100 books like There Goes the Neighborhood

This book breaks all the rules because I’m still not certain that it wasn’t a fever dream. Fan culture, particularly K-pop fan culture, is usually depicted as cute and innocent and something for teenage girls. However, Y/N really flips that on its head and delves into the dark underbelly of fandom that includes obsession, stalking, and the break in reality that can happen due to heavy reliance on parasocial relationships.

This book was so immersive in the way it flipped between fanfiction, in which you’re meant to insert yourself into, and the wild journey that the unreliable narrator goes on. I loved this book because it did so much with so few pages, and it was so beautiful on a craft level. It was deeply unhinged, grotesque, and confounding at times, but I couldn’t look away.

This book breaks all the rules by being the sweetest, most empathetic, and heartfelt romance I’ve read in a long time, but without the romance. It portrays the importance of platonic love between two aromantic and asexual students who crave community, friendship, and understanding and find it in each other.

The social media posts and comment threads make it such an immersive reading experience. As I was reading, I truly felt like I was in their world. I had a smile on my face the entire time and a feeling of warmth, love, and acceptance. When I was done, I immediately called my best friends to tell them I loved them.

This book breaks all the rules because, well, Ji-won, a young Korean-American girl, literally breaks the rules (and the law) by becoming a serial killer in the face of societal expectations. I love a woman who’s not concerned with being or acting pretty, and we see that in Ji-won far before she ever gets a bite of her first blue eye.

The commentary in this novel is sharp, and much of what Ji-won experiences resonates with me as a Korean-American. Though she is by no means a role model, it was satisfying to see someone who might typically be overlooked go on a grotesque, revenge-fueled violence spree. This book was intelligent and subversive in all the right ways.

This book features Princess Ying Yue, a character who defies numerous conventions, including traditional gender norms and the expectation that royalty must prioritize duty over love. I adored the complex dynamic between Ying and her two princes; I really couldn’t predict which direction the love triangle would go from the outset. There were so many twists and turns, but everything came together in a satisfying end.

This book was so creepy, eerie, and unsettling, yet beautifully written and carefully crafted with a rare elegance. The worldbuilding completely enamored me, and the creepy Mirror World is something that I’ll be thinking about for a long time.

This book offers insight into how Black DC residents think about their changing city.

For many Black long-term residents, DC has long been a “Chocolate city,” a city where Black people held both the demographic and political majority, and where Black people created their own spaces of belonging, pride, and self-reliance.

This book draws from oral histories and ethnographic data with long-term African-American residents of DC to explain both how gentrification has enhanced the vulnerability of low-income residents and how Black residents of DC are reclaiming spaces in their city.

Chocolate City covers the last few centuries of history in DC.

This tome provides an in-depth overview of the history of race in Washington, DC from its founding to the present. It traces the history of race and democracy in the nation’s capital – from its days as a trading post for enslaved persons to its emergence as a booming metropolis.

By putting racial dynamics, tensions, and demographics at the center of the narrative, the authors develop a cohesive narrative that helps us to understand the multiple and consistent ways that Black DC residents have been disenfranchised and dispossessed. 

Giles does a wonderful job with a current hot topic that might come up a lot for kids: gentrification. Take Back the Block made me want to leap into action, and that’s a pretty magical thing to be able to say about a book! Not only did I want to read more about these characters, but I wanted to get involved in my own city to preserve homes and mitigate gentrification. Change is constant, and kids will love this book for talking about the changes we can control and those we cannot, and how to see the difference. Parents will appreciate a way to concretely illustrate what gentrification is, and to have honest conversations about it with their kids.

This book demonstrates that prose doesn’t have to be lyrical to leave an indelible impact on readers.

Lutie Johnson is a single mother living in a rundown building on the street. Her desires are simply articulated as are the barriers keeping her from achieving them. Lutie spends most of the novel dodging the clutches of men who think they deserve her just because they desire her, and a neighborhood snake-eyed madam who wants to exploit Lutie’s beauty.

Petry begins the book describing a cold November wind and continues with an icy precision that will entrance the reader until the very last page.  

This is a great book if you want to understand how some expressions of blackness can be valued while Black people are being displaced.

Derek Hyra describes gentrification and racial change in the Shaw neighborhood of Washington, DC – which went from 90 percent Black in 1970 to 30 percent Black by 2010. Shaw’s status as the cultural epicenter of the Black community in the early twentieth century has become a selling point: many of the new establishments highlight this Black history, with odes to Marvin Gaye, Langston Hughes, and Duke Ellington in their names and featured artwork.

Hyra argues many of the White newcomers to Shaw embrace its Black history while ignoring the needs and preferences of contemporary Black residents. Thus, Black residents are experiencing both political and cultural displacement as they have lost political and economic power in the neighborhood.

Read this book if you want to understand the nuances of blackness in the nation’s capital.

Brandi Thompson Summers argues in her book, Black in Place, that gentrification along the H Street Corridor in DC has involved the embracing of blackness as an aesthetic alongside the displacement of actual Black people. Summers explains how blackness came to be valued as a prized aesthetic at the same time that Black people experienced the heavy policing, predatory lending, and displacement that both make possible and accompany the gentrification of Black neighborhoods.