Here are 99 books that Take Back the Block fans have personally recommended if you like
Take Back the Block.
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I started writing for kids and teens before I became a parent myself, but now, seeing these kinds of stories from both perspectives, I’m even more passionate about helping foster conversations among families, about the things that are hard to talk about. In the time of pandemics and global warming and school shootings, not to mention the access the internet provides, kids have more questions and concerns than ever. I’ve found, both in my research and in practice, that being honest with kids in a way that they can understand and process is a true gift to them.
Like many parents of kids and tweens, I sometimes forget that my kids weren’t alive yet on 9/11, nor do they understand the ripple effects of the terrorist attacks and surrounding time on our current political and social world. My husband and I had just moved to New York City on September 11, 2021, and witnessed the city’s grief and resilience firsthand, but it’s hard to explain to our kids the effects that that event had on how some people treat and regard American Muslims and people of color, and how history still very much affects us all today. This book is a wonderful way to start that conversation with kids.
At a time when we are all asking questions about identity, grief, and how to stand up for what is right, this book by the author of A Thousand Questions will hit home with young readers who love Hena Khan and Varian Johnson-or anyone struggling to understand recent U.S. history and how it still affects us today.
Yusuf Azeem has spent all his life in the small town of Frey, Texas-and nearly that long waiting for the chance to participate in the regional robotics competition, which he just knows he can win.
I am passionate about writing books that put good into the world and highlight meaningful and inspiring themes, which, in turn, means I am also passionate about reading books that do the same. I love to write and read books that leave the reader feeling like there is still good in the world, even when it seems to be very dark around us. If people read my books or any on this list, I sincerely hope they feel encouraged and inspired and enjoy them as much as I do.
While I don’t always love mainstream classics, The Giver is a classic for a reason, and, in my opinion, it rightfully deserves its place on the shelf.
I love the emotional draw of this book and the invitation to think deeper about the meaning of life and the burden it can take on us. I love books that challenge us to think about the bigger concepts of life and all they entail: the good, the bad, and the ugly.
THE GIVER is soon to be a major motion picture starring Jeff Bridges, Katie Holmes and Taylor Swift.
Now available for the first time in the UK, THE GIVER QUARTET is the complete four-novel collection.
THE GIVER: It is the future. There is no war, no hunger, no pain. No one in the community wants for anything. Everything needed is provided. And at twelve years old, each member of the community has their profession carefully chosen for them by the Committee of Elders.
Jonas has never thought there was anything wrong with his world. But from the moment he is…
Despite playing precisely one year of competitive basketball myself, as a gangly sixth grader in the 1990s forced to play without her (desperately needed) glasses and capable of only granny-style free throws, I fell in love with the sport later in life as a superfan of my local college basketball team, the University of Cincinnati Bearcats. I’m forever interested in players as human beings, and the way forces from their off-court life affect the game and vice versa.
Body image issues affect so many of us, and it can feel particularly acute in the middle school years, when our bodies are undergoing so much change. Though it’s been decades, I palpably remember how strange my growth spurt felt from the inside and how it changed my confidence.
In Alyson Gerber’s excellent book, Sarah is used to excelling on the basketball court, but when the shots stop falling, she’s quick to blame her changing physique and takes matters into her own hands to rectify things by drastically altering her eating habits.
Gerber handles this material with empathy and compassion, never talking down to the reader or getting preachy. Whatever your gender (body image issues are hardly limited to girls), there’s so much to relate to in this story.
From beloved author Alyson Gerber comes another realistic contemporary novel perfect for fans of Judy Blume.
Sarah loves basketball more than anything. Crushing it on the court makes her feel like she matters. And it's the only thing that helps her ignore how much it hurts when her mom forgets to feed her. But lately Sarah can't even play basketball right. She's slower now and missing shots she should be able to make. Her body doesn't feel like it's her own anymore. She's worried that changing herself back to how she used to be is the only way she can…
I’m a trans parent of a trans teen. (I didn’t do it on purpose. It just worked out that way.) I’m always looking for books by trans authors that accurately reflect transgender experiences at every life stage, but particularly during middle school and the teen years. The books I’ve selected are my favorites because they’re authentic—and because they let readers learn difficult, complicated lessons through fiction. When I’m not writing books, reading books, editing books, or eating books for dessert, I’m caring for my disabled dogs, dirt-biking with my kid, or drawing near an open window with a mug of green tea and some lo-fi beats.
This book is a milestone in transgender literature for kids. Published in 2015, it follows a fourth-grader’s attempts to get classmates, teachers, parents, etc. to see past the surface: she’s a girl named Melissa, not a boy named George as everyone perceives. An argument often leveled against transgender kids is that they can’t knowthey’re transgender because they’re too young. This novel counters that by compassionately and realistically portraying a child who knows her identity from an early age, and it shows how devastating it is when the people who should love and support Melissa instead reject her assertion of her identity. It has a happy ending, but it leaves the reader thinking about how many transgender kids don’tget that—thereby inspiring advocacy.
Formally titled George, this is the unforgettable debut from Alex Gino
"Allow me to introduce you to a remarkable book, full of love, wonder, hope, and the importance of getting to be who you were meant to be. You must read this." - David Levithan, author of Every Day and editor of George.
When people look at George, they think they see a boy. But she knows she's not a boy. She knows she's a girl.
George thinks she'll have to keep this a secret forever. Then her teacher announces that their class play is going to be Charlotte's Web.…
I am a White person who grew up in a primarily Black DC neighborhood in the 1980s. Growing up in a Black community in DC at a time when the city was experiencing a cascade of crises – from the spread of crack to an AIDS epidemic to a failing school system – has fundamentally shaped my life and my view of the world. When I returned in the early twenty-first century to my city to find it had significantly changed and that many of my Black neighbors had been pushed out, I was compelled to learn more about DC before gentrification and to understand the path the city I love had taken.
This book offers insight into how Black DC residents think about their changing city.
For many Black long-term residents, DC has long been a “Chocolate city,” a city where Black people held both the demographic and political majority, and where Black people created their own spaces of belonging, pride, and self-reliance.
This book draws from oral histories and ethnographic data with long-term African-American residents of DC to explain both how gentrification has enhanced the vulnerability of low-income residents and how Black residents of DC are reclaiming spaces in their city.
This book uses qualitative data to explore the experiences and ideas of African Americans confronting and constructing gentrification in Washington, D.C. It contextualizes Black Washingtonians' perspectives on belonging and attachment during a marked period of urban restructuring and demographic change in the Nation's Capital and sheds light on the process of social hierarchies and standpoints unfolding over time. African Americans and Gentrification in Washington, D.C. emerges as a portrait of a heterogeneous African American population wherein members define their identity and culture as a people informed by the impact of injustice on the urban landscape. It presents oral history and…
I am a White person who grew up in a primarily Black DC neighborhood in the 1980s. Growing up in a Black community in DC at a time when the city was experiencing a cascade of crises – from the spread of crack to an AIDS epidemic to a failing school system – has fundamentally shaped my life and my view of the world. When I returned in the early twenty-first century to my city to find it had significantly changed and that many of my Black neighbors had been pushed out, I was compelled to learn more about DC before gentrification and to understand the path the city I love had taken.
Chocolate City covers the last few centuries of history in DC.
This tome provides an in-depth overview of the history of race in Washington, DC from its founding to the present. It traces the history of race and democracy in the nation’s capital – from its days as a trading post for enslaved persons to its emergence as a booming metropolis.
By putting racial dynamics, tensions, and demographics at the center of the narrative, the authors develop a cohesive narrative that helps us to understand the multiple and consistent ways that Black DC residents have been disenfranchised and dispossessed.
Monumental in scope and vividly detailed, Chocolate City tells the tumultuous, four-century story of race and democracy in our nation's capital. Emblematic of the ongoing tensions between America's expansive democratic promises and its enduring racial realities, Washington often has served as a national battleground for contentious issues, including slavery, segregation, civil rights, the drug war, and gentrification. But D.C. is more than just a seat of government, and authors Chris Myers Asch and George Derek Musgrove also highlight the city's rich history of local activism as Washingtonians of all races have struggled to make their voices heard in an undemocratic…
I’m a Jamaican and Korean American author of young adult romance, and when crafting my stories, I love to create characters who go against the expectations thrust upon them, whether they’re based on race, ethnicity, sex, gender, sexuality, ability, etc. As a woman, as someone with multiple ethnic identities, as someone who isn’t neurotypical, and someone who doesn’t subscribe to the norms of gender and sexuality, navigating intersectionality has been a large part of my life and, therefore, my work. Rules should be broken when they're the ones telling us we can’t do something based on who we are.
This book is full of rule-breakers, but not in the way you’d think. Rhea and her friends try to combat gentrification in their South L.A. neighborhood in the most unconventional way imaginable by inventing a fake gang; however, they are soon blamed for a very real murder.
I lived in West Baltimore for a time and saw the effects of gentrification taking over my neighborhood even in the short two years that I was there, so this book really resonated with me on a personal level. The premise reminded me of those memes of people claiming to shoot out the windows every few months to keep the rent low. While it’s a joke, there is a very real fear behind it, and this is a complex issue that Adia tackles with such a fresh voice and nuanced approach.
Winner of the 2024 Coretta Scott King John Steptoe New Talent Award
A raised fist against the destructive forces of gentrification and a love letter to communities of color everywhere, Jade Adia's unforgettable debut tells the darkly hilarious story of three best friends willing to do whatever it takes to stay together.
The gang is fake, but the fear is real.
Rhea’s neighborhood is fading away—the mom-and-pop shops of her childhood forced out to make space for an artisanal kombucha brewery here, a hot yoga studio there. And everywhere, the feeling that this place is no longer meant for her.…
I am a writer who loves to read. In fact when aspiring writers ask me for advice about getting started, I tell them to read widely, and more importantly, to fall in love with reading. So much about craft can be learned from deconstructing good books to see how they work. Each of the five books I’ve selected have influenced the way I tell my stories. They have taught me to examine past works for inspiration and compelling beginnings.
This book demonstrates that prose doesn’t have to be lyrical to leave an indelible impact on readers.
Lutie Johnson is a single mother living in a rundown building on the street. Her desires are simply articulated as are the barriers keeping her from achieving them. Lutie spends most of the novel dodging the clutches of men who think they deserve her just because they desire her, and a neighborhood snake-eyed madam who wants to exploit Lutie’s beauty.
Petry begins the book describing a cold November wind and continues with an icy precision that will entrance the reader until the very last page.
With a new introduction by TAYARI JONES, author of An American Marriage
'This is a wonderful novel - the prose is clear, the plot is page-turning, the characters are utterly believable' CHIMAMANDA NGOZI ADICHIE
'Ann Petry's first novel, The Street, was a literary event in 1946, praised and translated around the world - the first book by a black woman to sell more than a million copies . . . Her work endures not merely because of the strength of its message but its artistry' NEW YORK TIMES
'My favorite type of novel, literary with an astonishing plot . .…
I am a White person who grew up in a primarily Black DC neighborhood in the 1980s. Growing up in a Black community in DC at a time when the city was experiencing a cascade of crises – from the spread of crack to an AIDS epidemic to a failing school system – has fundamentally shaped my life and my view of the world. When I returned in the early twenty-first century to my city to find it had significantly changed and that many of my Black neighbors had been pushed out, I was compelled to learn more about DC before gentrification and to understand the path the city I love had taken.
Read this book if you want to understand the nuances of blackness in the nation’s capital.
Brandi Thompson Summers argues in her book, Black in Place, that gentrification along the H Street Corridor in DC has involved the embracing of blackness as an aesthetic alongside the displacement of actual Black people. Summers explains how blackness came to be valued as a prized aesthetic at the same time that Black people experienced the heavy policing, predatory lending, and displacement that both make possible and accompany the gentrification of Black neighborhoods.
While Washington, D.C., is still often referred to as "Chocolate City," it has undergone significant demographic, political, and economic change in the last decade. In D.C., no place represents this shift better than the H Street corridor. In this book, Brandi Thompson Summers documents D.C.'s shift to a "post-chocolate" cosmopolitan metropolis by charting H Street's economic and racial developments. In doing so, she offers a theoretical framework for understanding how blackness is aestheticized and deployed to organize landscapes and raise capital. Summers focuses on the continuing significance of blackness in a place like the nation's capital, how blackness contributes to…
Since the age of seven, I've been conscious of the need to bypass how one is supposed to do things. I realized then that my grandmother could not pursue a writing career because she was also a woman and a wife; a cautionary tale I took to heart since I was already beginning to identify as an artist. I'm driven to uncover how we recognize what we see, and how forces beyond our control engender or foreclose upon new ways of being in the world. A professional life lived in the arts has allowed the fullest flexibility for exploring these ideas as one is generally encouraged to think differently.
This is the book that launched a thousand essays about gentrification in urban neighborhoods and reinvented the term “revanchism” for use in critical geography.
From the French noun revanche, revanchism refers to a policy or movement focused on reacquiring a nation's lost territory. The Revanchist City as it became known after Smith’s book, describes city residents under siege by their own city governments.
Starting with a description of the battles over who could use Tompkins Square Park in New York City’s Lower East Side in the 1980s and 90s, and moving on to other case studies (some global), Smith shows how cities are transformed into zones of international capital investment and class privilege through neoliberal policies enacted at the municipal level.
Why have so many central and inner cities in Europe, North America and Australia been so radically revamped in the last three decades, converting urban decay into new chic? Will the process continue in the twenty-first century or has it ended? What does this mean for the people who live there? Can they do anything about it? This book challenges conventional wisdom, which holds gentrification to be the simple outcome of new middle-class tastes and a demand for urban living. It reveals gentrification as part of a much larger shift in the political economy and culture of the late twentieth…
