Here are 100 books that There Goes the Neighborhood fans have personally recommended if you like
There Goes the Neighborhood.
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I’m only a writer because I was a musician first. I worshiped music—as a performer, listener, and later a critic—for its ability to enshrine me in a purely emotional world. My favorite lyrics were poetry in motion; my favorite melodies escaped description. And through sharing my feverish acclamations of particular albums and songs, I found community with others who also pledged themselves to art that’d definitively split their lives into “before” and “after.” My writing career was born from cathartic devotion and remains devoted to recounting the rapture of self-formation, of being reflected in the mirror of something that saw you before you even knew to see yourself.
Based on the title alone, I knew Yi’s debut novel would hit me like a crossbow to the heart. “Y/N” Is a prevalent shorthand for a particular kind of self-insert fan fiction, and having grown up in online fandom spaces, I have a lot of nostalgia for (and now plenty of necessary distance from) the passion that often explodes within and beyond those communities.
And still, I wasn’t prepared for the journey that Yi took me on. Nominally about one woman's spiraling obsession with a Korean pop idol, Y/N charts the inexplicable journey between a “regular person” and a “fan" before morphing into something sinisterly, beautifully, and singularly unhinged.
"Wondrous and weird." -New York Times "Gorgeous." -New Yorker "High Brow x Brilliant." -NY Mag (Approval Matrix) "So good it's hard to believe." -New York Times Book Review Podcast "Rare." -n+1 "A true novel of the era." -Elle "Piercing, feverish, and frequently astonishing." -Entertainment Weekly "Utterly brilliant, shining, and mesmerizing." -Cosmopolitan "Freakish and hallucinatory." -Vulture "Absurdly funny." -Ms. Magazine "Savage." -Vanity Fair "Playful, immersive yet unreal." -Esquire "Riveting and innovative." -TIME "Curious, cerebral . . . with moments of tender poetry." -Times Literary Supplement "It."-SSENSE "Sophisticated." -Chicago Review of Books "Strange, haunting, and undeniably beautiful." -Publishers Weekly (Starred Review) "One…
I’m a Jamaican and Korean American author of young adult romance, and when crafting my stories, I love to create characters who go against the expectations thrust upon them, whether they’re based on race, ethnicity, sex, gender, sexuality, ability, etc. As a woman, as someone with multiple ethnic identities, as someone who isn’t neurotypical, and someone who doesn’t subscribe to the norms of gender and sexuality, navigating intersectionality has been a large part of my life and, therefore, my work. Rules should be broken when they're the ones telling us we can’t do something based on who we are.
This book breaks all the rules by being the sweetest, most empathetic, and heartfelt romance I’ve read in a long time, but without the romance. It portrays the importance of platonic love between two aromantic and asexual students who crave community, friendship, and understanding and find it in each other.
The social media posts and comment threads make it such an immersive reading experience. As I was reading, I truly felt like I was in their world. I had a smile on my face the entire time and a feeling of warmth, love, and acceptance. When I was done, I immediately called my best friends to tell them I loved them.
Dear Wendy's Sophie and Jo, two aromantic and asexual college students, engage in an online feud while unknowingly becoming friends in real life, in this dual POV Young Adult contemporary debut from Ann Zhao
Sophie Chi is in her first year of college (though her parents wish she'd attend a “real” university rather than a liberal arts school) and has long accepted her aroace (aromantic and asexual) identity. She knows she’ll never fall in love, but she enjoys running an Instagram account that offers relationship advice to students at her school. No one except her roommate can know that she’s…
I’m a Jamaican and Korean American author of young adult romance, and when crafting my stories, I love to create characters who go against the expectations thrust upon them, whether they’re based on race, ethnicity, sex, gender, sexuality, ability, etc. As a woman, as someone with multiple ethnic identities, as someone who isn’t neurotypical, and someone who doesn’t subscribe to the norms of gender and sexuality, navigating intersectionality has been a large part of my life and, therefore, my work. Rules should be broken when they're the ones telling us we can’t do something based on who we are.
This book breaks all the rules because, well, Ji-won, a young Korean-American girl, literally breaks the rules (and the law) by becoming a serial killer in the face of societal expectations. I love a woman who’s not concerned with being or acting pretty, and we see that in Ji-won far before she ever gets a bite of her first blue eye.
The commentary in this novel is sharp, and much of what Ji-won experiences resonates with me as a Korean-American. Though she is by no means a role model, it was satisfying to see someone who might typically be overlooked go on a grotesque, revenge-fueled violence spree. This book was intelligent and subversive in all the right ways.
Crying in H-Mart meets My Sister, the Serial Killer in this feminist psychological horror about the making of a female serial killer from a Korean-American perspective.
Ji-won's life tumbles into disarray in the wake of her Appa's extramarital affair and subsequent departure. Her mother, distraught. Her younger sister, hurt and confused. Her college freshman grades, failing. Her dreams, horrifying... yet enticing.
In them, Ji-won walks through bloody rooms full of eyes. Succulent blue eyes. Salivatingly blue eyes. Eyes the same shape and shade as George's, who is Umma's obnoxious new boyfriend. George has already overstayed his welcome in her family's…
I’m a Jamaican and Korean American author of young adult romance, and when crafting my stories, I love to create characters who go against the expectations thrust upon them, whether they’re based on race, ethnicity, sex, gender, sexuality, ability, etc. As a woman, as someone with multiple ethnic identities, as someone who isn’t neurotypical, and someone who doesn’t subscribe to the norms of gender and sexuality, navigating intersectionality has been a large part of my life and, therefore, my work. Rules should be broken when they're the ones telling us we can’t do something based on who we are.
This book features Princess Ying Yue, a character who defies numerous conventions, including traditional gender norms and the expectation that royalty must prioritize duty over love. I adored the complex dynamic between Ying and her two princes; I really couldn’t predict which direction the love triangle would go from the outset. There were so many twists and turns, but everything came together in a satisfying end.
This book was so creepy, eerie, and unsettling, yet beautifully written and carefully crafted with a rare elegance. The worldbuilding completely enamored me, and the creepy Mirror World is something that I’ll be thinking about for a long time.
I am a White person who grew up in a primarily Black DC neighborhood in the 1980s. Growing up in a Black community in DC at a time when the city was experiencing a cascade of crises – from the spread of crack to an AIDS epidemic to a failing school system – has fundamentally shaped my life and my view of the world. When I returned in the early twenty-first century to my city to find it had significantly changed and that many of my Black neighbors had been pushed out, I was compelled to learn more about DC before gentrification and to understand the path the city I love had taken.
This book offers insight into how Black DC residents think about their changing city.
For many Black long-term residents, DC has long been a “Chocolate city,” a city where Black people held both the demographic and political majority, and where Black people created their own spaces of belonging, pride, and self-reliance.
This book draws from oral histories and ethnographic data with long-term African-American residents of DC to explain both how gentrification has enhanced the vulnerability of low-income residents and how Black residents of DC are reclaiming spaces in their city.
This book uses qualitative data to explore the experiences and ideas of African Americans confronting and constructing gentrification in Washington, D.C. It contextualizes Black Washingtonians' perspectives on belonging and attachment during a marked period of urban restructuring and demographic change in the Nation's Capital and sheds light on the process of social hierarchies and standpoints unfolding over time. African Americans and Gentrification in Washington, D.C. emerges as a portrait of a heterogeneous African American population wherein members define their identity and culture as a people informed by the impact of injustice on the urban landscape. It presents oral history and…
I am a White person who grew up in a primarily Black DC neighborhood in the 1980s. Growing up in a Black community in DC at a time when the city was experiencing a cascade of crises – from the spread of crack to an AIDS epidemic to a failing school system – has fundamentally shaped my life and my view of the world. When I returned in the early twenty-first century to my city to find it had significantly changed and that many of my Black neighbors had been pushed out, I was compelled to learn more about DC before gentrification and to understand the path the city I love had taken.
Chocolate City covers the last few centuries of history in DC.
This tome provides an in-depth overview of the history of race in Washington, DC from its founding to the present. It traces the history of race and democracy in the nation’s capital – from its days as a trading post for enslaved persons to its emergence as a booming metropolis.
By putting racial dynamics, tensions, and demographics at the center of the narrative, the authors develop a cohesive narrative that helps us to understand the multiple and consistent ways that Black DC residents have been disenfranchised and dispossessed.
Monumental in scope and vividly detailed, Chocolate City tells the tumultuous, four-century story of race and democracy in our nation's capital. Emblematic of the ongoing tensions between America's expansive democratic promises and its enduring racial realities, Washington often has served as a national battleground for contentious issues, including slavery, segregation, civil rights, the drug war, and gentrification. But D.C. is more than just a seat of government, and authors Chris Myers Asch and George Derek Musgrove also highlight the city's rich history of local activism as Washingtonians of all races have struggled to make their voices heard in an undemocratic…
I started writing for kids and teens before I became a parent myself, but now, seeing these kinds of stories from both perspectives, I’m even more passionate about helping foster conversations among families, about the things that are hard to talk about. In the time of pandemics and global warming and school shootings, not to mention the access the internet provides, kids have more questions and concerns than ever. I’ve found, both in my research and in practice, that being honest with kids in a way that they can understand and process is a true gift to them.
Giles does a wonderful job with a current hot topic that might come up a lot for kids: gentrification. Take Back the Block made me want to leap into action, and that’s a pretty magical thing to be able to say about a book! Not only did I want to read more about these characters, but I wanted to get involved in my own city to preserve homes and mitigate gentrification. Change is constant, and kids will love this book for talking about the changes we can control and those we cannot, and how to see the difference. Parents will appreciate a way to concretely illustrate what gentrification is, and to have honest conversations about it with their kids.
Wes Henderson has the best style in sixth grade. That--and hanging out with his crew (his best friends since little-kid days) and playing video games--is what he wants to be thinking about at the start of the school year, not the protests his parents are always dragging him to.
But when a real estate developer makes an offer to buy Kensington Oaks, the neighborhood Wes…
I am a writer who loves to read. In fact when aspiring writers ask me for advice about getting started, I tell them to read widely, and more importantly, to fall in love with reading. So much about craft can be learned from deconstructing good books to see how they work. Each of the five books I’ve selected have influenced the way I tell my stories. They have taught me to examine past works for inspiration and compelling beginnings.
This book demonstrates that prose doesn’t have to be lyrical to leave an indelible impact on readers.
Lutie Johnson is a single mother living in a rundown building on the street. Her desires are simply articulated as are the barriers keeping her from achieving them. Lutie spends most of the novel dodging the clutches of men who think they deserve her just because they desire her, and a neighborhood snake-eyed madam who wants to exploit Lutie’s beauty.
Petry begins the book describing a cold November wind and continues with an icy precision that will entrance the reader until the very last page.
With a new introduction by TAYARI JONES, author of An American Marriage
'This is a wonderful novel - the prose is clear, the plot is page-turning, the characters are utterly believable' CHIMAMANDA NGOZI ADICHIE
'Ann Petry's first novel, The Street, was a literary event in 1946, praised and translated around the world - the first book by a black woman to sell more than a million copies . . . Her work endures not merely because of the strength of its message but its artistry' NEW YORK TIMES
'My favorite type of novel, literary with an astonishing plot . .…
I am a White person who grew up in a primarily Black DC neighborhood in the 1980s. Growing up in a Black community in DC at a time when the city was experiencing a cascade of crises – from the spread of crack to an AIDS epidemic to a failing school system – has fundamentally shaped my life and my view of the world. When I returned in the early twenty-first century to my city to find it had significantly changed and that many of my Black neighbors had been pushed out, I was compelled to learn more about DC before gentrification and to understand the path the city I love had taken.
Read this book if you want to understand the nuances of blackness in the nation’s capital.
Brandi Thompson Summers argues in her book, Black in Place, that gentrification along the H Street Corridor in DC has involved the embracing of blackness as an aesthetic alongside the displacement of actual Black people. Summers explains how blackness came to be valued as a prized aesthetic at the same time that Black people experienced the heavy policing, predatory lending, and displacement that both make possible and accompany the gentrification of Black neighborhoods.
While Washington, D.C., is still often referred to as "Chocolate City," it has undergone significant demographic, political, and economic change in the last decade. In D.C., no place represents this shift better than the H Street corridor. In this book, Brandi Thompson Summers documents D.C.'s shift to a "post-chocolate" cosmopolitan metropolis by charting H Street's economic and racial developments. In doing so, she offers a theoretical framework for understanding how blackness is aestheticized and deployed to organize landscapes and raise capital. Summers focuses on the continuing significance of blackness in a place like the nation's capital, how blackness contributes to…
I’ve been fascinated by cities ever since I was a teenager without a driver’s license on Long Island and my parents let me take the train into Manhattan (“Just be back by midnight!”). In college, I studied architecture and urbanism and learned how cities churned and changed. Today, having written about places like New Orleans, San Francisco, Mumbai and Berlin for publications including Harper’s and The New York Times Magazine, as well as in my books, I know I’ll be walking, riding, and eating my way through cities forever. And reading through them, too!
I love this book because it was so ahead of its time. Written during San Francisco’s first bout of hyper-gentrification—the 1990s dot-com boom—it is a chronicle of and tribute to the economically marginal but culturally central communities that got squeezed out: SRO denizens, Black activists, and queer refugees from Middle America.
In this 2001 book, a yet-to-be-discovered Solnit, in league with photographers Susan Schwartzenberg and Kate Joyce, records it all through the bulldozed and whitewashed spaces where these urbanites once lived. Most indelible is Joyce’s photo essay on San Francisco Starbucks outlets, each with a line below marking the storefront’s former life (“New Manila Restaurant, 1964-1994”; “Melody Video & Sound, 1936-1992”) showing how a flood of corporate money washed away so much that was unique in a great American city.
California's Bay Area is home to nearly a third of the venture capital and internet businesses in the United States, generating a boom economy and a massive influx of well-paid workers that has transformed the face of San Francisco. Once the great anomaly among American cities, San Francisco is today only the most dramatically affected among the many urban centers experiencing cultural impoverishment as a result of new forms and distributions of wealth.
A collaboration between writer-hiostorian Rebecca Solnit and photographer Susan Schwartzenberg, Hollow City surveys San Francisco's transformation-skyrocketing residential and commercial rents that are driving out artists, activists, nonprofit…
