coursera Platform has been taken by over 107,000 people located on literally every continent. My teaching and writings are always anti-racist, and explicitly queer. They've drawn on my life experiences. They come out of my passion to lessen suffering, and embrace compassion.
Gloria Anzaldúa was born and raised in South Texas, growing up along the U.S.-Mexican border. For many years she lived in San Francisco, and then in Santa Cruz, California.
The first 113 pages of the book are stories and essays drawn from her life experiences as a woman of Mexican and Indian heritage, daily experiencing life at the physical border between the United States and Mexico.
She was raised in a strongly Catholic tradition, while also drawn to and inventing her own spirituality rooted in indigenous practices of harmony, balance, and reverence for the earth. She was a lesbian in a straight world that condemned her woman-loving sensibility.
Each of these is a “borderland” to be navigated and negotiated, and each of these borders is rich with insight, life, laughter, tears, violence, and love. The last 100 pages of the book is titled “Un Agitado Viento/ Ehécatl, The Wind.” It…
"The U.S-Mexican border es una herida abierta where the Third World grates against the first and bleeds. And before a scab forms it hemorrhages again, the lifeblood of two worlds merging to form a third country--a border culture."--Gloria Anzaldúa
Rooted in Gloria Anzaldúa's experience as a Chicana, a lesbian, an activist, and a writer, the essays and poems in BORDERLANDS/LA FRONTERA: THE NEW MESTIZA profoundly challenged, and continue to challenge, how we think about identity. BORDERLANDS/LA FRONTERA remaps our understanding of what a "border" is, presenting it not as a simple divide between here and there, us and them, but…
My expertise as a scholar of the women’s music movement spans 40 years--ever since I attended my first concert and music festival in 1981. A lecturer at UC-Berkeley, I’m the author of 19 books on women’s history, and published the first book on women’s music festivals, Eden Built By Eves, in 1999 (now out of print.) More recently I’ve organized exhibits on the women’s music movement for the Library of Congress, co-authored The Feminist Revolution(which made Oprah’s list), and I’m now the archivist and historian for Olivia Records.
This wonderfully written memoir by one of the most successful singers in American rock and popular music offers a thoughtful look at the artist’s rise to fame in multiple musical genres—from folk clubs to sold-out stadium concerts, to Broadway, torch songs, and the Mexican Canciones music of the author’s Sonora heritage. The book is a keen glimpse at the pressures of the road (and expectations for women in the spotlight), but a triumphant story of talent and artistic innovation.
Linda Ronstadt was born in 1946 to a modest family outside Tucson. From an early age, she, her brother and sister began making their own music, eventually performing their own shows in the folk and Mexican traditions of the area.
By the time Ronstadt was in community college, she realized the music scene in LA was where she wanted to be, just in time for the folk revival that was sweeping the nation. Despite some setbacks with her first band-the Stone Poneys-she quickly found her niche as a soloist with the new record label run by David Geffen. Soon she…
I have a life-long love of Westerns. I’ve researched the period and the events extensively. One of the first things I look for in any book I read is period accuracy. The books I write are historically accurate, though they are fiction. I’m on a mission, through my writing, to save the Western genre.
While this is a short story, not a novel, it is, in my opinion, the quintessential psychological Western. Depicting the struggle of an ordinary man saddled with extraordinary tasks, to maintain his honor and his values in the face of temptation, it delves into the minds of the two participants, and takes the reader on a wild ride as they wait for the train. Tension you could cut with a knife replaces action, keeping the reader on the edge of his/her seat until the end.
The New York Times-bestselling Grand Master of suspense deftly displays the other side of his genius, with seven classic western tales of destiny and fatal decision . . . and trust as essential to survival as it is hard-earned.
Trust was rare and precious in the wide-open towns that sprung up like weeds on America's frontier—with hustlers and hucksters arriving in droves by horse, coach, wagon, and rail, and gunmen working both sides of the law, all too eager to end a man's life with a well-placed bullet. In these classic tales that span more than five decades—including the first…
I’m fascinated with techno-utopian schemes. Decades ago, I had conversations with a friend who believed that humanity needed to evolve and leave the planet, just as early life once left the oceans. It was an intriguing idea that I have tried to follow up, critically, in Star Settlers. My book is a history not so much of the technology and nuts and bolts of space travel (although I do cover some of that), but of the rationale behind it—the idea that humanity’s ultimate destiny is in the stars. The idea is beguiling—but, likely, wrong-headed. To write the book, I spoke with physicists, science fiction writers, and space enthusiasts of all stripes.
The Biosphere 2 project was the wackiest multimillion-dollar enterprise to emerge from the New Age movement. This book is a nonfiction account of how a New Mexico commune, with a charismatic leader, developed a plan to test the viability of off-planet living by creating a sealed-off biosphere, which would be a self-sustaining and organizing ecosystem in which humans could survive. The goal was to create not a sterile environment but one that supported life that would make off-planet living appealing. The four men and four women sequestered for two years in the 3.14-acre domed-off area outside Tucson grew into two factions that hated one another. All came close to starvation, CO2 poisoning, and madness. For readers that simply must have narrative in fiction form, T. Corraghesson Boyle’s The Terranauts isbased on this same early 1990sepisode.
Biosphere rises from southern Arizona's high desert like a bizarre hybrid spaceship and greenhouse. Packed with more than 3,800 carefully selected plant, animal, and insect species, this mega-terrarium is one of the world's most biodiverse, lush, and artificial wildernesses. Only recently transformed from an abandoned ghost dome to a University of Arizona research center, the site was the setting of a grand drama about humans and ecology at the end of the twentieth century.
The seeds of Biosphere 2 sprouted in the 1970s at Synergia, a desert ranch in New Mexico where John Allen and a handful of dreamers united…
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